Category: Tasmania

Travel photography in Tasmania

2019 A Retrospective and 2020 Whats in Store?

Posted in Antarctica, Arctic, Australia, Book, Equipment, Finland, Iceland, Landscape Photographs, Mongolia, News and Updates, Photographs, Russia, Tasmania, Travel Photography, Uncategorized, Wildlife Photographs, Workshops and ExpeditionsLeave a comment

As is tradition on my blog, every year I do a “What’s in Store” post for the new year as well as reflect back, and wrap up the year that was (its a great way for me to keep a record of my travels and photography and also helps me prepare for the coming year). 2019 was a frantic year and when I look back at all the destinations and all of the photography its actually hard to reconcile that it all happened in a single year. It was a year that included many superb photographic destinations and some really incredible experiences (Cuba and Mongolia were an incredible way to finish the year).

In equipment terms 2019 was relatively quiet for me with no major changes to my camera body line-up; although I did update several lenses including the 600mm f4L IS MKII to the MKIII version and the 400mm f2.8L IS MKII to the MKIII. I had not planned to update either lens, but the significant weight savings (and redistribution of that weight) offered in the new MKIII versions was too much for me to resist. This year I did supplement my two Canon EOS 1DX MKII’s with a mirrorless EOS R for my landscape photography. I really feel that the mirrorless offering from Canon is just fine for landscape and general work, but falls well short of my needs as a wildlife tool. Of course, we are now staring down the barrel of the new Canon EOS 1DX MKIII and I expect to take delivery of this new camera early in the new year.

My gear pick for the 2019 year (I always choose something I actually own) is the Canon 600mm F4L IS MKIII. The new MKIII offers very considerable weight savings over the MKII. Perhaps more importantly though is the way in which the weight has been redistributed with the bulk of the weight now at the rear of the lens. This makes the entire lens much easier to handhold for extended periods. 2019 will be very interesting in the equipment arena.  As above, I expect to take delivery of the new Canon EOS 1DX MK3 early in the new year. I think it is safe to say that I expect the majority of new lenses Canon releases in 2019 to be in RF mount only. We are also likely to see a new mirrorless camera from Canon – either a replacement for the EOS R, or a higher specification machine. I suspect we will get a high mega pixel mirrorless offering.

Last year I am gave the nod to Inherit the Dust by Nick Brandt for my book pick of the year. For 2019 I am giving the guernsey to Vincent Munier’s  Tibet. Vincent has continued to produce absolutely superb imagery that is subtle, yet powerful. His photographs are highly emotional and Tibet contains some beautiful work that will be enjoyed across countless viewings. I definitely recommend you check it out and consider adding it to your library. Over the course of this year I also published my own favourite twelve photographs here on my blog. Please be sure to check them out and let me know what you thought.

In competition terms, 2019 was a great year for me with the overall win as the Victorian Nature Photographer of the Year. This was the third year in a row I have taken out either the Documentary or Nature category. I was also a finalist in the 2019 Documentary and Landscape categories as well we being a finalist  in the AIPP Australian Professional Photography Awards – Nature Photographer of the Year.  As I have written before I have stopped entering competitions that judge only the digital image and instead have focused my efforts only on print competitions.

2019 was also another massive year for me both with destinations visited and the huge number of international miles travelled. The year kicked off in mid January with a winter scouting trip for Snowy Owls to Canada (Read the Trip Report).  This scouting trip proved extremely fruitful with fantastic photographic opportunities of these magnificent owls in a winter setting. As a result of this scouting trip I will be leading a sold out workshop to this part of Canada early 2019 (I am actually leaving for Canada December 28th).

At the completion of my Canada trip I had a few days at home before I made my way up to Finland for my winter wildlife workshop (Read the Trip Report). Winter in Finland is an absolutely wonderful time of year to visit and photograph in this region of Scandinavia. On this workshop we had really fantastic encounters with Golden Eagle, Otters, White-tailed Eagles, and more. One afternoon alone we spent several hours photographing wild Otters as they played and fished in the partially frozen lake. This was a shoot none of us are likely to quickly forget as it was extremely cold with temperatures hovering around -35ºC as we lay on the frozen lake.  We also took advantage of the snow covered landscape.

From Finland I travelled to Iceland to lead my annual expedition to photograph Arctic Fox on the north-west peninsula in Winter (Read the Trip Report).  This was the third time I have taken a small group with me into the nature reserve as this is an area very near and dear to my heart. During the expedition the participants made between ten and twenty thousand plus photographs per person which gives you a really good idea of just how many incredible opportunities and encounters with Arctic Foxes we experienced during our time in the Nature reserve. Many of our encounters lasted several hours and on multiple occasions we had the luxury of choosing our backgrounds and angle of view for our photographs.

From Iceland I travelled north to Svalbard for both a small group snow mobile expedition to photograph Polar Bears and other wildlife on the sea ice in Winter (Read the Trip Report) and to subsequently lead my annual winter workshop in search of Polar Bears, Arctic Fox, Reindeer and dramatic Arctic landscapes (Read the Trip Report). For the Snow Mobile expedition we spent around a week exploring the archipelago of Svalbard in winter via snow mobile in temperatures as low as -30º Celsius in search of Polar Bears. As well as our encounters with Polar Bears we also photographed Arctic Fox and Reindeer.

From Svalbard I travelled much closer to home and lead two back to back workshops to the Great Ocean Road in Victoria and onto Tasmania (Read the Trip Reports). Both of these workshops were structured to provide outstanding and varied opportunities for landscape photography as well as the opportunity to see and experience the wild coastal region of the Great Ocean Road and World Heritage Wilderness areas of Tasmania. Both of these locations offer world class landscape opportunities, yet both remain relatively unknown on the world stage (at least for now). We photographed the fantastically varied landscape of these two locations and also enjoyed the fantastic fresh food and produce both of these locations are well known for. To those of you who have enquired about future Tasmania workshops – the short answer is ‘yes’, but not in the next couple of years.

After Australia I returned to Svalbard for my yearly expedition north of Longyearbyen to photograph Polar Bears living and hunting on the sea ice (Read the Trip Report). With our small group of just twelve photographers and our ice hardened expedition class ship we were perfectly prepared for ten days of Arctic photography under the midnight sun and it turned out to be an absolute gem of an expedition. July and August are just a fantastic time of the year to visit Svalbard. With twenty four hours of daylight (the sun never sets this time of year) the opportunities for photography are literally non-stop and we took advantage on many occasions to photograph late into the evening and early hours of the morning. This was the first time I witnessed an actual Polar Bear kill and it was incredibly exciting. The stalk and kill happened right in front of our ship as we were parked alongside a large ice-flow. It was a magical moment rarely witnessed and even less rarely photographed.

After a short break I travelled to the Faroe Islands (Read the Trip Report) where I led my first landscape workshop to this wonderful series of remote islands. The Faroe Islands offer some of the most rugged and beautiful sea cliffs I have been fortunate to experience and photograph. During this workshop we explored many of the islands and hiked many kilometres as we explored the region. We also took the opportunity on several occasions to photograph Puffins along the cliff edges. 

