Cloudless skies at sunrise and sunset are not my preferred atmospheric conditions for Landscape photography. In general, I prefer overcast skies (Nature’s Soft Box); or at least some puffy or windswept clouds to pick up the colour of dawn and dusk and add an extra dimension. My weekend shoot at Cape Schank provided only clear skies; which although not ideal for interest in the sky did provide some lovely ethereal golden light, giving the basalt rocks an otherworld alien quality.
Cape Schank – Victoria
I managed to sneak away late yesterday on the eve of the long weekend for both sunset and sunrise the following morning (this morning) down at Cape Schank and the Mornington Peninsula. Cape Schank is a fabulous location for landscape photography – certainly one of the best parts of the Mornington Peninsula and is an area I intend to spend more time photographing this year. The weather can be wild on this part of the coast as the point fronts the waters of Bass Strait and is exposed to the full fury of the South’s weather. The wind was howling when I arrived an hour or so before sunset yesterday; which made keeping my lenses free of salt spray quite challenging. However, conditions this morning were ideal with nary a breath of wind, a low tide and some lovely gold light. The basalt rock formations of Cape Schank have a dimensionality that is primordial in nature; which when combined with great and/or interesting light makes for an other worldly alien landscape.
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Source Photographica – Press
Source Photographica have a scan of the four page photographic spread ‘Land of Fire and Ice’ from the current edition of the Australian wilderness magazine Wild. This spread includes photographs from my Iceland expedition last year as well as photographs that are part of the exhibition opening next month in Brighton.
Photo of the Month Updated – March
I’m a bit late this month – but have updated the Photo of the Month for March with a photograph from Landmannalaugar in Iceland. Just click on the image on the right hand side for a larger version. A high resolution version is also on my portfolio website at www.jholko.com in the Iceland section.
Exhibition on Moab Somerset Museum Rag
Moab have added a brief blog post to their website on my upcoming exhibition – printed entirely on my favourite new paper – Somerset Museum Rag paper.
Somerset Museum Rag is the newest paper by the acclaimed St Cuthberts Mill in England, who over a decade ago helped create an entire industry when it launched Somerset Enhanced Velvet – one of the first papers used for fine art digital imaging.
Somerset Museum Rag is a pioneer in its own right while remaining true to its history. It combines an archival 100% cotton heavyweight paper with a smooth surface, sensuous to the touch while durable to everyday handling, with the latest in coating technologies to produce deep, rich blacks with an unparalleled color gamut to make a vibrant image pop to life.
In addition to the inkjet-coated version, the original, uncoated Somerset papers continue to be one of the top papers used by artists worldwide for nearly every form of printmaking.