Canon EOS 1DX MKII Firmware Update V.1.1.2

Canon has released the much rumoured firmware update for the EOS-1D X Mark II. Although I don’t often write about firmware and equipment updates I wanted to make an exception with this update as there are several new interesting features that might be appealing to some users. Of particular note is the function to set the GPS positional data retention period. I have found in my own experience that the GPS frequently looses connection when I am on ship moving in and out of my cabin; so this should resolve that issue. The addition of a function to append IPTC data is also appealing and could be useful in certain situations.

Firmware Version 1.1.2 incorporates the following improvements to enhance functions.

  1. The addition of a selectable color-tone option for the LCD monitor.
  2. The addition of a function to append IPTC data.
  3. The addition of a function to transfer only protected images.
  4. The addition of a function to set the GPS positional data retention period.
  5. An increase in the number of network connection settings that can be saved to a memory card from 20 to 40.
  6. When retrying FTP transfer, extension of the minimum auto power off time to 10 minutes.
  7. Improvement of wireless transmission when using Wireless File Transmitter WFT-E6.

In a nutshell: what’s new and different?

This new upgrade (version 1.1) addresses specific issues that professional news and photojournalism organizations have brought to Canon’s attention. Not all of these will be important in more ordinary, everyday use to individual photographers (including myself). That said, the changes and new features that this firmware adds to the EOS-1D X Mark II camera are the ability to:

  • Install up to 39 items of IPTC information into the camera, and to add data (or deliberately not apply it) to images you take
  • Add set-up information for up to 40 new Wi-Fi® networks to a memory card, and load that data as a full set of possible Wi-Fi networks to select from for connection
  • Transfer only “protected” images via Wi-Fi
  • Retain GPS position data:  Continue to apply last known GPS location information to images subsequently taken, even if GPS connection is lost (photographer went inside a building, etc.)
  • Change LCD color tone (four pre-defined settings), to either approximate display from other cameras you’re working with, or to shift color tone based on ambient lighting as the LCD monitor is being used

The aim of these changes is to enhance a professional photographer’s workflow; improve on-location network and Wi-Fi operations (especially for photographers working at large events, with many Wi-Fi networks in simultaneous operation); and to smooth the process of transferring images and managing them with new embedded metadata.

Keep in mind that the EOS-1D X Mark II differs from other Canon EOS models in that it not only permits network communication and transfer of images via Wi-Fi (using the optional WFT-E8A or WFT-E6A wireless file transmitters), but also via wired ethernet connection — there’s a dedicated ethernet port on the camera for this purpose.  This allows similar network connectivity, but without some of the variables users can encounter on-location with Wi-Fi transmission.

Read more at the Canon Digital Learning Center

 

Moab and Legion Paper feature Antarctica Images at Photokina 2016

If you are attending Photokina in Germany later this month be sure to stop past the Moab and Legion Paper stand where several of my personal favourite photographs from Antarctica are being featured. The photographs are printed 24″ x 36″ inches on the new Moab Juniper Baryta paper (one of my favourite two papers). If you would like to travel and photograph in Antarctica with me there are now only a couple of places remaining on my expedition next year before it will be sold out. Full Details HERE.Ice Fortress HMAS Penguin Pool

Iceberg in Antarctica
Iceberg in Antarctica

2016 – APPA Australian Professional Photography Awards

This past weekend past saw the annual running of the annual 2016 Australian Professional Photography Awards (affectionately known to all those who enter as APPA). For those of you who may be unfamiliar with APPA you can read a previous blog post with my thoughts on the awards HERE.

This year was different for me as I was neither attending or judging the awards as I am currently in Iceland finishing up the second of two back-to-back workshops in the Highlands (I am headed back to Australia as soon as I finish this post – currently at the Iceland Air Saga Lounge). Although the APPA awards are live streamed across the internet the award timing happened to coincide with a period of time when I was in a very remote part of the Highlands without internet access and as such I subsequently learned of my scores after the event.

