Svalbard April 2026 Expedition – Into the Arctic Spring Light

There are very few places left on Earth where you can travel deep into a wilderness this vast, this remote and this uncompromising. In April next year, I’ll be returning to Svalbard for an extraordinary Arctic photography expedition — travelling deep into the frozen wilderness as winter slowly gives way to spring. And there are now only a limited number of single cabins remaining.

This isn’t Summer Svalbard. April is something completely different. The fjords are still frozen. The sea ice stretches towards the horizon. The mountains are buried beneath snow. And the Arctic sun has returned, creeping higher each day and bathing the landscape in extraordinary light. This is the Svalbard that exists in the imagination — a vast, frozen wilderness where the next kilometre of track can reveal something completely unexpected. There are no crowds. No prescribed route that we have to follow. No guarantee of what we’ll find. And that’s exactly the point.

Svalbard is home to some of the most iconic wildlife on the planet. Polar bears. Arctic foxes. Walrus. Svalbard reindeer. Arctic birds. But this isn’t a wildlife park. These animals are wild, elusive and perfectly adapted to a landscape that can be unforgiving. Finding them is part of the adventure. Perhaps we’ll discover fresh polar bear tracks crossing the sea ice. Perhaps an Arctic fox will appear against the snow. Perhaps we’ll encounter walrus hauled out on the ice. Or perhaps, after hours of searching, a distant white shape will appear on the horizon. A polar bear. Those are the moments you remember. Not just because of the photograph you bring home, but because of where you were when you made it.

For photographers, April offers something truly remarkable. The sun remains low enough to produce beautiful, directional light across the landscape, while the returning daylight gives us long hours in which to explore. Snow-covered mountains glow. Ice becomes blue. Shadows stretch across frozen valleys. And when clouds and blowing snow arrive, the landscape can change within minutes. The Arctic doesn’t need to be improved. You simply need to be there when the light happens.

This expedition isn’t designed around ticking locations off a list. It’s about being in the field. We travel by expedition ship and have the freedom to explore the frozen landscape, following wildlife tracks, weather systems and promising light. Sometimes we’ll travel for hours. Sometimes we’ll stop because the light is extraordinary. Sometimes we’ll wait. And sometimes the Arctic will give us absolutely nothing. That’s wilderness. And then, without warning, everything can change. A fox appears. A bear emerges from the distance. The clouds part. The mountains light up. And suddenly you realise exactly why you came.

I deliberately keep my Arctic expeditions small. That allows us to spend more time in the field, remain flexible and concentrate on photography rather than simply moving a large group from one location to another. Whether you’re an experienced wildlife photographer or simply passionate about photography and adventure, I’ll be there to help you make the most of the opportunities we encounter. My approach is straightforward: No HDR.
No focus stacking.
No multi-image composites.
No artificial recreation of the moment. Just real photography, made in the Arctic, in the conditions we actually experience.

There are holidays. There are photographic trips. And then there are experiences that become stories you tell for the rest of your life. Standing on an expedition ship deck in the middle of Svalbard’s frozen wilderness, surrounded by mountains and sea ice, with the Arctic light stretching across the horizon, is one of those experiences. You don’t know what you’ll find. You don’t know what the weather will do. You don’t know whether the next ridge will reveal a fox, a reindeer, a walrus — or the animal everyone dreams of seeing. But that’s what makes it real.

If you’ve been thinking about experiencing Svalbard, April is one of the most extraordinary times to do it. The wilderness is still locked in winter. The sea ice is still present. The wildlife is moving through its frozen world. And the Arctic light is returning. I have only a limited number of single cabins remaining for this expedition. If you’d like to join me, I’d love to have you along. Come and experience Svalbard before the Arctic summer arrives. Come looking for the impossible. Come into the Arctic.

Australian Photographic Prize – Winner 2026 Australian Photographer of the Year

Grand Prize Winner: Honestly humbled and feeling quite emotional — and still struggling to quite believe it — to have been named the Overall Winner of the 2026 Australian Photographic Prize. And the title of Australian Professional Photographer of the Year for 2026! I’m genuinely blown away.

With my entries this year, I was incredibly fortunate to receive two category-winning awards — Wildlife Category, with a clean sweep of 1st, 2nd, and 3rd places, and Birds Category, with 1st and 3rd places. Then winning the Living World Division with my photograph ‘Room with a Storm View’, before being awarded the overall title of Australian Professional Photographer of the Year 2026!

