November Photo of the Month Winner – Nick Stafford

Congratulations to the eleventh print winner ‘Nick Stafford’ for the photograph of the month for November 2015: ‘Polar Bear Breath’.

What Nick said: Wow ! I love this photo Josh! Such a special creature! Keep up the fantastic work!Svalbard-9725-Edit copyCongratulations Nick (and thank you for the wonderful comment!), your print will be sent to you when I get back to Australia at the end of December. Keep an eye out on my blog for the next print giveaway with the final giveaway for the year – the December photograph of the month. Remember the best way to get instant updates is to subscribe via email.

Photo of the Month November – Polar Bear Breath – Win a Fine Art Print!

The photograph of the month for November 2015 was taken in March this year in Svalbard in winter of a Polar Bear, back lit by the setting Arctic sun and standing guard over a recent seal kill. Its breath steaming in the winter sunlight this remarkable situation was the absolute highlight of this scouting trip to the Arctic in Winter. This photograph recently won a coveted Silver with Distinction at the 2015 Australian Professional Photography Awards (APPA) here in Melbourne.Svalbard-9725-Edit copyDon’t forget! You can win a free 13″ x 19″ Fine Art Print of this photograph including shipping anywhere in the world. All you need do is to be the first to comment on this post on the home page with your thoughts on why you like this photograph or why you would like to own a print of the image and then share the post with your preferred social media outlet.

I am making the long journey to the Falkland Islands later today and then onto South Georgia Island and Antarctica for back-to-back expeditions (updates will be a little thin between now and Christmas). If you are the lucky print winner please be patient and I will make and send the print to you when I get back at the end of December. See you in the Falklands.

2015 APPA – Australian Professional Photography Awards

This weekend past saw the annual running of the 2015 Australian Professional Photography Awards (affectionately known to all those who enter as APPA). For those of you who may be unfamiliar with APPA you can read my previous blog post on the awards HERE. In short, if you want to see where the bar is set for world class photographic images and prints you need look no further than APPA. I am always buzzing with nervous anticipation during the APPA judging. The spine-tingling anticipation of having my work scrutinised for any minutia by my peers gets my heart racing. It’s not even the fear of scoring poorly that puts me on edge; its something far less tangible that I can’t quite put my finger on. If you have never entered or attended the APPA awards that probably sounds a little strange, but for those of you who have entered before you will know exactly what I am talking about. Its a special competition and quite honestly its not for the faint of heart. Its a weekend of heavenly highs for some and crushing emotional lows for others. It’s never wise to take these things too seriously, but on the other hand, APPA is the standard by which professional photographers are judged against each other and is considered to showcase the highest level of photography so one can’t help but become a little emotionally involved.Hornvik-9830-Edit-Print-MoabSMR-RelCol copy Svalbard-9725-Edit copy Hornvik-9988-Edit copy Svalbard-9019-Edit-Print-MoabSMR-RelCol copyThis was only the fifth time I have entered the APPA awards and it was also the first time I have participated as a judge. This year I again chose to enter the Science, Wildlife and Wild Places category (formally known as the Science, Environment and Nature Category), not only because I won this overall category last year, but also because this category has very rigid rules on image manipulation that are consistent with my own ethics for minimalist post production techniques. This year I chose to enter four images from the Arctic that I felt conveyed strong emotional feelings of wildlife in the landscape in dramatic conditions. I was thrilled to receive four Silver with Distinction awards for my four entries; which placed me in the finals for the overall category win. You can watch the judging of my four photographs my clicking on the image below.Screen Shot 2015-10-20 at 7.03.25 PMMy current APPA points total now sits just a few points away from my first Gold Bar and I look forward to the challenge of banking these last few points at the 2016 APPA awards next year. I also want to congratulate my good friend and co-guide Antony Watson who this year accumulated more than sufficient points for his Associate status with four silver awards.

Lastly, I want to congratulate Keren Dobia who took this ‘homage to Polar explorers’ photograph of me earlier this year. The photograph scored a highly coveted Gold Award in the Illustrative category.JoshHolko_Print-MoabSMR-Perceptual

Svalbard Polar Bear Expeditions 2015 Report

In July and August 2015 I lead two photographic expeditions to the edge of the permanent pack ice north of Svalbard to photograph Polar Bears living and hunting in their natural environment. During the expeditions we also photographed incredible arctic landscapes as well as other wildlife of the Arctic region including Walrus, Arctic Fox, Whales, Seals and a plethora of sea birds including the rare and angelic Ivory Gull and the even rarer Sabine Gull (the first time I have seen and photographed this gull). Both of these expeditions were for small groups of just twelve passionate photographers and utilised a small ice hardened ship that enabled us to sail north directly into the pack ice in search of the king of the Arctic.

Importantly, our ship had very low decks that were very close the waterline which enabled us to make photographs at eye level for more intimate images. The choice of ship for expeditions such as these is critical to the ability to put yourself in the best possible place to make powerful and emotive photographs. Large ships that are unable to penetrate the ice and with high decks  where you have to compete for space with other passengers are far from ideal and unsuited to photography expeditions.DJI_0009-EditDuring both expeditions we were fortunate to see and photograph Polar Bears on the pack ice including a number of Bears on recent seal kills. Seeing a Polar Bear on a seal kill is a very rare event and as luck would have it were able to photograph the kills and all aboard were able to capture some really fantastic photographs.

