Antarctica Weddell Sea Trip Report – February 2016

In February 2016 I lead a dedicated photographic expedition into the Weddell Sea in Antarctica. Our aim was to get as far south as possible into the Weddell Sea in search of giant tabular icebergs and vast Adelie Penguin colonies. We hoped we may even visit Snow Island if conditions permitted and find the small colony of Emperor Penguins that lives on the island (As it happened the ice conditions prevented us from getting to Snow Hill).

This was the first expedition I have lead that has ventured this far south into the Weddell Sea and it turned out to be a truly excellent experience. Antarctic Sound is well known for its giant tabular icebergs and it did not disappoint with some of the largest and most spectacular tabular icebergs I have ever had the pleasure to photograph. We were particularly fortunate early one morning (around 3am) to have superb light on the icebergs near the mouth of the sound. These magical moments are the real bread and butter of these expeditions. Standing on the deck of the ship photographing gigantic tabular icebergs in wonderful pre-dawn light is an experience that just stays with you forever.Antarctica-7509-EditThis expedition departed from Punta Arenas in South America. Punta Arenas has quickly become my preferred departure point for expeditions to Antarctica. The Chileans just seem to be much better organised with their airport timing than the Argentinians and everything seems to run like a well oiled machine. Although Chile also charges a reciprocity fee on entry for Australians (and Americans) it can at least be paid on arrival without having to pre-purchase.

We did decide to delay our departure from port by a few hours due to the weather conditions on the drake passage (blowing in excess of 30 knots) which proved a wise decision and as a result our crossing was relatively mild. In the end the short delay was a boon as it placed us in a wonderful area for photography with great light.Antarctica-7487

By contrast to the Western side of the Antarctic peninsula, the rarely visited Eastern Side in the Weddell Sea offers a stark contrast that I find reminiscent of the landscapes found around Svalbard in the Arctic. The landscape on the more often visited western side of Antarctica predominantly consists of precipitous mountains with towering peaks of basalt, gigantic glaciers and rugged wild coastlines. By contrast, the eastern side is flatter, consisting of more rolling mountains with some areas free from snow and ice.

Our passage through the Lemaire channel on western side of the peninsula proved the highlight of the expedition with absolutely superb light that could only be experienced to be believed. We arrived at the mouth of the narrow channel just before sunrise and timed our entrance with first light (around 3am).Antarctica-3074-Edit As we sailed through the passage the light just continued to get better and better, reaching its peak in colour around the narrowest point in the channel. I have been fortunate to venture through the Lemaire channel on many occasions now and this was without doubt the very best light I have yet experienced in this remarkable location. The light actually proved quite challenging in post production as the color in the sky was so intense and the reflected light contained such a strong color caste from the sky that white balance selection was somewhat difficult. In the end the above photograph taken from the front bow of the ship with the cameras auto white balance best matched my recollection of the morning.Antarctica-3198-EditWe also visited the surreal Deception Island (one of my personal favourite places in Antarctica for photography). Conditions were misty, with low cloud and strong winds on our arrival, which provided a chance to capture some evocative moody images. Deception Island never fails to disappoint with its myriad of rusty whalers remnants that make for interesting subject matter. Deception Island

Being late in the season much of the snow around Cuvehrville Island and many of the other landing sites was gone, leaving exposed rocky Penguin rookeries and a glacial scarred landscape. The penguin chicks (already large) were starting to malt and were spread far and wide throughout the colonies.Antarctica1DX-7760Over the course of the expedition we encountered over 100 whales including Humpbacks. Orcas, Fin whales, Hour Glass Dolphins, Peale’s Dolphins and Minke Whales. We also saw and photographed numerous Albatross including Black-browed, Grey Headed, Sooty, Wandering and Light Mantled as well as numerous other Antarctic bird species.Antarctica-7003-EditOur return drake crossing proved a little bumpier than our first crossing, but on the whole was relatively mild.

This expedition to Antarctica and the Weddell Sea proved a fantastic opportunity to photograph giant tabular icebergs as well as polar landscapes and wildlife. The absolute stand out highlight for me personally was the incredible light we experienced as we made our passage through the Lemaire Channel as well as the giant tabular icebergs at the entrance to Antarctic Sound.Antarctica-6927I will be leading a new Antarctica expedition in 2017 that I am code naming ‘Iceberg Hunter’, that is dedicated to photographers and the photography of icebergs and antarctic landscapes. This expedition will depart earlier than all previous trips (in late October) in order to provide us with the best chance to find and photograph icebergs of all sizes and shapes (including giant tabulars) in good light. If you would like to get the jump on this expedition you can register your interest now (no obligation at this point) by dropping me an email at info@jholko.com. Places on this expedition are already limited.

Arctic Arts Project Exhibition News

Over the last two years I have been working as a contributing partner to the Arctic Arts Project. The Arctic Arts project has the goal to gather a body of work over the next 36 months that reveals unique images of environmental art that currently exist within the region surrounding the arctic circle. The belief is that geographical areas that are under significant kinetic change are constantly revealing visual elements, both artistic and scientific, that may have only been witnessed globally by a few select people, if at all. It is the project’s intent to bring this unique visual kaleidoscope of ice, water, fire, tundra and fauna to the world at large, capturing the change as the aesthetics of rebirth rather than extinction. The project has continued to grow and evolve during this time and a new exhibition of work from the contributing photographers is now on display at the Institute of Arctic and Alpine Research – INSTAAR.