The photograph that ultimately won the overall title was taken in northern Iceland, featuring an Arctic fox in the middle of a winter storm. It is a photograph I had previsualised for a very long time. I knew the image I wanted to make, but it took four years of returning, waiting, searching and being patient before everything finally came together. When you spend so much time chasing a photograph that exists first in your imagination, finally seeing it come to life is incredibly special. Having that image recognised in this way makes it even more meaningful.

A huge thank you to everyone who makes the Australian Photographic Prize possible — the organisers, judges, sponsors and everyone working behind the scenes to create such an incredible platform for Australian and international photographers. It is a genuine privilege to be recognised alongside so many incredibly talented photographers who are producing an extraordinarily high standard of work. Looking through the finalists and winners this year, I was reminded just how much talent there is in Australian photography.

Congratulations to every finalist, category winner and fellow award recipient. There were some truly exceptional photographs. And, most importantly, thank you.

Thank you to everyone who has supported my photography over the years — those who follow my work, collect my images, join me on expeditions and workshops, encourage me, challenge me and continue to share in this incredible journey. After more than three decades of photographing wild places around the world, I’ve learned that the photographs that mean the most are rarely the easy ones. They are the photographs that demand patience, persistence, failure, return visits and sometimes years of waiting. This one certainly did.

To have that journey recognised in this way is something I will never take for granted. Thank you. Truly.

You can watch the full live-stream of the presentation and awards below:

The accumulation of points in this year’s Australian Photographic Prize also had me leapfrog the Affiliate category and jump straight to Laureate. You can read about the Laureate program HERE. I am quite a big fan of these type of programs as they encourage growth and a need to innovate in our photographic journey. I’ve already accumulated enough points for my Laureate accreditation and am well on my way to Laureate II at this point.

What is next for the Australian Photographic Prize and me: Honestly, I am a little unsure at this point. This recognition and these awards are still sinking in and will take me some time to process such a huge result. Winning the overall Grand Prize and being titled Australian Professional Photographer of the Year, as well as the Living World Division Winner, Wildlife category winner and Birds category winner, is already a pretty high bar, and I am not sure I can do better than that.

Reflecting on my entries this year, what keeps me coming back to these competitions is an inner desire to keep improving my photography, tell emotive stories, communicate through my photographs, and continue my artistic journey. I feel I accomplish at least a small part of that by continuing to enter, and I will likely continue to do so.

Wild Nature Workshop and Expedition Update 2026 and 2027

It has been a long time since I last did a yearly workshop and expedition update, and the year is just going past at hyper speed, so this is well and truly overdue. With the first half of 2026 now well and truly behind us, I am looking into the remainder of the year and into the coming 2027 year.

All of our workshops and expeditions for 2026 are already sold out – thank you to those of you who are joining us. I am really looking forward to our upcoming trips. For the remainder of 2026, we are running our Finland Wolves and Bears workshop, a workshop to south-eastern Greenland to photograph Icebergs and landscapes and then our Gould Bay Antarctica Emperor Penguin expedition.

For 2027, we are kicking off with a winter Mongolia workshop for the Pallas’s cat in the Eastern Steppe region. This is a workshop we pioneered and have been offering for nearly ten years now. We take just five people on this trip to ensure the very best photographic experience, and we have just three places remaining before the trip sells out.

After Mongolia, I will be leading a sold-out fly-in/fly-out expedition to Antarctica that will give us a full 14 days in Antarctica to photograph the breathtaking landscape and wildlife of the white continent. This is an expedition we are repeating in 2028 (only two places remaining before it will also be sold out).

In February I will be leading two back-to-back workshops for Arctic Fox in the Hornstrandir Nature Reserve in Northern Iceland. There are only very limited places on both these workshops before they will both be sold out. If you have ever wanted to photograph these incredible mammals in a stunning winter setting, then this is the workshop for you. Be sure to check out the video below that will give you a wonderful idea on what this is like experience. I also just published a deep dive podcast episode on photographing Arctic Fox.

In April, I will be leading an expedition to Svalbard in late Winter/early Spring to photograph Arctic wildlife, including polar bears, Walrus, reindeer, and dramatic Arctic landscapes. This is a ship-based expedition with only limited cabins remaining. Late April is the ideal time to travel to Svalbard with the low angle of sun and the landscape still wearing its winter armour there are outstanding opportunities to create powerful and emotive photographs.

