Tag: Arctic

Travel photography in the Arctic

South Eastern Greenland Ice Gems Trip Report October 2026

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In October 2022, I ran a specialised workshop to South Eastern Greenland to photograph the incredible landscapes, icebergs and whales found in this remote region of Greenland. East Greenland is one of those places in the Arctic where you can look out across the landscape and feel as though you have stepped completely outside the modern world. It is very much an otherworldly landscape that is as inspiring as it is evocative.

From 30 September to 9 October, we based ourselves in Tasiilaq, on Greenland’s remote east coast, using the small town as our base for a series of daily boat excursions deep into the surrounding fjords and coastline. Each morning we headed out by boat, leaving Tasiilaq behind and entering a landscape of immense mountains, narrow fjords, drifting sea ice and enormous icebergs. In this part of Greenland, the remoteness is matched only by its beauty. Every day offered something different, and that unpredictability was one of the great photographic rewards of the trip. East Greenland rewards an open mind and a willingness to embrace what is offered. Icebergs were always on the wish list, but oftentimes it’s whales that were served up, making for some engaging and enthralling wildlife photography.

East Greenland is an extraordinarily visual place and is a landscape made for photography. The mountains rise dramatically from the sea, their steep slopes and rugged faces disappearing into cloud and autumn light. Icebergs of every imaginable shape and scale drift through the fjords — some brilliant white, others deeply blue, and many sculpted into extraordinary forms by wind, waves and time. For a photographer, the challenge is not finding something to photograph. It is deciding what not to photograph.

We spent long periods working with the ice and landscape, looking for the relationships between the enormous scale of the mountains and the much smaller, intricate forms of the ice. Changing weather constantly transformed the scenes in front of us. One moment we could be surrounded by brilliant Arctic light; the next, cloud, fog and mist would roll across the mountains, completely changing the mood. The low autumn sun was particularly beautiful, producing long shadows and warm light across an otherwise cold landscape. There was often a wonderful tension between the warmth of the light and the starkness of the environment.

And then there were the moments when everything simply came together — an enormous iceberg positioned perfectly against a mountain, a shaft of light breaking through the cloud, or a whale breaking the surface of the fjords waters. These are the moments that make travelling this far north worthwhile.

We enjoyed excellent encounters with both humpback whales and fin whales, while travelling through the fjords by boat. Seeing these enormous animals in such a vast and untouched environment is an extraordinary experience. There is something particularly powerful about photographing a whale in East Greenland. It is not simply the animal itself. It is the entire scene — the whale surfacing in dark Arctic water, immense mountains rising behind it and icebergs drifting through the background. The scale of the landscape makes the whales appear surprisingly small, despite their enormous size. For photography, this also meant being prepared for the unexpected. The boat could be moving through beautiful landscape one moment, and then suddenly a whale would surface nearby. Cameras needed to be ready, compositions anticipated and decisions made quickly. Those unscripted encounters are often some of the most rewarding photographs of an expedition. Just as an aside, I was extremely impressed at the medium-format Fuji’s capability to focus on wildlife and whales during this workshop.

One of the most memorable aspects of the journey was the opportunity to visit several small and extremely remote Inuit communities scattered along the coast. Some of these villages have populations of only around 200 people. Arriving by boat, with the mountains rising immediately behind the settlement and virtually no sign of the outside world, gave us a genuine sense of just how isolated and remote these communities are.

These were not simply photographic stops. They provided an opportunity to see another side of Greenland — a way of life shaped by the sea, ice, weather and extraordinary geographical isolation. The contrast between the dramatic wilderness surrounding these settlements and the everyday life within them was fascinating to photograph.

We also visited an abandoned Greenlandic village, a particularly evocative experience. Empty buildings and remnants of a former community remain against a backdrop of mountains, water and wilderness. Nature is gradually reclaiming the settlement, and the combination of human history and the immense Arctic landscape created some incredibly atmospheric photographic opportunities.

Another highlight was visiting an abandoned United States World War II base. Hidden away in this remote part of Greenland, the site contains a remarkable collection of abandoned and rusting relics from the American presence during the war. Rusting machinery, oil barrels, structures and remnants of the former base remain scattered across the landscape. Against the stark Greenlandic environment, these objects have taken on an almost sculptural quality. For photographers, it was an extraordinary location — a collision between history and wilderness. If rusty-bits are your thing, this is a must-visit destination.

