Live-Books Features Antarctica Photograph as Cover Image

Live-Books (website provider for my business www.wildnaturephototravel.com) has just featured one of my Antarctica photographs amongst a series of lead images on its new website. This photograph was taken on my very first trip to Antarctica back in 2011 and remains one of my favourites from that expedition. The inclusion of the human element for scale is not something I do very often in my photography, but there are occasions when it really does work. I am looking forward to heading back to Antarctica in just a few weeks for my White Nature expedition.

Iceberg in Antarctica

Xinjiang China : Debrief Report

In early May 2013 I lead an exploratory expedition into the Xinjiang Augur autonomous region in the extreme north west of China with my good friend Antony Watson. This is an extremely remote part of northern China that is home to the spectacular Tian Shan and Altay mountain ranges as well as the Flaming Mountains, Kanas Lake, Gobi Desert and more. This part of rural China is also home to the Silk Road and other historical locations of importance including the thousand caves of Buddha (two – three thousand year old caves). The province actually borders Russia, Kazakhstan, Tajikistan, Pakistan, Kurdistan, Mongolia, and India so there is a real cultural mix of minority people and a very heavy Arabic influence.If you have been following my blog you would have already read that I was quite excited at the prospect of venturing into this remote part of China. It is an area rarely visited by the outside world and it is only in recent years it has appeared on the map for Chinese tourists who travel mostly to Kanas and Heavenly Lake. Both of these locations are relatively easy to access and have significant tourist infrastructure in place. Some of the other locations we visited were deep in the desert and mountains and see little tourism of any kind. At one point during our travels we were only 60km from the Kazakhstan and Russian borders. It was an extraordinary and fascinating expedition with some truly spectacular landscapes.  It was however, not without some significant challenges including vast distances between locations, poor infrastructure and lack of basic hygiene. In addition, there are some very significant environmental issues that I became aware of during my time in this part of China and I hope to raise awareness for the appalling state of the environment in this and future posts.

Although we had planned our itinerary and shooting locations meticulously with the information we had available to us it became evident early on during our trip that it was going to be necessary to significantly alter our plans. Our wish to photograph the remote landscapes of the Gobi Desert and other landscape locations had been somewhat lost in translation with the various intermediaries (mostly due to the language barrier) who had helped us arrange this trip and since we had little idea of what to truly expect at each location we had to adapt and make the best of it.  We were extremely fortunate to have a very friendly and knowledgeable guide (who spoke English, Mandarin and the local Augur dialect) and driver who quickly understand that what we really wanted to photograph had been lost in translation. They were able to alter our itinerary on the fly to ensure we visited the best locations for landscape photography. I owe them both a debt of gratitude for their hard work and dedication in ensuring we maximized our time for photography in this part of China. It is worth noting at this point that this trip would have been absolutely impossible without an experienced local guide and driver. No one we encountered spoke any English in this part of China and we did not see another westerner from our arrival in Urumqi to our departure twelve days later.The net result of these itinerary changes was that we ended up driving just over five thousand kilometers in ten days including several days of ten plus hours in the car. If you have ever spent repeated ten-hour days in the back of a Toyota Land Cruiser you will understand just how challenging this quickly becomes. Compounding this issue was the generally poor state of the roads and the willingness of the local truck drivers to dice with death when passing and overtaking.  It is not an experience I am keen to repeat.

Our adventure began in the city of Urumqi in northwestern China. Urumqi is the largest town in this part of China and is reached via an approximate four-hour flight from either Beijing or Shanghai. Urumqi is perhaps best described by Australian standards as a third world city. Thick smog hangs over the city from dawn till dusk thanks to the myriad of coal-fired power plants that dot the countryside in this part of China. The city is heated during its freezing sub zero winters by burning coal in huge furnaces and as a result there is very significant industrial pollution. To put the pollution into some sort of perspective our guide advised us that the snow falls black during the winter months in Urumqi.

