Iceland – Katla Situation Update July 11th

Barring any major volcanic event this will most likely be my last Katla update before I leave for Iceland in two and a bit weeks. I did ‘touch wood’ before my last update a week or so ago when all was quiet as it kind of felt like the calm before the storm with very minimal seismic activity. However, there have subsequently been more than seven earthquakes at the Katla Caldera in the last 48 hours. Since 17-May-2010 there have been approximately 96 earthquakes at the Katla volcano site within the region of the Myrdalsjokull glacier. Of the 96 earthquakes, 27 have been within the Katla caldera. It is interesting to note that of the approximate 96 Katla earthquakes since 17-May, the majority have occurred just off of the northwest rim of the caldera. Katla has been fickle during the past number of weeks in that there have been days when hardly an earthquake has appeared, while there have been other days that have been fairly active. There was one stretch of several weeks that was very quiet, while during the past several days there has been quite a lot of activity, much more than average since I’ve been watching this. What does this mean?

Who knows… or rather no one knows. There are no reports of imminent eruptions from the Icelandic MET office to date for Katla. But, (and it is a big but), I am reminded that Katla historically does erupt following the Eyjafjallajokull volcano; which erupted back on the 14th of April this year. I am also reminded that Katla is around ten times more powerful than Eyjafjallajokull and that an eruption would have world wide consequences. Not the least of which would be greatly affected air travel. Its only a couple of weeks until I leave for Iceland now so my fingers are crossed Katla can hold its ‘magma’ for at least this long.

Wildlife Portraits Project – Parrot

Birds have not been high on the list of subjects for my wildlife portrait photography. The longest lens I own is a Canon 300mm F2.8L IS; which even when coupled with my 1.4 Tele-Extender on my full frame 1DS MKIII still only gives me quite limited reach for photographing birds. Most serious bird photographers I know are shooting with a minimum of 500mm on crop sensor cameras (often with Tele-Extenders) for seriously long reach; because you need that kind of each most of the time. In this case I got lucky, and was able to catch this Parrot with his colourful wing extended with the 300mm lens. The light was quite dull and overcast so I used fill flash to bring out the colours in the plumage. I am hoping I get an opportunity to photograph some of the native Icelandic birds (including the Puffin) later this month and August whilst I am in Iceland.

Show Off

Wildlife Portraits Project – Australian Dingo

Every time I have visited Healesville Sanctuary in the past to photograph wildlife the Dingo’s have been sleeping (I think they might actually sleep more than cats). On my last visit they were up and moving around so I couldn’t resist ripping off a few frames on my way past. This frame ended up as quite a nice portrait – handheld with the 300mm F2.8L IS at F5.6 1/100th of a second.

Australian Dingo

Compact Flash and Secure Digital Cards – The Cost of Being at the Cutting Edge

I had to order some new Compact Flash (CF) and Secure Digital (SD) memory cards for my Iceland trip a day or so ago and I was struck by what it costs these days to be at the cutting edge of memory card technology. By way of introduction and example: A 32 Gigabyte Compact Flash card with a write capability of 90 MB/s costs in the order of $450+ Australian dollars; yet a 32 Gigabyte Compact Flash card with a 60 MB/s write speed only costs around $230 Australian. Thats a difference of more than $200 for the same size card but with a write speed one third slower. The immediate and obvious question is – Does that extra speed make a difference? And is it worth the price of admission?

From my point of view as a contemplative Landscape, Nature and Wilderness Photographer the answer to both questions is a resounding ‘NO’. My reasons are fairly straight forward and it has a lot to do with how I choose to set-up my camera. You see, my Canon 1DSMKIII is capable of taking both CF and SD cards and writing to both cards simultaneously. This is a great feature as it means I can load a 16 Gigabyte CF and 16 Gigabyte SD card into the camera at the same time and set the camera to record the RAW file to both cards at the same time – effectively giving me a RAID1 array for data redundancy in my camera. What this means in layman’s terms is if one card goes bad I still have the other card with exactly the same RAW images on it – An excellent in the field back up. The only downside of this set-up is it effectively halves the number of frames one can take without changing cards – but since memory is now so cheap this really isn’t an issue. The only other problem with loading both CF and SD cards and writing to both simultaneously is that you are then limited by whatever card has the slowest write speed to clear the cameras internal memory buffer. There is no point having a CF card capable of writing at 90 MB/s if the matching SD card that the camera is simultaneously writing to writes no faster than 30 MB/s. The CF card will clear the camera buffer faster than the SD card but you still wont be able to shoot again until the camera has finished clearing its buffer by writing the same files to the slower SD card. So that extra speed and cost is wasted. Thus in this example if the fastest SD card one can buy writes at 30 MB/s there is no point buying CF cards that write any faster than 30 MB/s. A 32 Gigabyte CF card with a write speed of 30 MB/s only costs about $100 – A whopping saving of $350 over the 90 MB/s write speed card! For the same capacity!

So, if I don’t need cards capable of writing at 90 MB/s a second who does?

There are numerous applications where it might be beneficial to have CF cards capable of these kind of blistering write speeds. A motor-sport photographer shooting with a Canon 1DMKIV in motor drive at ten frames per second has a good practical use for this kind of card speed. It is arguable that someone shooting with a 60 megapixel Phase One Medium Format Digital Back might also have an application for this type of card. The slower paced Landscape, Nature and Wilderness photographer like myself doesn’t need this kind of write capability and for a change can pocket the savings (us landscape photographers don’t often get this kind of win!).

So what did I order?

For my Iceland trip I ordered (in addition to the cards I already have) two Sandisk 16 Gigabyte 30 MB/s CF cards and two Sandisk 16 Gigabyte 30 MB/s SD cards – total cost $395.80. If I had ordered the same sized cards but with a 90 MB’s write speed I would have paid an additional $330 just for the CF cards (Sandisk currently dont make SD cards with write speeds faster than 30 MB/s) and effectively wasted my money by being unable to take advantage of that extra speed because of my set-up to shoot to both cards simultaneously. It is perhaps fair to say I have traded some speed for data protection – but that is a compromise I am prepared to make every-time.