Untitled Film Works to Film Kingdom of the Ice Bear Expedition

Last year I commissioned Untitled Film Works to travel with me to the Arctic to create a short movie of what it was like to be on a photographic expedition in Greenland and Svalbard with a group of dedicated and passionate photographers (In case you missed it you can watch it HERE). The resulting movie was released early this year and spread quickly across the internet. It was a huge amount of fun and we received a large amount of email corresponedence complimenting us on the video. Ultimately, it achieved what I hoped it would – it gave an insight into what it was like to travel on a dedicated polar photography expedition in the Arctic.

Now, I am very excited to announce and share that Untitled Film Works have been commissioned for a second movie and will accompany myself, Daniel Bergmann and ten keen and passionate photographers on our Kingdom of the Ice Bear Expedition north of Svalbard in August next year. During this expedition we plan to photograph and film wild Polar Bears living and hunting in their natural environment on the permanent pack ice under the spectacular midnight sun. We also hope to film many other Arctic species including Walrus, Arctic Fox, Whales and more. We will produce a second short movie and then release it toward the end of next year. The movie will be made freely available as before.Polar Bear

The movie will be shot on a combination of a 6K RED Epic Dragon Cinema Camera as well as several Canon EOS 1DC Cinema cameras. It is my hope that this movie will help raise awareness for not only global warming, but also more specificially, the plight of the Polar Bear as the sea ice continues to thin under its feet. KingdomoftheIceBear2015

Our Kingdom of the Ice Bear Expedition is now almost sold out (only one place remaining). If you are interested in joining us or have any questions about the expedition please just drop me an email.

Iceland Ultimate Summer Workshops Trip Report 2014

In July and August 2014 I led back-to-back workshops in Iceland with good friend and pro photographer Daniel Bergmann. The intention of these workshops was to circumnavigate the island with two groups of photographers visiting some of the iconic photographic locations as well as some lesser known and hidden gems. We planned to quite literally cram in as many great locations around the Island as possible, get into the remotest parts of the country, chase the spectacular light of the midnight sun and provide the Ultimate Iceland Workshop Experience. I am pleased to say we achieved all of these and by the conclusion of the second workshop I was pretty much shattered from the lack of sleep and long hours in the field. The photography however was spectacular and made all the long waking hours in the field an absolute pleasure and joy. My thanks to friend and photographer Jaime Dormer for this wonderful capture ‘Jumping for Joy’ on the road into Veiðivötn.Jumping for JoyDuring the course of these two workshops we covered over 5000 kilometres (across both workshops) in our circumnavigation of the Island in our modified Super Jeeps. Many of these kilometres were on Iceland’s notorious F Roads; which provided us access to some of the more remote locations for landscape photography. Whilst Iceland has more than its share of spectacular waterfalls and landscapes within short walking distance of the main highway one ring road it is more often the car destroying F roads that offer the real gems. With our specially equipped and highly modified super jeeps we ate up the F roads and made sure we were on location when the magic happened. This photograph taken at Bláhylur on the road into Landmannalaugar was the result of being in the right location at the right time. We arrived under heavy cloud and light rain and as we set up our tripods around the rim of the crater we simply watched the magic unfold. The play of light across the mountain was spectacular and although it didn’t last long everyone was able to create a great image.

BláhylurOne of the first stops on these back-to-back workshops was the interior highland region of Iceland. If you are a regular reader of my blog you are already well aware that the highlands are my favourite location in Iceland. The interior is simply an incredible location for landscape photography. During the two workshops we visited both the vast rhyolite mountains of Landmannalaugar as as well the black tephra sands of Veiðivötn. Veiðivötn is a location rarely visited by outsiders and we enjoyed the entire landscape to ourselves during both workshops. The deep blue pools of water are a fantastic contrast against the black sand and alien green veins of moss that snake across the landscape. Veiðivötn remains for me one of the most alien and evocative places in Iceland for landscape photography.  The area is somewhat notorious for its wind and we experienced a good dose of exposure to the inclement elements during our time here. Some wonderful images did result  and thats a testament to the photographers on both workshops.

