Tips to Avoid Getting Sick When You Travel 2020

Back in 2013 I wrote an article titled ‘How to Avoid Getting Sick When you Travel Overseas” that I published here on my blog. Given the recent COVID-19 pandemic that originated in China it seems timely to revisit this post with some general tips on how to avoid getting sick when you travel.  The intention of this article and post is to provide you with some general hygiene based practices you can implement to help you avoid getting sick when you are travelling. You should always consult with your Doctor regarding any illness. These are precautions I personally take and they generally work for me. Many of these might seem like simple common sense but it is good to revisit them from time to time to ensure you are implementing best practice to avoid illness.

Be Prepared: I try and be prepared for illness and travel with suitable medicines based on my Doctor’s advice. I visit my Doctor before I leave and get a prescription for a generic AntiBiotic medicine. Something that I can take to help my body battle an infection should I be unlucky enough to fall ill. I also travel with a range of medications including pain killers and nausea medicines. Consult with your Doctor for their recommendations on suitable medications that you can use when you are travelling.

Prevention: I always visit my Doctor before I leave and find out what he recommends in the way of immunisations for the countries I plan to visit. Prevention is always better than cure when it comes to illness and many of the really nasty ailments can be immunised against (such as Typhoid, Yellow Fever etc.). Immunisations are like crash helmets for your entire body  – You don’t want to be without them.

Hygiene: I always pack a small bottle of Hand Sanitiser and use it religiously. When travelling in areas which have questionable hygiene  (these days that is the entire planet!) I use the sanitiser to wipe down cutlery, chopsticks, bowls and cups – I even use it to wipe down the top of my take away coffee cup. I wash my hands regularly and always before I sit down to a meal. If I am travelling on a cruise ship I am using hand sanitiser many times per day. As a general rule I try and apply sanitiser very time I touch a ships public railing. Ships railings are the equivalent of a bacteria factory operating at maximum efficiency. I personally prefer to bounce off the ships walls with my arms and elbows than to touch ship railings.

Catching Bugs: The default reaction for most people stepping onto an escalator or travellator at an airport is to immediately put their hand on the hand rail. My advice is that unless you specifically require the use of the rail for balance avoid placing your hand on the rail. These hand rails are one of the most common ways germs are transmitted from person to person. All you need to do is touch a hand rail then touch your face and you can pick up a bug or virus. The same applies to everything from buttons in lifts to door handles and airport luggage carts.

Water: Only drink bottled water and do not brush your teeth with tap water. The only places in the world I drink tap water are Australia (where I live), New Zealand and Iceland. Outside of those three countries I only drink and brush my teeth with bottled water. If you are used to ordering your drinks with ice be sure to ask where the water came from – bottled or tap. Drink plenty of water. It is easy to become dehydrated when you are travelling and if you are dehydrated it is hard for your body to fight off illness. Personally, I find it hard to drink a lot of water so I usually opt for either bottled soda or mineral water.

Vitamins: I take Vitamin C daily when I am travelling as a preventative medicine – usually 1000 milligrams per day. If I start to feel a sniffle coming on I increase my daily dose to 3000 milligrams for a short period. Vitamin C is a proven source of energy for your body to help fight sickness. If the food is questionable in the country I am travelling I will also supplement with a daily general purpose multi-vitamin.

Wash: Wash your hands regularly. It never ceases to amaze me the number of people I see walking out of a public bathroom without washing their hands. Wash with hot water and soap – a quick rinse doesn’t cut it and I prefer the surgical scrub approach. Disposable paper towel is my preferred hand drying method as I can usually keep a piece in my hand to open the bathroom door before tossing it in the bin. Remember, any door handles (particularly bathrooms) are potential infection points so avoid them at all times if possible.

