Antarctica Gould Bay Emperor Penguin Expedition Report 2018

In November of 2018 I lead an expedition for a small group of photographers to the frozen sea ice of Gould Bay in Antarctica to camp with and photograph Emperor Penguins. The colony at Gould Bay is actually the most southerly Emperor Penguin colony in Antarctica and is also one of, if not the most, difficult colonies to reach. This was my third expedition to this remote region of Antarctica and it proved extremely productive. This was also the first time I have been able to properly explore and photograph one of Antarctica’s dry valleys – a location not far from Union Glacier known as the Elephants Head.

There are plenty of species the world over that are much harder to find than Emperor Penguins.  To my knowledge however, none is as difficult or as expensive to reach as the Emperor Penguin; and thats the conundrum of Emperor Penguin photography. We know exactly where they are located, we just cant get to them without great difficulty and significant expense. Living on the sea ice in remote and difficult to reach areas of Antarctica the Emperor Penguin is therefore as difficult to reach as the enigmatic snow leopard is to locate in the wilds of its mountainous territories. It is an odd problem for wildlife photographers to recognise and accept that we know exactly where our subject is located but that we just cant get to it.

After more than a year of anticipation, our expedition began with the five of us meeting in the small town of Punta Arenas in Chile at the bottom of South America. Our expectations and hopes were high and we were all buzzing with excitement at the prospect of getting underway. Our plan involved taking a flight on a Russian Ilyushin cargo aircraft and landing on the blue ice of Union Glacier in the deep interior of Antarctica at approximately 79º south (approximately 1100km from the South Pole). We had planned to depart on or around the 18th of November depending on the prevailing weather. Once at Union Glacier we would establish a camp from which we would take a twin-otter aircraft equipped with skis out to the remote sea ice in Gould Bay where we would establish our advance camp around three kilometres from the Emperor Penguin colony (and around ten miles from the ice edge). The flight from Union Glacier to the sea ice is around three hours. Once on location we would be in one of the most remote and isolated camps in the world. We would then commute by walking on the sea ice to the colony for photography during the small hours of the night when the sun was at its lowest and the light at its softest.

This year we were delayed by only a single day in Punta Arenas before we had a suitable weather window to take off and land on the ice at Union Glacier. The flight time from Punta Arenas to Union Glacier was approximately five hours. This year the Chileans were doing works on the runway at Punta Arenas which meant we had to land in Ushuaia to fully fuel the plane before we made our way to Antarctica.

The Ilyushin cargo aircraft is equipped with military jump seats, little insulation and few feature comforts; making the ride exciting and far removed from the average commercial flight. Landing at Union Glacier on blue glacial ice is a surreal experience that is unmatched by any other flight I have ever experienced. When the rear cargo door of the big Ilyushin swings open and you step down onto Antarctic blue ice that is approximately a kilometre thick at the point of touchdown there is a real visceral thrill. Temperatures out on the blue ice were around -20º Celsius with wind chill on our landing. We took the opportunity to photograph the plane whilst all the luggage and supplies were unloaded before it took off for its return flight to Punta Arenas (The Ilyushin has to turn around as quickly as possible due to the risk of the plane and engines icing). We then loaded up the specially modified super jeeps and made our way across the glacier to basecamp.

With basecamp established we now needed a second weather window with sufficient visibility for us to take off from Union Glacier and then land on the sea ice at Gould Bay. After a couple of days at basecamp (during which time we took the opportunity to explore a little and do some landscape photography including exploring one of Antarctica’s dry valleys) the wind was finally dropping and visibility improving and we were able to load up the twin-otter plane and make the three hour flight from Union Glacier out to the remote sea ice at Gould Bay.  The sea ice at our chosen camp site was approximately two metres thick and extended ten miles from where we were camped out to open water (a distance the Penguins commute for fishing on a daily basis). We quickly set about establishing camp before we grabbed a few hours sleep and prepared ourselves to walk the three kilometres across the sea ice to the main penguin colony for some stunning photography. We used sleds to carry our gear which we dragged behind us across the ice. This is actually far easier than it sounds and even fully laden with camera gear the sleds slide with relative ease across the ice.