As well as landscape photography we also took the opportunity to include some wildlife Puffin photography. We had not originally planned to spend time photographing the Puffins; however Daniel and I decided that the weather provided the ideal opportunity to photograph them coming into land on the cliff edge with fish for their chicks. We were fortunate to catch the Puffins just before they headed out to sea for the winter. We did have very high winds during our time on the Puffin cliffs which provided us with unique opportunities to catch them trying to land on the cliff edge. Puffins are wonderful subjects for wildlife photography and although they are extremely difficult to catch in flight I enjoyed our time photographing them immensely.In the South we visited the well known Jökulsárlón glacial lagoon as well as the stunning mountains at Stokksness. Stokksnes lived up to its reputation of wild weather and we had both rain and high winds at this location on both workshops. Nevertheless some fantastic images resulted and this remains a stunning location that is a photographers delight in just about any conditions. We also visited and photographed the lava field at Eldraun and the Svínafellsjökull glacier. It has been interesting and somewhat disturbing to observe the incredibly rapid retreat and deflation of this glacier. From month to month and year to year I have been photographing the glacier and with every visit I am shocked at the speed of the melt and retreat. My feeling is that this glacier may only have a decade or so left before it is completely gone. Glaciers are incredibly beautiful subjects to photograph and watching one in its death throes saddens me immensely. I don’t want to sidetrack myself with a global warming debate but the clear evidence of global warming is written clearly across the face of Iceland. I suspect we are now witnessing the last days of the Arctic.

We also visited the mighty Dettifoss and Sefloss waterfalls in the north of Iceland. Dettifoss is the largest waterfall by volume in Europe and it is an incredible feeling to stand on the edge of this amazing force of Nature. I have likened it to what it must be like to be inside a jet engine. The sheer raw power of this waterfall is awe inspiring and we enjoyed our sunrise and sunset shoots at this location very much. A short walk upstream to Selfoss also provided us with fantastic dawn photography on both workshops. Selfoss is in many ways my preferred waterfall out of the two for photography as it offers more varied opportunities for composition in my experience. The Edge of Dettifoss

Whilst in the north of Iceland we visited the geothermal region at Namafjall near Myvatn as well as the smouldering lava field near Krafla. Both of these locations are fantastic areas of black lava, boiling mud pits, sulphurous smells and fumoroles. We were especially fortunate to experience some really incredible midnight sun light during the second workshop at Námafjall and some outstanding images resulted from this evening shoot.NamafjallBoth of these workshops provided a real mix of Iceland weather and light which made for some excellent photographic opportunities for the duration of both trips. We had rain, wind, sun, and just about everything in between at one point or another and that is at the very heart of what makes Iceland such a wonderful and fascinating country for photography. In a landscape that never stops changing its only appropriate that the weather behave likewise. My sincere thanks and appreciation to all those who participated on the trips. The camaraderie of like-minded photographers was fabulous. We shared great locations, great light, wonderful local food and hospitality and best of all everyone came away with a portfolio of images they could be proud of. Personally, I am still editing and sorting through the many photographs I made on these two workshops and it will no doubt be many weeks and months before I have mined all the gems from our many sessions in the field. I hope to post some more images from both trips before I leave for Antarctica in a few weeks time.HnausapollurThe workshop I am leading next year that specialises in the Hlghland region of Iceland is already sold out with a waiting list. But, if you are interested in joining a future workshop in 2016 you can register your interest now by sending me an email to be amongst the first to be notified when bookings are opened. Daniel and I will be offering something new in 2016 that should be very exciting – more to come on this at a later date. Be sure to visit the testimonials page on my website at www.jholko.com to see what the participants had to say about these two workshops.

Volcano Addendum: If you have been following the news you would be aware that there has been a volcanic fissure eruption going on now in Holuhraun (north of Vatnajökull) in Iceland for the better part of a month. Unfortunately this eruption started approximately three weeks after we completed our second workshop and we therefore did not get a chance to photograph it. Currently the area around the eruption site is closed to all ground traffic due to significant venting of poisonous gas and it is therefore impossible to get anywhere near the lava being ejected. All of the surrounding roads are closed due to both the risk of poisonous gas as well as possible flooding from the nearby Bárðarbunga volcano should it erupt. Things are further complicated by the early arrival of winter snowfall in the north. The Bárðarbunga volcano resides under the Vatnajökull glacier and is the real danger and the big unknown at this point in time. At approximately ten times the size of the Eyjafjallajökull volcano it has incredibly destructive potential should it erupt. The sheer volume of ash that will be ejected into the atmosphere is very likely to cause significant airline disruption and there will no doubt be significant fall-out across the country. At this point in time the glacier is subsiding over Bárðarbunga which points to the possibility of an eruption in the near future. As to exactly when this may occur is an unknown at this point. I have been monitoring the volcanos activity over the last few weeks and am considering a trip to Iceland in the next few days to photograph the volcano from the air. More to come as things progress.

