2019 A Retrospective and 2020 Whats in Store?

As is tradition on my blog, every year I do a “What’s in Store” post for the new year as well as reflect back, and wrap up the year that was (its a great way for me to keep a record of my travels and photography and also helps me prepare for the coming year). 2019 was a frantic year and when I look back at all the destinations and all of the photography its actually hard to reconcile that it all happened in a single year. It was a year that included many superb photographic destinations and some really incredible experiences (Cuba and Mongolia were an incredible way to finish the year).

In equipment terms 2019 was relatively quiet for me with no major changes to my camera body line-up; although I did update several lenses including the 600mm f4L IS MKII to the MKIII version and the 400mm f2.8L IS MKII to the MKIII. I had not planned to update either lens, but the significant weight savings (and redistribution of that weight) offered in the new MKIII versions was too much for me to resist. This year I did supplement my two Canon EOS 1DX MKII’s with a mirrorless EOS R for my landscape photography. I really feel that the mirrorless offering from Canon is just fine for landscape and general work, but falls well short of my needs as a wildlife tool. Of course, we are now staring down the barrel of the new Canon EOS 1DX MKIII and I expect to take delivery of this new camera early in the new year.

My gear pick for the 2019 year (I always choose something I actually own) is the Canon 600mm F4L IS MKIII. The new MKIII offers very considerable weight savings over the MKII. Perhaps more importantly though is the way in which the weight has been redistributed with the bulk of the weight now at the rear of the lens. This makes the entire lens much easier to handhold for extended periods. 2019 will be very interesting in the equipment arena.  As above, I expect to take delivery of the new Canon EOS 1DX MK3 early in the new year. I think it is safe to say that I expect the majority of new lenses Canon releases in 2019 to be in RF mount only. We are also likely to see a new mirrorless camera from Canon – either a replacement for the EOS R, or a higher specification machine. I suspect we will get a high mega pixel mirrorless offering.

Last year I am gave the nod to Inherit the Dust by Nick Brandt for my book pick of the year. For 2019 I am giving the guernsey to Vincent Munier’s  Tibet. Vincent has continued to produce absolutely superb imagery that is subtle, yet powerful. His photographs are highly emotional and Tibet contains some beautiful work that will be enjoyed across countless viewings. I definitely recommend you check it out and consider adding it to your library. Over the course of this year I also published my own favourite twelve photographs here on my blog. Please be sure to check them out and let me know what you thought.

In competition terms, 2019 was a great year for me with the overall win as the Victorian Nature Photographer of the Year. This was the third year in a row I have taken out either the Documentary or Nature category. I was also a finalist in the 2019 Documentary and Landscape categories as well we being a finalist  in the AIPP Australian Professional Photography Awards – Nature Photographer of the Year.  As I have written before I have stopped entering competitions that judge only the digital image and instead have focused my efforts only on print competitions.

2019 was also another massive year for me both with destinations visited and the huge number of international miles travelled. The year kicked off in mid January with a winter scouting trip for Snowy Owls to Canada (Read the Trip Report).  This scouting trip proved extremely fruitful with fantastic photographic opportunities of these magnificent owls in a winter setting. As a result of this scouting trip I will be leading a sold out workshop to this part of Canada early 2019 (I am actually leaving for Canada December 28th).

At the completion of my Canada trip I had a few days at home before I made my way up to Finland for my winter wildlife workshop (Read the Trip Report). Winter in Finland is an absolutely wonderful time of year to visit and photograph in this region of Scandinavia. On this workshop we had really fantastic encounters with Golden Eagle, Otters, White-tailed Eagles, and more. One afternoon alone we spent several hours photographing wild Otters as they played and fished in the partially frozen lake. This was a shoot none of us are likely to quickly forget as it was extremely cold with temperatures hovering around -35ºC as we lay on the frozen lake.  We also took advantage of the snow covered landscape.

From Finland I travelled to Iceland to lead my annual expedition to photograph Arctic Fox on the north-west peninsula in Winter (Read the Trip Report).  This was the third time I have taken a small group with me into the nature reserve as this is an area very near and dear to my heart. During the expedition the participants made between ten and twenty thousand plus photographs per person which gives you a really good idea of just how many incredible opportunities and encounters with Arctic Foxes we experienced during our time in the Nature reserve. Many of our encounters lasted several hours and on multiple occasions we had the luxury of choosing our backgrounds and angle of view for our photographs.

