WATERFALL DRILL AT FOX GLACIER NEW ZEALAND – PHOTO OF THE MONTH

Some of the most enjoyable photography I have done in the South Island of New Zealand has been by small mountain helicopter. There really is no better way to see, experience and photograph the Southern Alps and glaciers than by helicopter. With the doors removed for better photography, warm clothes and cameras ready I spent just an over an hour this trip photographing the spectacular landscape. One of the goals of this trip was to try and get a photograph of the waterfall drilling down into the side of Fox Glacier. I had flown over these falls several times on previous trips, but had not been able to get the shot I wanted. My pilot from this trip was Mike from Mountain Helicopters. Mike is as good as they come and he was able to position the helicopter in the ideal position for me to lean out and take this frame with a wide angle 24mm lens on the full frame Canon 1DS MKIII. We were less than 30 metres off the deck when I took this photograph. I have flown with Mountain Helicopters several times now and can highly recommend them to anyone looking for very experienced pilots who can position a helicopter exactly where the photographer wants and then manage to tilt it to keep the rotor blades out of frame.

SEARCH FOR THE ULTIMATE PHOTOGRAPHY GLOVES – PART TWO ‘THE VERDICT’

One of my recent purchases that I was very keen to test out in the South Island of New Zealand in Winter was the new Seal Skins gloves I purchased online just before I left Australia. In Part One of this mini-review I made mention that it has been a constant search for the perfect winter photography glove. I won’t restate the story thus far; suffice to say the search has been ongoing. Before I dive into it I just want to make a comment on the fingerless glove with the optional slide over mitten that many outdoor sports people and hunters use. These types of gloves don’t work for me. Although they provide plenty of tactile feel (because they are fingerless) they are not waterproof and far from warm enough in the sort of environments I sometimes shoot in.

The Seal Skins gloves on face value appeared to tick all the boxes for me. They are waterproof, warm (at least around the house!) and yet retain enough tactile feel that I can still operate my camera equipment effectively in the field. So how did they perform?

The result is a mixed bag. Firstly, the gloves are in fact waterproof as advertised. I spent several hours clambering over Fox Glacier in cold and wet conditions. Experience has shown me that my previous thermalite gloves (which were warm when dry) would have been totally saturated after half an hour of this kind of activity and thus totally useless. The Seal Skinz on the other hand remained totally dry; even when I was fumbling around in puddles of glacial water adjusting my crampons. They shed water beautifully and remain dry on both the inside and outside. Just on the subject of glaciers – I almost came to quite a nasty end at Fox Glacier. I am always extremely careful when traversing glaciers for obvious reasons.I have quite a bit of glacial experience; but you can never take them for granted. They are riddled with hidden dangers; falling ice, wave surges and crevasses are but some of the potential dangers. Glacial ice is pound for pound about the same weight as structural concrete and there have been several very unfortunate deaths over the years at Fox Glacier from falling ice. Fox Glacier is currently receding and this makes it more dangerous than an advancing glacier since it is shedding ice (at a fairly rapid rate). I was keen to get a photo of the terminal face of the glacier so had hiked up the side of the glacial river with a wide angle lens to get close to really give a sense of scale to the photograph. Getting close to the terminal face meant skirting the edge of a very large overhanging piece of glacial ice – not something I would normally do. I could see large boulders and rocks perched precariously on the ice flow 30 odd feet above. However, ‘photo fever’ got the better of me and I chanced it; I scrambled forward against the ice and river; set up my tripod and prepared to take a frame just as several rocks the size of basketballs came hurtling over the top of the ice landing only a few feet in front of me in the river. Needless to say that was enough for me. It was a timely reminder that no amount of experience on glaciers is worth a pinch if you find yourself somewhere you shouldn’t be . I beat a hasty retreat and decided it was far wiser, safer and more enjoyable to photograph the glacier and alps by helicopter.

I have photographed the Southern Alps and Glacier by Helicopter before in winter in 2009. I had chartered a small mountain helicopter with two other photographers. We had the doors removed and spent a couple of glorious hours shooting thousands of frames over the alps. The ambient air temperature was -19 degrees celsius during that flight plus whatever the wind chill factor was and even with several thermal layers I was frozen by the time we got back to the helipad.

I chartered another helicopter this trip and with the door off and harness on spent another hour photographing the alps and glaciers shortly after breakfast. It was not quite as cold this time at -9 degrees celsius; but it was still a good test for the Seal Skinz. What I found was that my fingers still got very cold (almost totally numb after an hour shooting); however, even with near numb fingers, the chopper door off and wind I was still able to change both CF and the tiny SD cards in my 1DSMK III with relative ease. In fact, I was really quite surprised at just how good the tactile feel is in these gloves. I never felt like I was going to drop any of the small cards; even when I had several between different fingers in an effort to ‘speed-change’ the cards. Helicopter charter is $1500 an hour – so you don’t want to waste to much time playing with camera cards and settings. In this respect the Seal Skinz gloves are nothing short of brilliant; giving all the tactile feel required for even the most difficult shooting environments. The downside is they are not quite as warm as I had hoped they would be and I can only rate their thermal protection as average at best.