Although both expeditions had the same objectives, we undertook very different routes on both trips to achieve them. On the first expedition (July 25th – August 4th 2015) we sailed south to the bottom of Spitsbergen before rounding the cape and heading north. Our decision to head south was an educated gamble based on the prevailing weather and as it turned out it really payed off with a wonderful mother and cub polar Bear encounter on the sea ice in our first twenty four hours. We also scored the added bonus of circumnavigating Spitsbergen (something I had not done before).Svalbard-2143-EditWe continued our northerly travels encountering a mix of weather and fog before we arrived into better conditions in the Hinlopen strait. In this area we explored and photographed the spectacular 200 mile+ long glacier face Bråsvellbreen and the plunging bird cliffs at Kapp Fanshawe. The sights and sounds of thousands of nesting birds against such a precipitous cliff is an awe inspiring sight. I have been fortunate to visit this area a number of times now and it never ceases to impress. Bobbing up and down in a zodiac beneath these rock spires, surrounded by thousands of Arctic birds is a very special experience.Svalbard-0404We continued to head north spending the next few days exploring the pack ice and photographing Polar Bears as they jumped from ice flow to ice flow. The Arctic pack ice is a vast area and just finding Polar Bears in this maze of ice can be quite the challenge. We spent many hours scouring the ice with binoculars to find these masters of camouflage. On this expedition our total bear count on the pack ice was eight – with almost all of these being close encounters where we were able to get some really wonderful photographs.Svalbard-1928-EditWhen it was time to head south again we made several stops in the spectacular Kongsfjorden; where we photographed Arctic Fox cubs and cruised the glacier fronts photographing icebergs, seals and landscapes. We also landed in Poole Pynten where had a wonderful session photographing Walrus in fantastic light. During the expedition we were also fortunate to see and photograph a rare Blue whale (unfortunately I did not get a good photograph). Blue whales are quite tricky to photograph as they rarely reveal to much of their body above the waterline. Nevertheless the experience of seeing this massive mammal is an experience that stays with you forever.Svalbard-4918-EditThe second expedition (August 20th – August 30th) saw us set sail from Longyearbyen and head directly north for the pack ice. We made a number of small detours and stops along the way (including a glacier front cruise at Duvefjorden where we encountered three polar bears on some summer melt pack ice) as we dodged some inclement weather before arriving directly on a fresh seal kill with two Polar Bears on the edge of the sea ice – perfect. This was a miraculous find as we had a quickly closing weather window that required us to retreat from the sea ice until the seas calmed and we could return.Svalbard-1734-EditWe sought shelter for the evening in the lee of the Seven Islands before resuming our search for Polar Bears on the pack ice. At our furthest northerly most position we were just shy of 82º North – less than 500 Nautical Miles from the North Pole. We cruised the edge of the pack ice for several days photographing the dramatic landscape and had numerous encounters with Polar Bears in fabulous weather.

Untitled Film Works accompanied Daniel Bergmann and I on the second of the two expeditions and filmed the expedition and we hope to soon be releasing a short film of our experiences in the Arctic. Look for this video soon if you have ever wondered what it is like to travel on an small dedicated expedition to the Arctic.

During both expeditions we took advantage of great light at every opportunity and often worked at night when the light was soft and ethereal. One of the most fantastic things about photography in the Arctic is the 24 hours of daylight and the extensive opportunities this provides for image making at any time of the day or night._MG_1187-EditOur total Polar Bear count for the first expedition was eight including three bears on kills. Our count on the second expedition was fourteen including another two kills. This was a fabulous result that netted some amazing photographs from all aboard.Svalbard-0097-EditThis year saw a dramatic increase in sea ice in the Svalbard region that made finding Polar bears very difficult due to the nature of the ice (lots of ice rubble and very little flat pack ice). It is worth noting that this increase in sea ice is not contrary to global warming evidence (as has been reported elsewhere). This phenomena was merely the result of the polar ice cap (which moves) shifting more toward the Svalbard side of the globe. Overall, the massive reduction in sea ice continues and 2015 saw the Arctic ice pack shrink to record lows. Just as an aside I was extremely pleased to hear in late September this year that Shell has now abandoned its oil and gas exploration drilling in the Arctic for the foreseeable future.Svalbard-4255-EditBoth of these expeditions were remarkable trips that provided some truly fabulous photographic opportunities. The high Arctic remains one of the most spectacular locations I have ever visited and I look forward to returning again next year when I will lead another expedition to the pack ice north of Svalbard (and again in 2017) Polar Bears of Svalbard. The expeditions will depart on the 25th of July from Longyearbyen and are dedicated to the photography of Polar Bears living and hunting on the sea ice. If you would like more information about either of these expeditions please drop me an email at info@jholko.com

Extraordinary Vision Magazine : Objective Editing of Your Photography

The latest issue number #32 of Extraordinary Vision magazine features an article I recently penned on Objective Editing and the importance of this skill as a photographer. You can download the article by clicking on the image below. Extraordinary Vision is a free magazine (and a fabulous resource) available for mobile devices and can be downloaded from iTunes or Google Store.ExtraodinaryVisionCover