One of the great things about landscape and nature photography (and in particular photography whilst travelling) is those hidden gems and moments you occasionally stumble across when you least expect it. Because these finds and moments are unplanned there is never an expectation of just how good they might be (It’s not like to going to the Grand Canyon where one expects to get great photographs). Without the chance of an overly built up expectation I find they almost always produce results that are at the very least uplifiting to the photographic spirit and at best that can produce truly wonderful work.

Whilst travelling in the South Island of New Zealand last July between locations we stumbled across a well hidden slot canyon just off the side of the road – A hidden gem as it were. I would wager that more than 99.9% of people driving past this location would never even know its there. There are no signs and no markers of any kind. The only clue is a bridge crossing with what looks at first blush like a cave to one side. As we crossed over the bridge I happened to be looking in the right direction, as was Phillip our guide and I just caught a glimpse of what looked like a really beautiful glacial stream feeding out of a cave. Phillip turned to look at me to see if I had spotted the location; which I had. The excitement in the air was palpable and it must have been written on my face because Phillip had that cheeky look of someone about to reveal something truly very special. As indeed he did.

We immediately pulled over the side of the road, grabbed our camera gear and scrambled down the steep rocky and snowy gully under the bridge where all was revealed. From this vantage point we could see the pristine river flowing down from a stunning slot canyon. We took our shoes and socks off and waded up the freezing icy river to set up our cameras (I have never had feet this cold before – thawing them out afterward in the car was a very painful experience). A light mist and water run off dripped down from the moss and foliage at the top; which was lit from behind by the overhead sunlight. Conditions were perfect for photography and I literally could not wipe the grin from my face.The photograph below is my favourite from the hour or so we spent photographing in this location – which I affectionally dubbed ‘Shelob’s Lair’ – the obvious reference to The Lord of the Rings seemed apt for New Zealand’s South island. Truth is, if Phillip had not dragged me away (quietly kicking and screaming) I would probably have spent another hour photographing in the freezing stream and may well have ended up with frost bitten toes.

It was an interesting choice of how to shoot this as my first reaction was to reach for the polariser to remove any reflections from the photograph. What I concluded in discussion with Phillip was that we both agreed the wet rocks were what gave the whole scene its magic and that removing the wet look and reflections would overly flatten the image. So I photographed this strait with a 24mm lens without any filters. It was quite dark in the canyon despite being lit from directly overhead, so I used a tripod. The exposure was six seconds at F11 at ISO100.  The almost iridescent moss and  lichen combined with the crystal clear aqua of the stream being lit from above really speaks to me as small slice of nature untouched. New Zealand’s rivers and streams are truly stunning in their purity. Its quite hard to see in the small compressed jpeg on screen, but in print the backlit misty water and run off from the top makes the photograph. I also very much like the feeling this photograph invokes for what may be around the corner of the canyon. Before anyone asks – I am sworn to secrecy on the exact whereabouts of this slot canyon – sorry! But I am definitely going back and this time with a set of waders.

This is one of my favourite photographs from my time at Fox Glacier in the South Island of New Zealand (I have a large framed print on my studio wall). For me this photograph summarises the beauty, power and danger of a glacier. The deep crevices are clearly in frame with their precipitous ice walls; which naturally lead my eye into and through the photograph to the background distant mountains. I also very much like the ‘rip’ in the ice – indicative of the power and pressure of glacial ice as it makes its way down the mountain side. The mist and fog hanging between the mountains in the distance adds the ‘weather element’ that is so much a part of mountain photography.  We were fortunate throughout the time spent at Fox Glacier to have wonderful clear weather that allowed us the opportunity to charter a small helicopter for the best possible photographic opportunities.

This photograph was taken only a few metres from the one below just after the sun had dipped below the horizon. Reflected light off the clouds and atmosphere illuminated the flax in the foreground with just enough soft diffuse light to capture this image with full detail in the foreground. I used a three stop soft graduated neutral density filter to hold back and darken the sky. This whole coastline is subject to quite a bit of weather and it is not uncommon to get really huge storm swells crashing into the rocks. Philip (my Guide) wrote to me after I returned to Melbourne to let me know that he had been back to photograph five metre waves crashing into the rocks only a week after my visit.  It was however extremely calm during my trip; so much so that the usual spouts from the blowholes at Pancake Rocks were still. Punakaiki is great location for landscape photography with many varied opportunities for composition and light and is a location I hope to return to sooner rather than later (late 2010).

Pancake Rocks at Punakaiki in the South Island of New Zealand is an iconic spot for both tourists and photographers. Located only a few minutes easy walk from the main highway the unusual layered nature of the rock formations makes for an outstanding subject for landscape photography. The Pancake Rocks are columns of limestone resembling stacks of pancakes – hence the name. This photograph was taken at sunset on a clear evening. I was lucky that the horizon was clear so that the last rays of sunlight would illuminate the rock in a wonderful warm orange glow. This glow lasts only a few seconds before the rocks take on more chalky white appearance. I used a three stop soft neutral density filter to hold back the sky and keep detail in the foreground rocks. The combination of the unusual rocks with the warm orange glow of last light, the crashing wave and the native New Zealand bird (can only be seen in a large print – See Crop Below) make for a composition and photograph that I like very much.