Category: News and Updates

JHolko Photography Latest News and Updates

Semi-Finalist: Nature’s Best Photography 2016

Posted in Arctic, Media, News and Updates, Photographs, Wildlife PhotographsLeave a comment

I was very pleased to receive notification yesterday that I have had one of my photographs selected as a finalist image in Natures Best Photography competition. This is the sixth year in a row I have had my photography in the finals and am honoured to have had my photographs selected again. I can’t share which photograph has been selected at this point in the judging, but will post the image up as soon as the final judging is complete.

I have also just made available online an open edition portfolio on the Arctic Fox and the Polar Bear. Portfolios are a collection of loose, unbound original fine art pigment on paper prints that when viewed as a group form a collective project. Each portfolio contains a title page, then typically a colophon and statement about the project. A selection of finished fine art prints forms the project body of work. The photographs themselves are intended to be seen as a group, such as one would find in a book. However, they are loose prints designed to be held in the hand and kept together in a fine art package.

Each portfolio cover is made from custom embossed acid-free archival art paper. The assembly uses only archival, acid-free materials to ensure the long life of the prints contained inside. Prints can be stored in the portfolio cover, or removed, matted and framed.

Portfolios are printed on 100% cotton acid-free A4 Museo Portfolio Rag 300gsm Fine Art paper with a Canon IPF6350 Large format printer using Canon LUCIA long-life pigment inks. Each print is made with the same exacting care and meticulous attention to detail as my large format prints that are available exclusively through galleries. Portfolios are individually numbered, open edition and are available for $250USD each plus shipping.

The first two Portfolios to be made available are on the Arctic Fox and the Polar Bear. Each Portfolio contains six open edition fine-art prints as well as title page, colophon and statement about the project. Portfolios can be ordered online directly.

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Photo of the Month May 2016 – Lake of Fire

Posted in Landscape Photographs, New Zealand, News and Updates, Photographs, Travel PhotographyLeave a comment

It feels only fitting that the photograph of the month for May this year should be from the South Island of New Zealand (where I am currently leading my 2016 Masterclass workshop). This photograph was taken on my 2015 workshop and was one of those ‘drive by shootings’ when one is fortunate to see some really spectacular light, slam on the brakes and be able to grab a photograph before it disappears. In this case, early morning mist burning off a lake. The scene was quite far away from me so I used a long lens and the panorama format (something I rarely do) to capture the scene. It was pouring with rain when I made this photograph. A timely reminder that its well worth getting out to take photographs in inclement weather. NewZealand-4119-Edit

Guest Photographer: John Hurshman ‘Hot and Cold’

Posted in Africa, Guest Photographer, Iceland, News and Updates, Photographs, Travel Photography, Uncategorized, Workshops and ExpeditionsLeave a comment

Following on from my recent guest photographer post from Kevin Horsefield – Iceland the Frozen North, I want to share a short interview and photographs from John Hurshman who recently accompanied me on my Iceland Frozen North 2016 Workshop. I have had the pleasure of travelling and photographing with John now in both Iceland and Namibia and am looking forward to sharing an expedition to Svalbard with him for Polar Bears next year. Please enjoy the interview by Digital Transitions and photographs from our most recent Iceland and Namibia trips.

DigitalEditors Note: While most of our clients are professional photographers deriving their income from their craft, we also have many clients for whom photography is a passion, but not a source of profit. We thought we’d share the work of one such client, John Hurshman, who has recently traveled to both Namibia and Iceland. This combination struck us as especially interesting as it highlights the robust nature of Phase One digital backs – from the heat of the African Desert to the cold of the Icelandic winter. We interviewed John by email, with some editing for length, clarity, and focus.1_IcelandDT: What is your relationship to the art and practice of photography?

John: I am a retired corporate CEO who has been involved in photography for 35+ years. While early on, I had work published by National Geographic Books, Audubon Calendar and National Wildlife Magazine, the demands of family, career and business travel precluded much time for photography. It is only since I retired in 2012 that I have had the time to re-establish my involvement in photography. Much of photo time is spent in the environs of Charleston SC, my adopted home. Additionally, I now have the time for photo tours/workshops… Namibia in 2014, Iceland in 2016 and Polar Bear of Svalbard scheduled for 2017.2_Iceland

DT: Have you switched to Phase One or do you use it alongside other cameras?

John: I haven’t really “switched” to Phase One, but use is in conjunction with another system… most recently Fujifilm X-PRO2 mirrorless. My primary reason for adding a Phase One back was to take advantage of more pliable files, improved color and tonal gradation, and greater resolution; I have not been disappointed! I am using my Phase One IQ260 on a Cambo tech camera, and enjoy the slower and more deliberate work flow. As a by-product of working with a Phase One back, I have adopted Capture One as my primary image editor; I prefer the interface, workflow and end product.3_NamibiaDT: Why did you select Digital Transitions to make your foray into medium format digital?

DT: Can you tell us a bit about your trip to Nambia?

John: I first worked with DT when I was having trouble getting answers from another vendor that I had previously worked with. DT has not disappointed; you always respond promptly and clearly. I had a tiling problem with my IQ260, and your tech people quickly helped me resolve the problem.5_Namibia

DT: Your trip to Iceland featured a near polar opposite (pun intended) landscape. What inspired you to travel there, and how did you plan your trip?