From Iceland I travelled north to Svalbard for both a small group snow mobile expedition to photograph Polar Bears and other wildlife on the sea ice in Winter (Read the Trip Report) and to subsequently lead my annual winter workshop in search of Polar Bears, Arctic Fox, Reindeer and dramatic Arctic landscapes (Read the Trip Report). For the Snow Mobile expedition we spent around a week exploring the archipelago of Svalbard in winter via snow mobile in temperatures as low as -30º Celsius in search of Polar Bears. As well as our encounters with Polar Bears we also photographed Arctic Fox and Reindeer.

From Svalbard I travelled much closer to home and lead two back to back workshops to the Great Ocean Road in Victoria and onto Tasmania (Read the Trip Reports). Both of these workshops were structured to provide outstanding and varied opportunities for landscape photography as well as the opportunity to see and experience the wild coastal region of the Great Ocean Road and World Heritage Wilderness areas of Tasmania. Both of these locations offer world class landscape opportunities, yet both remain relatively unknown on the world stage (at least for now). We photographed the fantastically varied landscape of these two locations and also enjoyed the fantastic fresh food and produce both of these locations are well known for. To those of you who have enquired about future Tasmania workshops – the short answer is ‘yes’, but not in the next couple of years.

After Australia I returned to Svalbard for my yearly expedition north of Longyearbyen to photograph Polar Bears living and hunting on the sea ice (Read the Trip Report). With our small group of just twelve photographers and our ice hardened expedition class ship we were perfectly prepared for ten days of Arctic photography under the midnight sun and it turned out to be an absolute gem of an expedition. July and August are just a fantastic time of the year to visit Svalbard. With twenty four hours of daylight (the sun never sets this time of year) the opportunities for photography are literally non-stop and we took advantage on many occasions to photograph late into the evening and early hours of the morning. This was the first time I witnessed an actual Polar Bear kill and it was incredibly exciting. The stalk and kill happened right in front of our ship as we were parked alongside a large ice-flow. It was a magical moment rarely witnessed and even less rarely photographed.

After a short break I travelled to the Faroe Islands (Read the Trip Report) where I led my first landscape workshop to this wonderful series of remote islands. The Faroe Islands offer some of the most rugged and beautiful sea cliffs I have been fortunate to experience and photograph. During this workshop we explored many of the islands and hiked many kilometres as we explored the region. We also took the opportunity on several occasions to photograph Puffins along the cliff edges. 

From the Faroe Islands I returned to Australia to re-equip before I returned to Iceland where I led two back-to-back expeditions to the East Coast of Greenland with Daniel Bergmann (Read the Trip Reports). For these two expeditions we flew by private charter flight from Reykjavik in Iceland to Constable Point on the East Coast of Greenland where we boarded our sailing ship, the Donna Wood. For both our expeditions we chose to sail north to the rugged and scenic Bjørneøer Islands (Bear Islands) where we made landings at both sunset and sunrise for contemplative landscape photography. Along the way we photographed many of the gigantic icebergs that drift as giant sentinels silently through the fjord system. For our landings in this area we were blessed with a magnificent iceberg with a full arch that was grounded against a stunning mountainous backdrop and we spent many hours in this location with the late afternoon and early evening light. The landscape topography in these islands is a landscape photographers paradise with beautiful boulders and stunning back drops in every direction. The East coast of Greenland remains, in my experience, one of the most incredible locations on earth for landscape photography. I will be returning to the East Coast of Greenland in both Winter and Summer 2020 and 2021. Look for  more details on my website at www.jholko.com

From Greenland I travelled to Finland for my October 2019 Wolverines and Wolves of Finland workshop. This workshop was dedicated to the photography of Wolves, Wolverines and Bears. I arrived a week early to pre-scout many of the locations I wanted us to try to photograph in order to ascertain which hides (and in what locations) were having the most activity and at what time of the day. By pre scouting I ensured we had the best possible opportunities with the most action for our time in this beautiful part of Finland. This was well worth the effort and time as everyone who participated in this trip came away with a spectacular portfolio of photographs. In particular, we had absolutely outstanding opportunities with a wild wolf pack and I will be sharing some of these photographs over the coming months both here on my blog and in the Finland portfolio on my website.

