Photo of the Month March 2018 : Arctic Winter Sea Ice

The photograph of the month for March 2018 was taken on my 2017 Svalbard Winter expedition (Read the Trip Report). Photographed from the deck of our expedition ship this wonderful landscape of broken sea ice and distant mountains surrounded us as we cruised through one of the many fjord systems of the archipelago. This sort of landscape photography from expedition ship is a wonderful way to experience winter in Svalbard. With the convenience of the ship its possible to simply step onto the outside deck to make some photographs and then retreat to a hot drink and warmth of the ship lounge at your leisure. Its perhaps the ultimate in ‘sip-click’ photography.

Winter in Svalbard is magical. The landscape is plastered in fresh snow an ice and the sun is low in the sky which provides wonderful opportunities for golden light in a winter setting. What appeals to me particularly about this image is the sense of place, the wonderful depth and the slight hint of distant warmth from the suns rays over the far mountains.If you are interested in photographing in the Arctic in Winter bookings are now open for the 2019 Svalbard Winter expedition. You can download a complete PDF itinerary HERE or drop me an email to register your interest.

Lofoten 2018 Winter Paradise

I arrived in Lofoten in Norway today to some wonderful fresh snow and cool winter temperatures. After the heat of the Australian summer it is nothing less than intoxicating for me to don a winter jacket and deeply inhale the arctic winter air. Lofoten is every bit as beautiful as I remember and I am really looking forward to getting underway on my 2018 workshop tomorrow. This photograph from the classic bridge overlook in Reine from 2016. With a little luck we should have some superb light conditions and even some Aurora Borealis. 

Lofoten Iceland and Svalbard – Departing for the Arctic Winter Season

The new 2018 year has rolled around all to quickly and very early AM tomorrow I am making my way up north to the Arctic for the winter season. It has been a hot summer here in Melbourne Australia and I am definitely looking forward to some cold weather, snow and ice. It is somewhat surreal to be sitting here in my studio at the moment surrounded by Arctic cold weather clothing whilst the mercury soars outside into the mid thirties celsius.

I am kicking off the season with my second workshop to Lofoten in Norway. I was last in Lofoten in 2016 (Read the 2016 Workshop Trip Report) and have been itching to return to this remarkable part of Norway. The landscapes of Lofoten are really quite something to behold and with a dusting of fresh snow and arctic winter light the entire area is akin to a fairy tail location and subsequently the photographic opportunities can be truly superb.After Lofoten I am travelling the remote Hornstrandir Nature reserve in the north west of Iceland for my annual winter Arctic Fox expedition. This expedition for just five photographers has long been sold out, but I recently announced dates and availability for the 2019 expedition HERE.Arctic Foxes are unfortunately hunted and shot across most of Iceland making them extremely shy and difficult to find (and even more difficult to photograph). In the remote north-west however the Arctic Foxes are protected inside the Hornstrandir Nature Reserve and can be more easily approached and photographed. This photography expedition will last for 7 days ( 6 nights). We will be staying in a small remote cabin that is rustic, but functional and clean.

When I finish in Iceland I will travel to Svalbard for the remainder of the winter season where I will be spending time on a personal snow mobile project before I lead my annual expedition north for fantastic snow and ice covered landscapes. I will be opening bookings for the 2019 expedition within the next week.As is traditional for me, I like to post my packing list before an expedition. I am packing for both landscape and wildlife and as such I am taking quite a bit of equipment with me (what else is new…) I am also packing a Really Right Stuff tripod with Satchler FSB-6 fluid head for both the 400mm F2.8L IS MKII and 600mm F4L IS MKII lenses in my checked luggage (yes! I am taking both lenses!). With all of that in mind I settled on the following as my selection for these two expeditions:

Lightroom F-Stop Roller (Carry on Luggage)

