Today I am very excited to announce that my new fine art photography book ‘Never Cry Wolf‘ is now available for Pre-order through my online store HERE with delivery scheduled for early next year. The book includes a selection of photographs of wild wolves photographed during the last weeks of Autumn, on the cusp of the seasonal transition to Winter. The collection includes more than forty photographs of a young wolf pack coming of age as it learns to survive in the dynamic and rapidly changing Arctic wilderness on the border between Finland and Russia. A video preview of the book can be watched below.
Designed and printed in Australia on the finest archival art matt paper the first 100 pre-order copies only include a limited edition A4 fine art print of one of the Wolf photographs. Printed on Moab Somerset Museum Rag 300gsm, the fine art pigment on paper print is the perfect accompaniment to the book. Never Cry Wolf is available for Pre-Order now for $90 AUD inc. GST (approx. $65 USD) plus postage. I hope that you enjoy the photographs and quotes from this project Never Cry Wolf.
As is tradition on my blog, every year I do a “What’s in Store” post for the new year as well as reflect back, and wrap up the year that was (its a great way for me to keep a record of my travels and photography and also helps me prepare for the coming year). 2019 was a frantic year and when I look back at all the destinations and all of the photography its actually hard to reconcile that it all happened in a single year. It was a year that included many superb photographic destinations and some really incredible experiences (Cuba and Mongolia were an incredible way to finish the year).
In equipment terms 2019 was relatively quiet for me with no major changes to my camera body line-up; although I did update several lenses including the 600mm f4L IS MKII to the MKIII version and the 400mm f2.8L IS MKII to the MKIII. I had not planned to update either lens, but the significant weight savings (and redistribution of that weight) offered in the new MKIII versions was too much for me to resist. This year I did supplement my two Canon EOS 1DX MKII’s with a mirrorless EOS R for my landscape photography. I really feel that the mirrorless offering from Canon is just fine for landscape and general work, but falls well short of my needs as a wildlife tool. Of course, we are now staring down the barrel of the new Canon EOS 1DX MKIII and I expect to take delivery of this new camera early in the new year.
My gear pick for the 2019 year (I always choose something I actually own) is the Canon 600mm F4L IS MKIII. The new MKIII offers very considerable weight savings over the MKII. Perhaps more importantly though is the way in which the weight has been redistributed with the bulk of the weight now at the rear of the lens. This makes the entire lens much easier to handhold for extended periods. 2019 will be very interesting in the equipment arena. As above, I expect to take delivery of the new Canon EOS 1DX MK3 early in the new year. I think it is safe to say that I expect the majority of new lenses Canon releases in 2019 to be in RF mount only. We are also likely to see a new mirrorless camera from Canon – either a replacement for the EOS R, or a higher specification machine. I suspect we will get a high mega pixel mirrorless offering.
Last year I am gave the nod to Inherit the Dust by Nick Brandtfor my book pick of the year. For 2019 I am giving the guernsey to Vincent Munier’s Tibet. Vincent has continued to produce absolutely superb imagery that is subtle, yet powerful. His photographs are highly emotional and Tibet contains some beautiful work that will be enjoyed across countless viewings. I definitely recommend you check it out and consider adding it to your library. Over the course of this year I also published my own favourite twelve photographs here on my blog. Please be sure to check them out and let me know what you thought.
In competition terms, 2019 was a great year for me with the overall win as the Victorian Nature Photographer of the Year. This was the third year in a row I have taken out either the Documentary or Nature category. I was also a finalist in the 2019 Documentary and Landscape categories as well we being a finalist in the AIPP Australian Professional Photography Awards – Nature Photographer of the Year. As I have written before I have stopped entering competitions that judge only the digital image and instead have focused my efforts only on print competitions.
2019 was also another massive year for me both with destinations visited and the huge number of international miles travelled. The year kicked off in mid January with a winter scouting trip for Snowy Owls to Canada (Read the Trip Report). This scouting trip proved extremely fruitful with fantastic photographic opportunities of these magnificent owls in a winter setting. As a result of this scouting trip I will be leading a sold out workshop to this part of Canada early 2019 (I am actually leaving for Canada December 28th).
