Shooting in Heavy Snow with the Canon EOS R1 Solution April 2026

The Problem: In recent times, I have both recorded podcasts and blogged about the ongoing difficulties of photographing in heavy snowfall with mirrorless cameras. Mirrorless cameras (regardless of brand) have a tendency to move between the falling snow and the subject, with an inability to lock onto the subject without distraction. This can be incredibly frustrating as the focus bounces between the subject and falling snowflakes, resulting in missed shots. As a polar photographer who frequently shoots in snowfall, I have been continually frustrated by this phenomenon and have witnessed it among other photographers using everything from Canon and Nikon to Sony mirrorless cameras.

The Technology: In Canon cameras, the EOS 1DX MK3 was the king at ignoring falling snow and staying on target. Mirrorless cameras such as the EOS R1 are a different beast, though, and use different AF technologies (phase detect) that are highly tuned by manufacturers to be as sensitive as possible. This results in better AF performance overall. But it also means the focus points are more likely to latch onto extraneous objects or subjects, such as falling snow.

The Customisation: I have tried tweaking the various autofocus settings in both the Canon EOS R1 and EOS R3 to ignore falling snow, with only mixed results. In the EOS R1, there are three AF adjustment options: Auto, Manual, and Special. Most of the time, I just leave the AF set to Auto, and it does a superb job. I have played extensively with the Manual setting in falling snow and tried all the different combinations for sensitivity and tracking, with nothing but mixed results and no combination that reliably ignores falling snow.

The Solution: During my recent Svalbard ship expedition, I had a bit of a light bulb aha! moment one evening when I was unable to sleep. Laying in bed and pondering the problem (my head is obviously a scary place to be) What about the Special setting? The Special setting is designed specifically for sports photographers shooting through Soccer nets behind the goal, and it had never occurred to me to even try this in falling snow. But the more I pondered it, the more I realised there are a lot of similarities, as both situations require the photographer to shoot ‘through’ something. The following morning, I jumped online and read up on the Special setting in the Canon Auto Focus Guide found HERE.

The Special Setting: There is some key wording above that reads: “This setting tends to focus on the background more than other options.” This made me super curious and eager to try how the Special setting performed when photographing wildlife in heavy snow. Fortuitously, a couple of days later, I got my chance and switched my EOS R1 to the Special setting with the RF 600mm f4L IS USM lens and an RF 1.4TC when photographing Walrus in heavy snowfall.

The Results: Fully expecting to encounter the exact same problem of the focus bouncing between the subject and falling snow, I was absolutely ecstatic when the EOS R1 locked onto the Walrus and remained locked on – completely ignoring the falling snow! Over the next ten minutes, I took over 300 photographs of the Walrus, losing focus only when the subject became obscured by ice. Using such a long combination of focal length of the 600mm F4 with the 1.4 TC (effective focal length 840mm) ensured that there was a lot of falling snow between the camera and subject making this an ideal test.

Further Testing Required: The above is an isolated example; further field testing is required to ensure ongoing, predictable, and repeatable results. However, the initial results from using the Special case setting in heavy snowfall are extremely encouraging and give me real hope that this may be the ideal solution for snowfall situations. Unfortunately, I am now headed back to Australia for three months and will not have an opportunity to shoot in the snow until later in the year. If you are shooting an EOS R1 and have a chance to test this yourself in snowfall, please let me know how you find the Special case performs. There may be a strong case for Canon to change the wording of this to “Case Special”. Characteristics suitable for shooting through Nets and Snow.

Author: Joshua Holko

Arctic Wildlife of Svalbard Snow Mobile Expedition Report April 2026

In April of 2026, I led a private 5-day winter snowmobile expedition to Svalbard for wildlife photography. The purpose of this expedition was to explore, on land, the landscape and wildlife within a day’s scooter drive of Longyearbyen. Svalbard is vast, and there is much to discover on land on a winter trip. Exploring by snowmobile on land meant we could stop wherever we wished to photograph wildlife as we found it. Using snowmobiles also means we can get much closer to wildlife than is usually possible on a ship. Staying in Longyearbyen also meant we had a warm base from which to operate, with hot showers and a choice of restaurants in the evenings.

At this time of year, the days are getting longer in Svalbard, with sunrise around 5:30am, sunset around 9:30pm, and last light around 10pm. This provides a huge amount of time for photography, but also means it is early starts and late finishes to catch the best light. During our five-day trip, we experienced temperatures ranging from -30º Celsius on the sea ice along the east coast to just a few degrees below 0º. Temperatures were generally unseasonably warm for this time of year, with most of our days being around -10º Celsius. Snowfall was also sparse compared with recent years, although the coverage was still good outside Longyearbyen. We also had starts as early as 5am departure and finishes as late as 10pm.