From Urumqi we drove for several hours to Heavenly Lake in the Tian Shan Mountains. This was an interesting location and a nice counterpoint to Urumqi and we photographed the spectacular mountains, Heavenly Lake and Golden Eagles that soared over the trees and mountains on thermal currents. We also visited some local Kazak people, had a traditional lunch of Nan bread and Kebabs and visited their Yurts. Although there is significant tourist infrastructure the area is still relatively unspoiled by Chinese standards and the air at this altitude relatively clean. As is the Chinese way it is not possible to drive into the park and you have to park at the bottom and take a shuttle bus. We arrived prior to sunrise however and had received special permission to take our four-wheel drive to the top and so were thankfully able to avoid the tourist bus trap. One of the key benefits of travelling with a local guide.
From Heavenly Lake we travelled to a remote area in the Gobi Desert known as the Ghost City. This was a wonderful location for landscape photography in what is locally known as the Yardang landscape. A landscape comprised of unusual compressed earth formations and outcroppings that have been eroded by the wind over many hundreds of years. The area is so named for the eerie and unusual sounds the wind makes as it whips around the desert formations at night. We photographed in this location at both sunset and sunrise and could have easily spent several days exploring the area. Ghost city turned out to be one of the real highlights of the trip with a truly spectacular lunar like landscape. It is one of the locations I would be keen to revisit should I find myself in this part of China again.

After we had finished at the Ghost City we travelled to a location the Chinese call the Rainbow Beach. The beach is hilariously signposted as ‘The Best Beach in the World’ and is located near Burjin. This was a challenging location to photograph due to the tourist infrastructure. Rainbow beach is not a beach in the true sense of the word. Rather, it is a series of highly unusual and colorful landscape formations along the edge of a large river. It was geologically an interesting location and as it was in our travel path was worth an afternoon stop.We then spent the next two days at the remote village of Hemu and Kanas Lake. Kanas Lake is fed from the Kanas glacier and is located high in the Altay mountain range near the Russian and Kazakhstan borders. We had a very heated argument with Chinese authorities in Kanas Lake as this location is geared toward Chinese tourists and driving ones own vehicle into the park is not permitted. Instead you are required to park at the entrance and catch a shuttle bus into the park. After a long and heated argument we were forced to find an official and seek special permission to take our four-wheel drive to the top. We were able to obtain written permission, but even so the officials at the checkpoint did not want to let us in. It took some very animated words from our driver and guide to finally convince them to allow us access. Kanas Lake itself is a very pretty location that is nestled high in the mountains. The area sees very significant internal tourism from China and there are numerous hotels to choose from inside the park. There appears to be little regard for environmental planning as none of the infrastructure is what I would deem environmentally conscious or friendly and all of it is geared toward managing bus loads of tourists. We visited this location during the off-season and still witnessed in excess of fifty large coaches in the main car park.

Hemu is a location rarely visited by westerners and we may well have been the first westerners to overnight in this remote village. We were certainly the first westerners many of the locals had ever seen and according to our guide the first foreigners he has ever taken into Hemu. It was an interesting experience, but photographically was a bit of a disappointment.  We had planned our trip with the idea of photographing the landscape in this region; which although pretty was not photographically all that interesting. However, due to the large cultural mix of minority people there are excellent opportunities for people and street photography in this remote village.From Kanas we travelled to Fuyn and Turpan stopping along the way to photograph the barren landscape; which in small part reminded me of some areas of Iceland. From Turpan we travelled to a location known as the Rainbow City. This was a fantastic location for landscape photography that is well off the tourist path in the Gobi desert. The area is comprised of multi-colored earth mounds and canyons that are rich in iron and rhyolite. Unfortunately, we had only limited time at this location and due to the long distances we had to travel we missed the soft light of sunrise. Nevertheless it was a wonderful location that rates as one of the best we visited for landscape. It is an area I would like to revisit during the small hours to photograph with soft, but dramatic cloud and light.We also visited the Flaming Mountains and the thousand caves of Buddha. Both of these areas offer outstanding landscape opportunities but are quite challenging photographically. This region is extremely dry and we constantly battled dust in our cameras and lenses. The Thousand Caves are a major tourist attraction and the infrastructure is therefore geared toward tourism. We found it better to head into the back roads and seek out more remote landscapes. Our guide was able to steer us toward a back canyon that proved fabulous for photography.From the Flaming Mountains and Shanshan we drove to Kucha and the Holy Grand Canyon in the Tian Shan Mountains and Gobi Desert. This was another extraordinary location for landscape photography that rarely sees foreigners. We were greeted by local Kazak people on our arrival that had never before seen westerners. Their amazement at our arrival was an experience I will not quickly forget. The canyon itself is enormous and it is somewhat difficult to capture the scale and grandeur in a single photograph. I found this photograph that included the human element best captures the scale of the canyon. We spent several hours exploring and photographing in this location and I would rate it as a must visit for anyone travelling in this part of China.