From the Faroe Islands I returned to Australia to re-equip before I returned to Iceland where I led two back-to-back expeditions to the East Coast of Greenland with Daniel Bergmann (Read the Trip Reports). For these two expeditions we flew by private charter flight from Reykjavik in Iceland to Constable Point on the East Coast of Greenland where we boarded our sailing ship, the Donna Wood. For both our expeditions we chose to sail north to the rugged and scenic Bjørneøer Islands (Bear Islands) where we made landings at both sunset and sunrise for contemplative landscape photography. Along the way we photographed many of the gigantic icebergs that drift as giant sentinels silently through the fjord system. For our landings in this area we were blessed with a magnificent iceberg with a full arch that was grounded against a stunning mountainous backdrop and we spent many hours in this location with the late afternoon and early evening light. The landscape topography in these islands is a landscape photographers paradise with beautiful boulders and stunning back drops in every direction. The East coast of Greenland remains, in my experience, one of the most incredible locations on earth for landscape photography. I will be returning to the East Coast of Greenland in both Winter and Summer 2020 and 2021. Look for  more details on my website at www.jholko.com

From Greenland I travelled to Finland for my October 2019 Wolverines and Wolves of Finland workshop. This workshop was dedicated to the photography of Wolves, Wolverines and Bears. I arrived a week early to pre-scout many of the locations I wanted us to try to photograph in order to ascertain which hides (and in what locations) were having the most activity and at what time of the day. By pre scouting I ensured we had the best possible opportunities with the most action for our time in this beautiful part of Finland. This was well worth the effort and time as everyone who participated in this trip came away with a spectacular portfolio of photographs. In particular, we had absolutely outstanding opportunities with a wild wolf pack and I will be sharing some of these photographs over the coming months both here on my blog and in the Finland portfolio on my website.

After Finland I travelled to Camaguey in Cuba to open my new exhibition ‘Antipodas’ with friend Paul Murray.  Thanks to Paul’s and our curator Juan Carlos’s extensive preparations the opening was a smash success and the the exhibition has now moved into its next phase and location in Santiago de Cuba. From Santiago de Cuba the exhibition will move to Havana before it concludes late February 2020. This was my first visit to Cuba and I found it a fascinating melting pot of cultures and an absolute street photographers paradise.

I then wrapped up the year with a personal trip to Mongolia to photograph the Pallas Cat (Read the Scouting Report). This was most likely the most difficult shooting of my career with extreme cold and many hours and days spent searching for this elusive wild cat. During the two plus weeks I spent searching the vast lunar-like landscape of Mongolia in winter I had less than half a dozen photographic opportunities with the Pallas Cat. Nevertheless, I was able to capture some photographs that I am extremely happy with and I will be sharing them online here over the coming months.

All up I led a total of twelve separate international workshops and expeditions in 2019  spread across the globe (not including personal work such as my trip to Cuba and Mongolia as well as one-on-one Print workshops). A quick count tallies up well over sixty plane segments and over sixty thousand exposures (not all keepers unfortunately!) It was a fantastic (although frenetic) year and I just want to thank all of you who I was fortunate to meet, travel and photograph with throughout the year. It was real privilege to share in such remarkable destinations with so many fantastic passionate photographers – thank you.

2020 is ready to get underway and I am really excited about whats in store. In late December I will be returning to Canada to lead my sold out workshop to photograph Snowy Owls in winter. This workshop has long been sold out, but there are still a couple of spaces left for 2021 if you are keen to join me to photograph this beautifully majestic owl in a winter setting.

From Canada I return to Australia for just a few days before I leave for the South Island of New Zealand where we will depart on my thirty day sold out Antarctica Ross Sea Expedition. During this expedition we will also be visiting some of the sub-Antarctic islands including Snares Island (home to the Snares penguin) and MacQuarrie Island. This will be my first visit to the Ross Sea region of Antarctica and I am really excited about what opportunities we will have during this expedition. In particular, it is my hope that we may encounter and have the opportunity to photograph Emperor  Penguins on icebergs!

After the Ross Sea I will have a few days at home before I head north for Iceland and my annual Arctic Fox expedition to the Hornstradir Nature reserve. For this expedition we will be staying in a small remote cabin that is rustic, but functional and clean and we will have up to 10 hours of good light during the day with which to photograph the Arctic foxes. With luck, we may also see and photograph the spectacular Northern lights. The 2020 expedition has long been sold out, but there are still a few places on the 2021 expedition – just drop me a note to register your interest.

From Iceland I will travel directly to the east coast of Greenland to lead two brand new SOLD OUT expeditions via snow mobile for both Polar Bear and Musk Oxen in a stunning winter setting. I have been utilising snow mobiles in Winter in the Arctic for quite a few years now and have found the opportunities afforded by exploring via snow mobile to be truly unique and very special. This year I am moving my operations for Snow mobile from Svalbard to Greenland specifically to take advantage of the opportunity to photograph Musk Ox in winter.  Due to the continued expressions of interest I will likely have a similar offering for 2021 – details to come soon.

At the conclusion of the snow mobile expeditions I will lead my SOLD OUT annual winter ship expedition in Svalbard in search of Polar Bears, Arctic Fox, Reindeer and Arctic landscapes. The main focus of this expedition will be Arctic winter light, landscape and wildlife. In April the light conditions in Svalbard are magical. The 2020 expedition is long sold out and places are already limited for the 2021 expedition. If you would like more information or would like to reserve one of the remaining places for 2021 please drop me an email at any time.

After I finish the winter season in the Arctic I will have a few weeks break back in Australia before I head back north for my midnight sun Summer Svalbard expedition. We will depart from the small town of Longyearbyen and sail up to the edge of the permanent pack ice where we will spend our time searching for and photographing the king of the Arctic. With 24 hour daylight under the midnight sun we will have hours and hours of light for photography.  Whilst Polar Bears and other wildlife are the main attraction on an expedition such as this it needs to be said that the landscape opportunities in Svalbard are nothing short of breathtaking. Soaring bird cliffs, plunging glaciers and dramatic mountainous scenery means there is quite literally something for every photographer. If you have never been to Svalbard you should absolutely put it on your bucket list. There are still a few places available if you would like to join us.

From Svalbard I will return to Australia for a brief respite before I head to Russia for my first expedition to Wrangle Island. I am really excited about the opportunity to travel and photograph in Wrangle Island. Reports from expeditions earlier this year included sightings of up to fifty Polar Bears on several expeditions.  I will be offering Wrangle Island again in 2021 from August 16th until August 30th 2021 and details will be on my website very soon. Drop me an email for further details or to register your interest.

After I complete Wrangle Island I will head back to Australia and onto Greenland where I will lead a ship based expedition to Scoresby Sund on the East coast of Greenland.  This expedition is a ‘fly-in, sail out’ trip that will depart from Reykjavik via charter plane and land at Constable Point in Greenland. Flying to Greenland saves us two days sailing across open ocean and means we have more time for exploration and photography. We will then sail back to Iceland at the conclusion of our expedition. This 2020 expedition has long been sold out, but there are still a few places available on the 2021 expedition. Be sure to check out the Adobe Spark presentation HERE.  Just drop me an email to register your interest. You can check out a portfolio of photographs from Greenland on my website at www.jholko.com

After Greenland I will return to northern Finland to lead my new workshop for Wolverine and Wolves in a fiery Autumn setting. I first scouted this trip in Autumn two years ago and found it to be an absolutely superb time of the year for both Wildlife and Landscape photography in Northern Finland. At this time of year the Wolverines and Wolves are active and the bears have not yet begun to hibernate. Additionally the Autumn colour is in full swing which makes for outstanding backgrounds. This workshop is for a small group of just five photographers – only two places remaining before it will be sold out.