This was the sixth year I have entered the APPA awards. This year I again chose to enter the Science, Wildlife and Wild Places category (formally known as the Science, Environment and Nature Category), not only because I won this overall category in 2014, but also because this category has very rigid rules on image manipulation that are consistent with my own ethics for minimalist post production techniques. I have actually developed a severe allergy to the Landscape category at APPA for its ‘anything goes’ post production mantra that turns the entire category into a photoshop farce. More to come on this in a future post…

This year I chose to enter three images from the Arctic that I felt conveyed strong emotional feelings of wildlife in the landscape in dramatic conditions and one from South Georgia Island. I was thrilled to receive a Gold Award, a Silver with Distinction award and a Silver award for my first three entries. The fourth scored a 79 falling just short of Silver. This overall total placed me in the finals for the overall category win. It also provided sufficient points for my first Gold Bar toward my Grand Masters.

This year I also chose to enter my new book ‘Melrakki‘ into the Professional Book Award and was very pleased to receive a highly coveted Silver with Distinction award. Thank you very much to all those who contacted me after the judging with such overwhelmingly positive feedback on the book. Those of you who have pre-ordered the book (thank you) should start receiving them later this month.Hornvik-9491-EditSouthGeorgia2015-8201-EditVictoria-HolkoJ-1ArcticFoxIceland-9512-EditMelrakki

Photo of the Month September 2016 – Arctic Fox Hunt

The photograph of the month for September 2016 is of a blue morph Arctic Fox on the prowl for something to eat during high winds and blowing snow on a remote Iceland peninsula in winter. Taken during my three year project on the Arctic Fox this is one of my favourite images in my new book ‘Melrakki’ on the Arctic Fox. The photograph itself was taken with a Canon EOS 1DX and a Canon 600mm F4L IS MKII lens from a snow hole . The snow hole allowed me to get down to eye level with the fox to create a more intimate image than would otherwise have been possible. I have particularly vivid memories of this day because of the cold and because of the constant need to shovel the snow out of my snow hole as built up around me. The light and blowing snow created fabulous atmosphere though and it was worth the effort for the resulting photograph.ArcticFoxIceland-9512-Edit

Melrakki is available now for pre-order on my website as a limited edition hardcover fine-art book. The culmination of three years of winter photography in the extreme north-west of Iceland, Melrakki is limited to just 100 copies, each edition is hand numbered and signed and includes an original 11″ x 09″ inch fine-art pigment on paper print.

With foreword by pre-eminent scientist and Arctic fox expert Dr. Ester Rut Unnsteinsdóttir, Melrakki includes over fifty photographs and field notes from the three years spent photographing this remarkable predator in the extreme north-west of Iceland.

Melrakki Limited Edition is printed using the highest possible quality Canon Dreamlabo inkjet printer system and is printed on beautiful 250gsm High Definition Lustre paper that fully captures all of the incredible colour and tones of the original photographs. The Canon Dreamlabo represents the current state of the art in book printing and was chosen for this project after extensive testing and proofing as it yielded the highest quality that most closely resembles the original fine-art pigment on paper prints. I am extremely proud to stand behind the print quality in this Limited Edition book.

The included fine-art pigment-on-paper print is printed on Moab Somerset Museum Rag 300gsm paper and is hand signed.

Melrakki Limited Edition is $245 AUD plus shipping and can be ordered online exclusively through my website HERE.

I hope that you enjoy the photographs, insights and field notes from this project into the frozen world of Melrakki – the Arctic fox.

Photographs and Text by Joshua Holko

Approximate Dimensions: 22cm x 30 cm

96 pages (over 50 photographs + field notes)
The photo book & the print are together in a protective cloth sleeve

ISBN: 978-0-646-95781-4Cover

ANZANG Nature Photographer of the Year Exhibition

The 2016 ANZANG Australia and New Zealand Nature Photographer of the Year exhibition is now open at the Australian Museum in Sydney. The competition received a record 2171 entries in 2015 from nine different countries. I was very pleased to have one of my photographs from Antarctica in the finals. The photograph is on display as part of the exhibition.March of the PenguinsPresented for the first time in Sydney, the Australian Geographic Nature Photographer of the Year 2016 celebrates the extraordinary natural wonder of the Australia, New Zealand, Antarctica and New Guinea bioregions.

Featuring more than 100 inspiring images taken by professional, emerging and junior photographers from around the world, this annual competition documents the story of our region’s unique and ever-changing natural world.

The exhibition is being held at the Australian Museum – 1 William Street Sydney. Unfortunately I will be unable to attend this year due to my travel commitments in Iceland; but if you stop past be sure to drop me a note and let me know what you thought.CM_header_V3