ANTARCTICA DISPATCH #4 LEAVING FOR USHUAIA

The last few days in Buenos Aires seem to have passed with some degree of speed – I guess that is just the way it goes the first time you visit a new city when there is so much to see and do in a limited amount of time. My friend Martyn and I are flying out early this morning (straight after breakfast) for the worlds southern most permanent town – Ushuaia; where we will spend a few days photographing along the beaches and mountains before we set sail for Antarctica. I am keen to head south after a few days in B/A and embrace the colder climate at the bottom of South America – Warm climates are just not my cup of tea.

If I am to be politically correct I have mixed feelings about Buenos Aires as a city. I far prefer to spend my time out in the wilderness amongst waterfalls, glaciers and mountains so my opinion of any city is always going to present somewhat in the negative. The poverty in many parts of Bueons Aires is extreme by Australian standards. This was particularly evident in the more seedy areas around La Bocca. One only has to wander down a side street away from the tourist hot spots to feel quite isolated and unsafe (at least that is how it felt to me). The city is extremely run down and dirty by Australian standards. Combined with the dense population and usual city grime and I find myself yearning for nature’s unspoilt wilderness. Its not hard to see why Melbourne is the worlds most liveable city.

Don't Jump at La Bocca!

ANTARCTICA DISPATCH #3 – BUENOS AIRES – CEMENTARIO DE RECOLETA

Martyn and I managed to find our way over to the Cementario De Recoleta early this afternoon where we spent some time wandering amongst the maze of ancient crypts and tombs before settling into a nearby cafe in the shade for a cold drink and a spot of lunch. Its quite hot and humid today in Buenos Aires (33 degrees celsius) and I was well and truly ready for a beer and seat in the shade after a couple of hours in the sun. The Cementario de Recoleta is a fascinating location and I could easily spend hours and hours photographing in and around the multitude of decrypit crypts and statues that make up this cemetery. The Cementario de Recoleta is one of those locations that would be just wonderful to photograph with rain and or mist / fog. As it was we had to make do with brilliant sunshine on a cloudless day – hence the focus on detail and not the big picture. As is often the case with these things there is immense pleasure to be found in the detail; although the myriad of walkways amidst the grand crypts are incredibly impressive and awe inspiring. This was the first time I have pulled my camera out of the bag (just the S90 Point and Shoot) since I arrived in Buenos Aires and it feels good to have a few shots ‘in the can’. Although this is not the sort of photography I pursue on a regular basis it was very enjoyable and it felt good to start exercising the shutter finger and get my mind into a more creative frame of mind.

The Candelabra

La Rose et la Vampire

Family Ghost

ANTARCTICA DISPATCH #2 – BUENOS AIRES

A more pointed example than Buenos Aires that big cities are just not my cup of tea I cannot imagine. The sprawling, seething urban metropolis ticks all the boxes for things I dislike about big cities – pollution, over-crowding, poverty, crime, grime, the list goes on. And to top it all off its far too hot for my liking with temperatures in the low 30′s celsius. I will be very glad to head south in a couple of days to the much smaller town of Ushuaia, much cooler climate (sub ten degrees celsius) and nearby mountains. Until then I am going to see a few local sites including La Bocca (the home of the Tango) and otherwise relax to while away the time.

The journey over from Australia was uneventful and I was thankfully able to break the back of the long haul flight with a good six hour sleep – yes, a few scotches helped. I was treated to an absolutely superlative view (thanks to clear skies) of the snow capped Andes mountain range as we crossed into South America from the window of the plane. The Andes would rate as one of the most spectacular mountain ranges I have ever laid eyes on – absolutely beautiful and stretching as far as they eye could see. With any luck I should get another view of them on the flight to Ushuaia if the weather stays clear.

For now, its time for some breakfast and just a small amount of local culture…

ANTARCTICA DISPATCH #1 – LEAVING FOR BUENOS AIRES

Pinch me and call me excited! After a year and a half of waiting the date of departure has finally arrived and I am flying out very early AM tomorrow morning for Buenos Aires on my way to Ushuaia and then Antarctica. I booked this expedition well over a year ago now and to be honest; much like a child waiting for Christmas it just felt like it was never going to get here. Antarctica has been a long time dream for me and my shutter finger is itching to starting loosing some frames amongst my favourite subjects (icebergs and glaciers) at the bottom of the world. There is quite a bit of travel ahead of me over the next 5-6 days including two days sailing across the notorious Drake passage; but I am looking forward to the first ice sighting off the bow very much.

