I returned home late last night from an incredible two months spent in both Iceland and the oldest deserts in the world in Namibia. Both my Iceland winter 2014 workshop and Namibia 2014 workshops were incredible experiences and I will have a lot more to say about both trips over the coming weeks including complete debrief reports here on my blog. In the meantime, whilst I was away I learned that several of my photographs had made the finals in both ANZANG and BBC Wildlife Photographer of the Year competitions for 2014. Both of these competitions are two of the most respected amongst outdoor photographers today and I am extremely honoured to be a finalist in both of them. Judging is still underway for both competitions but I can reveal that one my finalist images for ANAZNG is from my last trip to Antarctica – Penguin rookery at Petermann Island. This photograph was taken around 11pm in the evening under perfect conditions, magical light and the rising moon at Petermann Island on my 2013 Antarctica expedition. This photograph is also my photograph of the month for April 2014.
Category: Landscape Photographs
Landscape Photographs from around the World
Iceland 2015 Winter Aurora Workshop Open for Bookings
Daniel Bergmann and I are pleased to have now finalised our Winter Workshop itinerary for 2015 to Iceland. The workshop will run from the 25th of February until the 6th of March 2015 and will focus on both the Aurora Borealis as well as many of the iconic and lesser known locations of Iceland. For 2015 we will be travelling in two Icelandic Super Jeeps (modified 4-wheel drives) so that we can get off the main bitumen road and into the more interesting areas for photography and experience the true splendour of Iceland in Winter.
At the beginning of March the darkness of the Icelandic winter is starting to lift and the days are becoming longer. We will have up to ten hours of good light during the day and with a little bit of luck the spectacular Northern Lights will increase our photographic opportunities well into the night. Winter conditions in Iceland can be stunningly beautiful: the glacial lagoons freeze, some of the waterfalls are partially frozen, the glaciers appear more blue with fresh snow on top and with fewer visitors, the black sand beaches of the south are more pristine. With true darkness in winter comes the possibility of seeing the awe inspiring Northern Lights (Aurora Borealis). We plan to make photographs of them whenever there are clear skies and intense Aurora activity.
We have a new itinerary for 2015 that includes many of our favourite locations for Winter photography as well as quite a few new ones we have not included before. Our 2014 workshop sold out in just a few days so if you would like to join us you can register your interest by dropping me an email or by filling in the registration form on my website at www.jholko.com. The workshop is fully inclusive of all meals, accommodation and ground transportation as well as all tuition and image reviews. Places are filled on a first come, first served basis and once they are spoken for thats it. Please be sure to read the testimonials page to see what others are saying about our workshops and expeditions.
March Photograph of the Month: Aurora over Hellnar in Iceland
Whoops.. I have been busy packing for my annual winter workshop to Iceland and almost let another photo of the month slip through the cracks before I board the plane tomorrow. It seems only fitting to post an image from Iceland in Winter as my photo of the month for March given in a couple of days I will be back in my favourite country for photography. This was a photograph I made in March last year whilst leading my winter workshop with Andy Biggs and Daniel Bergmann of Aurora Borealis over the church at Hellnar. This wonderful little church was just a short walk from our guest house accommodation and proved the ideal subject to include beneath the Northern Lights. I am very much looking forward to abandoning the heat of Australia and photographing more Aurora in just a few days time. My winter workshop to Iceland this year is sold out, but I will shortly be taking bookings for 2015. If you would like to reserve a place please drop me an email to info@jholko.com
New Zealand South Island Summer Workshop Report
Late last week I returned home from a brand new Summer workshop to the South Island of New Zealand with my good friend Phillip Bartlett. Our workshop took us on a photographic journey into ‘Middle Earth’ – The spectacular South Island of New Zealand. In case you have not seen the Lord of the Rings movies, the South Island of New Zealand is home to some of the most spectacular scenery and landscapes in the world. It is no co-incidence that Peter Jackson chose the South Island of New Zealand to film the Hobbit and the Lord of the Rings movies. Perhaps nowhere else in the world can one see and photograph precipitous alpine mountains plunging into temperate rain forest and wild ocean beaches in so short a space. New Zealand is home to an incredibly diverse range of subject matter in a small island. Glaciers, waterfalls, spectacular valleys, imposing mountain ranges and black pebble beaches. It is an island of ever changing weather and spectacular light conditions. It is a country made for photography.