At the completion of my Canada trip I had a few days at home before I made my way up to Finland for my winter wildlife workshop (Read the Trip Report). Winter in Finland is an absolutely wonderful time of year to visit and photograph in this region of Scandinavia. On this workshop we had really fantastic encounters with Golden Eagle, Otters, White-tailed Eagles, and more. One afternoon alone we spent several hours photographing wild Otters as they played and fished in the partially frozen lake. This was a shoot none of us are likely to quickly forget as it was extremely cold with temperatures hovering around -35ºC as we lay on the frozen lake. We also took advantage of the snow covered landscape.
From Finland I travelled to Iceland to lead my annual expedition to photograph Arctic Fox on the north-west peninsula in Winter (Read the Trip Report). This was the third time I have taken a small group with me into the nature reserve as this is an area very near and dear to my heart. During the expedition the participants made between ten and twenty thousand plus photographs per person which gives you a really good idea of just how many incredible opportunities and encounters with Arctic Foxes we experienced during our time in the Nature reserve. Many of our encounters lasted several hours and on multiple occasions we had the luxury of choosing our backgrounds and angle of view for our photographs.
From Iceland I travelled north to Svalbard for both a small group snow mobile expedition to photograph Polar Bears and other wildlife on the sea ice in Winter (Read the Trip Report) and to subsequently lead my annual winter workshop in search of Polar Bears, Arctic Fox, Reindeer and dramatic Arctic landscapes (Read the Trip Report). For the Snow Mobile expedition we spent around a week exploring the archipelago of Svalbard in winter via snow mobile in temperatures as low as -30º Celsius in search of Polar Bears. As well as our encounters with Polar Bears we also photographed Arctic Fox and Reindeer.
From Svalbard I travelled much closer to home and lead two back to back workshops to the Great Ocean Road in Victoria and onto Tasmania (Read the Trip Reports). Both of these workshops were structured to provide outstanding and varied opportunities for landscape photography as well as the opportunity to see and experience the wild coastal region of the Great Ocean Road and World Heritage Wilderness areas of Tasmania. Both of these locations offer world class landscape opportunities, yet both remain relatively unknown on the world stage (at least for now). We photographed the fantastically varied landscape of these two locations and also enjoyed the fantastic fresh food and produce both of these locations are well known for. To those of you who have enquired about future Tasmania workshops – the short answer is ‘yes’, but not in the next couple of years.
After Australia I returned to Svalbard for my yearly expedition north of Longyearbyen to photograph Polar Bears living and hunting on the sea ice (Read the Trip Report). With our small group of just twelve photographers and our ice hardened expedition class ship we were perfectly prepared for ten days of Arctic photography under the midnight sun and it turned out to be an absolute gem of an expedition. July and August are just a fantastic time of the year to visit Svalbard. With twenty four hours of daylight (the sun never sets this time of year) the opportunities for photography are literally non-stop and we took advantage on many occasions to photograph late into the evening and early hours of the morning. This was the first time I witnessed an actual Polar Bear kill and it was incredibly exciting. The stalk and kill happened right in front of our ship as we were parked alongside a large ice-flow. It was a magical moment rarely witnessed and even less rarely photographed.
After a short break I travelled to the Faroe Islands (Read the Trip Report) where I led my first landscape workshop to this wonderful series of remote islands. The Faroe Islands offer some of the most rugged and beautiful sea cliffs I have been fortunate to experience and photograph. During this workshop we explored many of the islands and hiked many kilometres as we explored the region. We also took the opportunity on several occasions to photograph Puffins along the cliff edges.