I am going to do my best to keep my blog up-to-date throughout the trip; however, once we board the Ocean Nova and set sail for Antarctica there will be no internet access and updates will have to be posted when we get back to Ushuaia at the conclusion of the trip. Although Antarctica is well and truly the primary focus of this trip I am also looking forward to spending a couple of days in Buenos Aires with my good friend Martyn before we head south to the small town of Ushuaia at the bottom of South America. From Ushuaia we sail for Antarctica. I am not at all prone to sea sickness and to date have never suffered from any kind of motion sickness. Nevertheless I am taking no chances in the wilds of the Drake passage and am packing patches and tablets just in case. The only time I plan to be leaning over the side of the ship is to take photographs – not to loose my lunch.

I have had a lot of time to consider what photographic equipment to take me with on this trip and if you have been following my blog you will have probably noticed that I was pretty much considering taking ‘everything’. Nothings changed – I have packed every piece of glass and camera in my arsenal lest I find myself in a situation where I want and need, but don’t have. It means I am schlepping some considerable weight and bulk in camera equipment through airports etc.; but once I get onto the ship I can pretty much unload and take what I feel I need on individual zodiac and shore excursions. It should be very exciting and I have all fingers and toes crossed for some amazing Antarctic light. See you in Buenos Aires in a day or so…

SILVERSHOTZ FOLIOS 2011 – THE JOURNAL OF CONTEMPORARY PHOTOGRAPHY

I wrote a brief blog post a few weeks ago that some of my photography had been selected for inclusion in the  2011 Silvershotz Folio Journal. I have known for some time now that my work was being included in the journal but  it was  still exciting to finally receive my copies in the mail yesterday evening and to see the work in print.  The below is a scan of the text and leading photograph – ‘Selfoss Before Storm’. The folio also includes ‘Well of Life‘ and ‘Blue Berg‘. Silvershotz has a wonderfully diverse selection of photography represented throughout its pages and I would encourage anyone interested in fine art photography to check it out.

‘COLORS OF ICELAND’ EXHIBITION OPENS DECEMBER 2ND AT THE WILDERNESS GALLERY TASMANIA

My new exhibition ‘Colours of Iceland‘ opens the 2nd of December at the Wilderness Gallery at Cradle Mountain in Tasmania. ‘Colours of Iceland’ includes twenty four of my personal favourite photographs from Iceland as 20″ x 30″ inch Limited Edition Fine Art Photographic Prints. Each print is made on my absolute favourite paper - Moab Somerset Museum Rag and includes a certificate of authenticity on Moab Moenkopi Washi paper. Prints can also be ordered online directly from the Wilderness Gallery in a range of different sizes. Open Edition A4 prints will also be available for sale at the Gallery Gift Shop.

Unfortunately I will be unable to attend the opening as I am headed to Antarctica early next week on a three week photographic expedition; however, I am looking forward to visiting and seeing the accompanying shows when I get back at the end of the year. If you manage to visit the gallery please drop me a line and let me know if you enjoyed it! There are special room rates available at the Chalet – contact reception for details 03 6492 1404. The exhibition will also be coming to Melbourne early in the new year 2012 for a strictly limited time.

Invitation

THE INTERNATIONAL LOUPE AWARDS 2011 – ‘WELL OF LIFE’ WINS GOLD

The International Loupe Awards for 2011 (formally known as the International Aperture Awards) seem to have snuck up on me this year and I was not aware that images were already in the stages of being judged until early this morning when I was notified via email that my personal favourite photograph from Iceland  (A photograph I titled ‘Well of Life’) had won a Gold Award in the Open Landscape Category. ‘Well of Life’ is a photograph near and dear to my heart for many reasons. For me it epitomises the unique geological features of Iceland in a truly alien landscape. And secondly, it came about through a combination of sheer determination, willingness to go the extra mile (literally) and of course a little bit of luck. You can read the full story on the making of this photograph HERE.

