Why I am ditching the MacBook Pro Line

Those of you who follow my blog will be aware that I am currently in Kaikoura in the south Island of New Zealand on a seven day photographic assignment. What you are probably not aware (unless you also follow my Facebook Page) is that I am also currently suffering from Pneumonia and have been laid up in bed for the last few days as I try to get over this horrible virus. As yet, I have not even had the opportunity to get my cameras out of the bag. This unexpected turn of events has provided me a lot of thinking time about how I manage various aspects of my photography and I have spent some time pondering everything from office furniture to I.T infrastructure in an effort to improve the way I do things.

I will shortly be moving into a much larger studio space than I currently use (roughly twice the space) which is a move well overdue. My current studio space is bursting at the seems with ‘stuff’ that I need and use in my photography on a daily basis. Everything from computers, printers, and cameras to books, paper and pens all takes up valuable space and I am looking forward to having more room and specifically more desk space. I am actually going to put in all new desks with more room for creating profiles, my print viewing station and print evaluation. I am also going to put in a speed matt for matting prints as well as more storage for things like printer paper and ink. It never ceases to amaze me how much ‘stuff’ is required as a photographer and how much room all this stuff takes up. The irony is that it takes a larger space to de-clutter the studio.

The downtime has also got me thinking about how I have been managing my I.T infrastructure. Currently I run a pimped out 2008 Mac Pro Desktop computer. It has 32 gigabytes of RAM and is fitted out with Apple Hardware RAID and 4 Western Digital 3TB Red Caviar Drives in a RAID 0+1 Array. This gives me both speed and redundancy. The Mac Pro also has the OWC Mercury Accelsior striped 480 gigabyte SSD drive as its boot drive for the Operating System and Applications. This card is blazingly fast and brings the Mac Pro well up to speed with current SSD machines. Attached to the Mac Pro is a 27″ NEC Adobe RGB Wide Gamut SpectraView monitor. This is my current system for all my image processing. Also attached to this Mac Pro is a Drobo Pro 8 bay NAS Chasis hooked up via Firewire 800 that backs up the Mac Pro’s RAID array every night. I have another external Hard drive hooked up via USB for Time Machine which backs up my Mac Pro’s boot SSD.  This system (other than the Drobo being painfully slow) works extremely well.

I also run a MacBook Pro 15″ laptop (the model before the Retina) which I use for email, web browsing and teaching when I am in the field on workshop.  I do not use it for any serious image processing as I just find the screen woefully inadequate compared to the SpectraView monitor in my studio. I often start processing files in the field on the MacBook Pro but frequently find I have to re-set them and start from scratch when I get back to my studio as the laptop screen just does not display color to my satisfaction and has very poor tonal relationships.  The new retina line does a better job of making images ‘look’ better; but its still light years behind a quality wide gamut display when it comes to color display and accuracy. The Macbook Pro was purchased with a 250 gig SSD drive as well as the maximum 8 gigabytes of RAM. The laptop backs up to small Lacie Firewire 800 drive using Time Machine when I am in my studio. On top of this I am juggling an iPad mini which I use for reading when travelling. The iPad mini takes up almost no space and is very light so its not a bother to lug around. Of course, I also have the mandatory iPhone 5S.

What I have come to realise is that the Macbook Pro has become virtually superfluous in my workflow. When shooting in the field I am downloading into Lightroom for the express purpose of backing up my files only. Since I do not process when I am in the field (but when I get back to my studio) it is major overkill to use a top end laptop for this purpose. Currently I manage Lightroom and Photoshop (as well as a myriad of other apps) on both my Macbook Pro and Mac Pro and this has become tiresome. Having to keep two machines up-to-date is actually a royal PITA. I also currently use my Macbook Pro extensively for email and web browsing. Both of these tasks can be accomplished on the MacPro when I am at home in my studio or on my iPad when travelling.  Now I know what you are probably thinking at this point “Hey! Ditch the Mac Pro and just use the MacBook Pro for everything hooked up to your external monitor” Well, the truth is I did consider this option briefly. However, when it comes to image and video processing there is simply no substitute for cubic inches. RAM and CPU Cores matter (and they matter a lot) – The more the better. Bring em on! Even a top end MacBook Pro cannot compete with multi-Core XEON processors and 32 Gigabytes+ of RAM. Not to mention RAID systems and external storage arrays hooked up via Firewire or Thunderbolt. There are many other shortcomings as well such as the inability to run dual monitors from the laptop with proper color management and long term scalability. Suffice to say speed matters and that the desktop delivers it in spades.