From the Faroe Islands I returned to Australia to re-equip before I returned to Iceland where I led two back-to-back expeditions to the East Coast of Greenland with Daniel Bergmann (Read the Trip Reports). For these two expeditions we flew by private charter flight from Reykjavik in Iceland to Constable Point on the East Coast of Greenland where we boarded our sailing ship, the Donna Wood. For both our expeditions we chose to sail north to the rugged and scenic Bjørneøer Islands (Bear Islands) where we made landings at both sunset and sunrise for contemplative landscape photography. Along the way we photographed many of the gigantic icebergs that drift as giant sentinels silently through the fjord system. For our landings in this area we were blessed with a magnificent iceberg with a full arch that was grounded against a stunning mountainous backdrop and we spent many hours in this location with the late afternoon and early evening light. The landscape topography in these islands is a landscape photographers paradise with beautiful boulders and stunning back drops in every direction. The East coast of Greenland remains, in my experience, one of the most incredible locations on earth for landscape photography. I will be returning to the East Coast of Greenland in both Winter and Summer 2020 and 2021. Look for more details on my website at www.jholko.com
From Greenland I travelled to Finland for my October 2019 Wolverines and Wolves of Finland workshop. This workshop was dedicated to the photography of Wolves, Wolverines and Bears. I arrived a week early to pre-scout many of the locations I wanted us to try to photograph in order to ascertain which hides (and in what locations) were having the most activity and at what time of the day. By pre scouting I ensured we had the best possible opportunities with the most action for our time in this beautiful part of Finland. This was well worth the effort and time as everyone who participated in this trip came away with a spectacular portfolio of photographs. In particular, we had absolutely outstanding opportunities with a wild wolf pack and I will be sharing some of these photographs over the coming months both here on my blog and in the Finland portfolio on my website.
After Finland I travelled to Camaguey in Cuba to open my new exhibition ‘Antipodas’ with friend Paul Murray. Thanks to Paul’s and our curator Juan Carlos’s extensive preparations the opening was a smash success and the the exhibition has now moved into its next phase and location in Santiago de Cuba. From Santiago de Cuba the exhibition will move to Havana before it concludes late February 2020. This was my first visit to Cuba and I found it a fascinating melting pot of cultures and an absolute street photographers paradise.
I then wrapped up the year with a personal trip to Mongolia to photograph the Pallas Cat (Read the Scouting Report). This was most likely the most difficult shooting of my career with extreme cold and many hours and days spent searching for this elusive wild cat. During the two plus weeks I spent searching the vast lunar-like landscape of Mongolia in winter I had less than half a dozen photographic opportunities with the Pallas Cat. Nevertheless, I was able to capture some photographs that I am extremely happy with and I will be sharing them online here over the coming months.
All up I led a total of twelve separate international workshops and expeditions in 2019 spread across the globe (not including personal work such as my trip to Cuba and Mongolia as well as one-on-one Print workshops). A quick count tallies up well over sixty plane segments and over sixty thousand exposures (not all keepers unfortunately!) It was a fantastic (although frenetic) year and I just want to thank all of you who I was fortunate to meet, travel and photograph with throughout the year. It was real privilege to share in such remarkable destinations with so many fantastic passionate photographers – thank you.
2020 is ready to get underway and I am really excited about whats in store. In late December I will be returning to Canada to lead my sold out workshop to photograph Snowy Owls in winter. This workshop has long been sold out, but there are still a couple of spaces left for 2021 if you are keen to join me to photograph this beautifully majestic owl in a winter setting.
From Canada I return to Australia for just a few days before I leave for the South Island of New Zealand where we will depart on my thirty day sold out Antarctica Ross Sea Expedition. During this expedition we will also be visiting some of the sub-Antarctic islands including Snares Island (home to the Snares penguin) and MacQuarrie Island. This will be my first visit to the Ross Sea region of Antarctica and I am really excited about what opportunities we will have during this expedition. In particular, it is my hope that we may encounter and have the opportunity to photograph Emperor Penguins on icebergs!
After the Ross Sea I will have a few days at home before I head north for Iceland and my annual Arctic Fox expedition to the Hornstradir Nature reserve. For this expedition we will be staying in a small remote cabin that is rustic, but functional and clean and we will have up to 10 hours of good light during the day with which to photograph the Arctic foxes. With luck, we may also see and photograph the spectacular Northern lights. The 2020 expedition has long been sold out, but there are still a few places on the 2021 expedition – just drop me a note to register your interest.