From the project director Kerry Koepping: As the University of Colorado’s oldest institute, INSTAAR has a long history of responding to pressing environmental issues. The primary focus of INSTAAR has been on polar and alpine regions, where effects of global change are especially pronounced. Research topics vary widely and include Quaternary and modern environments, human and ecosystem ecology, biogeochemistry, landscape evolution, hydrology, oceanography, and climate. The Arctic Arts Project will act as visual communicator to the research currently being conducted in the Arctic. Project Director, Kerry Koepping, and the Arctic Art’s Team of Artists will focus on bringing the visual response to this research and educating the world at large as to its findings.

The exhibition has already been lauded by more than 350 of the biggest names in Arctic Research (including many pre-eminent scientists) as being one of the finest displays of Arctic Change Visualisation that exists anywhere.

The exhibit is currently at 60+ images, and is continuing to expand by an additional 4-8 photographs over the next week including several of my own photographs from the 2015 Global Arctic Photographer of the Year award.

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Iceland – The Highlands 2016 Expedition Availability

Daniel Bergmann and I have a couple of spaces available this year on our Iceland Highland workshops. Both workshops will have an emphasis on different regions of the Highlands as well as different coastal areas. These are workshops that will get you off the usual tourist route and into some of the more inaccessible, interesting and least visited areas of Iceland. We all also visit a few of the iconic locations as well as a few tucked away gems we want to keep up our sleeves. If you have never been to Iceland before and want to avoid the tourist traps, or if you are an Iceland regular and want to get into new territory then these are the workshops for you.

The first workshop will run from August 14th until August 23rd 2016 and will focus on the Highlands and Northern area of Iceland.  We will also visit the precipitous basalt cliffs and rock formations of the Snaefellsness Peninusla, amongst many other areas. You can download a detailed itinerary and information PDF form for the first workshop HERE.The second workshop will run from the 28th of August until the 6th of September 2016 and will focus on the Southern Highlands and eastern coastal regions of Iceland. Our intention on this workshop is to focus on some of the lesser known highland areas in the southern part of Iceland. We will also visit the precipitous ocean lined mountains at Stokksnes as well as vising the spectacular Laki Volcano and the world famous Jokulsarlon glacial lagoon. You can download a detailed itinerary and information PDF form for the second workshop HERE.We have chosen August and early September for these workshops as this is an ideal time to visit Iceland for photography. The days are still long with Sunrise around 5 a.m. and sunset just before 10 p.m. The best light for landscape photography is therefore during the evening and early morning. This means that we may have an early dinner and then head out to photograph and sometimes be out before breakfast for a morning shoot. On cloudy days we’ll have a more normal routine. What we’ll do exactly on any given day will be decided around the weather and other conditions and there will be small changes to our original plan to make the most of our time in each area.

Cost: The cost for each workshop is $7,450 USD. There is no single supplement and single rooms will be provided wherever possible.

Duration: 11 days/10 nights for each workshop
Includes: Accommodation for ten nights in single rooms. Food and beverages (excluding alcohol). All transport during the duration of the workshop in a modified 4-wheel drive vehicle. All tuition and guiding services.
Excludes: International flights, travel insurance and alcohol
Group size: 12 per workshop

If you would like to register your interest for one of the remaining places or would like additional information please contact me at info@jholko.com.

AIPP Epson Victorian Professional Photography Awards 2016

The AIPP 2016 Epson Victorian Professional Photography Awards were held here in Melbourne Victoria in February this year. This was the first time in several years that I was unable to attend due to overseas workshop and expedition commitments. Truth be told, I actually hadn’t planned to enter this year. My schedule has been so hectic that I really didn’t have ample time to devote to making prints for the awards. I felt a bit guilty about not entering at the last minute as print competitions are near and dear to my heart and I want to support the local industry and the AIPP. So in the end I opted to enter a finished print from the 2015 APPA awards along with seven other prints that I had been working on and felt were in varying stages of being finished. I split the prints across the Science, Wildlife and Wild Places category and the Documentary category. I was pleasantly surprised to find on my return that not only had the majority of the prints scored Silver or Silver with Distinction awards, but that I was also a finalist in both the categories.

What caught my attention this year on my return to Australia was that a print I previously entered at the National Level in the 2015 APPA Australian Professional Photography Awards that had scored a high Silver with Distinction (falling just short of Gold) (and was part of the winning portfolio for 2015 Global Arctic Photographer of the Year) only scored a Silver at the State level (go figure..) Just goes to show how subjective awards can be at times. The awarded images are included below:Svalbard-9725-Edit _H9P15170-Edit Antarctica-2358-Edit Antarctica2015-5548-Edit Antarctica2015-6409-Edit SouthGeorgia2015-8184-Edit SouthGeorgia2015-8201-Edit Svalbard-8616-Edit-2

 

Global Arctic Awards 2015 Exhibition in Russia

An exhibition of the best photographs from the 2015 Global Arctic Photographer of the Year Awards are now on display in Salekhard in Russia. Salekhard is a town located on the Yamal Peninsula. It is the administrative center of Yamalo-Nenets Autonomous Okrug region in Russia. It is also the closest town to the Polar circle, making it the ideal venue to host the Arctic Awards exhibition. The exhibition includes all five of my photographs that won medals in the 2015 Awards and won me the overall title of 2015 Global Arctic Photographer of the Year. If you happen to be in the area and stop past for a visit please drop me an email and let me know what you think.arcticawards3ArcticAwards1Arcticawards2