We spent our last evening photographing at the edge of the Tian Shan Mountains where there are highly unusual pancake like formations of compressed sand that have been eroded and shaped by the wind. The landscape in this area is unique in my experience and very surreal. Although we were not blessed with great light at sunset it was nevertheless a wonderful experience. During our time in China we experienced some very extreme variations in weather including searing heat, a rare desert thunder and rainstorm, a hailstorm, sand storm and freezing cold and snowfall in the mountains.Overall, this was a fascinating journey into this part of rural China that came with some very significant challenges. The infrastructure in many locations is extremely poor by western standards and the distances between the best locations for landscape photography are vast necessitating many thousands of kilometers of travel. Some of this travel could likely have been avoided if we had better information about the locations we wanted to visit. Should we return we will certainly be able to reduce the distances travelled on a daily basis; however anyone travelling into this region for photography should be prepared to spend significant time in the car.

The hotels that are available to foreigners in this part of China are generally of a very poor quality by western standards. Whilst they are locally rated as three star (or even four star) several had no hot running water and were both smelly and dirty. Our accommodation in Hemu for example was really nothing more than a wooden shack.

By western standards the hygiene levels are extremely poor across this part of rural China. Food is generally prepared openly in the street where lamb and fish are seen hanging in the sun. In areas where there is seating food is prepared in back room kitchens that are best-left unseen. Tables and chairs are filthy and plates and cups need to be wiped down and sterilized before use. I admit to saying a few Hail Mary’s before many of the meals we consumed. Although both Antony and I were meticulous with sanitary hand wash for the duration of this trip (even wiping down chopsticks, cups and bowls) and did not drink the water we both still ended up with badly upset stomachs on two occasions during our time in China. In fact, it has taken both of us more than a week to fully recover.

The predominant food on offer in this part of China is lamb kebabs, Nan bread, a sort of rice Pilaf and a local noodle dish which comprises of thick noodle either boiled or fried with a mix of capsicum, onion, tomato and then loaded with Chile. There is little in the way of western food available and anyone travelling into this region would be well advised to pack ample supplies of protein and energy bars.

Many of the locations we visited were truly spectacular in terms of landscape. China quite literally has some of the most amazing desert and mountains I have ever had the pleasure to photograph. Unfortunately, China and the Chinese people are treating its landscape as a giant rubbish dump. Even in the most remote of locations it is impossible to get away from discarded and smashed beer bottles, old plastic drink bottles and infinite torn and semi degraded plastic bags caught in barbed wire fences. There is zero respect and utter contempt for the environment. China’s countryside is in serious need of a clean up program much like the highly successful one Australia ran during the 1980’s (clean up Australia). However a clean up program is not enough and an education program needs to follow to teach the people to respect nature and the environment. The sort of change required is generational and the time to start is now.

On top of the seemingly limitless rubbish there is very significant industrial pollution and smog even in the remote desert areas. Countless coal-fired power plants belch pollution into the atmosphere twenty-four hours a day. There is a thick and pervasive atmospheric haze that hangs over the landscape that significantly reduces visibility and makes photography somewhat problematic.

Although there are several large wind farms in this part of China the reality is that they are dwarfed by the countless coal power plants – many more of which are still being constructed. A never-ending stream of overloaded coal trucks can be seen coming and going along the highways to feed the voracious power plants that scar the landscape.

Remote China is a difficult country to navigate for foreigners. During our time in in this province we were stopped at roadside checkpoints where our passports were checked by machine gun totting police and were photographed countless times by roadside security cameras. Each hotel we stayed in scanned our passports and alerted the local police of our arrival. Many of the hotels attempted to keep our passports to verify our identity and some heated discussion ensued (via our guide) when we refused to allow them to hold onto them. It was a very strong counterpoint experience to travelling in western society and an interesting insight into the Chinese communist culture.

My feelings are somewhat mixed at this point about the possibility of returning to China in the future. On the one hand it is home to some incredible landscapes that are nothing short of extraordinary. On the other there is a lack of respect and contempt for the environment that is truly appalling. China is a country that is destroying its environment at an incredibly alarming rate and it makes me sad for my children and subsequent generations if the state of China’s environment is an insight into the future of our world.