‘Well of Life’ was a finalist earlier this year in the World Extreme Environment Awards (Blue Berg won the People’s Choice Award in this competition) and won a coveted and prestigious Silver Award at the 2011 Australian Professional Photography Awards (APPA) in the Landscape Non-Composite Category. The APPA awards are widely regarded as the toughest international photography competition out there and winning Silver with this photograph (which was judged in print) was a great honour. Winning Gold at the Loupe Awards this year is the icing on the very sweet cake.

The three other photographs I had entered into the Loupe Awards in the Open Landscape Category this year also received Highly Commended Bronze Awards including ‘Walls of China‘, ‘Molten Silver Torrent‘ and ‘Highway To Hell‘. ‘Highway To Hell’ has also previously been rewarded with Silver at the 2011 APPA awards and Travel Photograph of the Week at National Geographic. All in all this is a haul of awards I am delighted to hang over the proverbial mantle.

THE CASTLE – LANDMANNALAUGAR ICELAND

One of the locations in Iceland that I am most looking forward to returning to next year and for my workshop in 2013 is Landmannalaugar. This volcanic region of Iceland has one of the most alien and multi-coloured landscapes in the country and is truly a photographers paradise. With its multi-coloured rhyolite mountains, luminous veins of green moss and sulphurous fumoroles it provides a myriad of possibilities for the landscape photographer. There is quite literally a dizzying array of colour and texture in the mountains and rock formations. During the Icelandic summer when the sun is at an oblique angle  the light across this landscape can be truly magical.

This photograph – titled ‘The Castle’, was taken near the summit of one of the highest mountains in the area. Ejected lava has piled up on one of the rhyolite mountains and then eroded away under the assault of the arctic winds.

The Castle

B&W + COLOR MAGAZINE ISSUE #87 SPOTLIGHT PORTFOLIO AWARD

I am very excited to announce that I was recently awarded a Spotlight Portfolio Award in the prestiguous USA magazine B&W + Color. Issue number #87 of B&W + Color features a portfolio of my photography from Iceland and interview/article. Over 8000+ photographs were submitted to the magazine for entry into the competition and I am thrilled to have had my work selected for the Portfolio Spotlight Award.

B&W + Color magazine  is published in over fifty countries and is a highly respected photographic journal featuring fine art photography from international artists. Issue #87 including my Spotlight Portfolio can be purchased at all major book sellers and newsstands as well as online via B&W + Color magazine’s website. Please drop me a line and let me know if you enjoyed it.

Reminder – Registrations are now open for the 2013 Iceland Workshop and places are strictly limited on a first come, first served basis. Be sure to drop me an email if you are interested in attending as there are only a few places left.

REGISTRATIONS OPEN FOR 2013 ICELAND WORKSHOP – LIMITED SPACE LEFT!

Registrations are open for the 2013 Iceland Workshop. If you interested in photographing in the amazingly geologically diverse country of Iceland now is the time to register your interest. This workshop is for a maximum of 6 participants who are serious about their photography and are willing to put in long hours in the field and work for their images. Working with a small number of photographers means we can get to more inaccessible locations when the light is at its absolute best. We can move quickly from location to location as the light changes; or maximise our time in the one location when the light is magical.

If you want to be able to take photographs like this under the spectacular midnight sun then drop me an email registering your interest for this fantastic workshop. This workshop is strictly limited to a maximum of six participants, plus leader and guide and places are reserved on a first come, first served basis. Location highlights include the Jokulsarlon glacial lagoon, Vatnajokull National Park, Iceland’s spectacular Dettifoss, Selfoss and Godafoss waterfalls, the geothermal region of Myvatn and many more amazing locations. For further details and a preliminary itinerary please see the workshop tab at www.jholko.com or send me an email to register your interest.

Burning Berg

CAPTURE MAGAZINE – THE ANNUAL EDITION 2011

Every year Capture Magazine (Australia’s top-selling Pro Photography Magazine) releases an Annual Edition with the some of the best professional photography for the year featured throughout its pages. Over 2100 photographs were submitted for potential inclusion in the annual this year and less than 130 made the final print edition. This year I am thrilled to have two of my photographs from Iceland included in the Special Annual on pages 30 and page 50. I am doubly thrilled that it is one of my personal favourite photographs from Iceland, ‘Well of Life’ that heads the landscape category.