This all got me thinking about the possibility of ditching my laptop entirely and simply using my iPad when I travel for email and web browsing and backing up my files with another method such as an Epson Viewer. As romantic and appealing as this option is it simply isn’t practical for me. I do need to be able to teach image processing when I am on workshop and I also need to be able to give presentations in the field. I could do presentations via the iPad with keynote but its not quite as slick as a laptop. And when it comes to teaching Lightroom and Photoshop an iPad simply doesn’t cut it. As an adjunct I also need to be able to update my blog when I am in the field and although I could do this with the iPad and an attached keyboard its again not quite as slick or easy as a laptop. The reality is I will have to continue to maintain two machines for the foreseeable future. I had been ready to pull the pin and drop nearly $4000 on a new Mac Book Pro 15″ Retina when they are announced next month. However, after much thought I have decided to abstain will instead purchase  a much lower spec. MacBook Air only when my current laptop reaches the end of its useful life – which, realistically is probably another two years away if I stretch it out. A lower specification Mac Book Air will more than suffice for presentations and teaching – yet offer me substantial weight and cost savings over the Pro Line of Mac Books.Weight is a big consideration for me these days given I spend five-six months of the year travelling internationally. In terms of cost at current prices a fully pimped out MacBook Air is around $2000 AUD or half the price of the MacBook Pro line. I will continue to look forward to the day when I can fully ditch the laptop line as I see this as significant simplification of my I.T Infrastructure.

If this seems like a long post to state a very small change then I apologise. It wasn’t 100% crystal in my mind when I began this thought process and subsequent post what the correct course of action was moving forward. I needed to get it down on paper for my thoughts to congeal and to really make the correct decision.

So what about the new Mac Pro? If you have been following the rumors you will be aware that Apple is scheduled to release the new Mac Pro this fall. This all new design is a significant departure from the previous iterations and I am looking forward to reading some reviews when it is released. Will I upgrade to the new model? The inevitable answer is yes. However, I will wait until there are firm reviews in the field and the options for external Thunderbolt spec.two storage are clear. Since a departure from the current model means significant re-investment in not only the new Mac Pro, but also an external storage chassis with Thunderbolt 2 the investment is reasonably significant.

New Zealand South Island Assignment

Two nights ago I flew to the South Island of New Zealand for a seven day photographic assignment in the coastal village of Kaikoura. Kaikoura is one of my favourite locations in New Zealand and it is fantastic to be back in this amazing country – the scenery is just spectacular. I had planned to spend my down time between the Arctic and Antarctica this November at home with the family – but a last minute opportunity for an assignment to New Zealand was too appealing to turn down . New Zealand is one of the most beautiful places in the world and I never tire of returning to its rugged landscape. I have to keep the exact details of this assignment under wraps for now – but I hope to post an image or two over the coming week if time permits. For now, Kia Ora from Kaikoura!

