Xinjiang China – Ghost City

In a few short weeks I will be heading back to Iceland for my summer workshops under the spectacular midnight sun. I will then travel north of the Arctic circle for three back-to-back expeditions to Svalbard and Greenland. In the meantime, I have been busy catching up on office paperwork and processing some of my recent photographs from Xinjiang in the remote north west of China. It has taken me several weeks to fully digest this fascinating trip and I do hope to make more posts and share more images over the coming weeks and months. As well as still images we also shot a lot of video footage during our trip and my friend Antony and I hope to piece this together into a short travelogue that will help us share our experience.

The Ghost City was one of the more spectacular locations for photography we visited during our time in Xinjiang and we photographed in this remarkable landscape for two days spending most of our time working at sunset and sunrise. This photograph was taken just after sunset on top of one of the many compressed sand outcroppings.

Iceland Ultimate Summer Workshops 2014 Open for Bookings

Daniel Bergmann and I have now finalised the dates and itinerary for our 2014 Iceland summer workshops. We are leading two identical workshops with a brand new custom designed itinerary for 2014. Our new itinerary is the culmination of over 40 years of combined photographic experience (much of it in Iceland) and has been designed to take in the very best the country has to offer in a single experience – ‘Ultimate Iceland’.In order to ensure we visit and photograph the very best locations and landscapes Iceland has to offer we will spend eleven days circumnavigating the Island. Just some of the location highlights for these expeditions include: The wondrous Jökulsárlón Glacier Lagoon, the Volcanic highlands of Landmannalaugar, the steaming geothermal areas at Myvatn, the mighty Detifoss and Selfoss waterfalls, Godafoss waterfall and many more of Iceland’s gems including some lesser known but no less spectacular locations such as the surreal black sand volcanic region of Veiðivötn. We will be using hotels and guest houses as our bases that are functional and clean for the duration of the workshops. Each has been chosen for its suitability and proximity to our target locations. If you can only travel to Iceland once in your life, then this is most definitely the itinerary and workshop you want to experience.For 2014 we have added an extra day to the workshops making them eleven days / ten nights. All food (excluding alcohol), accommodation and in country transport is included in the workshop from the moment you land in Keflavik, Iceland until the conclusion of the trip eleven days later. We will be utilising highly modified 4-wheel drive super jeeps to enable us to get into the very best areas for photography. We will travel on both bitumen and off road tracks to reach the best locations. Our goal is to ensure we are always in the best locations when the ‘magic’ happens and as such we may stay out late or rise early in order to give ourselves the best opportunities under the spectacular midnight sun. These two workshops promise to provide the ultimate Iceland experience. Wether you are travelling to Iceland for the very first time, or are a seasoned veteran these workshops will leave you having experienced the very best Iceland has to offer.If you would like to join us then you can download a booking form and detailed itinerary HERE. You will be spending eleven days with people who are just as passionate as you are about photography. In order to ensure everyone gets plenty of individual attention and that we can work as a small cohesive team the maximum number of participants is capped at twelve. Bookings are taken strictly on a first come, first served basis. If you would like to join us for the ultimate Iceland experience and photograph under the spectacular midnight sun then now is the time to register your interest. Bookings are taken strictly on a first come, first served basis and both workshops are fully accredited by the Australian Institute of Professional Photography. Due to pre-registrations there is only limited availability on both trips.

Xinjiang China : Debrief Report

In early May 2013 I lead an exploratory expedition into the Xinjiang Augur autonomous region in the extreme north west of China with my good friend Antony Watson. This is an extremely remote part of northern China that is home to the spectacular Tian Shan and Altay mountain ranges as well as the Flaming Mountains, Kanas Lake, Gobi Desert and more. This part of rural China is also home to the Silk Road and other historical locations of importance including the thousand caves of Buddha (two – three thousand year old caves). The province actually borders Russia, Kazakhstan, Tajikistan, Pakistan, Kurdistan, Mongolia, and India so there is a real cultural mix of minority people and a very heavy Arabic influence.If you have been following my blog you would have already read that I was quite excited at the prospect of venturing into this remote part of China. It is an area rarely visited by the outside world and it is only in recent years it has appeared on the map for Chinese tourists who travel mostly to Kanas and Heavenly Lake. Both of these locations are relatively easy to access and have significant tourist infrastructure in place. Some of the other locations we visited were deep in the desert and mountains and see little tourism of any kind. At one point during our travels we were only 60km from the Kazakhstan and Russian borders. It was an extraordinary and fascinating expedition with some truly spectacular landscapes.  It was however, not without some significant challenges including vast distances between locations, poor infrastructure and lack of basic hygiene. In addition, there are some very significant environmental issues that I became aware of during my time in this part of China and I hope to raise awareness for the appalling state of the environment in this and future posts.