Other categories in the 2011 Annual include Art, Advertising, Portrait, Documentary/Photojournalism, Editorial, Wedding, Fashion, Sport, Travel and a category for Emerging photographers. Also included are some very interesting surveys straight from the mouths of professional photographers on their favourite websites, blogs, software, studios, applications, equipment and more. Its a wonderful summary of some fabulous photography from throughout the year and a fascinating insight into the preferred tools, website hang outs and more of professional shooters. Capture magazine can be purchased at all good newsagents or subscribed to online at Yaffa Publishing.

Capture 2011 Annual Scan

THE MANNINGHAM LEADER NEWSPAPER – ‘FRAMING BEAUTY IN THE WILD’

My local newspaper – ‘The Manningham Leader’ interviewed me last week for the Silvershotz 2011 Annual Award and the edition came out today on Page eight – 3/4 page spread. Click HERE to download a higher resolution copy of the article.

Manningham Leader

Photo Plus Expo in New York, USA has now come and gone for another year. If you were fortunate enough to be able to attend I hope you were able to make it over to the Moab Stand where some of my photography was on display on my absolute favourite paper – Moab Somerset Museum Rag. My new exhibition ‘Colors of Iceland’, opening on the 2nd of December this year at the Wilderness Gallery at Cradle Mountain in Tasmania  is printed exclusively on this beautiful paper. I also recently talked about my printing and printing papers in an interview over at CPS Canon Australia; which may be of interest.

I am a few days late updating the photograph of the month as I have been both under the weather for the last few days with a rather nasty tummy bug and otherwise snowed under. With departure looming for my trip to Antarctica in only a few weeks I have been busy running around securing additional memory cards, bags, clothes, accessories etc. as well as attending to the usual office duties. I will endeavour to get up to date later this evening.

Edit – I have updated the Photo of the Month for November 2011.

MAHOMETS TOMB – MOUNT BUFFALO

It has been a while since I have posted a landscape photograph from my own home country. Partly because I have just been flat out with other things and also because I had not really had a chance to sit and sort through a series of photographs I shot toward the end of Winter up at Mount Buffalo in the Victorian High Country. Mount Buffalo is my favourite location in the Victorian High Country for landscape photography – particularly in Winter. The large granite boulders and outcroppings make wonderful subjects that are very beautiful when covered in snow. Snow is a photographers best friend in the Australian bush – it really aids in hiding much of the messy scrub and underbrush that is not particularly photogenic.

This photograph was taken at an area known as Mahomet’s Tomb just on sunset. I had hiked up to the location anticipating that as the sun dropped low to the horizon it would catch the outcropping of boulders known as Mahomet’s Tomb. For the shot to work I needed a clear horizon to the west so as not to obscure the setting sun and light (which I was fortunate to get). Shortly after I made the photograph I was wandering around down in the valley area pictured and went through the ice up to my waist in a hidden creek – it took me some to extricate myself. It was a most uncomfortable experience; but it did make the shoot memorable; even if the hike back to the car was cold and wet.

Mahomet's Tomb

CANON AUSTRALIA PROFESSIONAL SERVICES [CPS] INTERVIEW – ‘GEAR IN ACTION’

I was recently interviewed for Canon Australia’s CPS Pro website and the content of the interview is now online at CPS Australia. Although the discussion was wide ranging and varied there was an emphasis on large format printing and the fact that I do all of my own printing in-house. Printing is a critical part of producing photographic fine art and next to actually working in the field with my camera equipment is an aspect of my photography that I very much enjoy. Hope you enjoy the interview.

A small disclaimer: Although I both shoot and print exclusively with Canon cameras and printers I am not sponsored by Canon. I pay for all of my own equipment with my own hard earned money. I choose to use Canon cameras and printers because I have found them to offer outstanding results and reliability in my photography – not because I am incentivised by the manufacturer. I am a Canon CPS Gold Member and rely on CPS to assist me with sensor cleaning and loan equipment from time to time.

MIDNIGHT SUN TIME-LAPSE – ICELAND

I love a good time-lapse video and when when I see one that is professionally well done in one of my favourite countries in the world I get very excited. This time-lapse video capturing the beauty of the Iceland landscape under the midnight sun by time-lapse cinematographer Joe Capra is beautiful and wonderful and  not much more need be said. Enjoy.