Our workshop took us on an eleven night / twelve day odyssey around the South Island to many of its iconic locations and some of its lesser known gems. During our travels we experienced some incredible weather and light as well as some fantastic landscape and wildlife photography opportunities. Two of the main highlights of this workshop included a privately chartered helicopter flight with the doors removed for photography over Fox and Franz Josef Glaciers and the awe inspiring Southern Alps and a privately chartered boat in Kaikoura to photograph Albatross and playful Dusky Dolphins. Both of these experiences were regarded by all on this trip as once in a lifetime and not to be missed. Included below is a brief summary of our travel and photography during our time in the South Island.
Day One – We began our workshop in Christchurch in two large 4-wheel drive vehicles that were to be our transport around the island for the next twelve days. One of the real benefits of travelling by 4-wheel drive instead of bus is the ability to get off the beaten path and into more remote locations and we certainly took advtange of this ability during our travels. Our first stop was Mount Cook on the East side of the Island where we photographed New Zealand’s tallest mountain against a sunset backdrop and some dramatic evening light and cloud.
Day Two – We rose early for Sunrise in the Tasman Valley where we had wonderful views looking back up the river to Mount Cook. Sunrise in the Tasman Valley can be an incredible experience if the weather is co-operating and we were fortunate to have some beautiful pre-dawn light during our morning shoot. After our morning session and breakfast we took advantage of our 4-wheel drives off road capability and went off roading up to the terminal face of the Tasman Glaicer where we scaled one of the large lateral moraines for spectacular views across the glacier. We returned in the evening and photographed sunset at the edge of the lake at Tasman Glacier.
Day Three – Day three saw us depart Mount Cook before dawn and head south toward Queenstown. Along the way we stopped to photograph sunrise at Lake Pukaiki with some incredibly spectacular light – quite literally one of the most breathtaking sunrises I have ever exeperienced. The southern shore of Lake Pukaiki is a fantastic location for photography as the waterline is dotted with giant boulders that lie partially submerged and make for wonderful foreground subject. In the distance Mount Cook can be seen illuminated with Alpine Glow. We spent several hours in this location basking in the incredible light and conditions.
After breakfast we also stopped to photograph dramatic storm clouds at Ahuriri on our way to Queenstown. My thanks to my co-leader Phillip for spotting the clouds in his rear vision mirror! This area of New Zealand offers a myriad of photographic opportunities with dramatic cloud cover and we spent an hour photographing the racing clouds in this location. Midday is often a time for driving between locations and usually not the ideal time for landscape photography. Every once in a while however the clouds and light combine to provide fantastic midday landscape opportunities.
After our midday shooting session we continued to Queenstown where we photographed Lake Wakatipu against the backdrop of the spectacular Remarkables mountain range. Queenstown was also a chance to stock up on snacks and souvenirs for those who wished to take home some nick-nacks.
Day Four – We rose again well before sunrise and travelled south to Glenorchy for sunrise at the edge of Lake Wakatipu. This part of Lake Wakitpu is home to some small Willow trees set against the mountains and makes for a great location for landscape photography. After breakfast we headed off road again up to the Routeburn where we photographed the forest, waterfalls and mountains in misty cloud by the shore of the river. New Zealand’s rivers are spectacularly pure and clean and I spotted several wild trout swimming slowly against the current whilst photographing in this area. At sunset we photographed in Queenstown at the shore of Lake Wakatipu with the Remarkabes mountain range as our backdrop.
Day Five – We again headed off road in our 4-wheel drives to a high vantage point for sunrise known as Skipper’s Canyon. Skippers Canyon looks down a valley into rural farmland and is an opportunity to capture long shadows and low hanging cloud and fog in the valley below. We were fortunate to have a perfect morning for this type of landscape photography with low cloud and fog hugging the trees in the valley below us.
After breakfast We travelled to Milford Sound, one of the icons of the South Island, and photographed the mountains at sunset by the shoreline in misty conditions.
Day Six – We photographed Milford Sound at Dawn and then took a boat cruise up the Sound where we photographed cloud swirling around the mountains and the waterfalls cascading down into the sound. Milford Sound is truly an amazing location with dramatic peaks that plunge for hundreds of metres into the water below. This entire area was once glaciated and the Sound is what now remains as a result of the glacier carving its way through the mountains. Milford sound has a great deal to offer in the way of Wildlife photography as well as landscape and I took this photograph of a white Heron whilst ankle deep in the inky black water near the shoreline (I did have to fight with the local and rather irritating sand flies to make this photograph!).