In May I will lead a ground level wildlife masterclass to Zimanga in South Africa. This workshop has long been sold out, but we are running it again in 2028 and full details are now on the website. From South Africa we will travel to Namibia where we are offering a small group experience to photograph Namibia at some of its most stunning and remote locations (including some only accessible via light plane). There are only two places remaining on our Namibia trip before it will also be sold out.

In June we are doing a great migration safari to Tanzania for a small group of just five photographers. Only one place remaining before it will also be sold out. This workshop will take place in an exclusive private high-end tented camp for seven nights / eight days. Africa’s Big Five can be seen and photographed in this region. In addition, there are many other mammals, reptiles and birds, including eagles, owls and more. Lions, leopards, cheetahs, and Cerval are regularly seen and photographed. You can also expect many encounters with elephants, giraffes, rhinos, Cape Buffalo, zebras, and other wildlife on the plains.

In July we are returning to Mongolia in Summer to photograph Pallas Cat kittens. Like our winter trip this workshop will take us into the Eastern Steppe region in search of Pallas cats and their newborn kittens. At this time of the year Mongolia is warm to to hot and there are outstanding opportunities to photograph the kittens when they are most active in the early morning and late afternoon.

In August we are returning to Finland for our Wild Wolves and Bears workshop. This is the workshop for you if you have ever wanted to photograph wild wolves and bears. Be sure to check out our video from our 2025 workshop below. This is a highly immersive workshop where we spend the majority of our time photographing from hides.

Later in August we are running a unique 18-day expedition to the archipelago of Svalbard to photograph Polar Bears. 18 days is unique in Svalbard and provides us an opportunity to spend an extended amount of time in the northern pack ice. If you have ever wanted to photograph Polar Bears on the pack ice, in their natural enviroment then this is absolutely the expedition for you. There are just two places remaining before this expedition will be sold out.

In September we are running an all new wildllife expedition to South Georgia. It has long been a dream of mine to lead an expedition to South Georgia in September. At this time of year, the mountains and landscape will be blanketed in snow, offering a truly extraordinary opportunity to photograph King Penguins in a winter setting! Full details on this new expedition can be found HERE.

After South Georiga I will return to Australia for two back-to-back small group workshops to the Great Ocean Road in Victoria and Tasmania.  The Great Ocean Road region of Victoria is renowned around the world as offering world-class landscape imagery of its sandstone sea cliffs. Tasmania is a primordial landscape of relatively untouched beauty. It offers outstanding opportunities to create iconic photographs of its rugged coastline, ancient forests and dramatic mountain peaks. During this workshop, we will visit multiple locations around the island, offering opportunities to photograph a variety of landscapes in different lighting conditions.

In November I will lead my annual expedition to Gould Bay in Antarctica for Emperor Penguins. This is a fly in fly out expedition that takes us to the world’s most southerly Emperor Penguin colony deep in the Weddell Sea.  The sea ice of Gould Bay in the Weddell Sea is the best place in the world to photograph Emperor Penguins under the midnight sun. 

Then, to finish the 2027 year, I am running an all-new workshop to Greece to photograph the iconic Dalmatian Pelicans. Northern Greece offers one of Europe’s most extraordinary settings for wildlife photography. From the dramatic raptor landscapes of Dadia National Park to the serene waters of Lake Kerkini, this carefully designed journey focuses on two remarkable photographic experiences: powerful birds of prey and intimate encounters with the Dalmatian Pelican. This small-group expedition is designed for photographers who value patience, repetition, and optimal light conditions. With only a handful of participants, the itinerary allows time to refine compositions, experiment with techniques, and capture both dynamic action and quiet moments in nature.

Please get in touch with me directly if you are interested in any of the few remaining places on next year’s workshops and expeditions. Be sure to also check out the portfolios on my website to get an idea of the sort of photographs you can make on this expedition.

Australian Photographic Prize Wildlife Category 2026 Results

The second stage of the Australian Photographic Prize in the Wildlife category has now been run and judged. This was the primary category I chose to enter into this year’s awards (I also have one photograph in the Natural Landscape Category and two in the Birds category yet to be judged), and I was absolutely thrilled to have all five of the photographs I entered be selected as part of the ‘Top 30‘ in the category. The competition this year was particularly solid, with some really superb photographs, so even making the top 30 was a great result.

