National Geographic Photo of the Day

It is always a pleasant surprise when a photograph is picked up and featured by National Geographic magazine so I was very pleased this morning to find that one of my favourite images from my last Antarctica Expedition was featured as the photo of the day on the 6th of November over at National Geographic’s website. This photograph was also amongst the editors favourite picks in September this year and was the photograph I chose to use to feature the Antarctica Expedition I am co-leading with my good friend  Daniel Bergmann in November next year. This is the 3rd time I have had my photography featured over at National Geographic’s website. The previous two photographs Blue Berg and Highway to Hell were both taken during my 2010 Iceland trip. A high resolution version of this newly featured image can be downloaded as a desktop wallpaper HERE. This photograph is also available as a 20 x 30″ Fine Art Print on Moab Somerset Museum Rag paper in a limited edition of ten (there are only three remaining in the edition).

If you would like to take photographs like this there are still a few spaces remaining on my Antarctica expedition next year for anyone who would like to join me. Just pop over to my website at www.jholko.com where you can register online for a booking form.

Royal Canadian Geographic Society 2013 Calendar

One of the real joys of Polar photography (both North and South) is the abundance of wildlife and the myriad of photographic opportunities available for not only landscape, but also wildlife photography. I am still sorting through the thousands of frames I shot of penguins and seals on my last Antarctic trip even as next years new and exciting Jewels of the Arctic expedition and Antarctic Expeditions are rapidly approaching.

One of my favourite wildlife photographs from Antarctica last year is of an Antarctic fur seal wallowing in the snow not far from the waters edge. This was a fun photograph to take as I was lying in the snow during a shore landing only a few metres from the seal; which seemed totally oblivious to my presence. I shot this with a 300mm lens to get nice and tight and simply waited for the seal to raise its head and yawn (as they are prone to do – seals seem to get bored very easily :-) ). This photograph was recently picked up by the Royal Canadian Geographical Society and I am pleased to say is featured in their 2013 Calendar as the image for September. Copies of the calendar are available from the Royal Canadian Geographic Society.A larger version of this photograph can also be seen on my portfolio website at jholko.com under Antarctica.

RESOURCE PHOTO.VIDEO.LIFESTYLE INTERVIEW

I was recently interviewed by Resource Photo.Video.Lifestyle magazine about my landscape photography and the content of the interview is now online at their website HERE. This interview was particularly good fun for me as the nature of the questions gave me an opportunity to talk about how I got my start in photography, in addition to my thoughts on working in the field in remote locations, the importance of the right equipment and the opportunity to talk about my workshops – including the recently announced 2013 Antarctica expedition. I hope you enjoy the read over a morning / afternoon cup of coffee. 

I am including below an image I shot on my last Iceland workshop  in Landmannalaugar in August this year. Photographed from the top of one of the regions highest peaks in overcast misty conditions it was a very stark contrast to my visit two years earlier (during which time I witnessed some of the most amazing light I have yet had the pleasure to experience).  I thought at the time that the grey misty skies of this trip were conspiring against me and that there was going to be little in the way of opportunity. I photographed anyway and found when I got back to the studio and was reviewing my images that I actually really liked the soft lighting which seems to work so well with the pastel pallet of Landmannalaugars amazing volcanic mountains. This is an area of Iceland very near and dear to my heart and one I am very much looking forward to revisiting next year during my summer workshop. A higher resolution version of this photograph can be seen in my portfolio at www.jholko.com under Iceland II.

I am currently working on dates for the 2014 Iceland Workshops and hope to have these finalised and online in the next month or so.

NATIONAL GEOGRAPHIC MAGAZINE – ‘PENGUINS ADRIFT IN SNOWSTORM’

I was very pleasantly surprised yesterday when an alert Facebook friend messaged me to let me know that they had spotted one of my photographs from Antarctica on National Geographic’s website. The photograph is part of a small collection of  ‘editor’s favourite photographs’ in the their current Travel Photo Contest and is featured in the week one gallery. This photograph is one of my personal favourites from my last expedition to Antarctica and was taken from the deck of the ice-hardened Ocean Nova as we cruised slowly past the penguins and iceberg during a heavy snow storm. It is also the photograph I chose to use on the flyer of my 2013 Antarctica expedition and that won a Silver Award at the 2012 APPA Awards. A high resolution copy can be downloaded for personal use for the Desktop, i-Pad and i-Phone from National Geographic’s website or HERE from the media section of my website.

NEW GURA GEAR BATAFLAE BACKPACK REVIEW – IMPROVING ON PERFECTION

How do you take what is widely regarded by many photographers as one of the finest camera bags on the market and make it even better?

I was pondering this when the guys at Gura Gear first told me that they were working on an update to the very popular Kiboko 30L camera bag along with a range of new accessory storage bags called the ‘Et Cetera’ range.I was an early adopter of Gura Gear bags. After I returned from my first expedition to Iceland I realized how unhappy I had become with my then current camera bag (whose name shall remain anonymous). For a variety of reasons it was no longer satisfying my needs and I was on the lookout for a new lightweight bag that met airline carry-on restrictions for size but enabled me to carry more equipment comfortably into the field.  Anyone who has travelled domestically or internationally with camera equipment understands the importance of being able to carry equipment onto the airplane to avoid the risk of damage or theft in checked luggage. I therefore needed a bag that could not only hold all of my equipment, but that was light, robust, suitable for moderate hiking, and still enabled me to glide through airport check -in with a smile and a wave. My search led me to the Kiboko which, after several years of photographic travel, has become my number one camera bag of choice for all of my photography.