Touch: This is a hard one to remember, but it is often the key to avoiding illness. Try not to touch your face with your hands when you are travelling. Many bugs and germs are picked up first on the hands and then transmitted to the face where actual infection takes place. Bacteria is carried through moisture, so when people are sneezing and coughing, and then touching things, they are leaving their germs on them. If you are to accidentally come into contact with these germs, you don’t want them getting to your mouth or nose. Be especially careful in restrooms and public spaces.

Food: Eat healthy meals and avoid suspect food. As tempting as it might be to try the local delicacy that has been hanging in the street market under the blazing sun all day it probably isn’t a clever thing to do and it certainly isnt worth risking a bad case of food poisoning over. I try and give my body the best food I can when I am travelling within the confines of my food and taste preferences. Take away junk food provides little in the way of nutrition, vitamins and minerals and does not provide the body with the ideal fuel for fighting infection. There is often a temptation when travelling to try new and exotic foods. I exercise common sense and caution whenever I have the option to try something new.

Rest: Get plenty of sleep and rest. Your body will be much more successful at fighting off illness if you are rested. Colds and flues are much more likely to take hold if you are run down and tired. It can be hard to find ample rest time during photographic travels but it is critical to give the body time to recover every few days. There is absolutely nothing wrong with an afternoon nap if the light is poor or its raining outside. Downtime is as important as shooting time. A rested body and mind is also far more creative than a tired one. I confess that of all the things on my list for avoiding illness this is the one I fail at most frequently.

Social Distancing:  This is a new addition to my list based on the current COVID-19 pandemic. Simply practice social distancing and stay away from people, public places and large gatherings. The more you can distance yourself from people the less likely you are to pick up a bug, germ or virus. If you are staying overseas for example consider staying somewhere with a kitchen (like an Air BNB apartment) where you can stay in and cook  for yourself rather than visiting public restaurants. Avoid airport common areas and choose locations with lower densities of people when you are waiting for flights. Of course, if you can avoid flying at the present time that is highly recommended.

Fine Art Arctic Fox Prints on Display in Iceland at the Arctic Fox Centre

I am very excited to announce that the national Arctic Fox Centre in Sudadvik, Iceland is now displaying a selection of my prints of the Arctic Fox taken over the last five years in the Hornstrandir Nature reserve. Copies of my open edition book ‘Melrakki’ are also available from the centre. The Arctic Fox Centre is a non-profit research and exhibition centre, focusing on the arctic fox (Vulpes lagopus) – the only native terrestrial mammal in Iceland.

The Arctic Fox Centre was established on September 15th 2007 in Sudavik Westfjords. Founders were 42, mostly local people, tourist operators and municipalities in the Westfjords. All of which share their interest in the arctic foxes and believe in carefully managing ecotourism in Iceland. The idea of the Arctic Fox Centre comes from prof. Pall Hersteinsson, University of Iceland and he serves as a quality witness for the centre. The long term aim is to collect all available knowledge and material relevant to the arctic fox past and present.

Iceberg in Antarctica

Finalist ANZANG Nature Photographer of the Year 2019

Early this morning (Iceland time) I received the exciting news that one of my photographs has been selected for the final round of judging for ANZANG Australia and New Zealand Nature Photographer of the Year competition for 2019. This is the fifth time I have had images in the finals of ANZANG (I did not enter last year). I had actually planned not to enter any more online competitions that did not judge the print, but in a moment of weakness I caved as I wanted to continue to support the good work of ANZANG and the south Australian museum. I hope to share the photograph here on my blog as soon as the final round of judging is completed.

Iceberg in Antarctica

Polar Bears of the High Arctic 2020 2 Places Available

Due to a medical cancellation I have two places that have just become available on my 2020 expedition to Svalbard this July (Read the report from last years expedition) to photograph the King of the Arctic. On this expedition we will be travelling on the ship M.S Freya as we head north to the edge of the pack ice in search of Polar Bears, Walrus, Arctic Fox and beautiful Arctic Landscapes. If you are keen to photograph Polar Bears in a beautiful landscape please drop me an email for further information – due to the initial payments both places are effectively heavily discounted.