The rust, peeling surfaces and weathered metal provided a completely different photographic palette from the ice and mountains we had been working with elsewhere. At the same time, the surrounding landscape constantly reminded us just how remote this place was. Standing amongst these remnants, it was difficult not to wonder about the people who had once lived and worked here, and what it must have been like to establish a military base in such an isolated corner of the world.

Perhaps the greatest takeaway from this expedition was simply the feeling of being somewhere genuinely remote. East Greenland is not a destination where you can simply drive to the next location or follow a well-worn tourist trail. Much of our exploration was done from the water, navigating through fjords and along a coastline where mountains, ice and ocean dominate the landscape. The silence and sense of space one experiences in this region is extraordinary.

Away from Tasiilaq and the small settlements, there was very little to remind us of the modern world. Just mountains, ocean, ice and wildlife. That sense of isolation is becoming increasingly difficult to find, and it is one of the things that makes East Greenland so special. Below are the maps of our daily expeditions.

Our time in East Greenland was ultimately about much more than spectacular scenery. It was about photographing a landscape that still feels wild, encountering whales in one of the world’s great Arctic wildernesses, visiting tiny Inuit communities, exploring abandoned settlements and discovering the remnants of a much more recent human history. And, of course, it was about a shared passion for photography.

Every day brought new possibilities. The light changed constantly, the ice was always moving, whales appeared without warning, and the weather could transform the landscape within minutes. That is precisely what makes a place like East Greenland so rewarding. You cannot control the conditions. You cannot predict what will happen next. You simply have to be there, watching, waiting and ready when the Arctic decides to put on a show.

For nine days, East Greenland gave us an extraordinary combination of icebergs, mountains, whales, remote communities, abandoned history and some truly spectacular Arctic light. It was a privilege to experience this remote corner of Greenland — and an even greater privilege to photograph it with such a fantastic group of passionate photographers.

Svalbard April 2026 Expedition – Into the Arctic Spring Light

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There are very few places left on Earth where you can travel deep into a wilderness this vast, this remote and this uncompromising. In April next year, I’ll be returning to Svalbard for an extraordinary Arctic photography expedition — travelling deep into the frozen wilderness as winter slowly gives way to spring. And there are now only a limited number of single cabins remaining.

This isn’t Summer Svalbard. April is something completely different. The fjords are still frozen. The sea ice stretches towards the horizon. The mountains are buried beneath snow. And the Arctic sun has returned, creeping higher each day and bathing the landscape in extraordinary light. This is the Svalbard that exists in the imagination — a vast, frozen wilderness where the next kilometre of track can reveal something completely unexpected. There are no crowds. No prescribed route that we have to follow. No guarantee of what we’ll find. And that’s exactly the point.

Svalbard is home to some of the most iconic wildlife on the planet. Polar bears. Arctic foxes. Walrus. Svalbard reindeer. Arctic birds. But this isn’t a wildlife park. These animals are wild, elusive and perfectly adapted to a landscape that can be unforgiving. Finding them is part of the adventure. Perhaps we’ll discover fresh polar bear tracks crossing the sea ice. Perhaps an Arctic fox will appear against the snow. Perhaps we’ll encounter walrus hauled out on the ice. Or perhaps, after hours of searching, a distant white shape will appear on the horizon. A polar bear. Those are the moments you remember. Not just because of the photograph you bring home, but because of where you were when you made it.

For photographers, April offers something truly remarkable. The sun remains low enough to produce beautiful, directional light across the landscape, while the returning daylight gives us long hours in which to explore. Snow-covered mountains glow. Ice becomes blue. Shadows stretch across frozen valleys. And when clouds and blowing snow arrive, the landscape can change within minutes. The Arctic doesn’t need to be improved. You simply need to be there when the light happens.

This expedition isn’t designed around ticking locations off a list. It’s about being in the field. We travel by expedition ship and have the freedom to explore the frozen landscape, following wildlife tracks, weather systems and promising light. Sometimes we’ll travel for hours. Sometimes we’ll stop because the light is extraordinary. Sometimes we’ll wait. And sometimes the Arctic will give us absolutely nothing. That’s wilderness. And then, without warning, everything can change. A fox appears. A bear emerges from the distance. The clouds part. The mountains light up. And suddenly you realise exactly why you came.