Footnote: I chose not to photograph the pollution and rampant environmental destruction in China. I simply found it too upsetting and distressing. I chose instead to focus on those natural landscapes that I found truly extraordinary. It is important to point out that even in these remote landscapes I frequently had to remove broken and discarded bottles and other rubbish from my photographs in order to exclude the hand of man.

Outdoor Photographer of the Year Finalist 2012

I received notification via email yesterday that one of my photographs from Antarctica has made the finals in the 2012 Outdoor Photographer of the Year Competition. I feel I have been very fortunate this year as I was also a finalist and highly commended with 3rd place in the Travel Photographer of the Year ‘Single Shot Water Category’ and was a finalist in the ‘Fine Art Photographer of the Year’ competition in Paris a few months ago. This was the first time I have entered Outdoor Photographer of the Year and did so more or less on the spur of the moment as one of the category titles (‘The Spirit of Adventure’) really struck a chord with me whilst browsing their website. I had a particular image from Antarctica; which I felt really summed up ‘The Spirit of Adventure’. The photograph in question was taken from the deck of the Ocean Nova near the Lemaire Channel and is of mountain climbers nearing the summit of one of Antarctica’s precipitous mountains in rapidly deteriorating weather. The truth of this photograph is that I did not see the mountain climbers (or at least I do not recall seeing them) when I took this photograph. I do recall being attracted to the sinuous ridgeline, dark sky and swirling clouds as we cruised slowly past and perhaps on a subconscious level I did see the climbers; but my memory of this particular photograph is a little foggy. It was, after all, just one of more than 13,000 images taken on the trip.From the exif data I know I used the Canon 300mm F2.8L IS lens on the Canon EOS 1D MKIV body, which gave me an effective focal length of 390mm for this capture; which should help give an idea of just how far away these climbers were when I made this photograph. It was shot at ISO400 F7.1 at 1/2500th of a second. You can’t see it on this small jpeg; but there are two large sea birds perfectly sharp and frozen to the right of frame. A higher resolution version of this photograph can be seen on my website in the Antarctica Portfolio.

Footnote: Unfortunately, Outdoor Photographer of the Year is not judged on the ‘Print’; but rather on the submission of digital files. To their credit they do require the submission of the original RAW file as proof the photograph has not been significantly tampered with. As I have previously blogged however, I far prefer to have my work viewed in Print, which I regard as the ultimate output. Nevertheless I am very honoured to have made the finals of this prestigious competition and look forward to seeing the winning entries when they are announced early next year.

2013: Whats in Store?

As has become somewhat traditional on my blog I like to do a post toward the end of each year that looks forward to whats in store for the coming year. Its a good opportunity for me to ready myself mentally for the year ahead and to also close off the previous year. 2013 is shaping up to be very busy with a significant number of workshops and expeditions that I am very much looking forward to. Although I very much choose to specialise in the Polar and sub-Polar regions (which remain my focus) I do have a new exploratory trip planned for 2013 into China. More on this below.

In March I will be co-leading two back-to-back Winter Aurora workshops to Iceland with my good friends Andy Biggs and Daniel Bergmann. These workshops are going to focus on the coastal regions of Iceland including the Snæfellsnes Peninsula, the mighty sea stacks at Vik and the spectacular Jökulsárlón glacial lagoon. We are looking forward to frozen waterfalls, glaciers, icebergs and with a little luck the Aurora (Northern Lights). We are going to be in Iceland at the peak of the eleven year solar cycle which should mean some intense solar activity. Fingers crossed for clear skies and blazing Aurora!In May I will be headed to the remote Xinjiang province in China with my good friend and fellow photographer Antony Watson on an exploratory expedition to the Gobi Desert, Tian Shan mountain range, Kanas Lake and Kanasi. This investigative trip is the culmination of over a year of logistical arrangements and I hope will open up some incredibly beautiful and remote wilderness for a future expedition workshop to this region.