In summary the Seal Skinz are the best gloves for cold weather photography I have yet tried and are therefore my current choice when I am shooting in these environments. They are waterproof, and give wonderful tactile feel and grip. They are not as warm as other thicker gloves; but I am willing to trade some warmth for ‘feel’. I suspect that in temperatures down to around -5 celsius they will do just fine for quite long periods of time. In colder temperatures I will want to have a warmer over mitten that I can put over the top after an hours shooting to re-warm my hands. This is the best current compromise/solution I can come up with. Seal Skinz do make a version of this glove that is lined with a polar plus material; which would undoubtedly make it quite a bit warmer. However, I suspect that one would trade quite a lot of ‘feel’ for ‘warmth’. The Seal Skinz will be accompanying me to Antarctica later this year so that is a pretty solid recommendation. The caveat is I will also be taking a pair of 66 North over mittens just in case it gets really freezing and I need to re-warm to carry on shooting.

2011 AUSTRALIAN APPA AWARDS – BLUE BERG WINS GOLD

The 2011 Australian APPA Awards have now come and gone. The awards dinner was held this evening in Sydney at Darling Harbour; unfortunately I was unable to attend as I only arrived home from New Zealand yesterday morning and had much to do on my return. I doubt I could have made it there regardless since flights have only now returned to normal due to the volcanic ash cloud from Chile (that must be because I have stopped flying for the moment!). I was shooting up in the wilderness near Arthur’s pass in the South Island when the judging from the APPA awards was being live streamed so was unable to tune in; but was thrilled to learn on my return to Christchurch that I had won a Gold award and three Silver awards for the four prints I had submitted. Gold Awards in the Landscape Category at APPA’s are extraordinary and I feel very privileged to have had my work judged to such a standard. The APPA awards are somewhat unique these days in that all judging is done of actual prints by a panel of highly experienced photographers (rather than by submission of digital images). The craft of the print is as important as the image itself and its fantastic to be a part of such an event. All of my prints were made on my absolute favourite paper Moab Somerset Museum Rag. Photography after all “Is all about the Print”. The photograph and print that won Gold was ‘Blue Berg’; which was photographed in Iceland last year near the Jokulsarlon glacial lagoon. My print received scores of 88, 90, 92, 92 and 93 from the five judges; giving it an average of 91 – a Gold Award.A higher resolution version of this photograph is available to view on my portfolio website at www.jholko.com under Iceland. This print is also currently on display as part of Nillumbik prize at Montsalvat in Eltham until the end of July. It will be part of an exhibition later this year at both Source Photographica in Brighton and at the Wilderness Gallery in Tasmania.

VOLCANIC ASH STRIKES AGAIN…

The Chile volcano is continuing to spew ash into the atmosphere and disrupt air travel and last night my flight home from New Zealand that was scheduled to leave this morning was cancelled by Virgin (yet again). I seem to be somewhat magnetic to volcanic eruptions. First it was Iceland last year and now New Zealand on the way in and out of the country. Two of my friends are now saying that you don’t need to ask if a volcano is going to erupt; just ask “Is Josh flying soon?”

Thankfully it appears as though Air New Zealand are again going to come to the rescue and after more phone calls I have been able to secure a ticket home at crack of dawn Sunday morning. Why Air New Zealand can fly and everyone else can’t makes little sense – very frustrating.

It has been a whirlwind trip and I feel like I have crammed in a huge amount of photography all over the island into a very short period of time. The weather and light has been a real mixed bag with everything from patches of brilliant sunshine to torrential rain; and just about everything in between. In point of fact, the weather has been remarkably warm for this time of year and as yet there is still no fresh snow (there are some really grumpy looking skiers around the place at the moment). In terms of light it has not been great; although there was some good sunrise and sunset light yesterday (the best of the trip). Most of the time the skies have been quite overcast at both sunrise and sunset which has lead to very grey and drab light – ce’st la vie.

Rather than sit around in my hotel room I have been invited out to go shooting today with a fellow local photographer who is also accompanying me to Antarctica in November this year. We went out shooting last night near Port Levy and had some wonderful sunset light. The volcanic ash particles in the air reflect the light beautifully and seem to extend sunset for what seems much longer than normal. Last night’s sunset was definitely the best light of the trip so far.

I returned my Maui camper van yesterday on my return to Christchurch. I did just over 2,500 kilometres in seven days and have shot just over 2300 frames – so I have a lot of sorting, editing and processing to do when I get back to Melbourne; which hopefully is tomorrow morning…

NEW ZEALAND – TERMINAL FACE OF FOX GLACIER

It is wonderful to be back in the small alpine village of Fox Glacier in the South Island of New Zealand – This really is a stunning part of the world for photography and I was very much looking forward to coming back. It has almost been two years since I was last here in winter 2009 with Capture New Zealand Photography Tours. There was a lot more snow around in 2009 and it was a lot colder, but the town is otherwise much as I remember it.

After a cloudless sunrise this morning at Matheson’s Lake I decided to hike up to the carving face of Fox Glacier for some more photography. The hike is relatively short these days (roughly 30 minutes from the car park to the terminal face viewing area) since the new track has been built. I was totally unprepared for the amount the glacier has receded upon reaching the viewing area – it is almost unrecognisable. I would estimate more than 200 metres has simply vanished (melted) from the glaciers length and I am told that the glacier is now retreating at an ever increasing rate – a clear indication of global warming at work.