Although we had planned our itinerary and shooting locations meticulously with the information we had available to us it became evident early on during our trip that it was going to be necessary to significantly alter our plans. Our wish to photograph the remote landscapes of the Gobi Desert and other landscape locations had been somewhat lost in translation with the various intermediaries (mostly due to the language barrier) who had helped us arrange this trip and since we had little idea of what to truly expect at each location we had to adapt and make the best of it.  We were extremely fortunate to have a very friendly and knowledgeable guide (who spoke English, Mandarin and the local Augur dialect) and driver who quickly understand that what we really wanted to photograph had been lost in translation. They were able to alter our itinerary on the fly to ensure we visited the best locations for landscape photography. I owe them both a debt of gratitude for their hard work and dedication in ensuring we maximized our time for photography in this part of China. It is worth noting at this point that this trip would have been absolutely impossible without an experienced local guide and driver. No one we encountered spoke any English in this part of China and we did not see another westerner from our arrival in Urumqi to our departure twelve days later.The net result of these itinerary changes was that we ended up driving just over five thousand kilometers in ten days including several days of ten plus hours in the car. If you have ever spent repeated ten-hour days in the back of a Toyota Land Cruiser you will understand just how challenging this quickly becomes. Compounding this issue was the generally poor state of the roads and the willingness of the local truck drivers to dice with death when passing and overtaking.  It is not an experience I am keen to repeat.

Our adventure began in the city of Urumqi in northwestern China. Urumqi is the largest town in this part of China and is reached via an approximate four-hour flight from either Beijing or Shanghai. Urumqi is perhaps best described by Australian standards as a third world city. Thick smog hangs over the city from dawn till dusk thanks to the myriad of coal-fired power plants that dot the countryside in this part of China. The city is heated during its freezing sub zero winters by burning coal in huge furnaces and as a result there is very significant industrial pollution. To put the pollution into some sort of perspective our guide advised us that the snow falls black during the winter months in Urumqi.

From Urumqi we drove for several hours to Heavenly Lake in the Tian Shan Mountains. This was an interesting location and a nice counterpoint to Urumqi and we photographed the spectacular mountains, Heavenly Lake and Golden Eagles that soared over the trees and mountains on thermal currents. We also visited some local Kazak people, had a traditional lunch of Nan bread and Kebabs and visited their Yurts. Although there is significant tourist infrastructure the area is still relatively unspoiled by Chinese standards and the air at this altitude relatively clean. As is the Chinese way it is not possible to drive into the park and you have to park at the bottom and take a shuttle bus. We arrived prior to sunrise however and had received special permission to take our four-wheel drive to the top and so were thankfully able to avoid the tourist bus trap. One of the key benefits of travelling with a local guide.
From Heavenly Lake we travelled to a remote area in the Gobi Desert known as the Ghost City. This was a wonderful location for landscape photography in what is locally known as the Yardang landscape. A landscape comprised of unusual compressed earth formations and outcroppings that have been eroded by the wind over many hundreds of years. The area is so named for the eerie and unusual sounds the wind makes as it whips around the desert formations at night. We photographed in this location at both sunset and sunrise and could have easily spent several days exploring the area. Ghost city turned out to be one of the real highlights of the trip with a truly spectacular lunar like landscape. It is one of the locations I would be keen to revisit should I find myself in this part of China again.

