Zululand South Africa Wildlife Masterclass Worskhop Report 2024

In June 2024, I led what has become an annual (and much looked forward to) ground-level wildlife masterclass workshop in Zululand, South Africa. While African safaris are commonplace, the opportunity to work at ground level with wildlife (including Cheetahs) is unique and incredibly special. This approach provides chances for emotive, dynamic and powerful photographs that are impossible from traditional safari vehicles. Seeing cheetahs from the ground, walking with them, and photographing them on the hunt offers an unparalleled experience, as does the opportunity to photograph from custom high-end hides designed from the ground up for photographers. Not only does this workshop offer these opportunities, but it also boasts some of the only low-angle safari vehicles in all of Africa. Add all this together, and you have photographic opportunities that are simply unmatched anywhere in Africa.

This year’s workshop took place in Zimanga; a private game reserve in Zululand, spanning over 70 square kilometres and home to numerous species, including those beyond the African Big Five. The reserve features several state-of-the-art hides, enabling photography at ground level and at night, when many species come to drink at water holes. These overnight hides offer dramatic and unique photographic opportunities. In addition, this year we also took the opportunity to photograph at night from custom low-angle safari vehicles with spot lights to capture dramatic images of lions on the hunt.

For the duration of this workshop we had the entire game reserve to ourselves, allowing us unparalleled access and flexibility in our activities. This setup enabled us to tailor each day to the participants’ needs, enhancing the quality and variety of their photographic portfolios. Full camp takeover such as this is the key to ensuring everyone maximises their opportunities during our stay. Of course, anyone can visit a game reserve on their own, but being part of a full camp takeover means you get a lot more time in the hides and a lot more preference selection on daily activities. What this translates to is a far better portfolio of photographs at the end of the trip.

The highlight for many this year was the chance to walk with and photograph wild cheetahs on the hunt. This ground-level perspective is a game-changer, offering dramatic and unique shots of predators from a low angle. This year, we had several unique encounters, including some very close and dramatic moments with two fabulous Cheetah brothers. We were also fortunate to have outstanding backlit opportunities at the end of the day. This type of light is my favourite to photograph wildlife, and some beautiful photographs resulted from this session.

The overnight hides we use are equipped with kitchens, flushing toilets, and sleeping beds. They provide comfort and readiness for action with infrared triggers to alert you when wildlife is approaching. These hides are unmatched anywhere else in Africa and provide opportunities for dramatic and unique photographs of wildlife at night.

During the workshop, we also photographed various African bird species, including the beautiful Malachite Kingfisher (a personal favourite), with lenses as short as 70-200mm. This year, I did not keep a complete bird list, but sightings included many incredible species of Eagles, Vultures, Owls, and more.

I am offering this masterclass workshop again in May next year -May 7th to May 16th 2025. Whether it’s your first visit to Africa or you’re a seasoned safari-goer, the 2025 Zululand ground-level wildlife masterclass offers an incredible opportunity to photograph African wildlife at eye level. The exclusive camp takeover provides unmatched access and flexibility, enhancing the photographic experience for all participants. With only a few places remaining, please contact me soon to secure your spot. This workshop is an extraordinary adventure, offering unique and powerful photographic opportunities.

WNPP Episode 100 Canon EOS R1 and Africa Wrap Up

I have just published episode 100 of my Wild Nature Photography Podcast. In this episode, I discuss and give my further thoughts on the soon-to-be-announced Canon EOS R1 flagship camera and wrap up both of my Africa workshops with thoughts on the photography experience. I also have a short rant about the current state of YouTube inspired by a comment tweeted by my friend Craig: ‘You Tube is a Cancer’. And, of course, this is episode 100 of the podcast, so I take a moment to reflect back on the previous 99 episodes and discuss the future of the podcast.

Namibia Wildlife and Landscape Masterclass Workshop Report 2024

In May 2024, I led an exclusive wildlife, landscape, and aerial masterclass in Namibia. This meticulously designed workshop provided a unique opportunity to capture the incredible beauty of this remarkable country. We explored the iconic Dune landscapes of Sossusvlei from both land and air and ventured into multiple private wildlife game reserves, offering unparalleled opportunities for wildlife photography.

A little about Namibia: On the South Western Coast of Africa, where the icy Atlantic Ocean meets the world’s oldest desert lies a place known for its incredible landscapes and abundant wildlife. The unique combination of desert, grassland and cold ocean currents form a one-of-a-kind terrain found only here. For this reason, landscape and wildlife photographers from all over the world journey to the Namibia Desert to try to capture its ethereal beauty and fantastic wildlife. 