Edit – The Video can be seen in High Definition HERE

GURA GEAR CHOBE – ‘PRE FLIGHT’ REVIEW

For those of you that follow my blog on a regular basis you will be well aware that I am a big fan of the Gura Gear Kiboko 30L camera bag. Like most photographers I have a cupboard full of camera bags; but since I purchased and started using the Gura Gear Kiboko 30L about a year and a half ago no other bag has seen the light of day. If you are not yet familiar with Gura Gear then do yourself a favour and check it out. I won’t wax lyrical about it any further in this post – You can read my previous thoughts, comments and impressions HERE if you are interested. You may find them of interest as a prelude to my pre-flight review of the new Gura Gear Chobe bag.

Photo courtesy Gura Gear www.guragear.com

I was quite excited when I heard Gura Gear were developing a new bag that was over the shoulder and designed to carry laptops and other digital accessories (including camera equipment). I know quite a lot of photographers who on first encounter lamented the Kiboko for excluding the capacity to carry a laptop (Gura Gear now also offer a mini-Kiboko that does have laptop capability for those photographers who want to carry their laptop in their main camera bag). However, such a design would cripple the truly remarkable ability of the Kiboko to swallow vast amounts of camera gear and carry it effectively in the field. A separate lap-top bag was and is always a better alternative and I am in complete agreement with Gura Gears chief designer and founder Andy Biggs in this regard.

As a photographer who spends quite a lot of time travelling one of the biggest hurdles I have to overcome is not only how to get all my camera equipment from Country A to Country B in carry on luggage; but also how to get all the required accessories onto the plane as carry on luggage – including Laptop, power supply, back up hard drives, card readers, universal power board and converters; and the list goes on. Until now I have more or less shoe horned as much of this equipment as possible into my laptop bag, vest pockets and camera bag – a solution that is really far from ideal and has seen me struggle through airports on more than one occasion with rather nasty excess baggage costs and less than friendly airport check in staff. This solution is also far from practical or comfortable. Needless to say I was quick off the mark to order the new Gura Gear Chobe when I first read about about its design and attempt to solve these problems.

Anyone who has ever flown internationally with a DSLR, multiple lenses, laptop and seemingly endless accessories (seriously, is there any other profession that offers such a seemingly limitless need to accessorise?) will immediately appreciate the design of the Chobe. Designed to hold a 15″ MacBook Pro, Apple iPad (am I the only person that doesn’t actually own of these yet?), portable hard drives, power supplies, other digital accessories and camera gear via a clever insert the Chobe ticks all the boxes for the travelling photographer. From Gura Gears’s website:

Chobe is a well-designed full-featured business, travel, and photography bag with room for all of the necessary accoutrements. In its normal state, Chobe is the perfect business bag with room for a 15” laptop, iPad AND a Kindle or other tablet, business papers, magazines, travel documents, and all of the bits and pieces that make life comfortable on the road. With the flip of a zipper, the bag expands to accommodate a spare change of clothes and goes from day job to overnighter. Add the custom designed matching padded photo insert and Chobe’s role grows to camera bag extraordinaire hauling professional DSLR camera bodies and lenses in style.

I have not as yet had a chance to use my new Gura Gear Chobe bag (it only arrived a few days ago); but here is how I intend to use the Chobe on my Antarctica trip in a few weeks time: For travel to Antarctica from Australia I have packed my Kiboko full of camera gear. You can read a full list of just what fits in a Kiboko and what I am taking to Antarctica HERE. I will emphasise that this amount of gear is not inconsequential and fills the Kiboko (a little creative packing is required; but it does all fit). In the Chobe I am packing a 15″ MacBook Pro, Power Supply, 3 Back up 1 Terrabyte Firewire 800 drives, card readers, universal power strip, universal power converters, travel documents, passport, wallet, keys, etc (I can even fit a portfolio of a dozen A4 prints in the side pocket!). All of this fits into the Chobe leaving the large middle exapandable compartment completely empty. This empty compartment gets filled with the optional camera ‘insert’ (packed flat) and left empty for air travel. The beauty of this configuration is ‘if’ my Kiboko gets weighed as overweight for carry on luggage I can immediately remove several lenses and a body and pack them in the Chobe; effectively spreading the weight between the two bags. In this configuration this makes the Kiboko and Chobe a match made in travellers heaven for photographers carrying large amounts of equipment as carry on luggage. Just as an aside: Gura Gear state on their website that the Chobe is designed to hold a 15″ Macbook Pro. I would add to this that you can actually squeeze a 17″ Macbook Pro into the Chobe in the larger middle pocket (I know, because I tried). Whilst this is not ideal as you give up a good portion of the central storage area it does mean that in a pinch you can carry a full sized 17″ Macbook Pro (I recently ordered a new 15″ Macbook Pro for this trip as I wanted a smaller and lighter laptop than my current 17″ version and it was sheer co-incidence that the Chobe came on the market at a similar time).