 In November I will again return to Union Glacier, deep in Antarctica to lead a sold out expedition to photograph Emperor Penguins. This will be my fifth expedition to Gould Bay and it remains one of the most amazing and incredible experiences I have had anywhere on earth.  I was last in Gould Bay back in 2018 (Read the Trip Report) and next years expedition will be my fifth sojourn to Union Glacier and the remote sea ice at Gould Bay. This is a region of Antarctica that is extremely remote and that is home to one of the largest Emperor Penguin colonies in Antarctica.  It is an absolutely incredible place to visit and photograph these remarkable birds. Due to rising costs this may well be my last expedition to the sea ice of Gould Bay.

And finally to round out the 2020 year I will return to Mongolia in December to lead a small group of just five photographers on an exploratory expedition in search of the enigmatic Snow Leopard.

For those of you that have managed to make it this and would like a hint of what else is further down the track: I am working on a new expedition to South Georgia in October of 2021. At this time of year there will be heaps of snow to photograph the King Penguins, the Elephant Seals will be fighting and importantly the pesky and ferocious fur seals will not yet have arrived en mass. I am not quite ready to start taking bookings as yet, but you can pre-register (no obligation) now if you want to secure a place.

Lastly and certainly not least, I want to wish all of you a very safe and happy New Year and may 2020 be one of amazing light and experiences for all of you. See you in the New Year!

Great Ocean Road and Tasmania Workshop Reports 2019

Posted in Landscape Photographs, News and Updates, Photographs, Tasmania, Travel Photography, Workshops and Expeditions2 Comments

In May and June of 2019 I lead two back-to-back landscape workshops to the Great Ocean road region of Victoria and both the East and West coasts of Tasmania with my co-leader and friend Phillip Bartlett. Both of these workshops were structured to provide outstanding and varied opportunities for landscape photography as well as the opportunity to see and experience the wild coastal region of the Great Ocean Road and World Heritage Wilderness areas of Tasmania. Both of these locations offer world class landscape opportunities, yet both remain relatively unknown on the world stage (at least for now). We planned to not only photograph the fantastically varied landscape of these two locations, but also enjoy the fantastic fresh food and produce both of these locations are well known for.

In May and early June in southern Australia we are in the transitional phase from Autumn to Winter and the weather is often varied and unsettled. It can be quite cold, occasionally wet, but also extremely beautiful. Sunrises and sunsets are often intermixed with dramatic cloud and when the wind is up it can result in wild weather as storms and squalls roll in from Antarctica to smash into the coastline. As it turned out and as expected, we experienced a little bit of everything weather wise during both workshops. Our workshops were deliberately timed in the hopes of some dramatic weather and light and we encountered both during the two workshops. As also expected we lost a day, or part thereof on each trip due to intermittent rain, but we more than made up for it with beautiful light on several occasions.

We began our workshops with three days of intensive landscape photography along the spectacular Great Ocean Road and Otway forest region of Victoria. I have been travelling and photographing this part of Victoria for many, many years now and over this period of time have discovered many wonderful locations to photograph and learned a lot about the ideal time to visit these locations. Contrary to popular thought, many of the more obvious locations for sunset actually work much better at sunrise with the massive sandstone sea stacks picking up their own equivalent of an alpine glow before the sun crests the horizon. Sunset is in many ways too obvious for the westward facing sea stacks and experience has shown me sunrise usually provides better light and better opportunities. Typically, there also fewer photographers around and one almost always has the location to themselves – as we frequently did. Knowing where and when to photograph is key to getting great results along the Great Ocean road and there is simply no substitute for local knowledge in this regard. This time I decided to include a fellow participant for scale to show just how gigantic some of these sea stacks truly are.

During our time in Victoria we also made several stops at some of the Otway Ranges waterfalls. On both workshops we were blessed with ideal shooting conditions that included low cloud and mist – perfect conditions for this sort of forest photography. Despite Victoria being somewhat unknown for its waterfalls we do actually have several fantastic places that offer superb opportunities when the conditions are optimal. My own preference is always overcast light with low cloud for the soft box light effect. The addition of mist or light rain also adds a further element to really add mood to the photographs. Recent rains ensure the waterfalls are in full flow and at their best for making photographs.

After we finished in Victoria we returned to Melbourne and made the short flight down to Tasmania where we spent the next few days exploring and photographing the world heritage region at Cradle Mountain and Lake St. Claire National parks. Cradle Mountain is without doubt the jewel in the crown and heart of Tasmania. This rugged and wild region of the island offers an opportunity for mountain and forest photography that is as unique as it is impressive. Cradle mountain itself forms an ideal photographic back drop to Dove Lake (the large alpine lake that rests in front of the mountains), whilst the surrounding old growth forest adds a primordial feel that gives the whole place that fantastical ‘Tolkien’ look. The opportunities for dramatic and unique imagery in this area are as expansive as they are untapped and we explored and photographed quite extensively during our time in the area. With our luxury accomodation just outside the park we were perfectly positioned to maximise our time in this area. Some of us even took the opportunity to hike to Marions look-out and walk many of the forest trails. For those that were keen there was also wildlife opportunities with Wombats and Wallabys in abundance.

From Cradle Mountain we travelled south to the small seaside town of Strahan on the wild West Coast where we were based for two nights. During our time in Strahan we took a day cruise out to Hells Gates (the narrow entrance to the harbour) and then on up the Gordon river – an extremely scenic journey into the pristine old growth world heritage forest. Our cruise included a stop at Sarah Island on our return. Overcast light with low cloud and mist is again ideal for this sort of forest photography and we made the most of the opportunities provided to us. We were also fortunate to get fantastic reflections on the river. On our first trip we also tried to find and photograph the Fairy penguins (now known as the Little Penguin) at Bonnet Island but had only marginal success with only a couple of penguins arriving on the island well after dark. The population of Fairy penguins has been in decline at Bonnet Island in recent times and my feeling is this is now pretty much a dead end for penguin photography.  In lieu of the penguins we took an opportunity to photograph Tasmanian Devils on the second workshop at the sanctuary near Cradle Mountain which proved productive and worthwhile.

From Strahan we travelled East to Coles Bay in Freycinet National Park where we spent several more days exploring and photographing this rugged and exposed peninsula. The Freycinet peninsula possess some of the most amazing granite boulders to be found anywhere on earth. Pink and orange granite boulders adorn both sides of the rocky peninsula and offer limitless opportunities for landscape photography. Perhaps best of all, this hidden gem is virtually untouched and un-photographed by world standards. During the many hours we spent photographing in this region at both sunrise and sunset we did not encounter a single other photographer – a rare treat these days.

From Freycinet we travelled South to Hobart where we wrapped up with a final sunrise photography session atop the rock riddled, Mount Wellington. The days are short this time of year in Tasmania; with sunrise around 7:30am and sunset around 5pm. This timeline is absolutely perfect for this type of workshop and meant we could get in a full days photography from sunrise to sunset before ending our day with a fantastic locally produced meal in one of the nearby restaurants. With many of the towns in Tasmania located on or near the coast the fresh seafood on offer is amazing with some of the best fish, oysters and scallops to be found anywhere.