The sun never sets this far south in Antarctica during the summer months so we planned to do most of our photography during the night hours when the sun was at its lowest and the light at its softest. We spent hour after hour photographing the penguins during the midnight sun and I confess that I completely lost track of time during these sessions. It wasn’t until fatigue and hunger set in that I would glance at my watch and realise we had been photographing for more than five hours; at which point I realised I could no longer feel my fingers. Temperatures averaged around -15º Celsius with wind chill, with only our last evening being warmer at around -10º Celsius.

I felt we were extremely fortunate to have quite consistent 15-20 knot plus winds during our time on the sea ice this year which made camping and commuting to the colony difficult but proved absolutely superb for photography. With strong winds and blowing snow the Emperors and their chicks were often plastered with snow which made for very emotive and dramatic photography. We were also fortunate to experience a real variety of light during our time with the Penguins.

In the early hours of the morning, when we had tired and could no longer tolerate the cold, wind or hunger took over we would hike the three kilometres back to our mountain tents for a meal and some warming drinks.  We would then grab a few hours shut eye before breakfast and more photography sessions with the penguins.

On occasion we had to walk no further than a few metres from our tents to photograph lines of Emperors coming and going on their way to the ocean. Everyone in our group took the opportunity to make photographs whenever the chance arose (which was often). I think we each only slept a few hours a day in total; although I don’t really remember as that part of the expedition already seems somewhat of a blur. The constant daylight and 15-20 knot winds whipping the mountain tents around makes sleep somewhat more difficult than usual. Thankfully though, the tents themselves are solar heated by the 24 hour sun and as such are actually quite warm inside. During the day I found I only needed a base layer of marino wool to stay warm in my tent. Anything else was too hot.

For this expedition I chose to shoot with two cameras (2 x Canon EOS 1DX MKII) pretty much the entire time. By far my most used lens was the 400mm F2.8L IS MKII and the 16-35mm F4L. I also shot with the 70-200mm F2.8L IS MKII and made a few images with the 24-70mm f4L IS. I did also carry the 300mm f2.8L IS MKII but had bought this lens specifically to loan to one of my clients for their use during the expedition.

I had arranged for a small step ladder to be taken down with us to our camp on the sea ice with the idea that we could use it to get some height over the colony. The idea I feel was a good one, and several great panoramic images of the colony resulted. After several days of camping with the Emperors we had to take advantage of a weather window to reverse engineer ourselves back to Union Glacier and back onto Punta Arenas.

Only a small handful of photographers ever visit and photograph the Emperor Penguins. By comparison approximately thirty-thousand people plus visit the peninsula of Antarctica annually.  In 2020 I plan to return to both the remote frozen sea ice and the interior of Antarctica for both the Emperor Penguins and the interior landscapes of Antarctica. You can register your interest in this unique expedition by dropping me an email and I will keep you updated as logistics progress. There is no obligation at this point. To see the full portfolio of images from this expedition please visit my website at www.jholko.com

Wild and Scenic Film Festival Creston 2019 Features Ghosts of the Arctic

Join the Creston Valley Branch of Wildsight for the 5th annual Wild and Scenic Film Festival, an evening of outdoor adventure, at the at Prince Charles Secondary School Auditorium on Sat. Feb. 2, 2019. Show starts at 7pm. Door prizes galore. A variety of films featuring stunning cinematography, exotic adventure, and sometimes frontline activism are to be shown—there is something in nature for everyone. The Wild and Scenic Film Festival visits over 150 locations on its North American tour, entertaining and inspiring viewers to make the world a better place. Here is the line-up of films:

1. Ghosts of the Arctic

Follow the grit and determination of polar photographer Joshua Holko as he traverses the frozen landscape of Svalbard, in the high Arctic, to encounter polar bears on foot. Taking place during one of the coldest periods in the last few years, the crew suffered frostbite and camera failures during the filming process. The aerials featured in the film do great justice to the stark beauty of the arctic landscape.

2. Return from Desolation

For Garrett Eaton, a remote and rugged section of the Green River called Desolation Canyon is more than a river; it is a place that brought him back from the brink to reclaim a life he almost lost. At his core, Garrett is a river guide, but his story doesn’t start here. Returning to the wild rivers and canyonlands of his youth, Garrett found true freedom. With each pull of the oars, Garrett reclaimed his faith, his sobriety and most importantly — his family.