After Finland I travelled to Camaguey in Cuba to open my new exhibition ‘Antipodas’ with friend Paul Murray.  Thanks to Paul’s and our curator Juan Carlos’s extensive preparations the opening was a smash success and the the exhibition has now moved into its next phase and location in Santiago de Cuba. From Santiago de Cuba the exhibition will move to Havana before it concludes late February 2020. This was my first visit to Cuba and I found it a fascinating melting pot of cultures and an absolute street photographers paradise.

I then wrapped up the year with a personal trip to Mongolia to photograph the Pallas Cat (Read the Scouting Report). This was most likely the most difficult shooting of my career with extreme cold and many hours and days spent searching for this elusive wild cat. During the two plus weeks I spent searching the vast lunar-like landscape of Mongolia in winter I had less than half a dozen photographic opportunities with the Pallas Cat. Nevertheless, I was able to capture some photographs that I am extremely happy with and I will be sharing them online here over the coming months.

All up I led a total of twelve separate international workshops and expeditions in 2019  spread across the globe (not including personal work such as my trip to Cuba and Mongolia as well as one-on-one Print workshops). A quick count tallies up well over sixty plane segments and over sixty thousand exposures (not all keepers unfortunately!) It was a fantastic (although frenetic) year and I just want to thank all of you who I was fortunate to meet, travel and photograph with throughout the year. It was real privilege to share in such remarkable destinations with so many fantastic passionate photographers – thank you.

2020 is ready to get underway and I am really excited about whats in store. In late December I will be returning to Canada to lead my sold out workshop to photograph Snowy Owls in winter. This workshop has long been sold out, but there are still a couple of spaces left for 2021 if you are keen to join me to photograph this beautifully majestic owl in a winter setting.

From Canada I return to Australia for just a few days before I leave for the South Island of New Zealand where we will depart on my thirty day sold out Antarctica Ross Sea Expedition. During this expedition we will also be visiting some of the sub-Antarctic islands including Snares Island (home to the Snares penguin) and MacQuarrie Island. This will be my first visit to the Ross Sea region of Antarctica and I am really excited about what opportunities we will have during this expedition. In particular, it is my hope that we may encounter and have the opportunity to photograph Emperor  Penguins on icebergs!

After the Ross Sea I will have a few days at home before I head north for Iceland and my annual Arctic Fox expedition to the Hornstradir Nature reserve. For this expedition we will be staying in a small remote cabin that is rustic, but functional and clean and we will have up to 10 hours of good light during the day with which to photograph the Arctic foxes. With luck, we may also see and photograph the spectacular Northern lights. The 2020 expedition has long been sold out, but there are still a few places on the 2021 expedition – just drop me a note to register your interest.

From Iceland I will travel directly to the east coast of Greenland to lead two brand new SOLD OUT expeditions via snow mobile for both Polar Bear and Musk Oxen in a stunning winter setting. I have been utilising snow mobiles in Winter in the Arctic for quite a few years now and have found the opportunities afforded by exploring via snow mobile to be truly unique and very special. This year I am moving my operations for Snow mobile from Svalbard to Greenland specifically to take advantage of the opportunity to photograph Musk Ox in winter.  Due to the continued expressions of interest I will likely have a similar offering for 2021 – details to come soon.

At the conclusion of the snow mobile expeditions I will lead my SOLD OUT annual winter ship expedition in Svalbard in search of Polar Bears, Arctic Fox, Reindeer and Arctic landscapes. The main focus of this expedition will be Arctic winter light, landscape and wildlife. In April the light conditions in Svalbard are magical. The 2020 expedition is long sold out and places are already limited for the 2021 expedition. If you would like more information or would like to reserve one of the remaining places for 2021 please drop me an email at any time.

After I finish the winter season in the Arctic I will have a few weeks break back in Australia before I head back north for my midnight sun Summer Svalbard expedition. We will depart from the small town of Longyearbyen and sail up to the edge of the permanent pack ice where we will spend our time searching for and photographing the king of the Arctic. With 24 hour daylight under the midnight sun we will have hours and hours of light for photography.  Whilst Polar Bears and other wildlife are the main attraction on an expedition such as this it needs to be said that the landscape opportunities in Svalbard are nothing short of breathtaking. Soaring bird cliffs, plunging glaciers and dramatic mountainous scenery means there is quite literally something for every photographer. If you have never been to Svalbard you should absolutely put it on your bucket list. There are still a few places available if you would like to join us.