After our cruise up Milford Sound we drove to Wanaka where we photographed another iconic New Zealand location – the Lone Willow tree.
Day Seven – Sunrise we photographed at lake Wanaka amongst the boulders in soft pastel light before driving to Fox Glacier. Fox Glacier is one of my favourite locations in the South Island. This small town boasts easy access to Fox Glacier and is the main hub for helicopter flights over the glaciers and alps. It also provides easy access to Gillespie’s beach where we had drizzly rain combined with dramatic cloud at sunset. The west coast beaches of New Zealand can be notoriously wild with their steep pebble beaches and large breaking waves. In this instance we were fortunate to have little in the way of wind and some dark brooding clouds that made for some very moody images.
Day Eight – We took a pre-dawn hike to Lake Matheson for a viewpoint looking up to the Southern Alps. On a clear morning the southern alps can be seen reflected in the dark water of Lake Matheson and the well known viewpoint makes for an iconic photograph when conditions are right. After breakfast we photographed in the Goblin forest at the base of Fox Glacier. The forest at the base of the southern Alps is akin to a scene straight from the Lord of the Rings. The forest is full of old gnarled trees draped with vines and wonderful foliage. We took the opportunity to do some macro work for several hours under the dense canopy in misty rain. These sort of conditions are ideal for forest photography with the cloud over head acting as a giant softbox and the rain ensuring the greens of the forest are very saturated.
Day Nine – We rose early and took a chartered helicopter flight with the doors removed for photography over the Southern Alps in spectacular conditions. We photographed Fox Glacier, Franz Josef Glacier, Mount Cook and Mount Tasman in fantastic conditions. We were blessed with swirling moody cloud and breaking light dancing amongst the ice formations and mountains. Click on the image below to be taken to the RAW HD video footage from our aerial photography flight over the Southern Alps.
After our helicopter flight we drove north along the spectacular west coast to Punakaiki and photographed Pancake Rocks at Sunset. This location is one of the more easily accessed in the South Island and comprises of unusual layered pancake like rock formations that feature several blow holes. Large rolling swells crash against the rocks and throw spray high into the air that often catches the last golden rays of sunset.
Day Ten – We photographed sunrise at nearby Truman Beach in soft dawn pastel light before packing up and driving to the seaside town of Kaikoura on the East coast. We photographed at sunset on the rocks in the bay.
Day Eleven – Day eleven proved one of the real highlights of the trip as we took a private boat charter out to photograph Albatross and playful Dusky Dolphins at sunrise.
We also discovered a sperm whale at first light and a few of us captured this magical moment before the whale sounded and was gone. Having our own private boat meant we had plenty of space for photography and we were able to move and follow the Albatross and Dolphins as we wished.
After breakfast we spent time photographing Sea Lions and sea Lion pups on the rocks north of Kaikoura. These Sea Lions (often incorrectly referred to as seals) are quite approachable and as long as you don’t get closer than about fifteen feet they are quite comfortable to pose for photographs as they bask on the rocks in the sun. January and February are great times for photographing the sea lions as the more aggressive bull males have moved on and the pups are curious for all things and often approach quite closely to investigate.
Day Twelve – Saw us travelling from Kaikoura to Christchurch and completing our twelve day odyssey around the South Island.
The photographs above are just a very small sampling of the more than one thousand images I made during this workshop. As yet, I have not had time to sort, edit and process the vast majority and as I am leaving for Iceland in a few days for my annual winter workshop I will not have time to really devote to them until later this year. This was a very successful workshop and some fabulous photography resulted from all who participated. Our days were very long as we rose well before sunrise each morning and shot until after sunset each evening but we certainly made the most of all the locations we visited and opportunities that presented themselves to us.
Phillip and I will be leading another workshop to the South Island of New Zealand in May next year – May 2nd to May 13th 2015. This workshop will include even more aerial photography in privately chartered helicopters at areas including Milford Sound, Fjordlands and Fox Glacier and the Southern Alps. We will even be using helicopters to land us high in the Alps amongst the glacial seracs for a chance to set up our tripods and photograph these incredible formations as well as visiting and photographing areas inaccessible by 4-wheel drive. We will be limiting this workshop to just six photographers and It is going to be a very exciting trip. Look for details here on my blog and on my website in the coming months.