I deliberately keep my Arctic expeditions small. That allows us to spend more time in the field, remain flexible and concentrate on photography rather than simply moving a large group from one location to another. Whether you’re an experienced wildlife photographer or simply passionate about photography and adventure, I’ll be there to help you make the most of the opportunities we encounter. My approach is straightforward: No HDR.
No focus stacking.
No multi-image composites.
No artificial recreation of the moment. Just real photography, made in the Arctic, in the conditions we actually experience.

There are holidays. There are photographic trips. And then there are experiences that become stories you tell for the rest of your life. Standing on an expedition ship deck in the middle of Svalbard’s frozen wilderness, surrounded by mountains and sea ice, with the Arctic light stretching across the horizon, is one of those experiences. You don’t know what you’ll find. You don’t know what the weather will do. You don’t know whether the next ridge will reveal a fox, a reindeer, a walrus — or the animal everyone dreams of seeing. But that’s what makes it real.

If you’ve been thinking about experiencing Svalbard, April is one of the most extraordinary times to do it. The wilderness is still locked in winter. The sea ice is still present. The wildlife is moving through its frozen world. And the Arctic light is returning. I have only a limited number of single cabins remaining for this expedition. If you’d like to join me, I’d love to have you along. Come and experience Svalbard before the Arctic summer arrives. Come looking for the impossible. Come into the Arctic.

Svalbard Winter Wildlife and Landscape Expedition Trip Report April 2026

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In April of 2026, I ran my annual ship-based Winter / Spring expedition to the Svalbard archipelago. The expedition ran from the 7th of April to the 15th of April and offered outstanding wildlife and landscape opportunities over the nine days. This was an unseasonably warm winter year with average temperatures hovering around 0º Celsius (plus wind chill), a full 15-20 degrees warmer than they should have been. It was also the year that saw it necessary to steam farther north than ever before to reach the pack ice.

Day One: Departure Day – Once we had all boarded our ship, M.S. Freya, at 16:00 and after consulting the latest ice chart and discussing with the captain, I decided to head south instead of north this year. There were several reasons for this decision, not the least of which was the current bunker fuel price, driven by the ongoing conflict in the Middle East. Heading south would mean using less fuel than heading for the northern edge of the pack ice, but also provide an opportunity to visit and explore other regions of the archipelago. With a large amount of close drift ice off the south-east coast of Spitzbergen and very little toward the north, it made more sense to head south. There was also significant fast ice in the Bellsund area that boded well for Polar Bear encounters. Once our mandatory safety briefings were undertaken, we set sail with a course of 180º. For our first evening, we overnighted at the stunning glacier front in Bellsund under soft, overcast light.

Day Two: Bellsund –  Around 7am in the morning, before we had even had breakfast, we spotted our first Polar Bear (a large male in excellent condition) walking the snow-covered shoreline and heading for the glacier front directly in front of our anchorage. Grabbing warm clothes and cameras, we photographed the bear as it walked directly in front of the glacier, slowly making its way around the glacier’s face. We also spotted a second, smaller bear (likely a female that the larger male was following) that disappeared into the moraines and was not seen again. This proved to be an outstanding encounter that offered superb opportunities to capture the bear in the grand landscape, with the glacier as a backdrop.

A polar bear in front of a blue glacier is a rare sight, one I’ve seen only a few times in my career as a polar photographer. This encounter proved truly extraordinary, with all participants coming away with stunning images of the bear in front of the glacier. This type of encounter requires the alignment of a great many elements, including a cooperative bear, good snow and ice conditions, soft light, and the right temperatures to avoid heat haze. Fortuitously, the perfect storm unfolded in front of us on just day two of our expedition!

Day Three: Exploration of Bellsund Area – On our third day, we continued our exploration of Bellsund, heading into Van Mijenfjord, where we had our very first encounter with fast ice and Walrus on ice. The walrus on ice also proved to be an exceptional encounter and my first opportunity to use my new polecam system – an upside-down monpod with a cage to mount my iPhone for control of the camera. In the evening, the wind began to reduce, and we turned our attention north for Lili-hook Glacier.