From Svalbard I will return to Australia for a brief respite before I head to Russia for my first expedition to Wrangle Island. I am really excited about the opportunity to travel and photograph in Wrangle Island. Reports from expeditions earlier this year included sightings of up to fifty Polar Bears on several expeditions.  I will be offering Wrangle Island again in 2021 from August 16th until August 30th 2021 and details will be on my website very soon. Drop me an email for further details or to register your interest.

After I complete Wrangle Island I will head back to Australia and onto Greenland where I will lead a ship based expedition to Scoresby Sund on the East coast of Greenland.  This expedition is a ‘fly-in, sail out’ trip that will depart from Reykjavik via charter plane and land at Constable Point in Greenland. Flying to Greenland saves us two days sailing across open ocean and means we have more time for exploration and photography. We will then sail back to Iceland at the conclusion of our expedition. This 2020 expedition has long been sold out, but there are still a few places available on the 2021 expedition. Be sure to check out the Adobe Spark presentation HERE.  Just drop me an email to register your interest. You can check out a portfolio of photographs from Greenland on my website at www.jholko.com

After Greenland I will return to northern Finland to lead my new workshop for Wolverine and Wolves in a fiery Autumn setting. I first scouted this trip in Autumn two years ago and found it to be an absolutely superb time of the year for both Wildlife and Landscape photography in Northern Finland. At this time of year the Wolverines and Wolves are active and the bears have not yet begun to hibernate. Additionally the Autumn colour is in full swing which makes for outstanding backgrounds. This workshop is for a small group of just five photographers – only two places remaining before it will be sold out.

 In November I will again return to Union Glacier, deep in Antarctica to lead a sold out expedition to photograph Emperor Penguins. This will be my fifth expedition to Gould Bay and it remains one of the most amazing and incredible experiences I have had anywhere on earth.  I was last in Gould Bay back in 2018 (Read the Trip Report) and next years expedition will be my fifth sojourn to Union Glacier and the remote sea ice at Gould Bay. This is a region of Antarctica that is extremely remote and that is home to one of the largest Emperor Penguin colonies in Antarctica.  It is an absolutely incredible place to visit and photograph these remarkable birds. Due to rising costs this may well be my last expedition to the sea ice of Gould Bay.

And finally to round out the 2020 year I will return to Mongolia in December to lead a small group of just five photographers on an exploratory expedition in search of the enigmatic Snow Leopard.

For those of you that have managed to make it this and would like a hint of what else is further down the track: I am working on a new expedition to South Georgia in October of 2021. At this time of year there will be heaps of snow to photograph the King Penguins, the Elephant Seals will be fighting and importantly the pesky and ferocious fur seals will not yet have arrived en mass. I am not quite ready to start taking bookings as yet, but you can pre-register (no obligation) now if you want to secure a place.

Lastly and certainly not least, I want to wish all of you a very safe and happy New Year and may 2020 be one of amazing light and experiences for all of you. See you in the New Year!

Photo of the Month December 2019 – Finland in Fall

It has been a while since I have posted a purely landscape image for my photograph of the month. With the year rapidly drawing to a close I wanted to take the last opportunity for the 2019 year to post a landscape photograph from Finland this Autumn as my December photograph of the month. Photographed not long after sunrise on the shores of a placid lake near Kajaani as a gentle fog was rising. This was a photographic opportunity that only existed for the briefest of moments. The fog was quickly rising and I did not even have time to setup the tripod and instead elected to make the shot handheld rather than risk the chance of loosing the fog. The combination of fall colour, and the fall colour trees reflected in the lakes dark and still waters really works to capture the ethereal and tranquil feeling of the morning.

Finland in the fall is absolutely spectacular and is one of the most underrated landscape and wildlife destinations I have experienced. I will return again to Finland next October to lead a small group workshop for Wolves, Wolverines and Bears. And of course, we will take every opportunity to make these sort of landscape photographs as they present themselves – details are on my website HERE.