Fast forward to 2012 – With a four week photographic trip to Europe and a workshop in Iceland in July and August this year it was the perfect opportunity to field test the new Gura Gear Bataflae camera bags and Et Cetera range. The good folks at Gura Gear agreed and a shipment of the new product range was soon winging its way to me.

I admit to being very excited when I opened up the boxes from Gura Gear and saw the new products. You know you have purchased a quality product when you open the box and are greeted by the super slick black dust covers bearing the Gura Gear logo. Whilst the addition of a dust bag might seem superfluous it does in fact prove very useful for long-term storage and can even serve as a pretty cool laundry bag when travelling.

Widely regarded as being capable of swallowing copious amounts of camera equipment with room to spare (the Kiboko 30L will hold just about everything you can throw at it) the new Bataflae 32L adds even more space. Overall, it is larger and deeper than the original. This extra space proved a real blessing during my field tests as Canon’s new 1DX camera with a really right stuff L bracket is a very tight fit in the original Kiboko, but slides perfectly into the new bag thanks to the extra head room. Users of professional DSLR’s, medium and large format camera gear will really appreciate the extra height available.

Those of you familiar with the original Kiboko will already be sold on the benefits of the unique butterfly openings that avoid that unwieldy large flap that most camera bags provide for internal access.  There are, however, times when it would be nice to be able to open the bag right up for packing and full access. Well, the new Bataflae gives you the best of both worlds with the traditional butterfly openings but adds the ability to open the entire bag up by releasing a simple clasp at the top of the bag. This really makes packing much simpler as well as providing full access to both sides simultaneously when required in the field. The centre divider contains extra strengthening to maintain rigidity even when the bag is fully loaded. In use, I found this to work very well.The rain cover has been relocated from inside one of the butterfly pockets to outside the bag in a small zippered pocket, which has freed up more room in the butterfly pocket. The rain cover now also utilizes a draw string which is an improvement over the original elastic cover because it can now also serve as a ground sheet if required.

Like the original bags, the new range is manufactured from highly durable materials, although the new material has more bling. The stitching, zippers and internal fittings of the new bags are improved in every respect. Even the finger zipper pulls are easier to use.  Additional padding has been added to the backpack harness, which makes the bag noticeably more comfortable when hiking. There are yet more refinements to be found in the way of improved clasps for carrying tripods which can even accommodate items such as crampons. Like its predecessor, the new range comes with a considerable number of extra dividers so that its internal storage space can be customized to one’s own particular needs. All of this amounts to a very compelling reason to upgrade to the new models.

When the new Bataflae is fully loaded with my camera equipment it was significantly over the normal carry-on luggage allowance during my Europe and Iceland expeditions, yet I had no issues on any of the five international and domestic flights, including several long haul flights. With the increase in size, the new Bataflae still fits in the overhead lockers on the aircraft I travelled and still retains its understated appearance. I am utterly convinced that the Bataflae is the best camera bag on the market for photographers who fly and travel.

During my four weeks in Europe I used the new Bataflae everywhere, from the bustling streets and Cathedrals of Paris to the more subdued provincial countryside and wine regions of France where I travelled by hire car. I took it mountaineering at 13,000 feet at Mont Blanc in Chamonix where it was -15 degrees Celsius, and trod the myriad of canals in Venice Italy during the peak summer season. I then travelled to Iceland for my 2012 summer Workshop where I spent time on the Snaefellsness Peninsula, the highlands of Landmannalaugar and the stunning Jokulsarlon glacial lagoon to name but a few locations. I undertook some fairly arduous hiking in the Landmannalaugar region and subjected the bag to everything from waterfall spray, rain, salt spray, sand and dust. I threw just about everything I could at the new bags and found them an improvement in every way over the originals.

The design changes and refinements to the new bags are in many cases subtle but they add up to a significant overall improvement that makes for a very compelling reason for existing Kiboko owners to upgrade. If, on the other hand, you haven’t already pampered yourself and your camera gear with Gura Gear then you are about to be presented with a fantastic opportunity with the release of these new products. They are highly recommended for their robustness and overall design.

The new product range takes everything that was great about the original bags and improves on it in just about every respect. I would argue that, outside of the camera and lens, there are few pieces of equipment that can have as much impact on your photography as your camera bag. If you travel or frequently change locations (and which photographer doesn’t!) you owe it to yourself (and your expensive equipment) to check out a Gura Gear camera bag.

Part Two – The Et Cetera and Tembo Range

As photographers we are constantly adding accessories to our equipment arsenal. Additional batteries, chargers, color checkers, CF and SD cards and card readers, adapter rings – the list goes on and on and there is only so many of these that can be shoehorned into a camera bag already overflowing with bodies and lenses. I am sure many of us have thrown all manner of photographic accessories loose into our suitcases before we travel because our camera bag was already overweight with bodies and lenses and at risk of airport check-in destruction.Solving this problem could well be Gura Gear’s masterstroke. Its new Et Cetera and Tembo line of products is designed to solve that annoying problem of finding a home for some of those accessories. The range is perhaps best thought of as the ‘Tupperware’ of camera storage and provides a range of different storage options for different accessories. I found these storage containers invaluable on my recent European trip and Iceland workshop and far more convenient than throwing items loosely in my checked luggage.

There is a range of different sizes and shapes from which to select and photographers will likely choose those models that best suit their needs and requirements.

Gura Gear products can be ordered directly from the Gura Gear Website