Day Four: Heading North – During the evening of our third day, we steamed out of Bellsund and headed north for the Lilliehook Glacier, arriving shortly after breakfast. We were greeted by soft, overcast light and gentle fog hanging over the glacier’s carved face. After lunch, we continued north up to Smerenberg, where we anchored during dinner to position ourselves to head up to the ice early in the morning. With the new 500m regulations in place, the opportunity to try and find a polar bear outside the 12-mile limit in international waters was a major factor in the decision to head north. The two photographs from Lilihook glacier below are courtesy of guest photographer Bill Hughlett – thank you.

Day Five: Pack Ice – Just after midnight, I had the captain fire up the engines, and we steamed north, hoping to find the edge of the permanent pack ice (which, according to the latest ice chart, should have been around 80º). The further north we steamed, the worse the conditions became, with the swell increasing to roughly 3 metres, making the conditions more than uncomfortable. Crossing 81º North, we had still not encountered pack ice (unheard of this time of the year). At 81.20 degrees North, I made the difficult decision to turn the ship around and head back south. With swells showing no sign of abating and no sign of the pack ice, we retreated south to the northwestern corner of Svalbard, arriving early in the morning before breakfast. We learned later in the day from the coastguard vessel that had been shadowing us but had continued north, that the edge of the ice was already at 82º.6 north, a full 80 nautical miles from our most northerly position and at least another 10 hours steam north! The large storm that preceded our arrival in the north, in combination with the unseasonal warm temperatures, had ripped up and pushed the remaining ice far north – out of our reach on this expedition. For the ice to be already this far north (in excess of 82º) at this time of year is unheard of and does not bode well for the summer pack ice in 2026.

The ice chart below shows the dramatic difference over just three days, as a combination of Arctic Storms, unseasonably warm weather, and the shifting of the polar ice cap ravaged the polar pack ice. In my many years of polar photography, I have never seen the ice this far north at this time of the year.

Day Six: Exploring Woodfjorden – With better weather and calmer waters surrounding us, we explored the Woodfjorden area and surrounding systems by ship and took our first zodiac cruise, encountering a small huddle of walruses and a cooperative bearded seal that provided some wonderful photographic opportunities. In the afternoon, we encountered a mother polar bear and a two-year-old cub high on the mountainside, which we observed as we glided silently along the coastline. Sadly, this bear had been collared by researchers, and although it was wonderful to observe, I felt the photographic opportunities were somewhat limited. Bears that have been collared, otherwise tagged, or otherwise interfered with by researchers are typically extremely shy and virtually impossible to approach even from a distance. Sadly, polar bear research in Svalbard remains invasive, despite there being no real justifiable reasons. Much of the research being conducted has already been done and ultimately is continuing simply so that the Norwegian Polar Institute can maintain its government funding. This night, we anchored in one of the sheltered fjords, positioned for an early-morning steam-up to Moffen Island for a potential winter landing.

Day Seven: Moffen Island – We arrived just before breakfast at Moffen Island in calm seas and mercifully still waters. After breakfast, we went ashore via zodiac to photograph the large haul out of Walrus and the Glaucos gulls that frequently hang around. Winter landings at Moffen are a rare treat, and we spent a couple of hours ashore here photographing the wildlife. In the evening, we visited Fuglafjorden to photograph the spectacular glacier there and enjoy a BBQ on the back deck of our ship.

Day Eight: Steaming South – After our evening BBQ, we began our steaming south for Isafjorden and Borabukta, arriving around noon, where we took a zodiac cruise for ringed seals on the fast ice edge. This was a zodiac cruise I particularly enjoyed, with the combination of beautiful snow-covered fast ice and soft, ethereal arctic light. It was one of those settings that one dreams of photographing a Polar Bear.

Day Nine: Expedition Conclusion – We returned to harbour as contracted around 18:00 in the evening on the last full day of our expedition. Over the course of the nine-day trip, we travelled 832.5 Nautical miles, encountered and photographed six Polar Bears (including a mother with a two-year-old cub), and had numerous encounters with Walruses, seals and other wildlife. Of course, the landscape at this time of the year is stunning with the mountains wearing their winter armour, and we took every opportunity to photograph the scenery throughout our expedition. My sincere thanks, as always, to all who participated and made this expedition a success.

The 2026 expedition reminded me, as it does each year, that Svalbard in winter is a place of paradox: stark yet tender, harsh yet comforting, desolate yet full of life. It is a place where patience is rewarded, where minimalism sings, and where every track in the snow tells a story worth listening to.