Landscape photography in Tasmania is an absolute joy. Free from the crowds of tourists and photographers that have inundated many other corners of the world, Tasmania remains a quiet back water, mercifully blessed with fantastic food and wine, and world class landscape for the travelling photographer. Although I have been to Tasmania many times in my life, I never tire of returning to this small Island just a short stones throw from my home in Melbourne. The landscape is as irresistible as the fresh seafood and as such I will return again next year for one more workshop to the Apple Isle. You can drop me an email to register your interest.

Footnote: On the second workshop I decided to take a Canon EOS R mirrorless camera with me. This was the first time I had spent with the camera in the field and I was quite surprised with my findings. I will have some more detailed thoughts in another post in the next few days. My conclusions might surprise you.

Tasmania II Workshop Departure and Packing List 2019

Posted in Equipment, Landscape Photographs, News and Updates, Photographs, Tasmania, Travel Photography, Uncategorized, Workshops and ExpeditionsLeave a comment

A week of R&R has quickly rolled past and tomorrow I am starting the second of two back-to-back landscape workshops to the Great Ocean road in Victoria and World Heritage Forests and Wild Coasts of Tasmania. Although I have been to Tasmania countless times in the course of my life I never tire of returning to this wonderfully quiet corner of the world. Smattered with primordial old growth forest, pristine rivers and wild and rocky coastlines the landscape opportunities are as fantastic as they are varied. Perhaps best of all, there are still many opportunities to create strong and unique photographs that transcend those captured in the many over touristed locations found around the world today – it is in many ways virgin ground. I have been so taken with the untapped potential on offer in Tasmania that I have decided to return in May next year 2020 and offer one more landscape workshop to Van Diemens land and its primordial forests and coastlines. I will have full details soon, but you can pre-register your interest by dropping me an email at info@jholko.com

Shifting gears somewhat, and hot on the heels of my recent (and somewhat controversial as it turns out) post on ‘Why the DSLR is here for many years to Come *’ are some more thoughts on where mirrorless cameras actually fall into action for the working professional (and serious amateur). Despite what some might believe, I am not against mirrorless cameras (I actually just purchased one – A Canon EOS R). I believe mirrorless cameras hold some significant advantages over traditional DSLR cameras for certain applications and in certain situations. Firstly, mirrorless cameras (the bodies anyway – For some reason mirrorless lenses are often bigger and heavier than their mirrored cousins) are generally much smaller and lighter than their traditional DSLR counterparts. This makes them ideal for hiking and travel. EVF’s (Electronic View Finders) also offer some added additional capability not found in a traditional SLR Mirror camera. Features such as a live histogram in the viewfinder, zebras (for blown out areas) and focus peaking are all really useful features.  The problem with EVF’s to date is their tendency to simply shut down and stop working once they are exposed to temperatures below -10º Celsius for extended periods. Granted, this isn’t going to be an issue for most people, but if you plan to photograph in the world’s Polar Regions at any stage it bears serious consideration. Battery life is also a serious problem in cold weather. The extra current draw required for EVF’s results in dramatically shorter battery time in sub zero temperatures. I have watched photographers struggle with mirrorless battery life on recent cold weather workshops in the Arctic and the necessity to swap batteries in and out on a regular basis is a royal pain in the rear end. By comparison I can get multiple days out a Canon EOS 1DX MKII battery in temperatures as low as -35º Celsius and shoot thousands of frames. No mirrorless camera can do that (yet). Nor, can any mirrorless camera match the focus speed and accuracy of a 1DX MKII in the sort of conditions in which I frequently find myself shooting. I know much of the mirrorless hype would have you believe otherwise, but actual real world experience in the field has shown me it simply is not the case. Nor can any mirrorless camera yet match the rugged build and reliability of a 1DX MKII. That time may come, but today the weapon of choice for serious wildlife work in inclement conditions has to be the Canon EOS 1DX MKII (and its Nikon equivalent).  That said, mirrorless cameras most definitely offer some significant advantages for landscape photography (in all but the harshest of conditions) and that is why I decided to add a Canon EOS R mirrorless to my arsenal.  I did seriously consider the Fuji GFX50 (and its new big brother the GFX100), but ultimately decided the lack of native tilt shift lenses was a deal breaker for me. Especially since the larger sensor in the Fuji results in even shallower depth of field.

For my second Great Ocean Road and Tasmania workshop I am packing the following:

  • 1 x Canon EOS R Mirrorless w/ Really Right Stuff L Bracket (with spare batteries)
  • 1 x Canon 17mm F4L TSE Lens
  • 1 x Canon 24-70mm F4L IS Lens
  • 1 x Canon 24mm F3.5L TSE Lens
  • 1 x Canon 100-400mm F3.5-5.6L MKII Lens
  • 1 x Canon 1.4 TC MKIII
  • 1 x Gitzo GT3533S Carbon Fibre Tripod with an Arca Swiss D4 Geared Head
  • 1 x Set of Nisi Graduated Filters w/ V6. Holder and Polariser
  • 1 x Set of Lee Neutral Density Filters

This will be my first foray into serious landscape photography with my own personal mirrorless camera and I am really looking forward to seeing how it performs in the field. I decided to opt for the EF adapter with the added functionality of the control ring (which I have left at its default setting for Aperture control). Since I primarily plan to use this camera for tripod landscape photography I decided not to purchase any native RF lenses, but rather adapt my current EF lenses (especially my TSE lenses). The addition of the 1.4 TC MKIII is mostly for use on the 24mm TSE lens (turning it into a 35mm TSE Lens).  The keen eyed amongst you might also note the addition of a suite of Nisi Filters. Yes, I recently upgraded from my rather scratched, much loved, but well and truly worn out ‘LEE resin filters’. See you in Tasmania!

* Addendum – It seems Ricoh agrees with me. The DSLR is here for many years to come.

2018 A Retrospective and 2019 Whats in Store?

Posted in Africa, Antarctica, Arctic, Australia, Book, Equipment, Faroe Islands, Finland, Iceland, Landscape Photographs, Lofoten, Media, New Zealand, News and Updates, Photographs, Tasmania, Travel Photography, Uncategorized, Video, Wildlife Photographs, Workshops and Expeditions1 Comment

As is tradition on my blog, I like to do a “What’s Coming Up” post for the new year as well as reflect back, and wrap up the year that was (its a great way for me to keep a record of my travels and photography and also helps me prepare for the coming year). Even though I ran less workshops than the previous year, 2018 was a frantic year and when I look back at all the destinations and all of the photography its actually hard to reconcile that it all happened in a single year. It was a year that included some absolutely superb photographic destinations and some really incredible experiences.

In equipment terms 2018 was relatively quiet for me with no major changes to my camera line-up. As I wrote both last year and the year before, the Canon EOS 1DX MKII remains the best DSLR camera I have ever used regardless of price, brand or model. I actually managed to get through an entire year without purchasing a new camera or a new lens! I cannot recall the last time I managed to do that! It was a close call on the new Canon mirrorless camera, but after trying one I decided it did not really offer me anything that would improve my photography at this point. Perhaps future generations of the mirrorless system might better suit my needs.

My gear pick for the 2018 year (I always choose something I actually own) is somewhat of a tough choice as I did not actually purchase a new camera or lens. I did however purchase the newly designed Sachtler Flowtech 75 tripod and this has definitely become my favourite tripod. Its super fast to set up in the field, its light, strong, exceptionally sturdy and extremely versatile with its spiked and rubber feet. I also very much like the flexibility that comes with different positions when splaying the legs.