The first half of our workshop was dedicated to visiting a variety of private game reserves. This allowed us to photograph wildlife at eye level in a private and secluded setting. We could get out of the vehicles in several locations and even walk with a small family of White Rhinocerous. We deliberately avoided large public game areas and reserves like Etosha (which does not allow access before sunrise and stipulates that you must be out of the park before sunset) to ensure the best possible photography conditions. Our professional guidance ensured that we were always in the right place at the right time for the best shots.

The second part of the workshop was landscape-focused and included a visit to the world’s oldest dunes – the Namib Dune Sea. We had intended to use private chartered helicopters for doors-off aerial photography over the dunes, but last-minute mechanical issues prevented any aerial work (the desert is not kind to machinery). Instead, we made the most of the time available and hiked into the dunes for breathtaking landscape opportunities. Of course, Deadvlei is a must-visit for anyone on their first visit to this region, but there is so much else on offer in Namibia.  I have been fortunate to travel and photograph in Namibia more than half a dozen times. After much scouting, I have located some incredible locations in the dunes that others do not visit. We maximised our time in these locations at the best time of the day to provide unparalleled opportunities and photographs. These are opportunities simply unknown to the vast majority that visit Namibia.

Our workshop began in Windhoek, Namibia’s capital. We visited several private game reserves over the first week, where we photographed leopards, Cheetahs, Elephants, Lions and White and Black Rhinos. The nature reserves were carefully chosen and boasted over thirty different animal species consisting of plains game, including kudu, giraffe, eland, oryx, hartebeest, zebra, impala and many more that roam freely, as well as predators such as lion, cheetah and leopard, being familiar residents of the area. We also utilised a private hide for eye-level photography of the wildlife. In addition, there were more than 300 different bird species in the area to photograph. 

After spending time in the private game reserves, we travelled to Swakopmund, where we boarded our private charter aircraft for the spectacular flight to Sossusvlei. This flight took us over the incredibly expansive Namib dune sea and provided an opportunity for some aerial imagery of this vast primordial landscape. This flight allowed us a bird’ s-eye view over the salt pans, Sandwich Harbour, shipwrecks, abandoned mining camps, and dune sea before landing at the Sossusvlei Lodge airfield. 

Namibia

While in the Sossusvlei area, we explored the iconic DeadVlei and the limitless opportunities offered by the desert’s shifting sands. As we were already inside the park in our carefully chosen accommodation, we had the advantage of heading into the park an hour before sunrise and exiting an hour after sunset. This allowed us to see the sunrise and capture the dunes while the light was soft and shadows accentuated their towering shapes and curves. This area boasts some of the highest free-standing sand dunes in the world. 

While in this area we hiked up into the dunes in the late afternoon to be in the best locations, when the light was at its very best for photography. These locations are off the beaten track and unvisited by tourists but provide some of the best dune photography to be found anywhere in the Namib desert. On our last day we had a wonderful encounter in a nearby canyon with a troop of Baboons that provided some incredible opportunities for back-lit wildlife.

At the end of our time in Sossusvlei we transferred back to Windhoek where we wrapped up and concluded our workshop with a farewell dinner before onward travel.

I will return to Namibia again in late May 2026 to lead another workshop in this incredible country. The workshop will focus on three carefully chosen and curated locations, including the Namib dune sea surrounding Sossusvlei. The workshop will also include air transfers between locations inside Namibia to minimise arduous drive times typical of most travel to this large country. We are still finalising the details, but we hope to open the trip for bookings very soon. You can pre-register your interest by dropping us an email

Photograph of the Month June 2024 – Desert Fire

The photograph of the month for June 2024 comes from my recent Namibia Masterclass workshop (Trip Report coming very soon) and is of the Namib dune sea at sunset. This particular part of the Namib desert is one of my favourite locations. This an area I have been returning to on each visit, and it always offers a fantastic play of light, shadow and sand. Interestingly, I have never seen anyone else in this area – even though it is relatively easily accessed and is only a short walk off the main tourist road into Deadvlei. The photograph plays on shadow and light and uses geometric form as its subject. The interplay of shadow and light and the drama of the flying sand is what makes this such a strong photograph for me. I will return to Namibia again in 2026 – full details will be posted soon.

WNPP Episode 99 The Consumption of Nature

I have just published episode 99 of my Wild Nature Photography Podcast. In this episode, I discuss the consumption of Nature vs, appreciation of Nature after a recent, somewhat sour ‘tourist’ experience during a tour in the Cango caves in South Africa. Apologies in advance, but I somehow managed to screw up the numbering of these podcasts and refer to this episode as number 89 during the recording when it is, in fact, episode 99. That was most probably jet lag.