2013 Jewels of the Arctic Expedition Reports

In August this year I lead back-to-back expeditions for photographers in the Arctic to Greenland, Svalbard and Iceland with my good friends Daniel Bergmann and Peter Eastway. Daniel worked with me as a co-photography guide on the first trip and AIPP Grand Master of Photography Peter Eastway joined me on the second return journey. The first expedition departed from Longyearbyen in Svalbard early in August and sailed up the coast of Svalbard before crossing the Greenland Sea (Arctic ocean) to Greenland. We then sailed down the east coast of Greenland exploring many of the incredible fjords (including the breathtaking Scoresby Sund and Kaiser Franz Josef fjords) before crossing the Denmark Strait and docking in Ísafjörður in the north of Iceland. The second expedition departed from Ísafjörður, crossed the Denmark Strait to Greenland where we sailed up the coast stopping in many of the fjords before sailing back across to Svalbard and docking in Longyearbyen. As these two expeditions were very similar in their planned itinerary (except in reverse) I am combining my trip reports into this one post. As is always the case however, no two expeditions are ever the same and each had its own share of amazing experiences, weather, wildlife and surprises.These were truly extraordinary expeditions that at our most northerly position saw us only approximately 600 miles from the North Pole skirting the edge of the Arctic pack ice. For those of you unfamiliar with this part of the world Svalbard is serious Polar Bear country and we were fortunate to have a couple of good bear encounters on our first expedition – including a mother and cub that we stumbled upon feeding on a reindeer kill very early in our expedition. Polar Bear do not normally hunt reindeer so it is likely the mother simply stumbled upon an already dead animal. Nevertheless it made for some fabulous photography and a unique wildlife encounter. We also encountered a couple of bears on the pack ice near Shannon Island. Although this encounter was brief it nevertheless resulted in some fabulous photographs.The route we travelled was similar on both trips with some variation in heading and landing locations. During our time onboard our expedition ship ‘Polar Pioneer’ we made daily shore landings at many places on the Greenland and Svalbard coasts. In many cases we landed twice per day or depending on our location we also cruised in zodiacs through several iceberg graveyards including the spectacular Red Island and Bear Islands areas. Wherever possible we attempted to land in locations we new would provide outstanding opportunities for wildlife and landscape photography. Many of these locations provided us with wildlife experiences as well as an opportunity to stretch our legs from ship board life. These were shared expeditions with kayakers and in many instances the kayakers chose to paddle instead of land. Just some of the locations we landed or zodiac cruised included included Kap Stewart, Red Island, Hare fjord, Nordbugt, Eskimobugten, Syd Kap, Bear Islands, Gateau Point, Kong Oscar Fjord, Nanortalik, Blomsterbukten, Smeerenburg, Fugelfjorden and Lilliehöökbreen. Each of these locations provided us with a unique experience and each offered something different in the way of photographic possibilities.One of the more fascinating locations we visited was the inuit village of Ittoqqortoormiit. Ittoqqortoormiit is located on Liverpool Land, near the mouth of the northern shore of the Kangertittivaq fjord, which empties into the Greenland Sea. This small village of only 450 native Inuit is a fascinating location that gives significant insight into life in Greenland – a harsh existence. We also cruised into Scoresby Sund and Kaiser Frans Josef fjords where we discovered incredible landscapes and giant castellated icebergs – several of which were easily the size of large football fields in size and half a dozen stories high. Both these giant fjords personally rate as the highlights of these expeditions. The geology and icebergs in this part of Greenland are breathtaking and the landscape unique in my experience. The opportunities for photography are limitless and just about everywhere you look there are images just waiting to be made. Of course, the entire landscape is bathed in the glow of the midnight sun so there are quite literally hours of golden light for photography.

The real highlight of both expeditions in my experience is the fjords of Greenland. The geology in Greenland is truly incredible and nothing short of miraculous. Contrary to many peoples preconceptions the coastline of Greenland is incredibly rocky and desert like. No where else in the world have I ever witnessed such incredible rock formations and geology as that found on the east coast of greenland – It is both surreal and otherworldly. There were several instances I can recall where we literally put down our cameras and simply marvelled at the rock formations. Of course, there are incredible glaciers and glacial tongues that snake down to the ocean between the mountains and giant icebergs that drift slowly down the fjords on their journey to the ocean, but it is the geology of the land that I personally find truly remarkable. Almost everywhere you look there are signs of incredible upheaval and geological activity. It is no wonder that geologists flock to Greenland and regard its formations as one of the holy grails of geological study.