2019 should be a fairly interesting year in equipment terms. I expect to see several new L series lenses from Canon that will predominantly be in the new RF mount. I highly doubt we will see any new pro DSLR bodies until early 2020 – a 1DX MKIII announcement late 2019 is probable. The much rumoured 600mm F4 DO lens (a patent has been filed by Canon and they have shown a prototype) has not as yet eventuated and my gut feeling is that when it finally does it will almost certainly appear in an RF mount only. In fact, I expect the majority of new lenses Canon releases in 2019 to be in RF mount only.

Last year I am gave the nod to Ragnar Axelsson’s excellent Faces of the North for my book pick of the year. For 2018 I am giving the guernsey to Inherit the Dust by Nick Brandt. Nick has continued to lead the charge in black and white elephant photography; producing absolutely superb imagery that is both emotional and timeless. His style and approach are highly imitated, but rarely if ever matched. Inherit the Dust is a wonderful (although sombre) look at what we are doing to our planet. I definitely recommend you check it out and consider adding it to your library.

Over the course of this year I also published my own favourite twelve photographs here on my blog. Please be sure to check them out and let me know what you thought. I don’t usually have an overall favourite from a given year, although I definitely have a soft spot for the Wolverine I photographed in northern Finland in Autumn this year during a scouting trip. As below, I have a new workshop for Wolverine and Wolves that will kick off next Autumn in Northern Finland (only two places remaining before it will be sold out).

In competition terms, 2018 was a great year for me with the overall win as the Victorian Documentary Photographer of the Year. This was the second year in a row I have taken out the win in this category. This year I was also a finalist  in the AIPP Australian Professional Photography Awards – Science, Wildlife and Wild Places Photographer of the Year. I was also short listed in BBC Wildlife Photographer of the Year, ANZANG Australian New Zealand Nature Photographer of the Year and was also Highly Honoured in Natures Best Photography Nature in Motion Category for Ghosts of the Arctic as well as being a Finalist and Highly Commended in the Hot and Cold Category of Travel photographer of the Year. Overall, it was a solid year and I am very pleased with the results.

2018 was also another huge year for me both with destinations visited and sheer number of international miles travelled. The year kicked off in early February with a winter workshop to Lofoten (Read the Trip Report).  The landscape of these islands are really quite something to behold. Precipitous and ominous peaks that rise straight out of the ocean loom over small fishing villages that comprise of bright red houses lining the shorelines. With a dusting of fresh snow and arctic winter light the entire scene is akin to a fairy tail location and subsequently the photographic opportunities were truly superb.

From Lofoten I travelled to Iceland to lead my annual expedition to photograph Arctic Fox on the north-west peninsula in Winter (Read the Trip Report).  This was only the second time I have taken a small group with me into the nature reserve as this is an area very near and dear to my heart. During the expedition the participants made between ten and twenty thousand plus photographs per person which gives you a really good idea of just how many incredible opportunities and encounters with Arctic Foxes we experienced during our time in the Nature reserve. Many of our encounters lasted several hours and on multiple occasions we had the luxury of choosing our backgrounds and angle of view for our photographs.

From Iceland I travelled north to Svalbard for both a personal snow mobile expedition to photograph Polar Bears on the sea ice in Winter and to subsequently lead my annual winter workshop in search of Polar Bears, Arctic Fox, Reindeer and dramatic Arctic landscapes (Read the Trip Report).  I spent nearly three weeks exploring the archipelago of Svalbard in winter via snow mobile in temperatures as low as -30º Celsius in search of Polar Bears. Bears were thin on the ground and extremely hard to find this year. In three weeks I drove over three thousand kilometres on my snow mobile and found only one Bear. My winter ship expedition was much more successful with some fantastic bear and wildlife encounters. 

From Svalbard I travelled closer to home to the South Island of New Zealand where I lead my annual landscape workshop with my good friend Phillip Bartlett (Read the Trip Report). Although this was a very successful trip for all who participated it was a difficult and somewhat frustrating trip for me as I was suffering quite badly with a torn lateral tendon in my right elbow at this point and was unable to lift my camera for most of the trip. As it turned out I did actually make some photographs I was very happy with during the workshop. I was also finally able to get my elbow back in shape with some very intensive physiotherapy on return to Melbourne.

From New Zealand I returned to Svalbard for my yearly expedition north of Longyearbyen to photograph Polar Bears living and hunting on the sea ice (Read the Trip Report). With our small group of just twelve photographers and our ice hardened expedition class ship we were perfectly prepared for ten days of Arctic photography under the midnight sun and it turned out to be an absolute gem of an expedition. July and August are just a fantastic time of the year to visit Svalbard. With twenty four hours of daylight (the sun never sets this time of year) the opportunities for photography are literally non-stop and we took advantage on many occasions to photograph late into the evening and early hours of the morning.

After a short break I returned to the deserts of Namibia to lead my bi-annual workshop for both landscape and wildlife to this fantastic country (Read the Trip Report). This was my fourth workshop to the desert of Namibia and the first time I had ventured north into the wildlife rich region of Etosha. It was also the first time I have scheduled this workshop for October (instead of April / May when there is often more cloud). October was a deliberate choice for this safari as it is the end of the dry season in Etosha. Water is at its most scarce and the wildlife is thus forced to congregate around the last few remaining watering holes whilst they wait for the rains and the start of the wet season.

I then wrapped up the year with my expedition to photograph Emperor Penguins on the remote sea ice at Gould Bay in Antarctica (Read the Trip Report). The colony at Gould Bay is actually the most southerly Emperor Penguin colony in Antarctica and is also one of, if not the most, difficult colonies to reach. This was my third expedition to this remote region of Antarctica and it proved extremely productive. This was also the first time I have been able to properly explore and photograph one of Antarctica’s dry valleys – a location not far from Union Glacier known as the Elephants Head. I also took the opportunity on this expedition to shoot some video and I hope to get some time in the new year to edit it all together into a short experience video to share here on my blog and website.

All up I led a total of seven separate international workshops and expeditions in 2018  spread across the globe (not including personal work, some local private workshops to the Great Ocean Road as well as one-on-one Print workshops). A brief count tallies up over fifty plane segments and nearly sixty thousand exposures (not all keepers unfortunately!) It was a fantastic year and I just want to thank all of you who I was fortunate to meet, travel and photograph with throughout the year. It was real privilege to share in such remarkable destinations with so many fantastic passionate photographers – thank you.

2019 is ready to get underway and I am really excited about whats in store. In mid January I will be making my first trip to northern Canada in winter to photograph Snowy Owls. Snowy Owls have been on my wish list for many years and I now finally have the right local contact to photograph them in the wild on private land. This exploratory trip is the precursor to an already sold out workshop to photograph these magnificent birds that I will lead back to this part of Canada in late 2019.

From Canada I will travel back to Finland in winter to lead my Sold Out workshop for Wolverine, Wolves, Eagles, Owls and winter landscapes. Northern Finland has quickly become one of my favourite destinations for wildlife photography. Not only does it offer fantastic opportunities for wildlife, but it does so in an absolutely superb winter setting. The opportunities for a landscape draped in fresh winter snow and the stunning Aurora Borealis can make for incredible photography.

