Today, I am excited to announce and officially open the bookings for an all-new Namibia Dune Sea Landscape Masterclass workshop. The workshop will run from May 19th until May 30th, 2026, and include an optional extension to the ghost town of Kolmonskop, which will run from May 30th – June 2nd. This masterclass workshop has been designed to take in the best of Namibia and maximise the time on the field. Namibia is a vast country, taking many days to navigate by 4-wheel drive. During this workshop, we will fly by private charter planes between each location, vastly increasing our time in the field and minimising our transfer and transit times.
On the South Western Coast of Africa, where the icy Atlantic Ocean meets the world’s oldest desert, lies a place known for its incredible landscapes and abundant wildlife. The unique combination of desert, grassland and cold ocean currents form a one-of-a-kind terrain found only here. For this reason, landscape photographers from all over the world journey to the Namibia Desert to try to capture its dramatic dunes and ethereal beauty. This landscape masterclass has been designed to provide the ultimate experience to capture the incredible opportunities offered in this fantastic country. Perhaps best of all, we will be flying between our different locations, saving many days of driving in the hot desert.
The goal of this masterclass workshop is to photograph the breathtaking desert landscapes of Namibia. This workshop has been designed to provide unparalleled landscape opportunities with a balance between flexibility and luxurious accommodations. This exciting new workshop has been custom-tailored to take in the very best of Namibia. It includes iconic areas like the Dune landscapes of Sossusvlei and several other breathtaking locations offering unparalleled opportunities. We also have an optional extension for photography at the incredible abandoned ghost town of Kolomonskop. There will even be a cultural aspect as we visit the Himba.
This exclusive workshop is for a strictly limited number of just 8 participants plus a leader and guide and is dedicated to the photography of desert landscapes of Namibia. If you are excited by the idea of travelling to the oldest desert in the world with a small group of dedicated photographers, now is the time to secure your place. Please contact me for further details. Places are very limited and once they are spoken for that’s it (some places already spoken for).
In September of 2024, I ran my semi-annual Polar landscape expedition to Scoresby Sund (the world’s most extensive fjord system) in Eastern Greenland. This has been an expedition I have been organising, leading and guiding for more than a decade now and is one I always eagerly look forward to. Scoresby Sund is not only the most extensive fjord system in the world but also the most extraordinary. Monolithic icebergs drift like silent sentinels on gentle ocean currents set against a backdrop of precipitous glacial scarred mountains, making for surreal, otherworldly imagery. It is a breathtaking arena of icebergs unmatched anywhere on earth.
This expedition was a fly-in, fly-out trip that saw us fly by private charter plane from Keflavik in Iceland to Constable Point in Greenland. Although flights into eastern Greenland can often be delayed by weather, flying across the Denmark strait takes less than two hours and saves the better part of three days sailing in either direction across a notoriously rough stretch of water. Having sailed these waters multiple times, I much prefer to fly and spend the extra time cruising the calm waters of the fjord system. This year, we were blessed with good weather for flying, and our outgoing and incoming flights were on time.
On arrival at Constable Point, we had a quick briefing before embarking on our expedition vessel, the Rembrandt Van Rijn. Although the Rembrandt is a comfortable schooner and can take a maximum of 32 passengers, I always prefer to take just 16 and provide private cabins for everyone – this also offers more space on the decks for photography. With a group size of 16, it is also possible for all participants to utilise zodiacs simultaneously. After the mandatory safety briefings, we were quickly underway and made our way across the channel in calm seas to Vikinbukt.
In Vikinbukt, we had our first glacier sighting, several stunning blue icebergs, and six Polar Bears. Most of the bears were high up on the moraine slopes, where they seemed to feel safe to rest when not active and while they waited for the sea to freeze to resume hunting on the ice. During the expedition, as the sun set, I decided to put zodiacs in the water to achieve a sense of scale with the enormous icebergs juxtaposed against our expedition ship. These sorts of opportunities are only possible on dedicated photographic expeditions such as this and make all the difference to the final portfolio of photographs one takes away from an expedition such as this.