After we had finished at the Ghost City we travelled to a location the Chinese call the Rainbow Beach. The beach is hilariously signposted as ‘The Best Beach in the World’ and is located near Burjin. This was a challenging location to photograph due to the tourist infrastructure. Rainbow beach is not a beach in the true sense of the word. Rather, it is a series of highly unusual and colorful landscape formations along the edge of a large river. It was geologically an interesting location and as it was in our travel path was worth an afternoon stop.We then spent the next two days at the remote village of Hemu and Kanas Lake. Kanas Lake is fed from the Kanas glacier and is located high in the Altay mountain range near the Russian and Kazakhstan borders. We had a very heated argument with Chinese authorities in Kanas Lake as this location is geared toward Chinese tourists and driving ones own vehicle into the park is not permitted. Instead you are required to park at the entrance and catch a shuttle bus into the park. After a long and heated argument we were forced to find an official and seek special permission to take our four-wheel drive to the top. We were able to obtain written permission, but even so the officials at the checkpoint did not want to let us in. It took some very animated words from our driver and guide to finally convince them to allow us access. Kanas Lake itself is a very pretty location that is nestled high in the mountains. The area sees very significant internal tourism from China and there are numerous hotels to choose from inside the park. There appears to be little regard for environmental planning as none of the infrastructure is what I would deem environmentally conscious or friendly and all of it is geared toward managing bus loads of tourists. We visited this location during the off-season and still witnessed in excess of fifty large coaches in the main car park.

Hemu is a location rarely visited by westerners and we may well have been the first westerners to overnight in this remote village. We were certainly the first westerners many of the locals had ever seen and according to our guide the first foreigners he has ever taken into Hemu. It was an interesting experience, but photographically was a bit of a disappointment.  We had planned our trip with the idea of photographing the landscape in this region; which although pretty was not photographically all that interesting. However, due to the large cultural mix of minority people there are excellent opportunities for people and street photography in this remote village.From Kanas we travelled to Fuyn and Turpan stopping along the way to photograph the barren landscape; which in small part reminded me of some areas of Iceland. From Turpan we travelled to a location known as the Rainbow City. This was a fantastic location for landscape photography that is well off the tourist path in the Gobi desert. The area is comprised of multi-colored earth mounds and canyons that are rich in iron and rhyolite. Unfortunately, we had only limited time at this location and due to the long distances we had to travel we missed the soft light of sunrise. Nevertheless it was a wonderful location that rates as one of the best we visited for landscape. It is an area I would like to revisit during the small hours to photograph with soft, but dramatic cloud and light.We also visited the Flaming Mountains and the thousand caves of Buddha. Both of these areas offer outstanding landscape opportunities but are quite challenging photographically. This region is extremely dry and we constantly battled dust in our cameras and lenses. The Thousand Caves are a major tourist attraction and the infrastructure is therefore geared toward tourism. We found it better to head into the back roads and seek out more remote landscapes. Our guide was able to steer us toward a back canyon that proved fabulous for photography.From the Flaming Mountains and Shanshan we drove to Kucha and the Holy Grand Canyon in the Tian Shan Mountains and Gobi Desert. This was another extraordinary location for landscape photography that rarely sees foreigners. We were greeted by local Kazak people on our arrival that had never before seen westerners. Their amazement at our arrival was an experience I will not quickly forget. The canyon itself is enormous and it is somewhat difficult to capture the scale and grandeur in a single photograph. I found this photograph that included the human element best captures the scale of the canyon. We spent several hours exploring and photographing in this location and I would rate it as a must visit for anyone travelling in this part of China.

We spent our last evening photographing at the edge of the Tian Shan Mountains where there are highly unusual pancake like formations of compressed sand that have been eroded and shaped by the wind. The landscape in this area is unique in my experience and very surreal. Although we were not blessed with great light at sunset it was nevertheless a wonderful experience. During our time in China we experienced some very extreme variations in weather including searing heat, a rare desert thunder and rainstorm, a hailstorm, sand storm and freezing cold and snowfall in the mountains.Overall, this was a fascinating journey into this part of rural China that came with some very significant challenges. The infrastructure in many locations is extremely poor by western standards and the distances between the best locations for landscape photography are vast necessitating many thousands of kilometers of travel. Some of this travel could likely have been avoided if we had better information about the locations we wanted to visit. Should we return we will certainly be able to reduce the distances travelled on a daily basis; however anyone travelling into this region for photography should be prepared to spend significant time in the car.

The hotels that are available to foreigners in this part of China are generally of a very poor quality by western standards. Whilst they are locally rated as three star (or even four star) several had no hot running water and were both smelly and dirty. Our accommodation in Hemu for example was really nothing more than a wooden shack.