From Finland I will travel back to Iceland for my annual SOLD OUT expedition to photograph Arctic fox in the Hornstrandir Nature reserve in winter. Arctic Foxes are unfortunately hunted and shot across most of Iceland making them extremely shy and difficult to find (and even more difficult to photograph). In the remote north-west however the Arctic Foxes are protected inside the Hornstrandir Nature Reserve and can be more easily approached and photographed. We will be staying in a small remote cabin that is rustic, but functional and clean and we will have up to 10 hours of good light during the day with which to photograph the Arctic foxes. With luck, we may also see and photograph the spectacular Northern lights.

From Iceland I will travel directly to Svalbard for both personal work (on snow mobile) and to lead a brand new SOLD OUT expedition via snow mobile  for both wildlife and landscape in a stunning winter setting. I have been returning to Svalbard in Winter for quite a few years now and have found the opportunities afforded by exploring via snow mobile to be truly unique and very special. Be sure to check out the video below that my friend Abraham shot during the filming of Ghosts of the Arctic.

At the conclusion of the snow mobile expeditions I will lead my SOLD OUT annual winter ship expedition in search of Polar Bears, Arctic Fox, Reindeer and Arctic landscapes. The main focus of this expedition will be Arctic winter light, landscape and wildlife. In March and April the light conditions in Svalbard are magical. The 2019 expedition is long sold out and places are already limited for the 2020 expedition. If you would like more information or would like to reserve one of the remaining places for 2020 please drop me an email at any time.

From Svalbard I will return to Australia for a short break before I lead two brand new back-to-back landscape workshops to the Great Ocean Road and wild landscapes of Tasmania with my New Zealand co-leader and friend Phillip Bartlett. I am really excited about these new Tasmania workshops. Tasmania is still very much an undiscovered gem on the global scene with huge potential for dramatic and unique landscape photography. The first workshop is long Sold Out, but there are still two places remaining on the second trip if you would like to join Phillip and myself. Just drop me an email to register your interest.

From Tasmania I will head north again to Svalbard for my annual SOLD OUT Polar Bear expedition to the High Arctic. We will depart from the small town of Longyearbyen and sail up to the edge of the permanent pack ice where we will spend out time searching for and photographing the king of the Arctic. With 24 hour daylight under the midnight sun we will have hours and hours of light for photography.

We will search the sea ice north of Svalbard for Polar Bears, Walrus, Arctic Fox, Arctic Birds and spectacular Arctic landscapes. Whilst Polar Bears and other wildlife are the main attraction on an expedition such as this it needs to be said that the landscape opportunities in Svalbard are nothing short of breathtaking. Soaring bird cliffs, plunging glaciers and dramatic mountainous scenery means there is quite literally something for every photographer. If you have never been to Svalbard you should absolutely put it on your bucket list. As above the 2019 expedition is sold out, but I am already taking bookings for 2020 – full details on my website in the Workshops section.

From Svalbard I will head to the Faroe Islands to co-lead a brand new ‘small-group’ landscape workshop to this spectacular archipelago with friend Martyn Lucas.The Faroe Islands are comprised of eighteen small rugged and rocky islands located in the middle of the Atlantic Ocean, approximately halfway between Scotland and Iceland. The island’s position is unique and is the frame for breathtaking views; beautiful mountains, majestic fjords, dramatic sea cliffs; all in all a photographers paradise. The islands have a rich bird life, Including the largest colony of storm petrels in the world and over 305 bird species including Razor Bills and Atlantic Puffins. There are still two places remaining if you would like to join Martyn and myself. Just drop me an email to register your interest.

From the Faroes I will travel back to Iceland to co-lead back-to-back ship based expeditions to Scoresby Sund and the incredible east coat of Greenland with Daniel Bergmann. Both of these expeditions are ‘fly-in, fly-out’ trips that will depart from Reykjavik via charter plane and land at Constable Point in Greenland. Flying to Greenland saves us two days sailing across open ocean in either direction and means we have more time for exploration and photography.

A few words on Greenland: Home to some of the most extraordinary geology to be found on earth, the red and orange glacial scarred landscape of Greenland stands in stark contrast to the electric blue icebergs that carve off its many glaciers and drift slowly down its precipitous fjords. It is a remote land of untamed and unbridled beauty that is rarely visited and even less rarely photographed. It is an incredible place to inspire the imagination and fuel your photographic desires. There are still a few places remaining on each expedition if you would like to join Daniel and myself. Just drop me an email to register your interest. You can check out a portfolio of photographs from Greenland on my website at www.jholko.com

After Greenland I will return to northern Finland to lead my new workshop for Wolverine and Wolves in a fiery Autumn setting. I first scouted this trip in Autumn this year and found it to be an absolutely superb time of the year for photography in Northern Finland. At this time of year the Wolverines and Wolves are active and the bears have not yet begun to hibernate. Additionally the Autumn colour is in full swing which makes for outstanding backgrounds. This workshop is for a small group of just five photographers – only two places remaining before it will be sold out.

And finally to round out the 2019 year I will again return to Northern Canada to lead my new Sold Out workshop for Snowy Owls. 2019 is going to be a very exciting (and very busy) year and I am looking forward to getting underway. For those of you who have made it this far – A sneak peak into 2020 includes brand new expeditions and workshops to the Ross Sea Region of Antarctica as well as a new and very special expedition to the remote east coast of northern Greenland on the very cusp of winter. More on this later.

I wrote last year that it was my hope that 2018 will be the year I published my new fine-art book on Antarctica. Unfortunately time conspired against me and I simply ran out of days to complete the project. I wont jinx myself by making a statement that I hope to finish it in 2019, but I will say I am going to try and allocate more time to completing this project. I have had some preliminary negotiations with a large international publisher and am now in the final throws of deciding wether to self publish or take up their offer for publication and distribution.

Lastly and certainly not least, I want to wish all of you a very safe and happy New Year and may 2019 be one of amazing light and experiences for all of you. See you in the New Year!

 

Upcoming and Future Workshops and Expeditions Update 2018

Posted in Africa, Antarctica, Arctic, Australia, Finland, Landscape Photographs, News and Updates, Photographs, Tasmania, Travel Photography, Uncategorized, Wildlife Photographs, Workshops and ExpeditionsLeave a comment

It has been a long time between drinks for a major update on upcoming workshops and expeditions – things have just been very busy! Now that I have wrapped up the big VAPS convention in Warrnambool in Victoria though I have a bit more time and wanted to bring everyone up to date with what is coming up soon, in the future and what is in the early planning stages. Some of the workshops and expeditions I have not as yet formally announced, but all are included below for the coming 2018 / 2019 year:

Polar Bears of Svalbard – July 25th to August 4th 2018 – SOLD OUT

In July this year I am leading my annual expedition to Svalbard to photograph Polar Bears living and hunting on the pack ice. This expedition is sold out, but I will be running this trip again in 2019 – Please see below for further details.

Namibia – Desert Fire Safari – October 6th – October 18th –  3 Places

In October I am leading my semi-annual safari to the desert landscape of Namibia. Namibia is an extraordinary country with some of the best landscape and wildlife to be found anywhere in Africa and the goal of this safari is to photograph the breathtaking desert landscapes and wildlife of Namibia. If you are interested in joining us and securing one of the last remaining places you can download a complete itinerary with costings and all details HERE. To get an idea of the sort of photographs you can make on this workshop be sure to check out my Namibia Portfolio.

On the South Western Coast of Africa, where the icy Atlantic ocean meets the world’s oldest desert lies a place that is known for its landscapes as much as the Serengeti is known for its abundant wildlife. The unique combination of desert, grassland and cold ocean current form a one-of-a-kind terrain found only here. For this reason landscape photographers from all over the world journey to the Namibia Desert to try and capture its ethereal beauty.