John: In April 2014 I completed a 20 day trip to Namibia to witness and photograph the country’s unique ecosystem with a group led by noted wildlife and wilderness photographers Joshua Holko and Andy Biggs. It’s one of the most arid regions in sub-Saharan Africa. My primary interest was the dunes at Sossusvlei which feature vivid pinks and oranges because of their iron content.6_Iceland

John: Iceland has been on my “Bucket list” for quite a while, due to its stark beauty, harsh conditions and geological history. I also prefer places where I can more closely interact with and get more involved in the environment… and take my time. Regarding planning my trip… that was done for me by the tour organizers, Joshua Holko and Daniel Bergmann. Following that 10 day tour, I hired another guide, Chris Lund, for 2 more days of travel to places that couldn’t be included in the first tour.7_IcelandDT: We especially enjoyed “Long Stretch of Black Sand Beach.” Can you step us through your mindset and process in creating this image?

John: My thought was for strong leading lines and a long depth of focus to convey the expansive nature of the scene. The image was captured with the Phase One IQ260 at ISO 50 on the Cambo Anniversary Edition with Rodenstock 40 HR-W lens at f/11. I wanted to have the patterns on the snow in the foreground illuminated by the sun, so the shadows would lead into the line of snow and wave receding into the distance. Additionally, I was hoping for the more distant section of the snow covered land to have some sunlight in order to draw the viewer’s eye more deeply into the picture. Sometimes, the foreground was illuminated, but not the background – sometimes vice versa – sometimes no illumination. But, there were enough thin spots in the clouds to encourage sticking with it. After about ½ hour of waiting, the thin spots in the clouds lined-up the way I had hoped. Also, the clouds did not clear completely, but thinned so that the sunlight was softened and not harsh. Sometimes you get lucky!8_IcelandDaniel Bergmann and I will be running our annual winter trip again in 2017 and bookings are now open and places are limited. Just drop me an email if you would like to join us.

New Zealand South Island Masterclass Workshop 2016

Posted in Landscape Photographs, New Zealand, News and Updates, Photographs, Travel Photography, Uncategorized, Workshops and Expeditions1 Comment

In a couple of hours I will be making my way to the South Island of New Zealand in preparation for my 2016 Masterclass workshop. It has been a full year since I was last in New Zealand and I am very much looking forward to returning to this magical country. May is a wonderful time to be visiting and photographing in the South Island; the fall colours will be just about at their peak and the weather is usually quite stable with fresh crisp mornings and rosy pink light.

We are looking forward to photographing around the island including several planned aerial shoots over the spectacular Southern Alps. Aerial photography from helicopter with the doors removed is an incredible experience over these majestic mountains. This photograph from the 2015 Masterclass was taken just on sunrise near Mount cook. Temperatures were will into the sub zero range and the resulting wind chill without the doors meant it was more than a little chilly. The results though are worth all the pins and needles…NewZealand-3313I am also looking forward to putting the new Canon EOS 1DX MKII cameras through their paces during this workshop. Over the last year I have been photographing with the Canon EOS 1DX and the EOS 5DSR 50 mega pixel camera. My experience with the 5DSR has been somewhat of a mixed bag and I have to say that on the whole I generally prefer the files from the original EOS 1DX (especially above the 5DSR’s base ISO of 100). Quite honestly, 50 mega pixels is just a whole lot more than I need for the vast majority of my photography and so I find myself reaching less and less for the 5DSR. The initial testing I have done with the new EOS 1DX MKII shows the files are considerably improved from the original 1DX; which in conjunction with the other improvements has me very excited about this new camera. I will have more to say about my thoughts on the new Canon EOS 1DX MKII in a future post as well as my thoughts on the current state of equipment in the industry.

For now, its time for a last luggage check and then its time to make my way to the airport. See you in the South Island of New Zealand.

Guest Photographer: Kevin Horsefield Iceland the Frozen North 2016

Posted in Guest Photographer, Iceland, Landscape Photographs, News and Updates, Photographs, Travel Photography, Uncategorized, Workshops and ExpeditionsLeave a comment

Two years ago I started a new segment on my blog for photographers with whom I have travelled before in order to provide an outlet for them to share some of their own writing and photography amongst a wider audience. It has been a while since the last post but I wanted to share some thoughts and photographs from Kevin Horsefield who recently accompanied me on my Iceland Frozen North 2016 Workshop. I have had the pleasure of travelling and photographing with Kevin now in Iceland on several occasions as well as Namibia, Antarctica and South Georgia. Enjoy his thoughts and photographs from our most recent Iceland trip.

Iceland the Frozen North 2016 – Kevin Horsefield

I ventured to Iceland in late Winter of 2016 with Joshua Holko and Daniel Bergmann.  As a veteran of their workshops, I know that we will be in the best possible location at the right time to maximize our photography. Daniel’s ability to read the light and Iceland’s fickle weather patterns are unparalleled.  Once at a location, Joshua can take over and helps his clients fine tune their compositions if necessary.
 
We seemed to be constantly dodging storms on this trip and dealing with rather flat light.  My solution was to shoot into the sun to bring a bit of drama to the scene.  With the sun being somewhat low on the horizon even at mid-day in Iceland, this technique can work well in these conditions.20160304-_N1A169620160307-_N1A1928
I also employ this strategy when I’m working with thermal areas, such as Hverir.20160309-_N1A206220160309-_N1A2097Backlighting also works well at Iceland’s famous black sand beach with the sun illuminating its translucent icebergs.20160308-_N1A1975
Some images work best with a conversion to black and white.  The color at sunset was so muted on this evening that I decided to strip it all away to emphasize this composition. I also added a slight blue tone to this image to convey the feeling of winter in Iceland.20160304-_N1A1731-Edit
More of Kevin’s Photography can be found at http://kevinhorsefieldphotography.com
Daniel Bergmann and I will be running our annual winter trip again in 2017 and bookings are now open. Just drop me an email if you would like to join us.