I will also be opening bookings in the next few days for my annual Winter Aurora workshop to Iceland with Daniel Bergmann in late February / early March next year. Our 2014 Winter workshop sold out in just a few days this year so if you would like to reserve a place or have any question about the trip please drop me an email at info@jholko.com.
New Zealand South Island Experience and Victoria’s Great Ocean Road
In a few short days I am heading back to New Zealand for a workshop tour of the magnificent South Island with my friend Phillip Bartlett and our group of participants. The South Island of New Zealand is an incredible part of the world and boasts spectacular mountain alps which run down the spine of this amazing country. These mountains plunge almost straight into the sea on both sides of the country. It is the only place in the world I know of where alpine mountains plunge straight into temperate forest that directly hugs such a rugged and wild coastline. I was in the South Island of New Zealand only a few weeks ago completing a week long commercial assignment and I very pleased to be returning again so soon. On this trip we will be circumnavigating the South Island and taking in the best of its many iconic locations as well as visiting some of its hidden treasures and lesser known areas. We will be chartering a helicopter with doors removed for photography over the alps and enjoying a private boat charter for playful Dusky Dolphins and Sea Lions off the coast of Kaikoura. If you want to get an idea of what this tour is going to be like be sure to watch the short tester video below.
Packing for this trip is somewhat of a challenge for me as I am quite keen to take my newly acquired Canon 600mm F4L IS MKII Lens (why own it if you don’t intend to carry it) as well as the 200-400mm F4L Lens – for both Sea Lions, Dusky Dolphins and Albatross in and around Kaikoura. I plan to carry these two lenses to both Iceland and Namibia in March this year so this trip to New Zealand is an ideal opportunity to see how they travel together on international flights. These two lenses add up to a not insignificant amount of weight, but perhaps of more immediate concern is the sheer bulk and space they require inside the camera bag. With both of these lenses in my Gura Gear camera bags there is little room for much else. Nevertheless it never ceases to amaze me just how much gear can be squeezed into the Bataflae 32L bag. So, after some trial packing I will be carrying the following on this trip: (I know this is a ridiculous amount of equipment but I am a person who prefers to carry it and not need it rather than need it and not have it.) Just as a side addendum to this; I used to think I carried a lot of equipment, but then I worked with a video guy last year in the Arctic who redefined what it meant to carry a lot of gear!)
Gura Gear Bataflae 32L Camera Bag
- Canon EOS 1DX
- Canon EOS 1DS MKIII
- Canon 600mm F4L IS MKII (Lens hood goes in the checked luggage bag)
- Canon 70-200mm F2.8L IS MKII
- Canon 24-70mm F2.8L MKII
- Canon 24mm F3.5L TSE MKII
- Canon 17mm F4L TSE
- Canon 1.4 TC MKIII
- LEE Filter System including Graduated ND filters and Polariser
- Cable Release and other accessories
- 15″ MacBook Pro, back-up hard drive, card reader and accessories
- Canon 200-400mm F4L IS with inbuilt 1.4 TC (incredibly this does fit in the Chobe!)
North Face Rolling Thunder Duffle *
- Clothes and Personal Items
- Really Right Stuff Tripod, BallHead and Jobu Gimbal Mount
* I really like the North Face Rolling Thunder Duffle as a travel bag. It is extraordinarily tough and copes very well with the rigours and violence that checked luggage is exposed to (I really have no idea what baggage handlers do behind the scenes but I am sure it involves some sort of contact sport with people’s luggage). The only downside to this bag is it weighs eleven pounds or five kilograms empty. On flights with a 20 kilogram luggage limit that is one quarter of the limit before you start putting things like clothes in it. Thankfully many of the airlines I travel with these days have more reasonable 25 to 30 kilogram luggage limits and I can usually get close enough to these limits to avoid excess luggage charges.
Victoria – The Great Ocean Road
Just before I depart for New Zealand later this week I will be leading a private three day trip down Victoria’s spectacular Great Ocean Road. The Great Ocean Road is home to some iconic Victorian scenery including the Twelve Apostles, London Bridge, The Wreck Coast and more. It has been nearly a year since I last photographed this part of Victoria and I am looking forward to spending a few days in the field in my home state and sharing these amazing locations with my first time visitors. I am offering further one-on-one private workshops here in Victoria by appointment and based around my existing travel schedule both this year and next for anyone who would like to experience the best of this part of Victoria. Please contact me to discuss timing, cost and availability if you are coming to Australia in the near future.