Yellowstone Winter Wonderland Photography Experience 2015 – SOLD OUT

Over the last few months I have been planning a new photographic trip to Yellowstone National Park in Winter in February 2015 of next year. The intention of this trip is to spend ten days photographing the geothermal landscapes of Yellowstone as well as any wildlife we may encounter during the winter time. We hope to encounter Bison, Elk, Wolves and Fox but as wildlife is always an unknown we shall see what we find and encounter. Yellowstone is a major tourist attraction in the USA which means it attracts millions of visitors a year during the summer months. Of far greater interest to me photographically speaking is the freezing cold and peaceful winter time. During the winter months the temperature can plummet as low as -40 Celsius, the landscape becomes blanketed in snow and there are far less tourists. The chance to create really beautiful and dramatic winter landscape and wildlife images is our draw card this time of year.

Of course winter photography in Yellowstone is nothing new and photographers have been braving the cold at the site of this slumbering super volcano for years.  We hope to make some iconic images of some of the more well known features, but also venture further afield. We will be using a large private snow-coach so that we can get off the main road and move around the park to some of the better, but harder to reach areas for photography. During our trip we will be utilising accommodation both in and around Yellowstone National Park. We will also be visiting the Grand Tetons and National Elk Refuge. We have a local professional guide for the duration of the trip that specialises in Yellowstone and in capturing some its more elusive wildlife on video. With their expertise we have high hopes of some incredible wildlife encounters during our time in the park. I was planning to open the trip for bookings here on my blog a week or so ago, but due to the initial email responses from those who had previously expressed an interest the trip is already sold out (sold out in just twenty minutes). It is too early for me say if I will be repeating this trip again in 2016 and beyond but if you were one of those who missed out on 2015 I will be contacting you with first option on any future trip into Yellowstone.Yellowstone Sold Out

A small teaser and heads up for those of you who scrolled down : I will shortly be announcing another new workshop to the Lofoten Islands in Winter in March 2016 that will follow on directly from my Iceland Winter workshop (trip still to be announced). If you would like to get the drop on this new winter trip then please just drop me an email with your expression of interest and I will let you know as soon as I am ready to start taking bookings.

Digital Photographer Magazine Issue #149 – Natural Wonders Feature

The UK based magazine, Digital Photographer, interviewed me back in June / July this year and subsequently ran a feature article on my photography titled ‘Natural Wonders’. The article appeared in issue #149 and you can now download a PDF copy of the article HERE or by just clicking on the image below. Digital Photographer magazine is available to purchase through the i-Tunes store or directly from the Digital Photographer website.The last few weeks have been an absolute whirlwind so I am currently taking a few days off  up in the Victorian High Country with my family to catch up on some rest and relaxation. I hope to get some time over the next few days to finish the trip report from the two Iceland workshops I led this summer as well as the expedition report from my trip to Greenland. Both of these trips were remarkable and I am looking forward to sharing some images and experiences from the time in Iceland and Greenland.

In just under a month I will be heading to South America in preparation for a twenty-one day South Georgia and Antarctica expedition experience with Andy Biggs. At the conclusion of this expedition I am taking a couple of weeks for a private photographic trek with some friends through the Argentinian side of Patagonia. I spent some time on the Chile side of Patagonia last year and I am looking forward to the contrast of visiting the Argentinian side. I will then led a second twelve day Antarctica expedition just prior to Christmas to the Antarctic Peninsula. Time permitting I hope squeeze in a quick ten days in Iceland (prior to leaving for South America and Antarctica at the end of October) in a couple of weeks time to photograph the fissure volcano currently erupting north of the Vatnajökull ice-cap. I had hoped to be in Iceland when the volcano began erupting last month, but had to depart a few days prior to the eruption to lead the expedition to Greenland. I had camped out with my friend Antony near the giant ice-cap in the hope the volcano would erupt whilst we were in prime position. As luck would have it we missed the eruption by just a few days. Photographing this particular eruption is somewhat problematic at the moment as access to the eruption site is extremely restricted. The fissure is currently ejecting a huge amount of sulphur dioxide that can make the volcano quite dangerous to approach at ground level depending on the prevailing winds. Currently the volcano is best viewed from the air and this is how I hope to photograph it (assuming it is still erupting when I arrive).

In the meantime I still have more than seven thousand photographs to sort through, edit and process from my time in Iceland and Greenland as well as several speaking engagements and print workshop commitments to complete before I can even consider leaving for the volcano in Iceland. In addition, my friend Antony and I have literally terabytes of video footage to sort through from our experience in Greenland this year that we hope to share over the coming months.

I also want to share the very exciting news that I have just appointed Abraham Joffe and his crew from Untitled Film Works to film a second Polar Photography Expedition Experience next year. If you have not seen the video we produced last year in the Arctic in Greenland and Svalbard you can watch it online HERE. We will be filming the experience next year on a 6k RED Epic Dragon system as well as several Canon 1DC Cinema Cameras. I will have more to say about this new production over the coming months. Lastly, I also have some exciting announcements I will be making here on my blog over the coming weeks in relation to future workshops and expeditions. Stay tuned for those details in a future post.