The High Arctic is a place to inspire the imagination. Nowhere is it more accessible than the Norwegian archipelago of Svalbard, located deep within the Arctic Circle. Nowhere else can the Polar Bear be seen more reliably in its natural habitat, and photographing these magnificent animals will be our main objective. We will also search for walrus and the other wildlife of the region. Dramatic glaciers, plunging cliffs and beautiful drift ice formations will be present as well.

Watch the expedition video ‘Kingdom of the Ice Bear’ to get an idea of what this expedition entails.

Nature Photography In the Spirit of Full Disclosure

A very similar opinion piece to this was originally penned by Andrew Parkinson. With apologies to Andrew, I do not recall where it was originally published, but I agreed so strongly with the sentiment that I took a copy of the article at the time I read it; which I revised and updated with my own thoughts below in relation to the genre of Nature photography.

I have always considered myself a ‘full disclosure’ photographer; someone who puts honesty and integrity before ego, authenticity before falsehood and ethics before photographs. It is not a particularly complicated process, I just tell the truth about my photography and my photographs are an accurate depiction of Nature and what I experienced at the time. When a viewer stands in front of one of my photographs they can know in their heart that what they are looking at is an accurate depiction of Nature. This might sound somewhat lofty to some, but as a Nature photographer, I believe in my heart that I have a responsibility to accurately depict Nature and that my viewer should not be deceived. They have a right to the truth and to know (and expect) that the photograph they are viewing accurately depicts the truth of the moment.

Like all digital images, my RAW files require some optimisation prior to publication. Usually this optimisation involves little more than setting a white and black point, tweaking shadows and highlights, subtle white balance adjustment, some capture sharpening and perhaps a small contrast or saturation adjustment. Other than the above, nothing is added or taken away – save the odd dust spot (I do crop). There is absolutely no use of compositing in my photography. There is no HDR and no Focus Stacking. If you see a photograph of mine that looks like the depth of field was impossible – I did it with a tilt shift lens in camera. I will walk over and pick up the stick that is in the way of my photograph and remove it. I wont clone it out after the fact. I will reposition myself to to improve my background, but I wont drop a new background in during post production. I learned the craft of photography shooting 35mm chrome transparencies. If I was a third of a stop out in my exposure the slide went in the trash; so I learned very early on to get it right in camera; and to this day my mantra is quite simply to get it right in camera. If the light was no good or the wildlife did not co-operate then thats just part of the process and I will try again another day. I don’t feel the need to process and publish a photograph just because it was the best I could do on any given day. It is the process of being out in the field and trying to capture a great photograph that is important to me. The process is as important as the end result and I have to have had a great day out in the field even if I didn’t make a great photograph. Nature photography is after all about being out in Nature. It is certainly not about creating a work of fiction in the computer and peddling it to the masses as a Nature photograph. This process is not Nature photography. It is quite simply digital compositing.

My intention is always to maintain the integrity of both the original capture and importantly the original experience. The act of processing is simply a finishing touch on an authentic end product. This is what is known as ‘photography’.

However, it is fair to say that these somewhat prosaic values are not shared by all image makers. For some, it seems the original RAW file is nothing more than raw ingredients. It is part of the cake waiting to be baked, a mere brushstroke in the direction of the finished masterpiece. For some, there are no rules about what can or cannot be done. If their imagination can conceive it, then creating it seems to be the status quo. Never, it seems is this dubious approach more prevalent than in the peculiar and murky world of fine art photography. And never have I seen it so badly abused as the pages of social media. Fine art photography it seems has become a dumping ground of convenience for images that are excessively post produced and that have long since left the realm of reality. 