We experienced a wide range of wildlife during our expeditions including Polar Bears (on the first trip), Musk Ox, Walrus, Reindeer, Arctic Hares, Bearded, Ringed and Harp seals and a plethora of sea birds including Arctic Terns, Kittiwakes, Fulmars, Skuas (including great, pomaraine and long tailed varieties), Glaucous Gulls, Guillemots and the rare and angelic aptly named Ivory Gull. One of the favourite pastimes for many on board was to stand on the bow or stern photographing the many sea birds as they followed us on our journey. We did search for both Gyrfalcon and Snowy Owls in two locations where they are known to nest but were unable to locate them (although we found recent evidence of GyrFalcon activity). I have yet to see a Gyrfalcon in the wild and eagerly await the day I am fortunate to site this rare bird of prey. We were also fortunate to encounter a huge pod of Humpback whales on our first expedition as well as a Blue whale and young Calf which followed us for an hour or so under the Midnight Sun. I was also fortunate on the first expedition to very briefly site a Beluga Whale and calf  near the carving face of Svalbard’s largest glacier. The sighting was brief however and the whale and calf disappeared before I could even raise my camera to my eye. Long lenses for wildlife photography in the arctic are really a must. Unlike Antarctica, much of the wildlife in the Arctic is found at a distance and can be quite skittish. I took Canon’s new 200-400mm F4L IS lens with inbuilt 1.4 Teleconverter for these back-to-back trips and found even with the 1.4 TC engaged that I often wanted more reach on my full frame 1DX camera. I will likely also take a 600mm F4L IS lens with me next year.One of the more obscure attractions to a Polar Expedition is the optional and rather intimidating Polar Plunge for those who are feeling brave. It takes some conviction (one could argue lack of brain power) to jump into ice filled 3º celsius Arctic waters in the name of joining an elite society of ‘polar plungers’. I admit, I bailed on the opportunity to join this club on the first expedition this year, but had my arm twisted on the second trip and was subsequently convinced that it was a good idea to jump off the fourth deck of Polar Pioneer for the video camera. For posterity here it is – shot on the RED Epic Cinema Camera at 350 frames per second. And yes, that water was every bit as cold as it looks. Just click on the image to view the video on Vimeo.One of the real treats of a photography trip to Greenland is a dawn cruise at an area known as Red Island – An iceberg graveyard where icebergs of all shapes and sizes collect and slowly melt in the Arctic summer. Cruising amongst these amazing icebergs as the Arctic sun slowly rises and throws its color across the ice is an incredible experience. Were were fortunate on both expeditions to encounter some really beautiful icebergs with outstanding light. As you may gather from its name, the area is home to a large island of red rock whose colour defies something you would think Mother Nature capable of creating.In terms of temperature during the expeditions we never really encountered any seriously cold weather with most days averaging a few degrees above zero. It did occasionally get chilly when cruising around the calving faces of many of the glaciers in zodiacs when the catabatic winds were bringing cold air down off the ice. Of course, the wonderful thing about zodiac cruising and photography from zodiacs is that we can return to the ship at any time required. We did have two days in Greenland where the mercury climbed to ten degrees which gave us pause to strip off a few layers as we hiked up the side of a mountain for a view across one of the many fjords. We really only experienced a couple of days of dubious weather throughout both expeditions and in both cases we were fortunate to be at sea in either the Denmark Strait or crossing between Greenland and Svalbard. A few souls did succumb to seas sickness during these crossings but on the whole most of us rode out the swells with our dignity in tact.Greenland and Svalbard are fascinating locations to visit and photograph and we were fortunate to encounter and experience some extraordinary sites – perhaps the most spectacular of which was a huge iceberg collapse on the second expedition which was captured on film by many of the expedition participants. During our time in the Arctic we also witnessed several huge glacial calvings whilst photographing from zodiac and a plethora of incredible icebergs. Many of the larger icebergs we encountered contained water ice fractures – crevices that have subsequently filled with water and re-frozen. These lines are an iridescent blue and run like lightning bolts through the ice. This is a phenomena I have not experienced before outside of the Arctic and I will look closely this November when I am in Antarctica to see if I can find any examples in the southern polar region.

