CANON AUSTRALIA PROFESSIONAL SERVICES [CPS] INTERVIEW – ‘GEAR IN ACTION’

I was recently interviewed for Canon Australia’s CPS Pro website and the content of the interview is now online at CPS Australia. Although the discussion was wide ranging and varied there was an emphasis on large format printing and the fact that I do all of my own printing in-house. Printing is a critical part of producing photographic fine art and next to actually working in the field with my camera equipment is an aspect of my photography that I very much enjoy. Hope you enjoy the interview.

A small disclaimer: Although I both shoot and print exclusively with Canon cameras and printers I am not sponsored by Canon. I pay for all of my own equipment with my own hard earned money. I choose to use Canon cameras and printers because I have found them to offer outstanding results and reliability in my photography – not because I am incentivised by the manufacturer. I am a Canon CPS Gold Member and rely on CPS to assist me with sensor cleaning and loan equipment from time to time.

SUMATRAN TIGER – WILDLIFE PORTRAITS PROJECT

It has been a long time since I have last posted a wildlife photograph but I had a good opportunity / excuse a couple of weeks ago to test out my new Canon 1D MKIV at the Melbourne Zoo (I guess that makes it ‘quasi-wild’). This was simply an opportunity to machine gun through a few hundred frames to make sure the camera was performing properly before taking it to Antarctica. Unfortunately for me, I made the mistake of journeying to the zoo during school holidays when it was literally swarming with kids. As a result most animals had retreated to the farthest corners of their enclosures in search of a little peace and quiet (can’t say I blame them!). Nevertheless I was able to come away with a few photographs I was quite pleased with. This photograph of the Sumatran Tiger being my pick of the bunch for the soft light and classical pose. I don’t often process black and white; but in this instance I felt it helped to give the image a somewhat timeless feel and complimented the Tigers classic pose.

APERTURE ACADEMY PHOTOGRAPHER OF THE MONTH SEPTEMBER 2011

Each month the International Aperture Accademy features a selected individual professional photographer on their website in the form of a question and answer interview. It is an opportunity to hear what other professional photographers have to say on various topics as well as being an outlet for them to tell their personal story and discuss interesting elements of their photographic career. In August this year Art Wolfe who has been one of my personal inspirations was featured on the Academies website and I am pleased to announce that I am following on as the September Photographer of the Month. My feature and interview is available HERE.

The photograph below was taken at the Jokulsarlon glacial lagoon in Iceland during my trip last year and was provided courtesy of Tim Gray Photography. Tim, you caught me in a moment of contemplation in this frame – It is one that holds wonderful memories of the time I spent at the lagoon.

Cape Shank Victoria – A Primordial Soup

I have been spending a bit of time lately down at Cape Schank in Victoria (roughly an hour and a half drive from where I live) scrambling over the rocks looking for composition and waiting for good light. Its a very primordial place with plenty of jagged black basalt rock that provides a really good contrast to the softness of the water created by long exposures. I have enjoyed the time I have spent down there; although it has been a battle with the elements to say the least. I was blessed with good magic hour colour on several of my sunsets and sunrises – but on almost all occasions the skies have been totally cloudless; providing little of interest outside of the colour of sunrise and sunset. The planets just haven’t aligned for me at Cape Schank as yet; which is really great incentive to keep going back.

On my last trip the skies were again cloudless an hour os so before sunset as I scrambled over the rocks looking for frames and I thought I was going to again be out of luck. However, as the sun began to set some cloud began to build on the horizon and this photograph was the result. I used the LEE 10 Stop Neutral Density Filter to get an exposure time of 181 seconds; which has caused the water to go very milky and soften the harshness of the rocks.

Cape Shank – Alien Landscape

Cloudless skies at sunrise and sunset are not my preferred atmospheric conditions for Landscape photography. In general, I prefer overcast skies (Nature’s Soft Box); or at least some puffy or windswept clouds to pick up the colour of dawn and dusk and add an extra dimension. My weekend shoot at Cape Schank provided only clear skies; which although not ideal for interest in the sky did provide some lovely ethereal golden light, giving the basalt rocks an otherworld alien quality.