3. Love of Place

When an invasive species plant threatens to take over a beautiful desert river, an obsessive park ranger sets out to kill it

4. Irreparable Harm

The Tlingit people have called the vibrant coastline of Southeast Alaska home for over 10,000 years, and continue to practice a way of life intimately tied to the ocean and the largest remaining temperate rainforest on earth. Now, contamination from industrial mining is threatening the safety of the wild food sources that make Alaska so unique. Irreparable Harm gives powerful voices to the Alaska Native communities and conservation groups standing up to protect the cultural and ecological values that make this magnificent marine ecosystem an irreplaceable treasure.

5. Wildlife and the Wall

Filmmaker Ben Masters (Unbranded) goes into the heart of the Big Bend, the last true wilderness in the state of Texas, to consider what effects building a border wall might have on wildlife dispersals, migratory corridors, and access to the Rio Grande, the only water source in a harsh desert environment.

6. Life Coach

When conditions became unfavorable for a first ascent of Alaska’s Ruth Gorge, Alex Honnold turns the camera on Renan Ozturk for a strangely beautiful discussion about life’s big questions.

7. Lost in Light

Lost in Light is a short film on how light pollution affects the view of the night skies. Shot mostly in California, this piece shows how the night sky view gets progressively better as you move away from the lights.

8. The Curve of Time

Due to climate change, ski seasons will be markedly shorter by 2050. Lower elevations will receive significantly less snowfall. Professional skiers Greg Hill and Chris Rubens peer into the future and have a conversation with their future selves, contemplating the sobering forecast and the impact their thirst for adventure has on the very environment that sustains and fulfills them. With an eye on the clock, they launch themselves into an experiment: can they each remain committed skiers while significantly reducing their carbon footprints?

9. Rupununi: Fight for El Dorado

In the late 15th century, Sir Walter Raleigh set out on an ill-fated quest for El Dorado, the lost city of gold. Today, biologists are uncovering what the indigenous people of Guyana have known all along – that Rupununi is a place of untold riches, not only in minerals and oil, but in unrivaled biodiversity. Thanks to well-orchestrated efforts from indigenous communities and conservation biologists like Dr. Lesley De Souza, the Rupununi has the potential to become Guyana’s largest protected area (3 million acres). See this incredible landscape through the eyes of Macushi elders as they fight to protect the forests, rivers and seasonally flooded wetlands from unchecked development and habitat destruction.

10. My Irnik

A young father teaches his son about the value of shared adventures, exploration and his ancestral Inuit heritage.

11. Chasing Wild: Journey into the Sacred Headwaters

Three friends set off on a 400km bikepacking and packraft expedition – pedaling through vast boreal forest, paddling frigid whitewater, battling monster trout, outrunning a grizzly – through the heart of the sacred headwaters in northwestern British Columbia, birthplace of three critical salmon rivers, and home to the Tahltan people. In the wake of the devastating Mount Polley Mine disaster, the team’s goal is to understand what is at stake as a wave of new mines are developed across this remote corner of the province.

Natures Best Photography 2018 Finalists and Category Winners

Natures Best Photography have now formally announced the Category Winners and Highly Honoured finalists in the 2018 Windland Smith Rice International Awards. I am extremely pleased that Ghosts of the Arctic was highly honoured in the video category. Out of more than 26,000 images and videos from photographers in 59 countries, approximately 1,000 photos and videos made it into the semi-final round of judging. Congratulations to all the winters and other highly honoured recipients.

See all the 2018 Windland Awards finalists: naturesbestphotography.com/winners

Ghosts of the Arctic Highly Honoured Natures Best Photography 2018

I received some news this morning that Ghosts of the Arctic has just been highly honoured in the 2018 Nature’s Best Photography Awards. Selected from more than 26,000 images and videos from photographers in 59 countries, the finalists in each category will be published in the 2018 Fall/Winter Special Awards Edition of Nature’s Best Photography magazine. Approximately 1,000 photos and videos made it into the semi-final round of judging to select the 123 current winners and highly honoured images.