A word on preconceptions: Probably no where else that I have travelled have I held such strong preconceptions of what Greenland would be like and never before have those preconceptions been so brutally shattered by such an incredibly juxtaposed reality. Greenland is absolutely nothing like you would most likely imagine. It is a rocky barren land formed from massive geological upheaval and although it has an incredible ice cap across much of its land mass its coasts are incredibly desert like and devoid of ice and snow during the Arctic summer. The fjords are lined and guarded by precipitous peaks of orange and yellow rock that thrust upward from the sea in all manner of twisted and tortured formations. Glacial tongues sporadically snake down between these peaks – many of which are showing significant signs of retreat. Greenland is a country of stark and beautiful desolation, of jagged peaks and hidden fjords. Perhaps no where else have I sensed so strongly the wildlife’s struggle for survival against such a hostile environment. Yet, there is a beauty that is near impossible to describe. After all, how does one describe something when even the best superlatives you can think of — words like magnificent, incredible, stupendous, other-worldly — seem inadequate?During these two expeditions I shot over ten thousand images and have only just started the long editing and processing process. Given my current travel schedule it may well be many months before I get an opportunity to really mine all the potential from these two expeditions. Many of the participants have already edited and processed files from the trip and sent me examples of images they were able to capture.I am particularly excited about the video I will be releasing later this year from the 2nd expedition. In case you missed my earlier post I enlisted Abraham Joffe and his production company Untitled Film Works to accompany me on the second expedition to film and produce a short movie of what it is like to be on a polar photography expedition. During our time in the Arctic we were cable to capture some incredible footage of massive iceberg collapses, glacial carvings, wildlife and much more. The majority of the video we shot was captured on a RED Epic Camera in 5k resolution. The RED Epic is the very same camera Hollywood uses to film the majority of its major film productions. Shooting with a RED Epic enabled us to capture incredible resolution and extremely high frame rates. This proved invaluable when shooting glacial carvings and iceberg collapses.

You can see a number of photographs I made during these expeditions on my website at www.jholko.com in both the Svalbard and Greenland Portfolios.

Dispose Magazine – A Day in the Life of Arctic Photography

Before I left for the Arctic this year for two months photography I was invited to participate in a project for a magazine called ‘Dispose‘. Dispose distribute throwaway disposable film cameras to a wide range of people living across the world. They ask contributors to document one day in 27 exposures. From the time they wake up to the time they go to sleep, these individuals shoot a minimum of one photo per hour including one self portrait. This was a fun project for me and it was great to be shooting film again – even if it was on a disposable camera. I chose to document my time spent between life aboard M.S Origo and Polar Pioneer in Svalbard. I am also excited to have been asked to work on another project with Dispose later this year in Antarctica. You can see the photographs from my time in the Arctic at Dispose’s website.

October Photograph of the Month – Feeding Frenzy

One of the most amazing wildlife encounters I experienced during the two months I recently spent in the Arctic was whilst cruising around the base of one of Svalbard’s largest glacier fronts –Lilliehöökbreen. As we cruised slowly along the glacial front we discovered a wonderful archway shape in the deep blue ice with thousands and thousands of Kittiwakes engaged in a feeding frenzy at its base. The glacial face at Lilliehöökbreen is extremely active with chunks of ice the size houses and cars regularly calving off into the water below. These ice chunks stir up the marine life near the surface where the birds take advantage in a massive feeding frenzy. We were fortunate to have some wonderfully overcast skies which really makes the blues iridescent in the glacial ice. The Kittiwakes also help give a sense of scale of the massive glacial front.