Happy New Year and Happy Holidays!

I would like to thank all the readers and followers of my blog, those who have purchased prints and workshop participants for your continued support throughout 2012. I wish all of you a very happy and safe New Year and all the very best for 2013. 2013 is going to be another busy year with more new features in the pipeline for my website and blog, and even more new and exciting photographic travels. If you are travelling with me in 2013 on one or more of my workshops or expeditions I look forward to shooting together in some of the world’s most beautiful and remote locations. I have some really exciting announcements I hope to be able to make early in the new year, not the least of which includes a new partnership and surprise guest on the expedition I am leading with Daniel Bergmann to Antarctica in November. More to come on this very shortly suffice to say for now that there is going to be over a quarter of a million dollars worth of high-end digital camera gear on board for everyone to freely use and try out throughout the expedition.2013 also marks the first time a dedicated film production crew will be accompanying me to film an expedition. Abraham Joffe and his team from ‘Untitled Film Works’ will travel with me on the 2nd Jewels of the Arctic expedition I am co-leading with Peter Eastway and have been secured with the task of producing a short video of the trip. This is going to be a great experience and I am looking forward very much to sharing the video on our return. There are actually still a few places remaining on both of these Arctic expeditions for anyone who would like to join us. We are looking forward to Polar Bears, grazing Reindeer, Walrus, Icebergs, precipitous granite spires, mountains and more.I am working feverishly on finalising the 2014 Iceland workshops and hope to have these ready for bookings before leaving for Iceland with Andy Biggs for our Winter Workshops in March. Interest for the 2014 trips has already been very high so please drop me an email if you are interested and I will notify you with details before I officially open the bookings.

To those of you who have expressed an interest in the 2014 Namibia trip with Andy Biggs we are getting close to finalising details and likewise hope to have everything in place before we head for our winter workshops in Iceland next March.Whatever you’re doing today, enjoy yourselves and thank you for your support over the last year. Roll on 2013!

Iceland 2014 Workshop Dates

For those of you who would like to do some pre-planning and get in early on future workshops; I will be leading three trips to Iceland in March, July and August in 2014. The first of these in March will be a Winter Aurora trip and the second two will be Summer trips into the Highland regions. All three of these workshops will be co-led with my good friend and Iceland’s most experienced guide Daniel Bergmann and each will be limited to just twelve participants. We will be using highly modified Icelandic super jeeps (4-wheel drive monster trucks) to access the best areas in Iceland for photography. There will be no camping on these trips and we will be using guest houses and hotels as our bases. All accommodation, food and in country ground transport will be provided. The emphasis on these workshops is photography and as such we plan to be out in the field when the light is at its best.

Winter Aurora Workshop 2014

  1. March 8th – March 18th 10 Days / 9 Nights

Summer Highlands Workshop 2014

  1. July 14th – July 23rd 10 Days / 9 Nights
  2. July 28th – August 6th 10 Days / 9 Nights

I am not quite ready to start taking bookings for these 2014 trips as yet (that will happen early next year); but if you are interested in joining one of these workshops you can email me and I will contact you prior to opening these trips for bookings. The 2013 trips sold out fast (Summer sold out in 24 hours and the first winter trip sold out in just a few days) so if you are keen I recommend emailing early to avoid disappointment (no obligation at this point).

Iceland ‘Where to Go and What to See’ Map : Review

I recently became aware of a French photographer by the name of Michael Levy who runs a website called ‘International-Photographer‘. Michael has produced a map of Iceland specifically for photographers and was selling limited edition copies via his website. Curious for all things Iceland and photography related I contacted Michael via email and after some brief correspondance he kindly offered to send me a copy of the map for review.