By western standards the hygiene levels are extremely poor across this part of rural China. Food is generally prepared openly in the street where lamb and fish are seen hanging in the sun. In areas where there is seating food is prepared in back room kitchens that are best-left unseen. Tables and chairs are filthy and plates and cups need to be wiped down and sterilized before use. I admit to saying a few Hail Mary’s before many of the meals we consumed. Although both Antony and I were meticulous with sanitary hand wash for the duration of this trip (even wiping down chopsticks, cups and bowls) and did not drink the water we both still ended up with badly upset stomachs on two occasions during our time in China. In fact, it has taken both of us more than a week to fully recover.

The predominant food on offer in this part of China is lamb kebabs, Nan bread, a sort of rice Pilaf and a local noodle dish which comprises of thick noodle either boiled or fried with a mix of capsicum, onion, tomato and then loaded with Chile. There is little in the way of western food available and anyone travelling into this region would be well advised to pack ample supplies of protein and energy bars.

Many of the locations we visited were truly spectacular in terms of landscape. China quite literally has some of the most amazing desert and mountains I have ever had the pleasure to photograph. Unfortunately, China and the Chinese people are treating its landscape as a giant rubbish dump. Even in the most remote of locations it is impossible to get away from discarded and smashed beer bottles, old plastic drink bottles and infinite torn and semi degraded plastic bags caught in barbed wire fences. There is zero respect and utter contempt for the environment. China’s countryside is in serious need of a clean up program much like the highly successful one Australia ran during the 1980’s (clean up Australia). However a clean up program is not enough and an education program needs to follow to teach the people to respect nature and the environment. The sort of change required is generational and the time to start is now.

On top of the seemingly limitless rubbish there is very significant industrial pollution and smog even in the remote desert areas. Countless coal-fired power plants belch pollution into the atmosphere twenty-four hours a day. There is a thick and pervasive atmospheric haze that hangs over the landscape that significantly reduces visibility and makes photography somewhat problematic.

Although there are several large wind farms in this part of China the reality is that they are dwarfed by the countless coal power plants – many more of which are still being constructed. A never-ending stream of overloaded coal trucks can be seen coming and going along the highways to feed the voracious power plants that scar the landscape.

Remote China is a difficult country to navigate for foreigners. During our time in in this province we were stopped at roadside checkpoints where our passports were checked by machine gun totting police and were photographed countless times by roadside security cameras. Each hotel we stayed in scanned our passports and alerted the local police of our arrival. Many of the hotels attempted to keep our passports to verify our identity and some heated discussion ensued (via our guide) when we refused to allow them to hold onto them. It was a very strong counterpoint experience to travelling in western society and an interesting insight into the Chinese communist culture.

My feelings are somewhat mixed at this point about the possibility of returning to China in the future. On the one hand it is home to some incredible landscapes that are nothing short of extraordinary. On the other there is a lack of respect and contempt for the environment that is truly appalling. China is a country that is destroying its environment at an incredibly alarming rate and it makes me sad for my children and subsequent generations if the state of China’s environment is an insight into the future of our world.

Footnote: I chose not to photograph the pollution and rampant environmental destruction in China. I simply found it too upsetting and distressing. I chose instead to focus on those natural landscapes that I found truly extraordinary. It is important to point out that even in these remote landscapes I frequently had to remove broken and discarded bottles and other rubbish from my photographs in order to exclude the hand of man.

Xinjiang China: The Ghost City

In early May 2013 I lead an exploratory expedition into the Xinjiang Augur autonomous region in the extreme north west of China with my good friend Antony Watson (we returned home only a few days ago). This is an extremely remote part of northern China that is home to the spectacular Tian Shan and Altay mountain ranges as well as the Flaming Mountains, Kanas Lake, Gobi Desert and more. This part of rural China is also home to the silk road and other historical locations of importance including the thousand caves of Buddha (two – three thousand year old caves). The province actually borders Russia, Kazakstan, Tajikistan, Pakistan, Kurdistan, Mongolia, and India so there is a real cultural mix of minority people and a very heavy Arabic influence.  At one point during our travels we were only 60km from the Kazakstan and Russian borders. Many of the locations we visited were hundreds of kilometres from built up infrastructure and were well off the beaten tourist path. This remote region of China is rarely visited by the outside world and on several occasions we were greeted by local Kazak people who had never before seen westerners in their lives. It was an extraordinary and fascinating expedition with some truly spectacular landscapes. I am still very much collecting my thoughts about this trip and will have a lot more to say about the landscapes, the people and our experiences over the coming weeks including in a more complete debrief report. In the meantime, (and to start the ball rolling) I just wanted to share one of the photographs I made at sunrise during the trip in an area known as the Ghost City in the Gobi desert. This was a wonderful location for photography in what is locally known as the Yardang landscape. A landscape comprised of unusual compressed earth formations and outcroppings that have been eroded by the wind over many hundreds of years. The area is so named for the eerie and unusual sounds the wind makes as it whips around the desert formations at night. It was just one of the remarkable locations we visited during our time in this remote part of China.