From Iceland I will travel directly to the east coast of Greenland to lead two brand new SOLD OUT expeditions via snow mobile for both Polar Bear and Musk Oxen in a stunning winter setting. I have been utilising snow mobiles in Winter in the Arctic for quite a few years now and have found the opportunities afforded by exploring via snow mobile to be truly unique and very special. This year I am moving my operations for Snow mobile from Svalbard to Greenland specifically to take advantage of the opportunity to photograph Musk Ox in winter. Due to the continued expressions of interest I will likely have a similar offering for 2021 – details to come soon.
At the conclusion of the snow mobile expeditions I will lead my SOLD OUT annual winter ship expedition in Svalbard in search of Polar Bears, Arctic Fox, Reindeer and Arctic landscapes. The main focus of this expedition will be Arctic winter light, landscape and wildlife. In April the light conditions in Svalbard are magical. The 2020 expedition is long sold out and places are already limited for the 2021 expedition. If you would like more information or would like to reserve one of the remaining places for 2021 please drop me an email at any time.
After I finish the winter season in the Arctic I will have a few weeks break back in Australia before I head back north for my midnight sun Summer Svalbard expedition. We will depart from the small town of Longyearbyen and sail up to the edge of the permanent pack ice where we will spend our time searching for and photographing the king of the Arctic. With 24 hour daylight under the midnight sun we will have hours and hours of light for photography. Whilst Polar Bears and other wildlife are the main attraction on an expedition such as this it needs to be said that the landscape opportunities in Svalbard are nothing short of breathtaking. Soaring bird cliffs, plunging glaciers and dramatic mountainous scenery means there is quite literally something for every photographer. If you have never been to Svalbard you should absolutely put it on your bucket list. There are still a few places available if you would like to join us.
From Svalbard I will return to Australia for a brief respite before I head to Russia for my first expedition to Wrangle Island. I am really excited about the opportunity to travel and photograph in Wrangle Island. Reports from expeditions earlier this year included sightings of up to fifty Polar Bears on several expeditions. I will be offering Wrangle Island again in 2021 from August 16th until August 30th 2021 and details will be on my website very soon. Drop me an email for further details or to register your interest.
After I complete Wrangle Island I will head back to Australia and onto Greenland where I will lead a ship based expedition to Scoresby Sund on the East coast of Greenland. This expedition is a ‘fly-in, sail out’ trip that will depart from Reykjavik via charter plane and land at Constable Point in Greenland. Flying to Greenland saves us two days sailing across open ocean and means we have more time for exploration and photography. We will then sail back to Iceland at the conclusion of our expedition. This 2020 expedition has long been sold out, but there are still a few places available on the 2021 expedition. Be sure to check out the Adobe Spark presentation HERE. Just drop me an email to register your interest. You can check out a portfolio of photographs from Greenland on my website at www.jholko.com
After Greenland I will return to northern Finland to lead my new workshop for Wolverine and Wolves in a fiery Autumn setting. I first scouted this trip in Autumn two years ago and found it to be an absolutely superb time of the year for both Wildlife and Landscape photography in Northern Finland. At this time of year the Wolverines and Wolves are active and the bears have not yet begun to hibernate. Additionally the Autumn colour is in full swing which makes for outstanding backgrounds. This workshop is for a small group of just five photographers – only two places remaining before it will be sold out.
In November I will again return to Union Glacier, deep in Antarctica to lead a sold out expedition to photograph Emperor Penguins. This will be my fifth expedition to Gould Bay and it remains one of the most amazing and incredible experiences I have had anywhere on earth. I was last in Gould Bay back in 2018 (Read the Trip Report) and next years expedition will be my fifth sojourn to Union Glacier and the remote sea ice at Gould Bay. This is a region of Antarctica that is extremely remote and that is home to one of the largest Emperor Penguin colonies in Antarctica. It is an absolutely incredible place to visit and photograph these remarkable birds. Due to rising costs this may well be my last expedition to the sea ice of Gould Bay.
And finally to round out the 2020 year I will return to Mongolia in December to lead a small group of just five photographers on an exploratory expedition in search of the enigmatic Snow Leopard.
For those of you that have managed to make it this and would like a hint of what else is further down the track: I am working on a new expedition to South Georgia in October of 2021. At this time of year there will be heaps of snow to photograph the King Penguins, the Elephant Seals will be fighting and importantly the pesky and ferocious fur seals will not yet have arrived en mass. I am not quite ready to start taking bookings as yet, but you can pre-register (no obligation) now if you want to secure a place.