Before I dive into reviewing the map though a little history is in order. I have been to Iceland many times and have travelled from one end of the island to the other. I have circumnavigated the island by 4-wheel drive and driven through the highland interior both solo and with a guide. I have stayed in hotels and guesthouses around the island as well as camped by the side of the road. I have hiked mountains in Landmannalaugar and wandered around the geothermal mud pits of Þeistareykir. As of next year I will have spent over four months in the country and will have experienced both summer and winter seasons on multiple occasions over a period of several years. Each one of my trips to Iceland has been dedicated to photography and even so I feel I am just scratching the surface of what this amazing country has to offer for the intrepid photographer. To be upfront, I am a huge proponent of using local guides whenever I am in a foreign country and this includes the workshops and expeditions I lead to Iceland and other countries. An experienced local guide can offer intimate local knowledge of not only locations, but also and perhaps more importantly weather conditions. There is nothing more frustrating than arriving at a spectacular location only to be shut down because of bad weather. Iceland is a country where the weather can change incredibly fast. It can be brilliant sunshine and pouring rain five minutes down the road. No map, no matter how good, can possibly replace a local guide with local experience. If you are planning a trip to Iceland for photography I strongly encourage you to join a workshop (It doesn’t necessarily have to be one of mine) that employs a local guide who has the experience to read the weather to put you in the best locations at the best possible times; when the light is magical. Without belaboring the point local guides will frequently be able to take you to ‘secret’ or relatively unknown locations that are not marked on maps and that quite often are no less spectacular (and often more so). I have on many occasions been taken to locations I simply would never have found without my local guides. With that said, I am going to review this map from the point of view of those photographers who may be planning a self-drive tour without a local guide since this is likely who the map will most benefit and appeal to.

This first edition of the map reportedly took two years of work from concept to printing and was created entirely by hand  (not from a database) and will I am told be regularly updated. From the International Photographer website: The map shows essential route information, detailed descriptions of all areas of interest (volcanoes, waterfalls, lighthouses, monuments, fauna, flora and curiosities) as well as national parks and nature reserves. Not only can you now prepare your trip in detail, thanks to this handy map, but there’s no chance of missing anything exciting once you get there!The map itself is printed on 120 gram matt paper (double sided) and measures 980mm x 680mm (38 1/2 x 26 1/2 inches) when fully opened. Folded, it measures 120mm x 22mm (4 1/2 x 9 inches) and will fit in a standard map pocket or sleeve. The second side of the map is devoted to a photograph of ice on the beach at the Jökulsárlón glacial lagoon and the latitude and longitude co-ordinates of this remarkable location. This first edition of the map is limited to 1,000 copies and was printed in France. Kudos to Michael for having the map printed locally in his home country. I applaud photographers who print their books and work in their home country and resist the urge to outsource to China and other mass-producing countries.

Producing a map for photographers of a country so rich in photographic locations and subjects is a daunting challenge and Michael is to be commended for his hard work and dedication in seeing the project through to completion. The map itself is professionally produced and easy to read. Various symbols have been used to denote certain geographical features, flora, fauna, waterfalls and areas of interest etc. and are well documented on the key / legend. Also included is a basic day/night length cycle chart in the top right hand corner, scale 1:600 000 and a small map in the lower right showing the main highway one circumnavigation route of 1,339 kilometers.

I would have liked to see geographical contours added to the map as there is a lot of potential hiking and walking in Iceland (particularly in the Highland regions) and being able to read the grade and elevation would be useful in these locations. I am however very pleased to see that camp grounds have been included on the map and are suitably denoted in the key / legend. You can more or less camp anywhere in Iceland; however, there are times when it is nice to stop by a dedicated camp ground to grab a shower, refill water bottles and re-supply.I was very pleased to see that locations that are not to be missed are noted with a star rating. Such locations include the incredible Jökulsárlón glacial lagoon, the volcanic area of Askja and the sea stacks at Vik as but a few examples.

It is important to note that this map of Iceland provides a holistic overview of the country’s main photographic attractions and not detailed information about each location. The map notes Landmannalaugar for example as a ‘Must See’ location but does not provide specific information about which might be the best walking track to take or which mountain provides the best view at a given time of day for photography. This sort of information is normally included in guidebooks (or provided by local guides) and is not usually found on an overview map such as this. For the photographer arriving for the first time at Landmannalaugar they may well find themselves somewhat overawed by the sheer size and scale of the location and not know where to begin. Local knowledge and experience are the keys to getting the best out of locations such as this and is another great example of where a local experienced guide can be an invaluable resource to have on hand. It is worth noting at this point that Michael does produce and sell an e-roadbook; which is designed to accompany and supplement this map. I do not however have a copy of the e-book to hand to review the content (that will hopefully come later). There is a PDF sample on his website and the sample does include much more detailed information on each area including such things as where to eat and stay, what track to take and how much time to allow at a given location. Suffice to say if you are purchasing the map it makes logical sense to also purchase the e-book and Michael does offer a package deal if you purchase both. The e-roadbook includes information on:

– Basic planning pointers
– What vehicle should i hire?
– Which way round should i go?
– Light and climate 1/2
– Photographic subjects 1/3
– Where are the best places to photograph (sea)birds?
– How long does it take to explore the key sites?
– When is the best time of day to photograph them?
– Unmissable waterfalls 1/3
– Useful filters for iceland 1/3
– Making a panoramaMy only real gripe with the map is that there is currently no digital version (especially given the e-roadbook is available as a digital download). I would like to see a digital download version for photographers who do not wish to carry a traditional paper map with them into the field (especially in Iceland where it frequently rains). Photographers are some of the fastest adopters of digital technology and I don’t think there is a serious photographer out there who does not own a tablet device (or phone) of some description that cannot store and display digital map files in the field.

I would also like to see GPS co-ordinates added to the map in a future digital edition for photographers who prefer to work with a digital map and a set of co-ordinates for finding a given location. Geo-tagged maps are starting to become quite popular with photographers and there are now a number of photographers producing (and selling) geo-tagged maps of iconic locations in America as an example.

Conclusion:

At 20 UK Pounds plus freight for those who live outside of Europe this is not an inexpensive map to purchase. However, it is important to remember that this map was a hand created labor of love that is printed in limited quantities (1000) in the photographers home country of France. It is to my knowledge a unique effort to provide a single map of photographic locations in Iceland and should be considered as such when deciding whether to purchase.

For the photographer travelling to Iceland for the first time this map will likely prove invaluable as it provides sufficient information to plan a self drive tour and covers virtually all of the major iconic locations you are likely to want to visit as well as ensuring you don’t miss the ones that are somewhat harder to find. In combination with something like the Lonely Planet Guide to Iceland and Michael’s e-roadbook to Iceland it will provide a great launching pad for an exciting photographic tour of discovery. I suspect even photographers travelling in groups or with guides will find this map useful as it provides an easy to read and follow reference as you drive around the island. I will personally carry and use it on my own workshops and expeditions so that I can easily illustrate where we are in Iceland to those in the group.

I expect we will see more of these maps in the future as the back side of the Iceland map also mentions other titles coming in 2012 / 2013 including Argentina, Australia, Canada, Eastern Europe, France, Italy, Japan, New Zealand, Russia, Scotland, Span and the USA. I particularly look forward to reviewing the map of my home country of Australia and my back yard New Zealand.

For all the international-photographer content visit the International Photographer

Footnote: Michael tells me that a digital download version of the map may be offered in the future.

2013: Whats in Store?

As has become somewhat traditional on my blog I like to do a post toward the end of each year that looks forward to whats in store for the coming year. Its a good opportunity for me to ready myself mentally for the year ahead and to also close off the previous year. 2013 is shaping up to be very busy with a significant number of workshops and expeditions that I am very much looking forward to. Although I very much choose to specialise in the Polar and sub-Polar regions (which remain my focus) I do have a new exploratory trip planned for 2013 into China. More on this below.

In March I will be co-leading two back-to-back Winter Aurora workshops to Iceland with my good friends Andy Biggs and Daniel Bergmann. These workshops are going to focus on the coastal regions of Iceland including the Snæfellsnes Peninsula, the mighty sea stacks at Vik and the spectacular Jökulsárlón glacial lagoon. We are looking forward to frozen waterfalls, glaciers, icebergs and with a little luck the Aurora (Northern Lights). We are going to be in Iceland at the peak of the eleven year solar cycle which should mean some intense solar activity. Fingers crossed for clear skies and blazing Aurora!In May I will be headed to the remote Xinjiang province in China with my good friend and fellow photographer Antony Watson on an exploratory expedition to the Gobi Desert, Tian Shan mountain range, Kanas Lake and Kanasi. This investigative trip is the culmination of over a year of logistical arrangements and I hope will open up some incredibly beautiful and remote wilderness for a future expedition workshop to this region.