On day one of our expedition, we kitted ourselves out with snow scooters and snow suits, headed toward Svea for a valley (Reindalen) I know is home to a great many Reindeer. Reindalen is situated in Nordenskiöld Land on the main island of Spitsbergen and is roughly a 45-minute scooter ride in good conditions. This is a wide, flat, and open valley that offers excellent opportunities to photograph Reindeer in a clean, white snow environment.

On day two, we left Longyearbyen at 6am for the East Coast in the hopes of finding a polar bear on the sea ice. Although we did not find a bear on this day, we did have some wonderful opportunities with both Ptarmigan and Reindeer en route to Monbukta. This was our biggest day’s drive, covering over 298 kilometres in total and more than fourteen hours in the field. This whole east coast region of Svalbard contains some stunning scenery and is where much of my Ghosts of the Arctic film was shot.

On day three of our expedition, we took a slightly slower morning start and instead had a late afternoon and evening exploration of the Templefjorden area. This proved a boon, giving us our best Reindeer experience during the trip and one of the best I have ever had. With an abundance of fresh, clean snow on the mountains and lower valley in this area and more than a dozen reindeer, the opportunities were ongoing, and we spent several hours photographing them as they curiously approached us and retreated against the mountains.

On day four, we left Longyearbyen super early at 5am and headed for Monbukta on the East coast. On arrival at Monbukta, we headed south and encountered a large male polar bear in superb condition on the sea ice. Photographing a polar bear on the sea ice from a snowmobile is a very special and very different experience from shooting from a ship. On the ice, we are in their environment, with excellent opportunities to photograph the bears at eye level.

On day five, our last day, we departed Longyearbyen at 5am, at first light, and drove to the Russian settlement of Barentsburg. Barentsburg is approximately sixty-five kilometres from Longyearbyen and is a wonderful scenic drive along the coastline, past the abandoned Coles Bay settlement. This is a region I know is inhabited by many Arctic Fox, as well as Reindeer and Ptarmigan.

On the way, we had a superb encounter with Ptarmigan before taking breakfast in town. We then spent over an hour photographing Arctic fox on the town outskirts in superb conditions and soft light. With the town of Barentsburg close by, the foxes in this area are more accustomed to humans and easier to approach, making it an ideal location for fox photography.

Over the course of the five-day expedition, we covered more than 1,000 kilometres of driving, including two visits to Monbukta on the East coast, which provided a wonderful and varied portfolio of arctic wildlife photographs. Private workshops such as this, with my company, Wild Nature Photo Travel, are available by request. Please get in touch to discuss your needs, and we can tailor a trip to suit your requirements.

WNPP Episode 149 – Wrapping up Svalbard 2026 and Polar Bear Death

I have just published episode 149 of my Wild Nature Photography Podcast. In this episode, I wrap up the two Svalbard expeditions I just completed (trip reports coming soon) with my thoughts on the experiences and wildlife encounters. I discuss the unfortunate incident in which the Polar Bear researcher’s actions in Svalbard have again resulted in the tragic death of a Polar Bear (this time a young cub). Lastly, I also discuss the recent Asia/Pacific Photography awards, a revelation about autofocus when shooting in heavy snow, my plans for the rest of 2026, and more.

Departing for Svalbard Winter Wildlife Expedition April 2026

The time has come, and very shortly we are departing Longyearbyen on our Wild Nature Photo Travel ship-based expedition around the archipelago of Svalbard. Due to the easter break, there has been no ice chart update since the 1st of April (nearly a week ago). A new ice chart should be released by the Polar Institute around 16:00 today. As such, my plan is to head north to the pack ice edge, just outside the 12-mile nautical limit, in search of wildlife. We will be returning to Longyearbyen and disembarking on the 15th of April. For now, it is time to embark, get settled and steam north!

By popular demand, we have decided to offer another Svalbard Spring Light expedition in April next year. The expedition will run from the 7th to the 15th of April, 2027 and include nine nights / ten days. Early April is one of the very best times to visit Svalbard. At this time of year, the sun is still low in the sky, and the landscape is bathed in golden light. Full details are now on our website at www.jholko.com/workshopsPlease get in touch to reserve your place.

Private Snow Mobile Expedition Wrap Up Svalbard April 2026

Earlier today, I wrapped up a phenomenal five-day private snowmobile expedition up in Svalbard. This was an intensive five days covering more than 1000 kilometres of driving, with two visits to Monbukta on the East Coast, as well as a trip to Svea, Templefjorden, and the Russian settlement of Barentsburg.

The trip proved extremely fruitful, with a wonderful encounter with a polar bear on the frozen sea ice, as well as many encounters with Arctic foxes, Reindeer, and Ptarmigan. I will have a full trip report in the coming weeks. In the meantime, I have one day here tomorrow to catch up on some washing before we board our boat for our Wild Nature Photo Travel 9-day wildlife expedition in and around the archipelago!