Lastly and certainly not least, I want to wish all of you a very safe and happy New Year and may 2020 be one of amazing light and experiences for all of you. See you in the New Year!
As is tradition on my blog, I like to do a “What’s Coming Up” post for the new year as well as reflect back, and wrap up the year that was (its a great way for me to keep a record of my travels and photography and also helps me prepare for the coming year). Even though I ran less workshops than the previous year, 2018 was a frantic year and when I look back at all the destinations and all of the photography its actually hard to reconcile that it all happened in a single year. It was a year that included some absolutely superb photographic destinations and some really incredible experiences.
In equipment terms 2018 was relatively quiet for me with no major changes to my camera line-up. As I wrote both last year and the year before, the Canon EOS 1DX MKII remains the best DSLR camera I have ever used regardless of price, brand or model. I actually managed to get through an entire year without purchasing a new camera or a new lens! I cannot recall the last time I managed to do that! It was a close call on the new Canon mirrorless camera, but after trying one I decided it did not really offer me anything that would improve my photography at this point. Perhaps future generations of the mirrorless system might better suit my needs.
My gear pick for the 2018 year (I always choose something I actually own) is somewhat of a tough choice as I did not actually purchase a new camera or lens. I did however purchase the newly designed Sachtler Flowtech 75 tripod and this has definitely become my favourite tripod. Its super fast to set up in the field, its light, strong, exceptionally sturdy and extremely versatile with its spiked and rubber feet. I also very much like the flexibility that comes with different positions when splaying the legs.
2019 should be a fairly interesting year in equipment terms. I expect to see several new L series lenses from Canon that will predominantly be in the new RF mount. I highly doubt we will see any new pro DSLR bodies until early 2020 – a 1DX MKIII announcement late 2019 is probable. The much rumoured 600mm F4 DO lens (a patent has been filed by Canon and they have shown a prototype) has not as yet eventuated and my gut feeling is that when it finally does it will almost certainly appear in an RF mount only. In fact, I expect the majority of new lenses Canon releases in 2019 to be in RF mount only.
Last year I am gave the nod to Ragnar Axelsson’s excellent Faces of the North for my book pick of the year. For 2018 I am giving the guernsey to Inherit the Dust by Nick Brandt. Nick has continued to lead the charge in black and white elephant photography; producing absolutely superb imagery that is both emotional and timeless. His style and approach are highly imitated, but rarely if ever matched. Inherit the Dust is a wonderful (although sombre) look at what we are doing to our planet. I definitely recommend you check it out and consider adding it to your library.
Over the course of this year I also published my own favourite twelve photographs here on my blog. Please be sure to check them out and let me know what you thought. I don’t usually have an overall favourite from a given year, although I definitely have a soft spot for the Wolverine I photographed in northern Finland in Autumn this year during a scouting trip. As below, I have a new workshop for Wolverine and Wolves that will kick off next Autumn in Northern Finland (only two places remaining before it will be sold out).
2018 was also another huge year for me both with destinations visited and sheer number of international miles travelled. The year kicked off in early February with a winter workshop to Lofoten (Read the Trip Report). The landscape of these islands are really quite something to behold. Precipitous and ominous peaks that rise straight out of the ocean loom over small fishing villages that comprise of bright red houses lining the shorelines. With a dusting of fresh snow and arctic winter light the entire scene is akin to a fairy tail location and subsequently the photographic opportunities were truly superb.
From Lofoten I travelled to Iceland to lead my annual expedition to photograph Arctic Fox on the north-west peninsula in Winter (Read the Trip Report). This was only the second time I have taken a small group with me into the nature reserve as this is an area very near and dear to my heart. During the expedition the participants made between ten and twenty thousand plus photographs per person which gives you a really good idea of just how many incredible opportunities and encounters with Arctic Foxes we experienced during our time in the Nature reserve. Many of our encounters lasted several hours and on multiple occasions we had the luxury of choosing our backgrounds and angle of view for our photographs.
