Canons New 200-400mm F4L IS Lens

I find myself getting very enthusiastic about photographic equipment again lately with the pending release of Canon’s new 200-400mm F4L IS lens with inbuilt 1.4x teleconverter. This new super telephoto zoom lens promises to be a game changer for photographers who shoot at these kinds of focal lengths thanks to its inbuilt 1.4x teleconverter and reported superb optics. Canon claims that this new lens “will offer an unsurpassed combination of versatility, first-class optical performance and an enhanced weather-proof construction.” They also claim it will be just shy of a wallet smashing eleven thousand dollars MSRP; which is going to give a lot of photographers serious cause to stop and consider whether this lens is going to be worth the price of admission. The good news is that Canon had a slew of prototypes of this new lens at the London Olympics a few months ago and by all reports and feedback this lens is an outstanding performer and lives up to Canon’s claims.

For Photographers who need a super-telephoto zoom in the 200mm – 560mm range with superb optics this lens is likely to be worth every cent. After spending time shooting from the deck of ships I have come to the realisation that there is no substitute for a high quality super telephoto zoom lens. For shooting wildlife such as penguins, seals, polar bears, walrus and birds from the deck of a ship where the required focal length is always different I expect this lens will likely prove the ultimate no compromise choice for ‘getting the shot’. It is the lens I have decided to take with me on the expeditions I am running to the Arctic and Antarctic in August and November next year. I will also take it to Iceland in March and China in May.

With a focal length of 200mm – 400mm or 280mm – 560mm with the 1.4 TC in place this lens will also be very popular with sports photographers simply because of the extreme versatility it will provide. It is not quite as fast as a 300mm or 400mm F2.8 but I expect this small sacrifice in speed will be a small price to pay for the added flexibility this lens will bring to many sports shooters. I expect this lens to be in hot demand with sports and wildlife photographers when it is released early next year; even with its horrendous price tag. I am hoping to take delivery of this lens in late January next year and will be doing some extensive testing with it before I head to Iceland in March. Look for a full review early in the New Year.

Photography Exhibition : Source Photographica

For those of you in Melbourne over the pre-Christmas period Source Photographica are having an exhibition of photography  from the 7th – 14th of December at their gallery in Brighton which includes some of my own work from Iceland and Antarctica. Source Photographica are located at 1A Rose St. in Brighton and the exhibition is open from 11am – 6pm daily. Entry is free.

Ice Sanctuary – Photo of the Month December 2012

The photograph of the month for December is from Wilhemina Bay in Antarctica. Some of the most beautiful and unusual icebergs we encountered on my last expedition to Antarctica were found in both the Gerlache Strait and Wilhemnia Bay. This particular photograph was taken in Wilhemina Bay as we slowly cruised the area looking for icebergs. We were fortunate to encounter more or less continual snow fall with dark brooding skies during much of our time in these areas which proved simply wonderful for photography. I will be heading back to both Wilhemina Bay and the Gerlache Strait on my November 2013 Antarctic Expedition with my good friend Daniel Bergmann. There are still a few places available on this expedition if you would like to join me.

2012 International Loupe Awards and Photography Competitions

The 2012 International Loupe Awards are now in the final stages of judging and if you entered any images into the competition you may have already received an email with your results. If you did enter this year I wish you all the very best and hope you do well. This is the third year I have entered the Loupe Awards (formally known as the Aperture Awards) and I feel it will also be my last. There are now so many online photography competitions that I have decided next year to enter only those competitions that actually judge the final ‘printed image’ (rather than on screen jpegs). In 2013 this will include the Australian Professional Photography Awards, the Victorian Professional Photography Awards and the International Travel Photographer of the Year Award. There may well be more competitions out there that do judge the ‘print’ that I am not aware of but I am going to limit myself to just these three. My decision to abandon the remainder of the competitions is multi-fold and is something I have been pondering for some time. I  have found over the last twelve months that I just do not have sufficient time to devote to these competitions in order to ensure I am conforming with the all the different rules. Secondly the cost to enter many of these competitions has become excessive and I feel that the spirit of the competition in many cases has become lost in the revenue generation machine. Thirdly, more and more of these competitions are proving nothing more than ‘rights grab’ attempts and I feel these particular competitions are muddying the waters for the legitimate ones. Finally the sheer number of photographic competitions has diluted the market and I feel somewhat devalued photography by turning it into a competitive sport. I do not view photography as a competitive sport with my peers where the aim is to out score them. I enter photographic competitions because I want to better my own photography and to continually raise the standard of my work. I am in essence competing against myself and the results I received in the last competition.

Whilst the International Loupe Awards are not a rights grab attempt they have become excessively expensive to enter in my opinion. As a result, this year I decided to enter only two images into the awards.  The first photograph was from my last Antarctica expedition and the second from my summer Iceland workshop earlier this year. I chose these particular photographs as I felt they were somewhat striking and more likely to get the judges attention and stand out from the crowd. It seems I managed to split the judges with two of them scoring the image from Antarctica in the 90’s (including a 95 Platinum Award) and another at a Bronze of 77. Unfortunately the lower score did pull down the average and resulted in a solid Silver Award; which is still a result I am very pleased with. Silver in the Loupe Awards is regarded as a high quality image worthy of recognition in the competition. More importantly for me it tells me my work is consistent since I have consistently received Gold and Silver awards in three years I have been participating. I have no idea as yet what my second entry into the Loupe Awards this year has scored as I have not yet received notification via email.

My decision to abandon the International Loupe Awards next year has nothing whatsoever to do with the Silver Award this particular image scored; or indeed any score any of my work has ever received. Since I have received my share of Gold and Silver awards in the Loupe Awards I feel I have gone as far as I can with this competition and the judging of jpeg files on back lit monitors. I really do not feel like I have completed an image until I have made a print and held it in my hands and as such if I am going to have my work judged in competition my preference is for it to be on what I consider to be the ultimate output – The Print.

Capture Australia the Annual 2012 Features Antarctic Images

Hot on the heals of finding one of my favourite Antarctica images was photograph of the day at National Geographic’s website I discovered that Capture Magazine (Australia’s top selling Pro Photography magazine) also picked up two photographs from the same trip and featured them in their Annual which was released last week. This is the second year in a row Capture has featured my photography in the landscape section as part of their Special Annual edition. This time it was ‘Fortress’; which won a Silver with Distinction at the Australian Professional Photography Awards (APPA) earlier this year and HMAS Penguin Pool. Following on the theme from my last blog post both these images were shot from the deck of the Ocean Nova as we cruised slowly past these most unusual icebergs.

ICELAND IN WINTER UPDATE

The 2nd Iceland Winter Workshop from March 22nd – March 31st next year that I am co-leading with my good friends Andy Bigs and Daniel Bergmann is now sold out. We are looking forward to frozen waterfalls, icebergs, glaciers, geothermal features and with a little luck the spectacular northern lights (Aurora). It is going to be an amazing trip and I am very much looking forward to it. If you were interested in attending, but missed out on this trip you can still drop me an email to be put on the waiting list or to pre-register your interest for 2014.