Canon 200-400mm F4L IS Pre-Production Sample Lens Review

Late in 2012 I wrote a short op ed. blog piece about the pending release of Canon’s new 200-400mm F4L IS lens with inbuilt 1.4 teleconverter. At the time of my post there were only a few prototypes of this lens in existence and they were all at the London Olympics (I was somewhere between Paris and Chamonix at the time) for testing by a lucky few sports photographers. Initial feedback on the grapevine from those fortunate few was that this lens (even in prototype form) was an oustanding performer and lived up to Canon’s claims of Unsurpassed combination of versatility, first-class optical performance and an enhanced weather-proof construction.

Fast forward to today and I recently finished (in February this year) three days shooting with the new Canon 200-400mm F4L IS lens (in prototype form). To my knowledge this is the first online pre-production review of this lens anywhere in the world. During the test I was fortunate to also have on hand the Nikon 200-400 equivalent and a D800E for comparison and this may also be the first time these lenses have been used side by side. In terms of size the two lenses are almost identical although the Canon is wider in girth and does feel lighter than the Nikon. Once a 1.4 teleconverter is added the Nikon does become a longer lens than the Canon.The Nikon design is now more than a decade old and does not include an inbuilt 1.4 teleconverter although it has had some optical and vibration reduction upgrades over the years. For those looking for a direct comparison of these lenses in terms of image quality I am sorry but you are going to have to look elsewhere. It is just too hard to account for differences in lenses when they are shot on different mega pixel cameras. What I can say is that after shooting side by side with the Canon and Nikon for three days is that both are excellent lenses and that the end result has as much to do with the camera and photographer as the lens itself. Shooting dressage with the 1DX and Canon 200-400 I was able to capture images that the D800E simply could not because its frame rate is literally half that of the 1DX. Twelve frames a second makes a difference when you are photographing a charging horse or wildlife on the move. In terms of autofocus it is again to hard to account for any differences between the lenses as so much depends on the camera and the photographer so we confined ourselves to simply comparing the physical attributes of the lenses. What was universally agreed however is that having an inbuilt 1.4 teleconverter is a significant advantage. The teleconverter can be activated in less than a second in the Canon where as it takes at least ten seconds to take the lens off the Nikon and install a converter. This difference is huge and is not to be underestimated when it comes to wildlife and sports photography. The Canon can continue shooting and tracking the subject whilst the converter is slide into place. The Nikon requires taking the camera away from the eye to fit the converter and then reframing the subject and reacquiring focus. This time delay can be the difference between getting the shot and missing the shot. Included below is a short video with my thoughts and impressions on this new and very impressive lens from Canon.I know the Canon lens looks quite a lot bigger than the Nikon in this photograph however that is a function of the lens and camera used to take this photograph. The Canon is also closer to the camera and thus appears larger in the frame.

Teleconverter Functionality

The Canon 200-400mm F4L IS is only the second lens from Canon to ever employ an inbuilt 1.4 teleconverter that could be optionally switched on or off with the flick of a switch. The first lens to do so was the extremely rare Canon FD 1200mm f/5.6 L Lens (picture on PBase.com). I have personally never seen one of these lenses in the flesh although I have briefly shot with its replacement, the discontinued and ultra expensive EF 1200mm f/5.6 L USM Lens; which did not have an inbuilt teleconverter.

The teleconverter in the Canon 200-400mm F4 L IS lens offers a magnification factor of 1.4x the lens focal length. This turns the Canon 200-400mm lens into a 280mm – 560mm lens with the flick of a switch. The switch can be locked to prevent accidental operation. After three days of shooting with the lens I never felt the need to use the lock switch as the teleconverter switch does require a fairly dedicated press to move into position.

Image Quality

I need to put a caveat on my comments about image quality as the lens I tested from Canon was a prototype and not a finished production model. Whilst I do not expect there to be any significant optical differences between the unit I tested and finished samples it is important to clarify that my comments relate strictly to the prototype and not finished production units (which are currently unavailable).