Photo courtesy Gura Gear www.guragear.com

Once I reach my final destination for this Antarctic trip (the Ocean Nova in Ushuaia) I can unload and reconfigure either the Kiboko or the Chobe for Zodiac and shore based trips as required. The flexibility of having two camera bags that can transport all of my photographic equipment and accessories between countries as well as serve in the field duties as required is a real plus. I can leave my laptop and accessories in my room and pack either the Kiboko and/or Chobe as required for each excursion. I briefly discussed camera bags for Antarctica with a good friend of mine earlier this week who is joining me on the trip to the bottom of the world and had a good chuckle to myself when I found he was taking both a Kiboko and a Chobe with exactly the same usage intentions.

Made of the same light weight but incredibly strong sail clothe the Chobe (like its big brother the Kiboko) weighs significantly less than most bags its size when empty. Every gram counts when travelling and starting with a light weight bag can make all the difference. From Gura Gear’s website:

Constructed of the finest materials, Chobe features lightweight, durable sailcloth, the same technology used in the America’s Cup race sails. The bag’s convertible function allows for multiple missions by discerning travelers that work as hard as they play. Because the bag was developed on the road, the little things are covered, like an expansion pocket for a drink and plenty of pockets and compartments to keep life organized. A concealed sleeve for sliding on rolling luggage means that Chobe can hitch a ride any time. The bag fits international requirements for carry on sizes and in most cases qualifies as a simple personal item.

The Chobe will also fit the bill nicely for shorter trips where a full size Kiboko is overkill or just not required. Given it can hold a laptop, DSLR and a slew of lenses it will be sufficient for most short trips or day / overnight outings. It will be ideal for everything from a family BBQ outing to the professional photojournalist on the road – And that is no minor accomplishment. One of the things I appreciate the most about both the Kiboko and the Chobe is that the design allows for the photographer to access all of their equipment without having to unzip and fold out a large flap. This might seem trivial to the non-photographer; but if you have ever used a generic camera bag in the field and have had to place it on the ground the problem with this large flap design becomes immediately apparent. When shooting from a vehicle or boat the problem is exacerbated even further. Both the Kiboko and the Chobe solve this problem (albeit in different ways) by providing the user the ability to access the equipment in the bag without this large flap.

In a market place that is more or less saturated with camera bags the Chobe manages to not only successfully differentiate itself from its competition by offering more versatility, storage and capability in a lighter weight package than its competition (and at the same time serve as the perfect accompaniment to its larger Kiboko brother) but also illustrate just how much more practical it is than the market alternatives through its ingenious well thought out multi-function design. I predict the Chobe is destined to become a staple of the travelling photographer and a long term stayer in the camera bag market. I know several other pro-photographers that have already jumped on the Chobe ‘wagon’ as the perfect addition to their Kiboko for the same reasons I have. The secret is now well and truly out of the bag when it comes to Gura Gear (pardon the intentional pun). I have no doubt that the Chobe will be a success for me on my upcoming trip; but I will of course report back on just how it fared throughout the trip on my return. Consider this pre-flight working review a prelude to a full review post my Antarctica trip.

I want to add a small disclaimer in conclusion to ensure clear air: I pay for all of my Gura Gear bags out of my own hard earned money. I am not payed to write reviews for Gura Gear or any other camera equipment manufacturer. I choose to write about photographic products that I like and use because I believe in the products and have found them successful in my own photography; not because a manufacturer incentivises me. I do and have supplied Gura Gear (and other manufacturers) with my photography for their website/s because I believe in their product. You can consider these op-ed. pieces my endorsement and/or recommendation of the products I choose to use in my own photography. And that is the highest recommendation I can give for a product.