As we completed our 832.5 -nautical-mile journey and began the long voyage back to Longyearbyen, I was struck once again by the importance of returning—not just physically, but mentally and spiritually—to places like this. Places where the wild still rules, and where we are reminded, as always, that the greatest gift of the Arctic is its silence—and how it teaches us to listen.

Wild Nature Photo Travel will return again next year, 2027, to lead another winter expedition aboard M.S Freya in search of miraculous wildlife encounters and ice-covered landscapes. This is a rare opportunity to explore one of the Arctic’s most remote and pristine landscapes at the height of its frozen majesty. Designed specifically for keen nature and wildlife photographers, this small-group expedition offers intimate access to Svalbard’s breathtaking winter wilderness, including encounters with walrus, Arctic foxes, and polar bears, all set against a backdrop of towering snow-covered mountains and sculpted sea ice. With 24-hour twilight and the potential for moody, ethereal light, this is a once-a-year chance to capture the Arctic in its most cinematic and atmospheric state. Guided by Wild Nature Photo Travels extensive field experience and deep knowledge of polar conditions, this trip is not just a photographic expedition—it’s an immersion into the raw soul of the Arctic. Spots are extremely limited. Adventure with purpose—photograph with intention.

Arctic Wildlife of Svalbard Snow Mobile Expedition Report April 2026

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In April of 2026, I led a private 5-day winter snowmobile expedition to Svalbard for wildlife photography. The purpose of this expedition was to explore, on land, the landscape and wildlife within a day’s scooter drive of Longyearbyen. Svalbard is vast, and there is much to discover on land on a winter trip. Exploring by snowmobile on land meant we could stop wherever we wished to photograph wildlife as we found it. Using snowmobiles also means we can get much closer to wildlife than is usually possible on a ship. Staying in Longyearbyen also meant we had a warm base from which to operate, with hot showers and a choice of restaurants in the evenings.

At this time of year, the days are getting longer in Svalbard, with sunrise around 5:30am, sunset around 9:30pm, and last light around 10pm. This provides a huge amount of time for photography, but also means it is early starts and late finishes to catch the best light. During our five-day trip, we experienced temperatures ranging from -30º Celsius on the sea ice along the east coast to just a few degrees below 0º. Temperatures were generally unseasonably warm for this time of year, with most of our days being around -10º Celsius. Snowfall was also sparse compared with recent years, although the coverage was still good outside Longyearbyen. We also had starts as early as 5am departure and finishes as late as 10pm.

On day one of our expedition, we kitted ourselves out with snow scooters and snow suits, headed toward Svea for a valley (Reindalen) I know is home to a great many Reindeer. Reindalen is situated in Nordenskiöld Land on the main island of Spitsbergen and is roughly a 45-minute scooter ride in good conditions. This is a wide, flat, and open valley that offers excellent opportunities to photograph Reindeer in a clean, white snow environment.

On day two, we left Longyearbyen at 6am for the East Coast in the hopes of finding a polar bear on the sea ice. Although we did not find a bear on this day, we did have some wonderful opportunities with both Ptarmigan and Reindeer en route to Monbukta. This was our biggest day’s drive, covering over 298 kilometres in total and more than fourteen hours in the field. This whole east coast region of Svalbard contains some stunning scenery and is where much of my Ghosts of the Arctic film was shot.

On day three of our expedition, we took a slightly slower morning start and instead had a late afternoon and evening exploration of the Templefjorden area. This proved a boon, giving us our best Reindeer experience during the trip and one of the best I have ever had. With an abundance of fresh, clean snow on the mountains and lower valley in this area and more than a dozen reindeer, the opportunities were ongoing, and we spent several hours photographing them as they curiously approached us and retreated against the mountains.

On day four, we left Longyearbyen super early at 5am and headed for Monbukta on the East coast. On arrival at Monbukta, we headed south and encountered a large male polar bear in superb condition on the sea ice. Photographing a polar bear on the sea ice from a snowmobile is a very special and very different experience from shooting from a ship. On the ice, we are in their environment, with excellent opportunities to photograph the bears at eye level.

On day five, our last day, we departed Longyearbyen at 5am, at first light, and drove to the Russian settlement of Barentsburg. Barentsburg is approximately sixty-five kilometres from Longyearbyen and is a wonderful scenic drive along the coastline, past the abandoned Coles Bay settlement. This is a region I know is inhabited by many Arctic Fox, as well as Reindeer and Ptarmigan.