Wolverines and Wolves of Finland Workshop Report 2019

In October of 2019 I lead a dedicated wildlife workshop to the northern region of Kajaani in Finland. This workshop was dedicated to the photography of Wolves, Wolverines and Bears. I arrived a week early to pre-scout many of the locations I wanted us to try to photograph in order to ascertain which hides (and in what locations) were having the most activity and at what time of the day. By pre scouting I ensured we had the best possible opportunities with the most action for our time in this beautiful part of Finland. This was well worth the effort and time as everyone who participated in this trip came away with a spectacular portfolio of photographs.

To my knowledge, there is no where else in the world you can get so close, so reliably and so often to wild wolves and wild wolverine. At various times during our photography sessions we would have Wolves, Wolverine and Brown Bear within just a few feet of our hides. This provided us with unique and incredible opportunities to produce a really strong and powerful body of work of these apex predators.

Wolves, Wolverines and Bears are typically most active first thing in the morning and last thing in the evening so this is when we concentrated our efforts. As it turned out, most of the action ended up occurring in the afternoon and early evening so we quickly abandoned the mornings and focused our efforts on the afternoons. With the evenings being so incredibly productive we were able to make many thousands of photographs during just a few hours each day. It also freed up our mornings for some informal landscape photography around some of the lakes at the peak of fall colour. The landscape opportunities in this area of Finland at this time of year are well worth a visit alone.

Many of the hides we used to make our photographs are actually located in no mans land between Finland and Russia and special permission is needed to enter this demilitarised zone. The benefit of being in this remote restricted region is that we have it completely to ourselves. No other human being for many kilometres. Of perhaps even greater importance is that there is no hunting allowed of any kind in this zone. With hunting pressure across much of Finland (for Grouse, and unfortunately also for Bear and Wolves) the animals are pushed into this region and concentrated more closely than they might otherwise normally be.

During the week we spent in this remote part of Finland we had what can only be described as some of the most amazing, unusual and incredible encounters with wildlife anyone could ever hope for. We had a pack of six wolves (two Alphas and four one year old pups) that were consistently coming within just a few metres of our hides on a daily basis. To have wild wolves within just a few meters of you is virtually unheard of. We also had close encounters with Wolverine and brown bears; often close enough that they were approaching minimum focusing distance!

During one early afternoon we were waiting to go into the hides when a wild wolverine emerged from the forest and promptly came straight up to us to investigate. This is extremely unusual behaviour for what is notoriously an extremely shy and elusive animal.  With the wolverine so close I took the opportunity to use my iphone and grab some video of this once in a lifetime encounter.

Due to my continual travel schedule this year, I have not as yet had time to sort, edit and process the many thousands of photographs I made during this week in Finland, so rather than delay my trip report I am instead including a few snippets of video I shot on my iphone during the workshop. I will post final images at a later date once I have had time to edit and process them.

This years workshop was such a success that I have decided to repeat the workshop again next year from the 14th of October until the 21st of October. As per this year, I will take just five photographers with me for this experience. We will be based in a quaint and cozy remote cabin just a few kilometres from the Russian border where we will make daily sojourns to our hide locations for photography of Wolves, Wolverine and Bears. Drop me an email to register your interest as places are strictly limited and some are already spoken for. Full details on my website at www.jholko.com 

Workshop and Expedition Update 2019

It has been more than six months since I last did a blog post on what is coming up for Workshops and Expeditions and a major update is well and truly over due. I have a crazy travel schedule to round out 2019 with both workshops and expeditions as well as personal travel (photography related) that includes the opening of my new exhibition ‘Antipodes’ in Cuba opening in November. I will also be undertaking a new scouting trip to the far wilds of Mongolia (more on this below) and so my time at home is preciously short for the rest of 2019.

On return from Greenland and Finland (I am currently in Greenland for another week or so, before I head to Finland for my Wolverines and Wolves workshop) I will have just a few days in Melbourne before I leave for the USA and Cuba. Time is working against me and I will unfortunately have just a few days in the states for a private print workshop before I make my way to Cuba for the opening of Antipodes.  I was hoping to make it to PhotoPlus in New York again this year, but time has not aligned and this will have to wait until 2020. I plan to spend just under a week in Cuba before I return to Australia for a few days (I will be speaking on wildlife photography at the Portrait Conference in Melbourne) and then make my way to a remote area of Mongolia on a new scouting trip to attempt to photograph an extremely rare, elusive and shy cat (not the snow leopard). I will be spending two weeks in this remote region of Mongolia tent camping in winter and I am expecting it to be quite arduous and primitive. I am nevertheless extremely excited at the prospect and potential this trip could yield and will have more to say about this as we get closer.