From Iceland I travelled north to Svalbard for both a personal snow mobile expedition to photograph Polar Bears on the sea ice in Winter and to subsequently lead my annual winter workshop in search of Polar Bears, Arctic Fox, Reindeer and dramatic Arctic landscapes (Read the Trip Report). I spent nearly three weeks exploring the archipelago of Svalbard in winter via snow mobile in temperatures as low as -30º Celsius in search of Polar Bears. Bears were thin on the ground and extremely hard to find this year. In three weeks I drove over three thousand kilometres on my snow mobile and found only one Bear. My winter ship expedition was much more successful with some fantastic bear and wildlife encounters.
From Svalbard I travelled closer to home to the South Island of New Zealand where I lead my annual landscape workshop with my good friend Phillip Bartlett (Read the Trip Report). Although this was a very successful trip for all who participated it was a difficult and somewhat frustrating trip for me as I was suffering quite badly with a torn lateral tendon in my right elbow at this point and was unable to lift my camera for most of the trip. As it turned out I did actually make some photographs I was very happy with during the workshop. I was also finally able to get my elbow back in shape with some very intensive physiotherapy on return to Melbourne.
From New Zealand I returned to Svalbard for my yearly expedition north of Longyearbyen to photograph Polar Bears living and hunting on the sea ice (Read the Trip Report). With our small group of just twelve photographers and our ice hardened expedition class ship we were perfectly prepared for ten days of Arctic photography under the midnight sun and it turned out to be an absolute gem of an expedition. July and August are just a fantastic time of the year to visit Svalbard. With twenty four hours of daylight (the sun never sets this time of year) the opportunities for photography are literally non-stop and we took advantage on many occasions to photograph late into the evening and early hours of the morning.
After a short break I returned to the deserts of Namibia to lead my bi-annual workshop for both landscape and wildlife to this fantastic country (Read the Trip Report). This was my fourth workshop to the desert of Namibia and the first time I had ventured north into the wildlife rich region of Etosha. It was also the first time I have scheduled this workshop for October (instead of April / May when there is often more cloud). October was a deliberate choice for this safari as it is the end of the dry season in Etosha. Water is at its most scarce and the wildlife is thus forced to congregate around the last few remaining watering holes whilst they wait for the rains and the start of the wet season.
I then wrapped up the year with my expedition to photograph Emperor Penguins on the remote sea ice at Gould Bay in Antarctica (Read the Trip Report). The colony at Gould Bay is actually the most southerly Emperor Penguin colony in Antarctica and is also one of, if not the most, difficult colonies to reach. This was my third expedition to this remote region of Antarctica and it proved extremely productive. This was also the first time I have been able to properly explore and photograph one of Antarctica’s dry valleys – a location not far from Union Glacier known as the Elephants Head. I also took the opportunity on this expedition to shoot some video and I hope to get some time in the new year to edit it all together into a short experience video to share here on my blog and website.
All up I led a total of seven separate international workshops and expeditions in 2018 spread across the globe (not including personal work, some local private workshops to the Great Ocean Road as well as one-on-one Print workshops). A brief count tallies up over fifty plane segments and nearly sixty thousand exposures (not all keepers unfortunately!) It was a fantastic year and I just want to thank all of you who I was fortunate to meet, travel and photograph with throughout the year. It was real privilege to share in such remarkable destinations with so many fantastic passionate photographers – thank you.
2019 is ready to get underway and I am really excited about whats in store. In mid January I will be making my first trip to northern Canada in winter to photograph Snowy Owls. Snowy Owls have been on my wish list for many years and I now finally have the right local contact to photograph them in the wild on private land. This exploratory trip is the precursor to an already sold out workshop to photograph these magnificent birds that I will lead back to this part of Canada in late 2019.
From Canada I will travel back to Finland in winter to lead my Sold Out workshop for Wolverine, Wolves, Eagles, Owls and winter landscapes. Northern Finland has quickly become one of my favourite destinations for wildlife photography. Not only does it offer fantastic opportunities for wildlife, but it does so in an absolutely superb winter setting. The opportunities for a landscape draped in fresh winter snow and the stunning Aurora Borealis can make for incredible photography.