APPA 2014: Overall Winner Science, Environment & Nature Photographer of the Year and Awarded Australian Institute of Professional Photography Master Photographer Honour

This weekend saw the running of the annual AIPP (Australian Institute of Professional Photography) APPA (Australian Professional Photography Awards) awards in Sydney. These awards are the highlight of the calendar year in Australia in competition terms and are eagerly looked forward to by many (myself included). In fact, they are widely regarded as being at the very top of the pyramid in professional photographic circles. There is something very special about the APPA awards and it’s more than just the kudos that comes with receiving an award – its the incredible standard of work across all categories every year that never ceases to impress and amaze. If you have never checked out one of the annual APPA award books I encourage you to do so (they can be ordered online from the AIPP). They are are a wonderful source of inspirational photography. There is a palpable buzz that comes with the opening of the first days judging at APPA and a drum beat that rises to fever pitch as each day progresses. There are moments of incredible elation and moments of crushing defeat. It can be an emotional roller coaster and whilst its not healthy to become too emotionally invested one can’t help but ride the roller coaster of ups and downs.

If you want to see where the bar is set for world class photographic images and prints you need look no further than APPA. Every year the bar is continually raised that much higher in terms of the standard of work entered. I admit to being a bit of a nervous wreck during the APPA judging. The spine-tingling anticipation of having my work scrutinised for any minutia by my peers gets my heart racing. It’s not even the fear of scoring poorly that puts me on edge; its something far less tangible that I can’t quite put my finger on. If you have never entered or attended the APPA awards that probably sounds a little strange, but for those of you who have entered before you will know exactly what I am talking about. Its a special competition and quite honestly its not for the faint of heart. It’s never wise to take these things too seriously, but on the other hand, APPA is the standard by which professional photographers are judged against each other and is considered to showcase the highest level of photography so one can’t help but become emotionally involved.

This was a massive year for me as I entered APPA after winning multiple categories in the Victorian State Awards including Creative Photographer of the YearScience Environment and Nature Photographer of the YearHighest Scoring Print of the Year and overall title of Victorian Professional Photographer of the Year. There is a hefty weight of expectation (even if it is self imposed) that comes with those awards that carries over into APPA so I felt even more nervous than usual when my first print turned around for judging.

For those of you unfamiliar with APPA you can read my previous blog post HERE about how the system operates. The four prints (the maximum you are allowed to enter) I chose to enter this year were my highest scoring prints at state level and I entered them into the Science, Environment and Nature Category. At state level they scored 2 Gold Awards and 2 Gold with Distinctions and thats about as good as one could ever hope to score. So, I was ecstatic to receive a Silver Award, a Silver with Distinction and two Gold Awards for my four entries this year at APPA. All four entries were printed on my favourite fine art paper – Moab Somerset Museum Rag. You can watch a video of the judging of the three highest scoring prints online by clicking on the image below.The culmination of these four awards provided more than the necessary points to also receive the coveted and highly sought after ‘Master of Photography’ ribbon from the AIPP.  This award requires the accumulation of not less than ten points in no more than five years after receiving an Associateship Award and its no easy feat to achieve. I had set myself a goal of achieving this in four years and I am pleased to say I managed it in just three years. In fact, I already have several excess points in the bank toward my first Master of Photography Gold Bar. You can read about the honours and points system on the APPA website.

I was even more ecstatic to subsequently learn at the awards dinner last night (which unfortunately I could not attend in person due to print workshop commitments) that not only did I receive multiple Gold and Silver award scores for my prints at National level as well being awarded a Master of Photography by the AIPP but that I also won the overall category and award for 2014 AIPP Canon Professional Science, Environment and Nature Photographer of the Year. This was only the second time I have ever entered this category and taking out the overall title is a huge thrill and honour. It was also a great honour to learn that I took out the highest scoring print in this category – an honour that resonates deeply with my love of the craft of photographic print making.
APPA – Silver with Distinction Award ‘Bear Reflections’

APPA – Gold Award ‘Epic Sense of Scale’APPA – Silver Award ‘Glacial Delta’APPA – Gold Award ‘March of the Penguins’

With APPA done and dusted for 2014 and my goal of achieving Master of Photography completed, along with being the overall winner of the Canon 2014 Professional Science, Environment and Nature Photographer of the Year as well as highest scoring print in the category I am now planning to take a short term hiatus from competitions and focus on my book projects that are currently overdue for completion. I hope to have more to say about the first of these over the coming weeks.