Getting right down to brass tacks the image quality of Canon’s new 200-400mm F4L IS lens is superb. My own testing shows it to be fully the equal of Canon’s mighty 300mm F2.8L IS lens both in the centre and in the corners. This is phenomenal performance in a zoom lens and goes to show how much development and engineering work has gone into the design of this new optic. During the three days I was able to shoot with the lens I shot over a thousand frames at a local open range zoo not far from my house and at a dressage training event. I also spent a good deal of time shooting test charts so that I could make direct comparisons against the 300mm F2.8L IS. I tested the lens at varying focal lengths both with and without the 1.4 teleconverter in place and have found it to offer superb image quality regardless of focal length. It is necessary to go 300% magnification in Adobe Lightroom to see any difference between a file shot with the 300mm F2.8L IS and the 200-400 F4L IS. The most noticeable difference at 300% is the significant lack of chromatic aberration in the 200-400 lens. Any resolution differences are a quibble and it could be argued that the 200-400mm lens actually has better contrast. This confirms what I have heard from other photographers who tested this lens at both the London Olympics and the Australian Open tennis early this year and have claimed it is as good as Canon’s 400mm F2.8L IS lens.

Image Quality with Teleconverter

The addition of an inbuilt teleconverter makes a good deal of optical sense since it can be specifically designed and tuned to the lens in which it is being employed. Traditional teleconverters are a compromise because they are designed to work with multiple lenses across a range of focal lengths. They are not tuned to a specific set of optics and employ more elements than they may otherwise need to in order to ensure operability between lenses. For this reason an inbuilt converter will always outperform and out-resolve a stand alone converter. In my own testing I found the in built converter in the 200-400 to offer improved image quality over the stand alone Mark III 1.4 Teleconverter.

To clear up the internet scuttlebutt I can clarify that it is possible to use a 2X teleconverter with the 200-400mm lens; which turns it into a 400-800mm F8 lens that will autofocus on the 1DX camera. Image quality with the 2X teleconverter in place is at least equal in quality to what you would expect to see using the converter on a prime telephoto lens.  It is also possible to flick the 1.4 teleconverter into place and go to 1120mm although autofocus is lost and image quality takes a nose dive as you would expect with stacked converters.

Autofocus

The prototype 200-400mm lens I tested on the Canon 1DX camera has the best autofocus I have ever experienced with any camera – period.  It is blisteringly fast and deadly accurate. This lens and camera combination never miss focused during the nearly 700 frames shot on high speed 12 frames per second AI servo at the dressage training event I was invited to photograph. The camera and lens were able to successfully track the rapidly moving dark horses irrespective of erratic and unpredictable movement. All of the files are sharp and well within what I would deem critical focus.

Image Stabilisation

The new 200-400mm lens employs 4 stop image stabilisation that is virtually completely silent. Whilst I can hear the IS in my 300mm F2.8L IS when shooting with the lens in this mode I could not hear it at all on the 200-400mm lens. My tests show that the IS in the 200-400 is significantly better than that in the original 300mm F2.8L IS lens and I would have no hesitation in hand holding this lens in poor light and shooting at shutter speeds that would normally require a tripod for these focal lengths. The lens has three different modes for either hand held shooting, panning or utilisation on a tripod.Who is it for?

For Photographers who need a super-telephoto zoom in the 200mm – 560mm range with superb optics this lens is likely to be worth every cent. After spending time shooting from the deck of ships I have come to the realisation that there is no substitute for a high quality super telephoto zoom lens. For shooting wildlife such as penguins, seals, polar bears, walrus and birds from the deck of a ship where the required focal length is always different I expect this lens will likely prove the ultimate no compromise choice for ‘getting the shot’. It is the lens I have decided to take with me on the expeditions I am running to the Arctic and Antarctic in August and November this year.

With a focal length of 200mm – 400mm or 280mm – 560mm with the 1.4 TC in place this lens will also be very popular with sports photographers simply because of the extreme versatility it will provide. It is not quite as fast as a 300mm or 400mm F2.8 but I expect this small sacrifice in speed will be a small price to pay for the added flexibility this lens will bring to many sports shooters. I expect this lens to be in hot demand with sports and wildlife photographers when it is released in June this year; even with its high price tag. Despite the long lead time from initial announcement of its development to working field prototypes this lens remains likely the most hotly anticipated lens for sports and wildlife photographers in recent memory.