After Mongolia I will return to Australia for the Christmas period and some brief travel respite before I fly out New Years Eve bound for Canada and my Sold Out Snowy Owl workshop. Snowy Owls are my absolute favourite bird to photograph – they are simply magnificent and I am excited to be offering this workshop again for a small group of photographers in mid January 2021. You can download a complete PDF HERE.

From Canada I will return to Australia for a week before I make my way to the South Island of New Zealand where we will be departing on my thirty day Sold Out Ross Sea Antarctica expedition. This will be my first expedition into the Ross sea region of Antarctica and I am very excited to be venturing into this rarely visited area of the great white continent. Because of the duration (thirty days plus travel time) of this expedition it will likely be the first and only time I take a group of photographers into this region of Antarctica. The time commitment required precludes most people from being able to join and the significant cost of the ship for a month makes this a very difficult expedition to repeat. Nevertheless it promises to be an extremely special experience. One of the trip highlights will be the chance to see and photograph Emperor Penguins on icebergs – something I have wanted to do for a very long time (although I have photographed them on the sea ice at Gould Bay many times). By way of a forward tease – I will be offering a future Antarctica trip to the Peninsula  – likely to be October 2022.

On return to Australia I will have a week off before I head back to the far north of Iceland for my annual Arctic Fox expedition.  The 2020 expedition has long been sold out – but I am now taking bookings for the 2021 expedition. This is a ‘deep immersion’ expedition into Arctic fox photography. We will be staying in a small, homely and remote cabin that provides us immediate and incredible access to this tenacious little predator. If you want to photograph Arctic fox this is the workshop for you.  You can drop me an email to register your interest.

At the completion of the Arctic Fox expedition I will take some personal time and head to the northern region of Norway to photograph Puffins and Snow Hares in winter. This scouting trip is a precursor to a future workshop I will lead with David Gibbon for a small group of just six photographers in March of 2021 – You can download a complete PDF of the 2021 Trip HERE.

After I finish in Norway I will travel back to Iceland and onto Greenland for a Sold Out invitation only winter polar bear expedition. This will be the first time I have travelled to Greenland in winter and I am just so very excited to try and photograph Polar Bears in winter in the landscape of Greenland.  Once we finish our Polar Bear expedition we will stay on in Greenland for another new and sold out expedition for Musk Oxen in winter. It has been a lot of logistics work to put these two expeditions together into the East Coast in winter, but it should offer up some really unique and very special opportunities.

After Winter in Greenland I will return to Australia for a few weeks before I again head north for Svalbard in late Winter / early Spring. April / May is a wonderful time of the year to visit this part of the Arctic. With the sun low in the sky the quality of the light is sublime and the photographic opportunities are limitless. The birds are returning this time of year and the area will still be heavy with ice and snow.  There are now just two places remaining on this expedition before it will be sold out. Check out the Kingdom of the Ice Bear Video Below.

I will return again to Svalbard in July for my annual Polar Bears of the High Arctic expedition. (Read the report from last years expedition). The expedition runs from the 6th of July until the 15th of July and is strictly limited to twelve participants (some places already spoken for).

From Svalbard I am travelling to northern Alaska where we will depart on my first expedition to the Russian Arctic territory of Wrangle Island. This expedition is a co-operation between myself and Heritage Expeditions and promises to offer up some amazing landscape and wildlife if this years trip reports were anything to go by. Wrangle Island has long been on my destination wish list and I am very much looking forward to this expedition. You can download a complete PDF itinerary of this expedition HERE.

In September I am returning to Greenland for a sold out Winters Cusp expedition to the east coast and Scoresby Sund fjord system. For those of you who missed out on a place on the 2019 and 2020 expeditions I will be repeating this expedition again in September of 2021. Places are already limited – you can drop me an email for more information. Watch the Adobe Spark Presentation on Greenland.