From Finland I will travel back to Iceland for my annual SOLD OUT expedition to photograph Arctic fox in the Hornstrandir Nature reserve in winter. Arctic Foxes are unfortunately hunted and shot across most of Iceland making them extremely shy and difficult to find (and even more difficult to photograph). In the remote north-west however the Arctic Foxes are protected inside the Hornstrandir Nature Reserve and can be more easily approached and photographed. We will be staying in a small remote cabin that is rustic, but functional and clean and we will have up to 10 hours of good light during the day with which to photograph the Arctic foxes. With luck, we may also see and photograph the spectacular Northern lights.
From Iceland I will travel directly to Svalbard for both personal work (on snow mobile) and to lead a brand new SOLD OUT expedition via snow mobile for both wildlife and landscape in a stunning winter setting. I have been returning to Svalbard in Winter for quite a few years now and have found the opportunities afforded by exploring via snow mobile to be truly unique and very special. Be sure to check out the video below that my friend Abraham shot during the filming of Ghosts of the Arctic.
At the conclusion of the snow mobile expeditions I will lead my SOLD OUT annual winter ship expedition in search of Polar Bears, Arctic Fox, Reindeer and Arctic landscapes. The main focus of this expedition will be Arctic winter light, landscape and wildlife. In March and April the light conditions in Svalbard are magical. The 2019 expedition is long sold out and places are already limited for the 2020 expedition. If you would like more information or would like to reserve one of the remaining places for 2020 please drop me an email at any time.
From Svalbard I will return to Australia for a short break before I lead two brand new back-to-back landscape workshops to the Great Ocean Road and wild landscapes of Tasmania with my New Zealand co-leader and friend Phillip Bartlett. I am really excited about these new Tasmania workshops. Tasmania is still very much an undiscovered gem on the global scene with huge potential for dramatic and unique landscape photography. The first workshop is long Sold Out, but there are still two places remaining on the second trip if you would like to join Phillip and myself. Just drop me an email to register your interest.
From Tasmania I will head north again to Svalbard for my annual SOLD OUT Polar Bear expedition to the High Arctic. We will depart from the small town of Longyearbyen and sail up to the edge of the permanent pack ice where we will spend out time searching for and photographing the king of the Arctic. With 24 hour daylight under the midnight sun we will have hours and hours of light for photography.
We will search the sea ice north of Svalbard for Polar Bears, Walrus, Arctic Fox, Arctic Birds and spectacular Arctic landscapes. Whilst Polar Bears and other wildlife are the main attraction on an expedition such as this it needs to be said that the landscape opportunities in Svalbard are nothing short of breathtaking. Soaring bird cliffs, plunging glaciers and dramatic mountainous scenery means there is quite literally something for every photographer. If you have never been to Svalbard you should absolutely put it on your bucket list. As above the 2019 expedition is sold out, but I am already taking bookings for 2020 – full details on my website in the Workshops section.
From Svalbard I will head to the Faroe Islands to co-lead a brand new ‘small-group’ landscape workshop to this spectacular archipelago with friend Martyn Lucas.The Faroe Islands are comprised of eighteen small rugged and rocky islands located in the middle of the Atlantic Ocean, approximately halfway between Scotland and Iceland. The island’s position is unique and is the frame for breathtaking views; beautiful mountains, majestic fjords, dramatic sea cliffs; all in all a photographers paradise. The islands have a rich bird life, Including the largest colony of storm petrels in the world and over 305 bird species including Razor Bills and Atlantic Puffins. There are still two places remaining if you would like to join Martyn and myself. Just drop me an email to register your interest.
From the Faroes I will travel back to Iceland to co-lead back-to-back ship based expeditions to Scoresby Sund and the incredible east coat of Greenland with Daniel Bergmann. Both of these expeditions are ‘fly-in, fly-out’ trips that will depart from Reykjavik via charter plane and land at Constable Point in Greenland. Flying to Greenland saves us two days sailing across open ocean in either direction and means we have more time for exploration and photography.