The second and final stage of the judging was online and livestreamed to YouTube just a few days ago. Just click the link above if you want to watch the judging for the scores and judges’ comments.  I always find it fascinating to listen to experienced judges discuss photographs. While we won’t necessarily agree with every comment or score, there is invariably something to learn from hearing how different judges respond to an image and what they value in the judging process. One of the highlights for me was hearing Matt Palmer’s comments on my Reindeer photograph. It was especially rewarding because he connected so closely with the mood and story I had hoped to communicate when I made the image. As photographers, we often wonder whether what we’re trying to express is actually reaching the viewer, so hearing that feedback was incredibly encouraging.

Four of the five photographs I entered went on to earn highly coveted Gold Awards, with two of those Gold Awards advancing to the loftiest Gold with Distinction category. A category reserved only for the most powerful photographs that showcase the highest levels of technical prowess, artistry, and emotional impact. I am blown away to have the four highest-scoring images in the entire category! With my fifth image still achieving a very strong Silver with Distinction.

The overall Wildlife category winner will be announced on 13 August. Although my photographs received very high scores during the public judging, the category winner is selected separately during a final private deliberation by the judging panel, with each finalist considered again on its own merits. Whatever the outcome, I already feel enormously fortunate with the results so far, and I’m simply grateful to have had my work recognised alongside so many outstanding photographs. The final scores for each photograph are included below:

Canon EOS R1 Firmware Update V1.3.0 May 2026

Canon has updated the firmware for the Canon EOS R1 today. The big news is that this update lets you bind pre-capture to a custom button! Thank you, Canon! The equally big news is that Canon has expanded on its Action Priority capability. This is huge news for the future of this incredible feature. This firmware update includes the following:

Firmware Ver1.3.0 incorporates the following fixes and enhancements:

1. Adds [American Football] in [Action Priority] to optimise human subject detection for individuals wearing helmets and shoulder pads.
 *For an overview and instructions on using [Action Priority], please refer to the Instruction Manual or the AF Settings Guide.

2. Improves tracking and detection performance for [Register people priority] in challenging conditions—including profile views, blurred or partially obscured faces, small subjects in the frame, and children—even when the feature is set to [Off].
 *Performing a firmware update will delete registered data stored in the camera. If necessary, save the data in advance using [Save/load registered data on card], and reload it after the firmware update. For details, please refer to the Instruction Manual.

3. Adds [Wi‑Fi freq. band] to [Communication Settings], allowing the user to select the 5 GHz or 2.4 G Hz band when transferring from Bluetooth to Wi-Fi.

4. Adds [No. of connections] to [FTP transfer settings], allowing the user to select the number of transfer threads for [FTP transfer].

5. Adds the ability to store up to four [Color temp] values in [White balance setting] and to assign [Switch color temperature] to [Customize buttons for shooting].

6. Adds the ability to set [False Color Settings] to [On] when [HDR/C.Log View Assist] is selected.

7. Adds the ability to assign [Pre‑continuous Shooting] to [Customize buttons for shooting].

8. Adds the ability to transfer AF-related settings between cameras of the same model by adding [Save to card] and [Load from card] to [Register/recall AF‑related settings].

9. Adds the ability to display the electronic level during movie recording.

10. Adds the option for grid display during movie recording.

11. Adds the ability to display playback screens and menu screens when outputting to two screens via [HDMI Display During Connection].

12. Adds the ability to switch the group settings of a receiver camera from the sender camera when using the EOS Multi-Remote app.

13. Adds the [Night Display Mode] menu option

14. Fixes an issue that may cause Err70 to be displayed in live view when the user captured a multiple-exposure shot in a dark environment.

15. Fixes an issue that may cause Err49 to be displayed repeatedly during communication with an SFTP server.

16. Fixes an issue that may impact the camera’s shooting ability if the auto power-off function is activated during interval timer shooting.

17. Fixes an issue that may cause the camera to restart when the shutter button is pressed while deleting images.

18. Fixes an issue that may cause the camera to not be recognised when connected to a smartphone via USB.

19. Improves other system stability.

If the camera’s firmware is already Ver1.3.0, it is not necessary to update the firmware.

The User Manual on the website has been updated accordingly.

Q&A Section:
Preparations for the firmware update:
In the folder you downloaded are the firmware (EOSR1130.FIR / file size: 270942208 bytes) and instructions on the firmware update procedures (a PDF file in five languages: Japanese, English, French, Spanish, and Simplified Chinese). Before starting the firmware update operations, please be sure to carefully review the instructions to confirm your understanding of the firmware update procedures.

Firmware download link:
https://www.canon.com.au/cameras/eos-r1/support?option=drivers