On the way, we had a superb encounter with Ptarmigan before taking breakfast in town. We then spent over an hour photographing Arctic fox on the town outskirts in superb conditions and soft light. With the town of Barentsburg close by, the foxes in this area are more accustomed to humans and easier to approach, making it an ideal location for fox photography.

Over the course of the five-day expedition, we covered more than 1,000 kilometres of driving, including two visits to Monbukta on the East coast, which provided a wonderful and varied portfolio of arctic wildlife photographs. Private workshops such as this, with my company, Wild Nature Photo Travel, are available by request. Please get in touch to discuss your needs, and we can tailor a trip to suit your requirements.

Arctic Foxes of Sletta in Winter in Iceland Workshop Report 2026

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In March of 2026, I ran a small-group workshop for five photographers to the remote Hornstrandir Nature Reserve to photograph Arctic Foxes in Winter. Like my Pallas Cat of Eastern Mongolia Report, earlier this year, this trip report will be a little different to the norm. Due to my heavy travel schedule, I will come back later in the year and update this post with additional still photographs from the trip as time permits. Personally, I shot over 13,000 RAW images over the course of the trip, so I have more than a little editing, culling and processing to do.

Our workshop kicked off in the small northwestern town of Isafjord in the West Fjords on the 2nd of March, with a short, but bumpy boat ride across the bay of forty-five minutes to our remote cabin at Sletta in the Hornstrandir Nature Reserve. Our cozy cabin was our home away from home throughout our workshop and had all the amenities we needed to be safe and comfortable. With a local house sitter and cook to look after the cabin and amentieis we were free to focus on our photography.

This time of year, the days are getting longer in Iceland, with sunrise around 8:30am and sunset around 7pm (although light levels are typically already too low by 6pm on overcast days). Our days typically began shortly after breakfast with a two- to three-hour session with the foxes, then we broke for a hot, filling lunch and a short rest. Since the foxes are most active in the morning and late afternoon, we would begin around 2:30pm and shoot until we lost the light. This meant our days consisted of a few hours of photography in the morning until lunch time and again in the afternoon until we lost the light.

During this workshop, we had the opportunity to photograph both the Blue and White Morph Arctic Foxes almost every day. On several occasions, some of us were also fortunate to have them together for a brief interaction for those quick with the shutter. Moments like this are rare and require patience and a dollop of serendipity. When the foxes do come together, it is often for the briefest of moments, and one has to be ready and quick to catch the action.

Over the course of the workshop, we saw and photographed four individuals (one white and three blue), although most of our work was done with the white-morph fox.

During our workshop, we experienced the full range of conditions Iceland could serve up, including crazy wind and flying snow (who doesn’t love a good Arctic storm to photograph Arctic Foxes!), gentle, delicate snowflakes drifting on an Arctic sea breeze, and calm blue skies and sunshine. This mix of weather enabled us to create a broad, diverse portfolio of work over the course of our time in the Nature reserve.

We took the opportunity to vary our setting and background throughout the trip, frequently moving from the nearby beach area to the back mountains behind the cabin, the nearby waterfall and river and the far western beach. Background is critical to a great wildlife photograph, and by moving around, we gave ourselves the best opportunities to vary the setting for different photographs. Personally, I always like to try to capture a selection of images that help tell the story of the fox in its environment.

My sincere thanks, as always, to all the clients who participated in this trip and placed their trust in me and my company, Wild Nature Photo Travel, to deliver a wonderful, productive workshop with these amazing foxes. Just some of the feedback from our workshop is included below.

Ellen – You are so awesome! Thank you for a fantastic trip (as well as getting me back to the cabin!) This trip will stay in my mind for a very long time. Wishing you and Suzy a very happy and long life together!

Jack – Thank you SO much for making this another great adventure!! You always go above and beyond!

We are returning again in February next year, 2027, to photograph these amazing Arctic survivors. To reach this unique location, you will need to fly to Keflavik International Airport in Iceland, followed by an internal flight to Isafjordur, the official starting point of the workshop. From here, we take a privately chartered boat to Hornstrandir. This trip also offers a unique perspective of the dramatic coastline, characterised by towering cliffs, deep fjords, and pristine natural beauty. If you would like to join us, please get in touch as places are extremely limited. Reserve your spot on this expedition and return with a portfolio of extraordinary images that few have had the privilege of capturing.