In July I will be headed back to Iceland to lead a summer workshop with Daniel Bergmann into the Highland Regions. We will be travelling into Landmannalaugar; which is one of my favourite locations in Iceland as well as visiting the mighty Dettifoss and Selfoss waterfalls and the iconic Jökulsárlón glacial lagoon. Normally inaccessible in Winter, the Highlands of Iceland are a very special place and simply incredible for photography.In August I will fly from Iceland to Oslo and Longyearbyen for a personal expedition to Svalbard to photograph Polar Bears and Walrus before I return to Longyearbyen to lead two back to back expeditions to Svalbard, Greenland and Iceland – The Jewels of the Arctic. The first of these expeditions will be co-led with Daniel Bergmann and the second co-led with Australian Grand Master of Photography Peter Eastway. Abraham Joffe’s award winning film and production company ‘Untitled Film Works‘ has been secured to join us on the second expedition and will be producing a video of the trip which I hope to share freely here on my blog late next year.In November I am travelling to Ushuaia in South America and will lead an expedition to Antarctica and the Falkland Islands with Daniel Bergmann. This 15 day / 14 night expedition was more than eight months in the planning and is something I am very much looking forward to. We have been able to arrange access into areas normally off limits that are dedicated to Science which is going to provide us with some really unique opportunities. We are travelling early in the season which should give us the best possible opportunities for spectacular icebergs, dramatic weather and great light.In late November I will travel to Patagonia with my friend Martyn Lucas on a personal trip to photograph the spectacular Torres Del Pine and surrounding landscape. Patagonia boasts some of the most dramatic landscapes on Earth with precipitous mountains, jagged granite spires and enormous glaciers. During our time in this area we plan to hike up to the Torres and bivouac to give ourselves the best opportunity for great light. This will be my first visit to Patagonia and will fulfil a life-long ambition to photograph in this spectacular area.

I will then return home to spend Christmas my family. All up, I will be away from my studio for around 4-5 months in total next year which means I am not going to be offering much in the way of printing workshops or Lightroom instruction in 2013. If you are already booked in for one-on-one Lightroom and Fine Art Printing then those dates stand as I will be in Australia during these times.

To those of you who are travelling with me on one (or more) of these trips I am very much looking forward to spending time shooting together. It is going to be a very exciting year for photography. Roll on 2013!

NEW GURA GEAR BATAFLAE BACKPACK REVIEW – IMPROVING ON PERFECTION

How do you take what is widely regarded by many photographers as one of the finest camera bags on the market and make it even better?

I was pondering this when the guys at Gura Gear first told me that they were working on an update to the very popular Kiboko 30L camera bag along with a range of new accessory storage bags called the ‘Et Cetera’ range.I was an early adopter of Gura Gear bags. After I returned from my first expedition to Iceland I realized how unhappy I had become with my then current camera bag (whose name shall remain anonymous). For a variety of reasons it was no longer satisfying my needs and I was on the lookout for a new lightweight bag that met airline carry-on restrictions for size but enabled me to carry more equipment comfortably into the field.  Anyone who has travelled domestically or internationally with camera equipment understands the importance of being able to carry equipment onto the airplane to avoid the risk of damage or theft in checked luggage. I therefore needed a bag that could not only hold all of my equipment, but that was light, robust, suitable for moderate hiking, and still enabled me to glide through airport check -in with a smile and a wave. My search led me to the Kiboko which, after several years of photographic travel, has become my number one camera bag of choice for all of my photography.

Fast forward to 2012 – With a four week photographic trip to Europe and a workshop in Iceland in July and August this year it was the perfect opportunity to field test the new Gura Gear Bataflae camera bags and Et Cetera range. The good folks at Gura Gear agreed and a shipment of the new product range was soon winging its way to me.

I admit to being very excited when I opened up the boxes from Gura Gear and saw the new products. You know you have purchased a quality product when you open the box and are greeted by the super slick black dust covers bearing the Gura Gear logo. Whilst the addition of a dust bag might seem superfluous it does in fact prove very useful for long-term storage and can even serve as a pretty cool laundry bag when travelling.

Widely regarded as being capable of swallowing copious amounts of camera equipment with room to spare (the Kiboko 30L will hold just about everything you can throw at it) the new Bataflae 32L adds even more space. Overall, it is larger and deeper than the original. This extra space proved a real blessing during my field tests as Canon’s new 1DX camera with a really right stuff L bracket is a very tight fit in the original Kiboko, but slides perfectly into the new bag thanks to the extra head room. Users of professional DSLR’s, medium and large format camera gear will really appreciate the extra height available.