A few words on Greenland: Home to some of the most extraordinary geology to be found on earth, the red and orange glacial scarred landscape of Greenland stands in stark contrast to the electric blue icebergs that carve off its many glaciers and drift slowly down its precipitous fjords. It is a remote land of untamed and unbridled beauty that is rarely visited and even less rarely photographed. It is an incredible place to inspire the imagination and fuel your photographic desires. There are still a few places remaining on each expedition if you would like to join Daniel and myself. Just drop me an email to register your interest. You can check out a portfolio of photographs from Greenland on my website at www.jholko.com
After Greenland I will return to northern Finland to lead my new workshop for Wolverine and Wolves in a fiery Autumn setting. I first scouted this trip in Autumn this year and found it to be an absolutely superb time of the year for photography in Northern Finland. At this time of year the Wolverines and Wolves are active and the bears have not yet begun to hibernate. Additionally the Autumn colour is in full swing which makes for outstanding backgrounds. This workshop is for a small group of just five photographers – only two places remaining before it will be sold out.
And finally to round out the 2019 year I will again return to Northern Canada to lead my new Sold Out workshop for Snowy Owls. 2019 is going to be a very exciting (and very busy) year and I am looking forward to getting underway. For those of you who have made it this far – A sneak peak into 2020 includes brand new expeditions and workshops to the Ross Sea Region of Antarctica as well as a new and very special expedition to the remote east coast of northern Greenland on the very cusp of winter. More on this later.
I wrote last year that it was my hope that 2018 will be the year I published my new fine-art book on Antarctica. Unfortunately time conspired against me and I simply ran out of days to complete the project. I wont jinx myself by making a statement that I hope to finish it in 2019, but I will say I am going to try and allocate more time to completing this project. I have had some preliminary negotiations with a large international publisher and am now in the final throws of deciding wether to self publish or take up their offer for publication and distribution.
Lastly and certainly not least, I want to wish all of you a very safe and happy New Year and may 2019 be one of amazing light and experiences for all of you. See you in the New Year!
For those of you heading to Iceland this season open edition, soft cover copies of my book Melrakki – the Arctic Fox project, are shortly to be available for sale at the Arctic Fox Centre in Sudavik in Iceland. All proceeds from sales go directly to the Arctic Fox centre. Large format fine art prints from the project will also be on display at the centre in the coming weeks.“The Arctic Fox Centre is a non-profit research and exhibition center, focusing on the arctic fox (Vulpes lagopus) – the only native terrestrial mammal in Iceland. The Arctic Fox Centre was established on September 15th 2007 in Sudavik Westfjords. Founders were 42, mostly local people, tourist operators and municipalities in the Westfjords. All of which share their interest in the arctic foxes and believe in increasing ecotourism in Iceland. The idea of the Arctic Fox Centre comes from prof. Pall Hersteinsson, University of Iceland and he serves as a quality witness for the center.”
The 2018 Calendar Melrakki is now SOLD OUT. Thank you to all those who purchased a copy of this limited edition calendar.
Nature Photographer Joshua Holko presents photographs from three years of solitary winter expeditions to the Arctic in extreme conditions to photograph one of Nature’s greatest survivors; Vulpes lagopus. The Arctic Fox.
Printed in Australia by the Nulab Group the calendars measure 42xm x 30cm closed and 80cm x 30cm open and are spiral bound. The calendars are printed on the highest quality stock with a gloss laminate using the HP Indego printer process. The front cover includes an Arctic Fox logo cut out reveal and each month includes one photograph from the project as well as select project notes from the Limited Edition book.
Includes twelve photographs in total and field notes from the three years Joshua Holko spent photographing this remarkable predator during winter in the extreme north-west of Iceland.
“The Arctic Fox Centre is a non-profit research and exhibition center, focusing on the arctic fox (Vulpes lagopus) – the only native terrestrial mammal in Iceland. The Arctic Fox Centre was established on September 15th 2007 in Sudavik Westfjords. Founders were 42, mostly local people, tourist operators and municipalities in the Westfjords. All of which share their interest in the arctic foxes and believe in increasing ecotourism in Iceland. The idea of the Arctic Fox Centre comes from prof. Pall Hersteinsson, University of Iceland and he serves as a quality witness for the center.”
www.WILDNATUREPHOTOTRAVEL.com 