Of course, it goes without saying that it is none of my dam business what other photographers do (or do not do) with their photographs, but in our rapidly evolving world I often look on with more than bemused interest at many of the trends that ebb and flow in our photographic space. With the popularity of digital photography sky rocketing, we are increasingly bombarded with a plethora of images so unreal that they have long since left the realm of photography. For lack of a better term they have entered the loose arena of digital composited art. Overworked images with radioactive saturation and hyper-realistic contrast are produced en-mass and sold to the world as Nature images; which they most certainly are not. Quite honestly, nothing irks me more than when one of these images turns up somewhere in a high profile Nature competition and is subsequently gushed over by the seemingly oblivious judges who must clearly be ignorant to the reality of Nature.  Sometimes it really does feel like its the blind leading the blind out there…

One has to only scroll through the pages of social media to witness the level of absurdity that is applauded, the falsehood that goes unnoticed and the rather spurious invention that is praised. In a world largely ignorant to the duplicity of the desperate, my critical eye has grown tired of this nonsense. More so, now than ever before the natural world is dependant upon the honesty of photographers to produce an authentic rendition of what they saw. We need to inspire with reality, and not distract with deception. Oh, I can hear the naysayers now; ‘but its my artistic vision!’ What nonsense. If it was truly artistic vision and expression there would also be accompanying full disclosure and they’re rarely if ever is. Instead, the photographer sits quietly in the shadows; lapping up social media likes and comments through the disingenuous artefact.

I believe strongly that we should reward the photographer for their skill and ability to capture the photograph in the field. Not reward them for being a software expert in post production. A great photograph doesn’t need much post production! It is already a great photograph!

Of course it isn’t easy; It takes commitment, skill, dedication and passion to produce emotional and powerful Nature photographs in camera. Many photographers simply are not willing to make this commitment and seek instead a quick path to glory through the crucible of post production.

When it comes to wildlife photography, “Fine Art’ and “Social Media” it seems are most concerned only with the apex species (the gallery walls are no place for even a Pallas cat). The gallery wall images when viewed without receipt, often seem mundane and banal; badly lit, badly executed and totally lacking emotion. It might be a bear or it might be a lion; it might be wild or it might be captive; the audience will likely never know. The magic does not occur in the field (where it should) – rather this is where the RAW materials are mined. Instead the wizardry occurs on the screen of a computer, and the photographer is reduced to nothing more than a composer as the artifice is orchestrated. Multiple images can be merged, miraculous anomalies will happen with the light and the sky really is no limit. It is here that the final images rise like a phoenix from the embers of mediocrity. For me, these images are a lie. They are an unrealistic fantasy composed of exaggeration, invention, manipulation and deceit. They are sold to the public under the disingenuous guise of reality. And when someone dare call out the photographer for their falsehood they are cast down amidst cries of personal artistic expression. The truth is, the photographer was caught out and has run for refuge into that safe haven of ‘creative vision’.

When these undisclosed creations are used to market workshops they are at their most insidious. They’re intent to deceive is laid bare by those in the know. Workshop participants will never capture these images, despite their hopes and dreams. They were sold a lie. They were tricked and deceived and that is unacceptable to me and it should be unacceptable to them and to you.

I believe it is important to clarify that my thoughts and opinion relate solely to the genre of Nature photography. However, my comments also apply to landscape photography when it falls into the Nature category and they certainly apply to all wildlife Nature photography. Commercial photography, professional portraiture and other such genres work to a very different set of principles. Again, I want to credit Andrew Parkinson for so eloquently penning his original piece and thank him for inspiring me to pay homage to it with my own ideals.

With thanks to Chris Wahl for the photograph below from this years expedition to photograph Arctic Fox in the north-west of Iceland. This particular female fox is one I have been photographing since 2016. Over the last four years I have built trust with this fox to the point she will now come to within just a few feet of me,  lie down in the snow, curl up and go to sleep. She is now toward the end of her life and this is probably her last winter.  I will miss her dearly and pray I may see her again for one more season next year.

Arctic Fox 2020