During the expedition, we had some extraordinary sunrises and sunsets with beautiful, soft, pastel light painting the sky and icebergs. The weather is always a mixed bag in Greenland. Frequent dramatic lenticular clouds perfectly complement the mountain peaks and stunning icebergs. We were extremely fortunate to have outstanding conditions for the duration of our expedition, with snow falling only on our very last day. We also had northern lights on multiple nights. This time of year, the Arctic tundra was also at its peak colour. Having now completed more than three dozen expeditions to Eastern Greenland, I have learned that by far, the best time to visit is September when the sun is low in the sky and there are proper sunrises and sunsets. Expeditions earlier in the season are typically lit by 24-hour daylight and blue sky days, making photographing problematic. By travelling in the late Autumn of September, we ensured stunning Arctic tundra and soft pastel light.
We had multiple photographic encounters with Musk Oxen during the expedition. On our landing at Ingmikertikajik island, we encountered a lone Musk Oxen that posed for us on the edge of a rocky prow. I always prefer to photograph Musk Oxen when silhouetted against the sky as they blend into their surroundings when photographed against the Arctic Tundra. This young male provided us with some beautiful opportunities.
Below is a map of the trip voyage and the locations we visited during the expedition. The astute and experienced Greenland travellers will note that we did not visit Rhode Island (the Red Island). Recent changes to restrictions in this area mean it is unfortunately no longer possible to visit this location (a restriction designed to avoid disturbing local Narhwales – which are still hunted and slaughtered by the local Inuit). Those of you who may have visited it in the past can rest comfortably knowing that you visited one of the most incredible iceberg graveyards on earth. For those of you who have never been there, there is always hope that restrictions will lift in the future. For this expedition we sailed around the back of Milne land, visiting the other side of the iceberg graveyard. We also encountered our first sea ice in this area in combination with some beautiful light.
Towards the end of our expedition, we made the short sail back to Constable Point, where we disembarked the Rembrandt and flew by private charter plane back to Iceland. After the short hour-and-a-half flight, we bid farewell and concluded our expedition.
Wild Nature Photo Travel will return to Greenland again in October of 2026 to lead a small group expedition to Southeastern Greenland. The landscape and geology of the East Coast of Greenland are both stunning and extraordinary. Our main objective is to photograph this incredible landscape under soft golden Arctic light. We will also see and photograph incredible castellated icebergs that have calved off the many glaciers of Greenland. Dramatic glaciers, plunging cliffs and beautiful drift ice formations will also be present. We intend to fly from Iceland to the remote East Coast of Greenland, where we will be based for the duration of this expedition. We will make day trips on our expedition boat and spend our time exploring and photographing some of the world’s largest and most spectacular icebergs. If you are excited about travelling to the remote East Coast of Greenland with a small group of dedicated photographers, now is the time to register your place by dropping us an email. Places are very limited, and once they are spoken for, that’s it.
I have just published episode #105 of my Wild Nature Photography Podcast. In this podcast episode, I discuss the upcoming webinars for BenQ on the post-production of Arctic and Antarctic wildlife and Advanced Post-Production using Nik Software. I also discuss my thoughts on the November delivery date for the new Canon EOS R1 camera, the success of the recently completed East Greenland expedition as well as my experiences with the SKB / Think Tank Roller camera hard case.
The single place that became available a few days ago on my Ultimate Polar Bears of the High Arctic Expedition in June 2025 has been spoken for, and the expedition is now Sold Out—thank you. We are looking forward to an eighteen-day expedition up north of Svalbard to the edge of the permanent pack ice in search of this ultimate marine predator. Our next expedition to Svalbard with availability is now April 2026 – Svalbard Landscapes and Wildlife in Winter.
On October 30th and November 14th at 06:00pm AEST this year, I will present two free webinars for BenQ on post-production for Arctic and Antarctic wildlife and advanced post-production with Nik Software. You can register for the October 30th Webinar HERE and the November 14th Webinar HERE. As mentioned above, attendance is free, but you need to pre-register as numbers are limited, and typically, these webinars fill very fast. There will also be a Q&A session at the end of each webinar. I will also show a range of new and old work as examples and when and how to use specific techniques to enhance your RAW captures.