In this captivating region of Namibia lies a maze of mountainous valleys that look like they were carpeted from slope to slope by ivory colored grass, criss-crossed by ancient riverbeds and dotted with a collection of photogenic acacia trees. The final unique touch is added by the large snake like dunes that rise from the grasslands like the roof of some subterranean world. These stark and compelling landscapes are something to behold with the human eye, but when it’s sweeping meadows, barren mountains and blood red dunes are captured and transformed into a two dimensional image, it becomes obvious why this place is so beautifully addictive to photographers.

The Emperors Expedition – November 18th – November 26th – 1 Place Only

The Emperor Penguin is the world’s largest and heaviest Penguin. It lives in some of the most remote and most inaccessible areas in Antarctica. The Emperor has long been one of the most desired subjects for wildlife photographers and is considered by many to be the ultimate Polar survivor. Every year expeditions try and reach the remote Emperor Penguin rookeries by ship but most fail due to sea ice and weather conditions.

With the Emperor Penguins living so far south on the sea ice this expedition will be utilizing a privately chartered transport jet to access our first base camp at Union Glacier deep in Antarctica. We will then utilize a privately chartered Twin-Otter aircraft to take us to the remote Emperor Penguin colony where we will establish a field camp for the duration of our expedition. This expedition has been more than two years in the planning and has been designed to provide the very best possible opportunities to Photograph Emperor Penguins in their natural environment. By using chartered planes we can avoid the problems and uncertainty associated with ship based expeditions not being able to reach the colony due to sea ice conditions.

This exclusive opportunity to camp, photograph and live with Emperor Penguins is for a strictly limited number of just 8 photographers plus leader and expedition staff. The expedition is dedicated to the photography of the world’s largest Penguin – The Mighty Emperor.

The main activity of this expedition is Emperor Penguin photography. However, you will also be able to take guided walks in the local area across the sea ice and take advantage of the spectacular landscape. Other wildlife that we may photograph includes Antarctic petrels, snow petrels, Weddell seals and leopard seals. A dedicated guide will accompany us and share their knowledge of this majestic wildlife during the course of this expedition.

If you are excited by the idea of traveling to the edge of the permanent pack ice to photograph Emperor Penguins in their natural environment with a small group of dedicated photographers now is the time to secure your place. Places are extremely limited and once they are spoken for that’s it.

If you are interested in joining us and securing the last remaining place you can download a complete itinerary with costings and all details HERE. To get an idea of the sort of photographs you can make on this expedition be sure to check out my Emperor Penguin Portfolio.Finland – February 1st to February 10th 2019 – 1 Place Only

In February 2017 I travelled to Finland in winter on a scouting trip and in early 2019 will now offer this as both a Wildlife and landscape workshop. Although our workshop is primarily based in Kuusamo, will actually begin in Kajanni in the north of Finland where we will be working from private hides in an effort to photograph Wolves, Wolverine and Golden eagles.

During our time in Kuusamo we will be based in a scientific research station which is basic, but comfortable and clean. Located a short drive from the majority of our primary shooting locations we will have access to areas that will provide us fantastic wildlife and landscape opportunities. If we are lucky and blessed with clear skies, we will be able to witness the Aurora Beorealis and the magic of the Northern Lights as they flicker across the night skies. During February, the days are short with sunrise at approximately 8:55am and sunset around 3:30pm. Given our northern location, the sun will be low in the sky providing soft, magnificent light conditions, for all day photography.

The main activity of this workshop is wildlife photography. However, you will also be able to take advantage of the spectacular winter landscape. A dedicated local guide will accompany us and share their knowledge of the area and wildlife we may encounter during the workshop. This exclusive opportunity to photograph the wildlife and landscapes of northern Finland in Winter is for a strictly limited number of just 6 photographers plus leader and guide – with only two places remaining before it will be sold out.

If you are interested in joining us and securing the last remaining place you can download a complete itinerary with costings and all details HERE.Arctic Fox – February 22nd to February 28th 2019 – 2 Places

This is a unique and specialized opportunity to photograph wild Arctic Foxes in the remote north-west of Iceland during winter. This exclusive expedition is open to just five photographers (only two places remaining) who will travel to the remote Arctic peninsula in the Hornstrandir Nature reserve to photograph what is perhaps Nature’s greatest survivor – The Arctic Fox.

Arctic Foxes are unfortunately hunted and shot across most of Iceland making them extremely shy and difficult to find (and even more difficult to photograph). In the remote north-west however the Arctic Foxes are protected inside the Hornstrandir Nature Reserve and can be more easily approached and photographed.

This photography expedition will last for 7 days (6 nights). We will be staying in a small remote cabin that is rustic, but functional and clean. During our stay in the cabin we will have a dedicated staff member to clean and prepare breakfast, lunch and dinner for us (all included). However, this expedition is all about photography and we will be putting in long hours in the field in order to ensure we give ourselves the best possible opportunities to photograph the Arctic Fox. With luck, we may also see and photograph the spectacular Northern lights.

The cabin we will be using for the duration of the expedition is privately owned and is in the process of being restored. Facilities include shared bathroom, toilet and shower as well as a kitchen with hot and cold water, a communal eating area and lounge. There is even an outdoor sauna available for use. Bedrooms are a shared bunk bed arrangement. The cabin is heated with both a hydronic heating system and a log fire.

If you are interested in joining us and securing the last remaining place you can download a complete itinerary with costings and all details HERE. To get an idea of the sort of photographs you can make on this expedition be sure to check out my Arctic Fox Portfolio. Svalbard in Winter by Snow Mobile – March 18th to March 23rd 2019 – SOLD OUT

In March of 2019 I am leading a sold out invitation only expedition to Svalbard to photograph winter landscape by snowmobile.

Svalbard in Winter – March 26th to April 3rd 2019 – SOLD OUT

In late March of 2019 I will lead my annual winter expedition north of Svalbard in search of Polar Bears, Walrus, Arctic Fox and dramatic winter landscape.

Great Ocean Road and Tasmania I – May 10th to May 21st 2019 – SOLD OUT

In May of 2019 I will co-lead a brand new workshop to the Great Ocean Road and Tasmania with professional Photographer and friend Phillip Bartlett. This workshop is sold out. Details on the second workshop are included below.

Great Ocean Road and Tasmania II – June 1st to June 12th 2019 –  3 Places

Due to initial demand Phillip and I will be running a second workshop to the Great Ocean Road and Tasmania.  The workshop is strictly limited to no more than six photographers and has been designed to provide the very best photographic experience in some of the best locations across the Great Ocean Road and Tasmania. It is for photographers looking for a fantastic experience who want to be in the right place at the right time – when the light is at its absolute best.

This photography workshop will last for twelve days (eleven nights). We will be staying in high quality accommodation with private rooms and bathrooms for each person at each location. Breakfast and dinners will usually be held either at our hotels or nearby restaurants. However, this workshop is all about photography and we will be putting in some long hours in the field in order to ensure we give ourselves the best possible opportunities to capture dramatic and powerful photographs. We may take food and drink with us into the field in some areas to ensure we are in position and ready to photograph during the best light of the day. In May we will have sunrise at approximately 7:00am and sunset around 5:30pm giving us plenty of time for photography. We will be working in the style of professional landscape photographers and as such we will be most active during the early mornings and late evenings. Our transportation for the duration of the workshop will be in large, comfortable 4-Wheel Drive vehicles (three participants per vehicle plus one guide driver). Each vehicle has sufficient space for our luggage and camera equipment.