In July I will be headed back to Iceland to lead a summer workshop with Daniel Bergmann into the Highland Regions. We will be travelling into Landmannalaugar; which is one of my favourite locations in Iceland as well as visiting the mighty Dettifoss and Selfoss waterfalls and the iconic Jökulsárlón glacial lagoon. Normally inaccessible in Winter, the Highlands of Iceland are a very special place and simply incredible for photography.In August I will fly from Iceland to Oslo and Longyearbyen for a personal expedition to Svalbard to photograph Polar Bears and Walrus before I return to Longyearbyen to lead two back to back expeditions to Svalbard, Greenland and Iceland – The Jewels of the Arctic. The first of these expeditions will be co-led with Daniel Bergmann and the second co-led with Australian Grand Master of Photography Peter Eastway. Abraham Joffe’s award winning film and production company ‘Untitled Film Works‘ has been secured to join us on the second expedition and will be producing a video of the trip which I hope to share freely here on my blog late next year.In November I am travelling to Ushuaia in South America and will lead an expedition to Antarctica and the Falkland Islands with Daniel Bergmann. This 15 day / 14 night expedition was more than eight months in the planning and is something I am very much looking forward to. We have been able to arrange access into areas normally off limits that are dedicated to Science which is going to provide us with some really unique opportunities. We are travelling early in the season which should give us the best possible opportunities for spectacular icebergs, dramatic weather and great light.In late November I will travel to Patagonia with my friend Martyn Lucas on a personal trip to photograph the spectacular Torres Del Pine and surrounding landscape. Patagonia boasts some of the most dramatic landscapes on Earth with precipitous mountains, jagged granite spires and enormous glaciers. During our time in this area we plan to hike up to the Torres and bivouac to give ourselves the best opportunity for great light. This will be my first visit to Patagonia and will fulfil a life-long ambition to photograph in this spectacular area.

I will then return home to spend Christmas my family. All up, I will be away from my studio for around 4-5 months in total next year which means I am not going to be offering much in the way of printing workshops or Lightroom instruction in 2013. If you are already booked in for one-on-one Lightroom and Fine Art Printing then those dates stand as I will be in Australia during these times.

To those of you who are travelling with me on one (or more) of these trips I am very much looking forward to spending time shooting together. It is going to be a very exciting year for photography. Roll on 2013!

Canons New 200-400mm F4L IS Lens

I find myself getting very enthusiastic about photographic equipment again lately with the pending release of Canon’s new 200-400mm F4L IS lens with inbuilt 1.4x teleconverter. This new super telephoto zoom lens promises to be a game changer for photographers who shoot at these kinds of focal lengths thanks to its inbuilt 1.4x teleconverter and reported superb optics. Canon claims that this new lens “will offer an unsurpassed combination of versatility, first-class optical performance and an enhanced weather-proof construction.” They also claim it will be just shy of a wallet smashing eleven thousand dollars MSRP; which is going to give a lot of photographers serious cause to stop and consider whether this lens is going to be worth the price of admission. The good news is that Canon had a slew of prototypes of this new lens at the London Olympics a few months ago and by all reports and feedback this lens is an outstanding performer and lives up to Canon’s claims.

For Photographers who need a super-telephoto zoom in the 200mm – 560mm range with superb optics this lens is likely to be worth every cent. After spending time shooting from the deck of ships I have come to the realisation that there is no substitute for a high quality super telephoto zoom lens. For shooting wildlife such as penguins, seals, polar bears, walrus and birds from the deck of a ship where the required focal length is always different I expect this lens will likely prove the ultimate no compromise choice for ‘getting the shot’. It is the lens I have decided to take with me on the expeditions I am running to the Arctic and Antarctic in August and November next year. I will also take it to Iceland in March and China in May.

With a focal length of 200mm – 400mm or 280mm – 560mm with the 1.4 TC in place this lens will also be very popular with sports photographers simply because of the extreme versatility it will provide. It is not quite as fast as a 300mm or 400mm F2.8 but I expect this small sacrifice in speed will be a small price to pay for the added flexibility this lens will bring to many sports shooters. I expect this lens to be in hot demand with sports and wildlife photographers when it is released early next year; even with its horrendous price tag. I am hoping to take delivery of this lens in late January next year and will be doing some extensive testing with it before I head to Iceland in March. Look for a full review early in the New Year.