X-Rite Interview – Photographing Icebergs and More

The good folks at X-Rite have posted a short five minute audio interview on their blog I did with them a few weeks ago as part of their Coloratti program.

Coloratti Josh Holko is our newest member of the Coloratti program from Melbourne, Australia.  Josh is an accomplished nature photographer and workshop leader. He received word this month that his photographs of Antarctica have made set him as a finalist in 2012 Outdoor Photographer of the Year. Already an award winning photographer Josh’s blog says, “I feel I have been very fortunate this year as I was also a finalist and highly commended with 3rd place in the Travel Photographer of the Year ‘Single Shot Water Category’ and was a finalist in the ‘Fine Art Photographer of the Year’ competition in Paris a few months ago.”

We caught up with Josh a few weeks ago to talk about his photography and yes, I admit it,  to enjoy his lovely Aussie accent! You have to hear about his thoughts on “luxury shooting” in his workshops.

Visit the X-Rite blog for the complete interview.

Outdoor Photographer of the Year Finalist 2012

I received notification via email yesterday that one of my photographs from Antarctica has made the finals in the 2012 Outdoor Photographer of the Year Competition. I feel I have been very fortunate this year as I was also a finalist and highly commended with 3rd place in the Travel Photographer of the Year ‘Single Shot Water Category’ and was a finalist in the ‘Fine Art Photographer of the Year’ competition in Paris a few months ago. This was the first time I have entered Outdoor Photographer of the Year and did so more or less on the spur of the moment as one of the category titles (‘The Spirit of Adventure’) really struck a chord with me whilst browsing their website. I had a particular image from Antarctica; which I felt really summed up ‘The Spirit of Adventure’. The photograph in question was taken from the deck of the Ocean Nova near the Lemaire Channel and is of mountain climbers nearing the summit of one of Antarctica’s precipitous mountains in rapidly deteriorating weather. The truth of this photograph is that I did not see the mountain climbers (or at least I do not recall seeing them) when I took this photograph. I do recall being attracted to the sinuous ridgeline, dark sky and swirling clouds as we cruised slowly past and perhaps on a subconscious level I did see the climbers; but my memory of this particular photograph is a little foggy. It was, after all, just one of more than 13,000 images taken on the trip.From the exif data I know I used the Canon 300mm F2.8L IS lens on the Canon EOS 1D MKIV body, which gave me an effective focal length of 390mm for this capture; which should help give an idea of just how far away these climbers were when I made this photograph. It was shot at ISO400 F7.1 at 1/2500th of a second. You can’t see it on this small jpeg; but there are two large sea birds perfectly sharp and frozen to the right of frame. A higher resolution version of this photograph can be seen on my website in the Antarctica Portfolio.

Footnote: Unfortunately, Outdoor Photographer of the Year is not judged on the ‘Print’; but rather on the submission of digital files. To their credit they do require the submission of the original RAW file as proof the photograph has not been significantly tampered with. As I have previously blogged however, I far prefer to have my work viewed in Print, which I regard as the ultimate output. Nevertheless I am very honoured to have made the finals of this prestigious competition and look forward to seeing the winning entries when they are announced early next year.

Better Pictures Magazine December 2012 : “Outward Bound” Interview

I was recently interviewed by the editor of Camera House’s Better Pictures magazine for their Christmas issue and the article ‘Outward Bound’ is now online. The magazine is free and can be viewed online in a web browser or you can download a PDF of the article HERE. Check it out if you have a few minutes spare.

Photography Exhibition : Source Photographica

For those of you in Melbourne over the pre-Christmas period Source Photographica are having an exhibition of photography  from the 7th – 14th of December at their gallery in Brighton which includes some of my own work from Iceland and Antarctica. Source Photographica are located at 1A Rose St. in Brighton and the exhibition is open from 11am – 6pm daily. Entry is free.

Travel Photographer of the Year : Highly Commended

The winning entrants into the Travel Photographer of the Year 2012 competition were announced yesterday and I am very pleased to report that the photograph I chose to enter into the competition (‘Blue Berg’) was ‘Highly Commended’ with third place in the ‘Single Shot Water Category’. Those of you who may be familiar with my photography will no doubt recognise this photograph as it was also awarded with a Gold Award at the 2011 Australian Professional Photography awards and also won the Extreme Environment Photograph of the Year People’s Choice Award in 2011. I had not planned to enter this photograph in any further competitions but was inspired to do so by the category title: ‘Single Shot Water’ and its description ‘Water in one of its many forms. An image which encapsulates water as a liquid, solid or vapour’.

The winning prints (including my own) from Travel Photographer of the Year 2012 will be exhibited at the Royal Geographical Society (with IBG) in London from 12th July to 18th August 2013. Unfortunately, I will miss the exhibition in London by a single day as I need to be in Iceland for my 2013 Summer workshop; which commences on the 12th of July. I then head straight from Iceland to Svalbard and the Arctic to lead two expeditions (The Jewels of the Arctic) that take in the very best of Svalbard, Spitsbergen and Greenland. I will transit back through London in early September and thus will sadly miss the exhibition. If you are able to make it please let me know what you thought.

Footnote: What inspired me to enter the Travel Photographer of the Year competition was that it is one of the few photographic competitions today that still judges the ‘print’ rather than a compressed jpeg. I wrote recently of my disillusionment with so many of the photography competitions that market themselves today and that make their judgements solely on a compressed jpeg file. Call me ‘old school’; but the craft of producing a beautiful fine art print is one of the most enjoyable aspects of photography for me and is how I prefer to have my work judged.