If you are interested in joining us and securing one of the last remaining places you can download a complete itinerary with costings and all details HERE.

Svalbard the High Arctic – July 13th to July 22nd 2019 – 6 Places

The High Arctic is a place to inspire the imagination. Nowhere is it more accessible than the Norwegian archipelago of Svalbard, located deep within the Arctic Circle. Nowhere else can the Polar Bear be seen more reliably in its natural habitat, and photographing these magnificent animals and the dramatic polar landscape will be our main objective. We will also search for walrus and the other wildlife of the region. Dramatic glaciers, plunging cliffs and beautiful drift ice formations will all be present as well.

This expedition has been designed to provide the very best possible opportunities to Photograph Polar Bears in their natural environment. With the reduction in Arctic sea ice the Polar Bears in Svalbard are dwindling in number and the number of years left to photograph them is unfortunately limited. June and July is the ideal time to photograph Polar Bears north of Svalbard due to the dwindling sea ice around the archipelago. This exclusive expedition is for a strictly limited number of just 12 participants plus leader and is dedicated to the photography of the High Arctic.

Our intention is to sail directly north from the small town of Longyearbyen in Svalbard to approximately 80o degrees north, to the very edge of the permanent pack ice. At our northerly most point we will likely be less than 600 miles from the North Pole and depending on the sea ice we may get even closer. We will be using the ice hardened expedition ship M.S Freya that will enable us to skirt the edge of the pack ice searching for and photographing landscape and Polar Bears. M.S Freya is widely regarded as one of the best ships in the Arctic for Photography. With low-lying decks we can photograph at eye level with wild Polar Bears and other wildlife. Our expedition ship is also equipped with sufficient zodiacs (2 x Zodiac MKV models) and crew for all photographers to be shooting simultaneously with plenty of room to spare for camera equipment – So bring what you need!

If you are excited by the idea of traveling to the edge of the permanent pack ice to photograph dramatic polar landscapes and Polar Bears in their natural environment with a small group of dedicated photographers now is the time to secure your place. The remaining places are very limited and once they are spoken for that’s it. On this expedition we will also likely photograph Walrus, Seals, Whales, Arctic Foxes and the many Arctic sea birds including the rare and angelic Ivory Gull.

If you are interested in joining us and securing one of the last remaining places you can download a complete itinerary with costings and all details HERE. To get an idea of the sort of photographs you can make on this expedition be sure to check out my Svalbard Portfolio. 

Mystical Faroes – August 8th to August 16th 2019 – 3 Places

In August I am running a one time only workshop to the Faroe Islands. The Faroe Islands are comprised of eighteen small rugged and rocky islands located in the middle of the Atlantic Ocean, approximately halfway between Scotland and Iceland. The island’s position is unique and is the frame for breathtaking views; beautiful mountains, majestic fjords, dramatic sea cliffs; all in all a photographers paradise. The islands have a rich bird life, Including the largest colony of storm petrels in the world and over 305 bird species including Razor Bills and Atlantic Puffins.

This workshop is for dedicated landscape photographers who are willing to work for their images. A small group of participants (maximum of 6 plus leaders) guarantees a more personal and intimate experience than bigger tours can provide.

If you are interested in joining us and securing one of the last remaining places you can download a complete itinerary with costings and all details HERE.

Greenland I & II – September 4th to September 11th 2019 – 3 Places

September 11th to September 18th 2019 –  4 Places

In early September Daniel Bergmann and I will run two back-to-back expeditions to the remote east coast of Greenland.

Greenland is an incredible place to inspire the imagination and fuel your photographic desires. Home to some of the most extraordinary geology to be found on earth, the red and orange glacial scarred landscape of Greenland stands in stark contrast to the electric blue icebergs that carve off its many glaciers and drift slowly down its precipitous fjords.

We have chosen early to mid-September for our expeditions. This is the time of year when we can expect the Arctic vegetation to be in autumn colours and it’s also the time for soft golden light and potentially more interesting cloudscapes than during the summer, when it’s quite common to have just blue sky.

Our expeditions will take place in the Scoresbysund fjord system in Eastern Greenland, which is the largest and most spectacular fjord system on the planet. We’ll fly from Iceland to Constable Point where we’ll board the expedition schooner Donna Wood, which will be our home for 7 nights while we explore the fjords and circumnavigate Milne Land. We’ll then fly back to Iceland on the eight day.

Living on board the traditional sailing ship Donna Wood for seven amazing days is an experience in itself. It’s a perfect ship for exploring Scoresbysund. It’s small size allows us to navigate shallow bays and this beautiful two mast oak ship also acts as a strong photographic subject amongst large icebergs and towering mountains. The group size will be limited to just 11 participants plus the two leaders.

We will be photographing from the ship as we cruise the fjords but will also be making numerous landings where we’ll photograph from the coastlines or do walks on the Arctic tundra. We’ll also use the two Zodiacs on board to cruise among grounded icebergs, such as at Rødeø (Red Island).

If you are interested in joining us and securing one of the remaining places you can download a complete itinerary with costings and all details HERE. To get an idea of the sort of photographs you can make on this expedition be sure to check out my Greenland Portfolio. 

Antarctica The Ross Sea – January 10th to February 8th 2020

A sneak peak into 2020! The year is going to kick off with an extended expedition to the very rarely visited Ross Sea region of Antarctica!

Antarctica is miraculous; a remote, white continent of stark and beautiful desolation. For Nature photographers, Antarctica is without doubt the gold standard against which all other photography destinations are measured. Nowhere else on earth offers such incredible landscape and wildlife in such a pristine and remote environment. Best of all, our Ross Sea expedition will take us to some of the most spectacular and least visited areas of Antarctica. For photographers the Ross Sea is nothing short of virgin territory.

This expedition to Antarctica is a co-operation between Joshua Holko (Wild Nature Photo Travel) and Heritage Expeditions. The expedition is for a strictly limited number of 50 participants plus photography guides and expedition leader. We are utilizing the ice hardened expedition ship Spirit of Enderby with a highly experienced crew so that we can get as close as possible to giant icebergs for the best photographs. Our expedition ship is equipped with sufficient zodiacs and crew for all photographers to be shooting simultaneously with plenty of room to spare for camera equipment. So bring what you need!

The Ross Sea region of Antarctica is one of the most remote places on Planet Earth and one of the most fascinating places in the continent’s human history. With shipping restricted by impenetrable pack ice to just two brief months each austral summer, few people have ever visited this strange and beautiful territory, with opportunities for non- scientific personnel limited to a handful of tourist expedition ships. This expedition voyage is on its own fully equipped and ice-strengthened ship, crewed by some of the most experienced officers and sailors in the world and staffed by some of the most passionate and knowledgeable Guides. This is a unique opportunity to experience nature on a scale so grand there are no words to describe it.

We invite you to join us on a 30 day photography expedition to the Ross Sea, Antarctica in January 2020. Get ready for the ultimate Antarctica Ross Sea Expedition! If you are interested in joining us and securing one of the remaining places you can download a complete itinerary with costings and all details HERE.

There are numerous other things in the early planning stages for 2020 and beyond and I will have more details over the coming months as things are firmed up. Stay tuned..