– 2 x Canon EOS 1DX MKII bodies
– 1 x Canon 16-35mm F4L Lens
– 1 x Canon 24-70mm F4L IS Lens
– 1 x Canon 70-200mm F2.8L MKII IS Lens
– 1 x Canon 600mm F4L IS MKII Lens
– 1 x Sigma 15mm Fish Eye Lens
– 1 x Canon 1.4 MKIII Teleconverter
– 1 x Leica Ultra-vid 10×42 HD Binoculars
Gura Gear Chobe (Carry on Luggage)
– 1 x Apple MacBook Pro 15″ Retina
– 1 x Apple laptop charger
– 2 x USB 3 2TB external portable Sandisk SSD Drives
– 1 x  Thunderbolt CFast card reader and CF card Reader
– 1 x Sunglasses and sunglasses case
– 1 x Canon 400mm F2.8L IS MKII Lens (yes, this really does fit in the Chobe with the lens hood reversed)
Etcetera Case #1 (Inside Chobe)
– 1 x Canon 1-Series camera charger
– 2 x Power Adapters for on board ship
– 2 x Canon 1DX spare Batteries
Etcetera Case #2 (Inside North Face Duffle)
– 1 x Arctic Butterfly Sensor Cleaner
– 1 x Filter Wrench
– 1 x Zeiss Cleaning Fluid and Lens Cleaning Tissue
– 1 x Micro Fibre Lens Cloth
– 1 x Rocket Blower with Hepa-Filter
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In addition to all of the above, I am also taking a set of pocket wizards for remotely triggering a camera for Arctic Foxes in Iceland. Those of you who follow my packing lists closely will notice I am taking the new 400mm F2.8L IS MKII as well as the 600mm F4L IS MKII. This was a bit of a tough decision for me as its a lot of equipment to schlep around the world. My reasoning is based on having spent some time recently analysing my photographs from both Iceland and Svalbard. For the Arctic Foxes I found I mostly prefer the images I have shot with my 200-400mm F4L Lens (used mostly at 400mm) and in Svalbard I found I needed the extra reach of the 600mm. See you in Lofoten!

Photo of the Month February 2018 : On Golden Snow

The photograph of the month for February 2018 is of a blue morph Arctic Fox stalking across a snow bank with the late afternoon sun gently painting the snow in gold light. This was my favourite photograph from my 2017 expedition to photograph Arctic Fox in the north of Iceland (Read the Trip Report). This photograph works for me on several different levels. The fox is in classic stalking pose and is beautifully positioned on the snow bank in wonderful golden light. The blowing snow really adds drama to the photograph and we have a wonderful sense of the space and environment in which the fox lives. When I framed this in camera I was extremely careful not to clip the fox’s shadow; which would have resulted in the eye being led out of the frame. It is a photograph that gives us just enough sense of the environment to leave us wanting more that is one of the keys to any successful photograph.The 2018 expedition to photograph Arctic Fox is long sold out, but bookings are now open for the 2019 Expedition. More information is available on the workshops page of my website at www.jholko.com or you can drop me an email to register your interest.

Melrakki Calendar 2018 SOLD OUT

The 2018 Calendar Melrakki is now SOLD OUT. Thank you to all those who purchased a copy of this limited edition calendar.

Nature Photographer Joshua Holko presents photographs from three years of solitary winter expeditions to the Arctic in extreme conditions to photograph one of Nature’s greatest survivors; Vulpes lagopus. The Arctic Fox.

Printed in Australia by the Nulab Group the calendars measure 42xm x 30cm closed and 80cm x 30cm open and are spiral bound. The calendars are printed on the highest quality stock with a gloss laminate using the HP Indego printer process. The front cover includes an Arctic Fox logo cut out reveal and each month includes one photograph from the project as well as select project notes from the Limited Edition book.

Includes twelve photographs in total and field notes from the three years Joshua Holko spent photographing this remarkable predator during winter in the extreme north-west of Iceland.

Photographs and Text by Joshua Holko