By the way – expect a few ‘in the field’ Gura Gear photographs to appear on my blog post Antarctica. I have a bet running with a good friend on how many other photographers have gotten wise to the benefits of Gura Gear and some rather good bottles of wine are riding on it. :-)

SILVERSHOTZ 2011 PORTFOLIO AWARD PRESS RELEASE

I am very pleased to announce the release the official Silvershotz 2011 Portfolio Award Press Release. I received notification a few weeks ago that my photography had been selected to be included in the prestiguous 2011 Folio Annual as one of 31 sucessful photographers from 12 countries around the world. I am extremely honoured to have been selected by the panel of international judges for inclusion in the 2011 Silvershotz annual. Silvershotz distributes 10,000 folio journals to 1400 bookstores in 17 countries. A further 2000 journals are mailed free of charge to leading galleries and institutions in 19 countries. A copy of the official Press Release can be downloaded HERE. Limited copies of the 2011 Annual can be purchased online at www.silvershotz.com for the next ten days.

INVERSION – SVARTIFOSS WATERFALL ICELAND

Svartifoss waterfall is located in the Skaftafell National Park in Iceland. It is one of the smaller popular waterfalls and only a short walk from the nearby car park and not far from the main Highway one ring road. The falls themselves are quite unusual with inverted hexagonal basalt columns in a semi circular ring over which the falls cascade onto toppled columns before flowing down stream. Its a beautiful, tranquil and peaceful location when the sun is out and the wind is calm.

I only spent a couple of hours at Svartifoss early in the day and was fortunate to strike relatively overcast conditions that enabled me to slow my shutter speed down to get just the right amount of water blur without the need for ND filters. I used Canon’s 17mm F4L Tilt Shift lens for; which enabled me to get in nice and tight, yet keep the subject in frame. I am looking forward to going back to Svartifoss on my Iceland trip next year.

Inversion

F11 MAGAZINE – ‘FROM DAWN TILL DUSK’ FEATURE ON TABLETS

The current issue #4 of F11 Magazine “for Photographers and Aficionados” featuring one of my photographs from Selfoss waterfall in Iceland on its cover and a feature article/interview and portfolio has been included over at Photo tuts as one of the new breed of tablet friendly magazines. If you have not yet checked out F11 Magazine, be sure to do so – its FREE and is available online at www.f11magazine.com You just might recognise the photograph on their current homepage (also from Iceland).

THE ULTIMATE PHOTOGRAPHY GLOVE – A SAILING GLOVE?

I have written before quite extensively on the subject of outdoor photography gloves for cold weather and as of my last ‘glove find post‘ I thought I had finally found the best option out there – the Seal Skinz. I still believe the Seal Skinz are an excellent glove for outdoor photography in cold weather. However, I discovered another glove today that ticks all the boxes for cold weather photography by outdoor clothing company Helly Hansen. As is often the case with these things, I was not actually shopping for yet another pair of gloves; I was just picking up a few last minute thermals for Antarctica in a months time and spied these gloves on the rack. What immediately caught my eye is that these gloves (Sailing Gloves) are fingerless on only two fingers per hand – the thumb and forefinger (a very clever design). The very two fingers that are required for almost all of the fine manual dexterity when operating a camera’s controls. This makes them absolutely ideal for photography. In fact, the genius of this design strikes you the moment you slip a pair on and pick up your camera.

According to to the information on the website - These durable gloves provide extra protection for handling abrasive equipment. Made of Amaro leather with adjustable wrist and reinforcements in areas of maximum wear.

What I immediately noticed upon trying a pair on is how they felt like a second skin more than a glove. Most gloves are too thick for easy camera control and are a hindrance to operating the camera quickly and efficiently. These sailing gloves are exceptionally soft and malleable against the skin and are designed to provide warmth, protection yet still give sailors a high degree of fine dexterity control for operating rigging  - just perfect for photography. And of course, being designed for use at sea these gloves are water resistant. Note they are not waterproof like the Seal Skinz; merely water resistant. I immediately purchased a pair and will be taking them to Antarctica with me along with my Seal Skinz.