I will then finish up the 2020 year with another expedition to sea ice of Gould Bay in Antarctica to photograph the mighty Emperor Penguins. This expedition to camp, photograph and live with Emperor Penguins is the only one of its kind to offer this incredibly special experience. This will be my fourth expedition to Gould Bay and I look forward very much to the incredibly special experience of living with Emperor Penguins. For the 2020 expedition I will take just six photographers (only two places remaining before it will be sold out. Drop me an email to register your interest.

For those of you who have made it this far and wanted an update on the Russian winter trip for Siberian Tigers……Well, I am afraid it is a case of no news at the moment. Things just move very slowly in that part of the world and although I am doing my best to actively drive this project forward I am encountering quite a few road blocks that are causing very significant delays. As soon as there is forward progress I will make a post update on the site.

If you want to get a peek into 2021 and what is coming up then you can check out the workshops page HERE on my website.

Departing for Greenland and Finland 2019 Expeditions

My whirlwind stop at home in Melbourne, Australia has already come to an end (yes, I really do live here!) and as soon as I finish this post I am heading back to the airport to start the long haul north back to Iceland then onto Greenland for my two back-to-back expeditions to the East Coast and Scoresby Sund with Daniel Bergmann. Honestly, it feels like my feet have not even touched earth here in Australia and I am definitely not fully recovered from my Faroe Islands jet lag (Read the TRIP REPORT). Despite the fading case of jet lag I am really excited to be returning to Greenland. The massive icebergs and rugged landscape of Greenland are a a dynamic paradise for photographers. In particular the East Coast may just be my favourite place on earth to photograph.  Check out the Adobe Spark Presentation HERE.

After I finish in Greenland I will be having a few days off in Helsinki before I start my Autumn workshop in the north of Finland for Wolves, Wolverines and Bears. Autumn is a gorgeous time to photograph in the forests of Northern Finland and with a little luck we will have some fantastic photographic encounters during our time on the Russian border. Finland is in my experience one of the most underrated wildlife destinations on earth. Not only does it offer up Bears, Wolverine, Wolves, Otters, Pine Martin and more, but it is also home to White-tailed Sea Eagles, Golden Eagles, Siberian Jays, Black and Spotted Woodpeckers and a host of other Arctic and Sub Arctic birds.

Packing for the East Coast of Greenland and Finland in Autumn presents a minor challenge. Although both will be similar in terms of temperature, they require quite different photographic approaches. With the emphasis in Greenland on landscape and the emphasis in Finland on Wildlife it requires quite a bit of thought on what equipment to actually pack in order to avoid taking absolutely everything.  All of the below fits in my new Gura Gear Kiboko backpack (just!). Although I generally prefer a roller bag for airports (that I can then re-pack into a backpack) on this occasion a backpack makes more sense as I need to carry all my equipment from the airport at Constable point to our point of embarkation on our boat.

2 x Canon EOS 1DX MKII Cameras with 2 x Spare Batteries

1 x Canon 8-15mm Fish Eye

1 x Canon 11-24mm

1 x Canon 24-70mm F4L IS Lens

1 x Canon 100-400mm F3.5-5.6 IS MKII Lens

1 x 600mm F4L IS MKIII Lens

1 x 1.4 TC MKIII Teleconverter

1 x Lecia 10 x 42 HD Binoculars

If I had the space I would love to take a tilt shift lens or two with me as well as I find these really useful when working from ship. The keen eyed amongst you may notice I am not taking the EOSR or a tripod. Greenland is an active and dynamic place and I have found in the past a tripod is often more of a hindrance than a benefit; especially when things are happening quickly (such as icebergs rolling over). I will shoot handheld for these expeditions (or on a bean bag for my long lenses). For Finland I am packing my Sachtler fluid head to mount the 600mm inside the hides.

If you missed out on a place on the 2019 and 2020 expeditions but would like to travel to the East Coast of Greenland to photograph this amazing region then I will be repeating this very special ‘Winters Cusp’ expedition in September of 2021 (some places and cabins already spoken for). Full details are now available for download from my website at www.jholko.com including a complete PDF itinerary.

Lastly, there is no internet access during my time on the East Coast of Greenland; so if you contact me via email please be patient and I will get to you on my return as soon as possible. See you in Greenland!