Today I am excited to announce my new expedition to the High Arctic in July 2019. This brand new expedition will run from the 13th of July until the 22nd of July and will begin and end in the small town of Longyearbyen in Svalbard. I have been leading and guiding expeditions to the High Arctic of Svalbard for many years now and this new expedition encompasses all that I have learned in the way of the best time to visit, the best ship to travel on and the best locations to be at, at the right time, when the light is at its absolute best.
With our ice hardened expedition class ship our plan is to sail directly up to the pack ice north of Svalbard in search of Polar Bears and spectacular arctic landscapes. This expedition offers a complete Arctic experience for photography: zodiac photography cruises near calving glacier fronts, pack ice with Polar Bears, Walrus, Arctic Fox and a lot more. It is going to be a truly spectacular photographic trip for a very limited number of photographers aboard an ice hardened expedition class ship.
There will be plenty of opportunity for one-on-one instruction for those who wish it throughout the length of the trip. As well as informal side by side shooting from the deck of the ship, on zodiac and during shore landings there will be lots of opportunity to discuss all aspects of photography and image making with like-minded individuals. If you are keen to travel and photograph in the high Arctic now is the time to secure your place. A detailed itinerary PDF can be downloaded HERE. There are only twelve places available and once spoken for, thats it.
As a few of you are aware I am currently nursing a torn lateral tendon in my right elbow which precludes me from lifting or carrying anything heavy (including cameras). As such, I am sort of restricted to shooting on a tripod at the moment and will be travelling quite light (by my standards anyway). Since this workshop is predominantly all about landscape there is no need for big fast (and heavy) telephoto lenses so I can cut down my luggage quite considerably. I am going to take my two tilt and shift lenses as I find I really love these for landscape work on the tripod, as well as my 100-400mm lens for any long lens requirements. I am sure it is going to be quite liberating to travel this light.







Being surrounded by water Lofoten offers great opportunities for seascape photography at just about every turn and we took advantage of this by visiting and photographing many different beaches and areas of coastline. Much of the coastline is rocky or dotted with large boulders which provides limitless opportunities for foreground interest. Many of the beaches are also very accessible and only a short walk from car parks or pull off areas. We spent quite a lot time exploring and photographing various areas of coastline and some really interesting photographs resulted. In the right conditions, Lofoten in winter also has the added benefit of snow down to sea level for even more interest.
On our last day we mixed things up and took a private charter boat out to photograph White-Tailed Sea Eagles fishing off the coastline. As we discovered in 2016, this proved a worthwhile exercise with a couple of hours of really wonderful eagle photography in mostly soft overcast light. Photographing fishing sea eagles from boat in winter in the Arctic is a lot of fun. We were able to get quite close to some of the eagles (so close my 400mm F2.8L IS MKII was occasionally too much lens and I had to switch out to the 70-200mm F2.8L IS MKII).
Visiting Lofoten in Winter also provides an opportunity for cultural photography. At this time of year the cod are being fished around the Islands; they are then processed and hung to dry on the many cod racks dotted around the Islands (yes, you can smell them long before you see them). Every part of the cod is used and even the heads are hung to dry. I am personally not a street or cultural photographer but the process is nevertheless interesting to watch and photograph.
Summer in the high arctic is a very special time for photographers. With twenty-four hours of daylight the photographic possibilities are quite literally as abundant as the day is long. In fact, what would normally pass for night time is actually one of the best times for photography in the Arctic summer as the light is often soft and ethereal with subtle golden overtones.