Those of you familiar with the original Kiboko will already be sold on the benefits of the unique butterfly openings that avoid that unwieldy large flap that most camera bags provide for internal access.  There are, however, times when it would be nice to be able to open the bag right up for packing and full access. Well, the new Bataflae gives you the best of both worlds with the traditional butterfly openings but adds the ability to open the entire bag up by releasing a simple clasp at the top of the bag. This really makes packing much simpler as well as providing full access to both sides simultaneously when required in the field. The centre divider contains extra strengthening to maintain rigidity even when the bag is fully loaded. In use, I found this to work very well.The rain cover has been relocated from inside one of the butterfly pockets to outside the bag in a small zippered pocket, which has freed up more room in the butterfly pocket. The rain cover now also utilizes a draw string which is an improvement over the original elastic cover because it can now also serve as a ground sheet if required.

Like the original bags, the new range is manufactured from highly durable materials, although the new material has more bling. The stitching, zippers and internal fittings of the new bags are improved in every respect. Even the finger zipper pulls are easier to use.  Additional padding has been added to the backpack harness, which makes the bag noticeably more comfortable when hiking. There are yet more refinements to be found in the way of improved clasps for carrying tripods which can even accommodate items such as crampons. Like its predecessor, the new range comes with a considerable number of extra dividers so that its internal storage space can be customized to one’s own particular needs. All of this amounts to a very compelling reason to upgrade to the new models.

When the new Bataflae is fully loaded with my camera equipment it was significantly over the normal carry-on luggage allowance during my Europe and Iceland expeditions, yet I had no issues on any of the five international and domestic flights, including several long haul flights. With the increase in size, the new Bataflae still fits in the overhead lockers on the aircraft I travelled and still retains its understated appearance. I am utterly convinced that the Bataflae is the best camera bag on the market for photographers who fly and travel.

During my four weeks in Europe I used the new Bataflae everywhere, from the bustling streets and Cathedrals of Paris to the more subdued provincial countryside and wine regions of France where I travelled by hire car. I took it mountaineering at 13,000 feet at Mont Blanc in Chamonix where it was -15 degrees Celsius, and trod the myriad of canals in Venice Italy during the peak summer season. I then travelled to Iceland for my 2012 summer Workshop where I spent time on the Snaefellsness Peninsula, the highlands of Landmannalaugar and the stunning Jokulsarlon glacial lagoon to name but a few locations. I undertook some fairly arduous hiking in the Landmannalaugar region and subjected the bag to everything from waterfall spray, rain, salt spray, sand and dust. I threw just about everything I could at the new bags and found them an improvement in every way over the originals.

The design changes and refinements to the new bags are in many cases subtle but they add up to a significant overall improvement that makes for a very compelling reason for existing Kiboko owners to upgrade. If, on the other hand, you haven’t already pampered yourself and your camera gear with Gura Gear then you are about to be presented with a fantastic opportunity with the release of these new products. They are highly recommended for their robustness and overall design.

The new product range takes everything that was great about the original bags and improves on it in just about every respect. I would argue that, outside of the camera and lens, there are few pieces of equipment that can have as much impact on your photography as your camera bag. If you travel or frequently change locations (and which photographer doesn’t!) you owe it to yourself (and your expensive equipment) to check out a Gura Gear camera bag.

Part Two – The Et Cetera and Tembo Range

As photographers we are constantly adding accessories to our equipment arsenal. Additional batteries, chargers, color checkers, CF and SD cards and card readers, adapter rings – the list goes on and on and there is only so many of these that can be shoehorned into a camera bag already overflowing with bodies and lenses. I am sure many of us have thrown all manner of photographic accessories loose into our suitcases before we travel because our camera bag was already overweight with bodies and lenses and at risk of airport check-in destruction.Solving this problem could well be Gura Gear’s masterstroke. Its new Et Cetera and Tembo line of products is designed to solve that annoying problem of finding a home for some of those accessories. The range is perhaps best thought of as the ‘Tupperware’ of camera storage and provides a range of different storage options for different accessories. I found these storage containers invaluable on my recent European trip and Iceland workshop and far more convenient than throwing items loosely in my checked luggage.

There is a range of different sizes and shapes from which to select and photographers will likely choose those models that best suit their needs and requirements.

Gura Gear products can be ordered directly from the Gura Gear Website