Antipodes – New Fine Art Print Exhibition in Cuba November 2019

By invitation from the Ministry of Culture of Cuba I am extremely excited to announce today that I will be opening a new joint exhibition with American Photographer and friend Paul Murray, titled “ANTIPODES” in Cuba in November this year 2019. The exhibition will open in Camaguey on the 1st of November this year and will travel onward to both Santiago De Cuba before concluding in Havana Cuba 2020 early next year. 

This two-person photographic exhibition consists of approximately 18 – 20 photographs from each artist. Holko’s photographs capture the life of the Emperor Penguins of Antarctica in their natural environment while Murray’s images portray the wildlife and natural lands of Namibia. Both works are of outstanding quality and rarity and should be a great opportunity for the Cuban audience to enjoy this very special carefully curated selection. The exhibition opens in Camagüey and will extend to Santiago de Cuba and Havana.

 This exhibition project arises as a direct result of curator M.Sc. Juan Carlos Mejías Ruiz, who wants to show the art from these “magicians” of the lens to the Cuban public.  This exhibition will be one of the most important to open during the realisation of the 2019 Noviembre Fotografico and will be inaugurated on Friday, November 1st, in the Republica 289 gallery. Both photographers are “Major League” professionals with the experience and curriculum to match their work.

Artists from other countries, including Spain, Italy, and Germany are also planned to participate this November in additional Camaguey-based exhibits.  At some point during the artists’ stay in the city, there will be a meeting with the nature photography group Bioencuadre, where work experiences are exchanged and professional links will be created. 

The Provincial Council of the Plastic Arts of Camagüey is working steadily to support Noviembre Fotografico building on the outstanding results of its previous efforts in 2018, which involved a considerable number of the public and generated a group of activities and content that enriched the city’s panorama of the visual arts and culture achieving a prominent presence in national, international media and social networks.

Photo of the Month August 2019 – Reindeer Face Off

The photograph of the month for August 2019 comes from my winter snow mobile expedition to Svalbard earlier this year (Read the Trip Report) and is of two Reindeer facing off for a small patch of turf during a heavy blizzard in the wilds of the Svalbard winter landscape. This was a very difficult photograph to make with strong blowing snow and extreme cold in very difficult conditions. Although I pre-visualised the exact moment I wanted in relation to the juxtaposition of the Reindeer I had to move very quickly to secure the shot. Depth of field, shutter speed, camera angle and split second timing were all critical capture the moment of eye connection between the animals with perfect leg and body placement. It was also critical to maintain separation of the antlers. This photograph was part of my winning portfolio of images for the 2019 Victorian AIPP Epson Nature Photographer of the Year.

Polar Bears of the High Arctic 2019 Expedition Report

This July 2019 I lead my annual expedition around the northern archipelago of Svalbard in search of Polar Bears, Walrus, Arctic Wildlife and of course breathtaking Arctic landscapes. I have been leading photographic expeditions to Svalbard and the Arctic for a decade now and I never tire of returning to this incredible part of the world. Glaciers, mountains, Arctic Tundra, Polar Bears and other Arctic species are just a part of the attraction. There is something quite surreal and unique about the Arctic. The landscape speaks to me on a very personal and intimate level and I am awed by the sheer majesty and power of the mighty Polar Bear and the outright tenacity and ability  of the Arctic fox to survive and thrive in such a harsh environment. This incredibly fragile region of our planet is a photographers paradise and never ceases to disappoint. Every expedition to this precious environment is both unique and special and this trip was no exception.

July is a wonderful time to visit the high Arctic. The midnight sun blesses the region with twenty fours of summer daylight; doubling the amount of time one normally finds available for photography. The normally dark nocturnal hours are a wonderful time to photograph this time of year with soft light that bathes the landscape in a gentle golden glow. This year we encountered little in the way of fog and had fantastic visibility almost the entire expedition. It is always my preference to try and photograph at night when the light is at its softest and we spent much of our time on this trip working early in the morning.

For my 2019 expedition I switched ships to M.S Freya. Freya offers all of the benefits of my previous ship M.S Origo with improved cabins, more deck space and perhaps best of all – its super quiet and virtually free from vibration when the engines are running. Freya is an absolute joy to both live aboard and photograph from. With just thirteen of us (myself included) we were were blessed with more than ample space for the expedition with individual private cabins. All future expeditions will now be held on M.S Freya.

During the expedition we encountered a total of fifteen Polar Bears, two Blue Whales, a large school of Beluga whales, Humpback whales, Walrus, Reindeer, Bearded and Ring seals, a plethora of Arctic birds including the majestic Ivory Gull and my personal favourite; flocks of Kittiwakes in front of the many glacier fronts of Svalbard. Beluga whales were a real treat as they are not a common site in Svalbard and on average we probably only spot them one in ten expeditions. Likewise, Blue Whales are also a rare sighting and were a much appreciated bonus for us!

The absolute highlight of this expedition was watching a large male Polar bear stalk, and successfully catch and kill a fully grown bearded seal on the frozen pack ice. The entire event unfolded right in front of our ship with the Polar slipping silently into the water in front of our ship and slowly swimming up behind the ice flow the seal was resting upon. He then dove under the flow and exploded onto the ice on the far side closest to the seal. Misjudging the seals exact position the bear missed his lunge and dove into the water hot on the heels of the fleeing seal. Seconds passed… then nearly thirty seconds later the bear surfaced with the seal in his mouth and its body clasped in a bear hug. Incredibly, the bear caught the seal under the water! It took a minute or so for the bear to kill the seal before it dragged the (probably close to 300 kilogram) now dead weight of the seal up onto the ice.  It was singularly the most incredible and amazing moment I have ever experienced in all of my wildlife photography. Around 98% of all Polar bear hunts result in failure. Even witnessing an attempted hunt is incredibly rare. Being able to witness the hunt, the catch and the kill was an absolute gift. Perhaps best of all, I was able to share the experience with all twelve clients on the expedition. High fives, explosive adrenalin and ear to ear grins were in abundance at the conclusion of the event (I will have more photographs of this to share as I get time to process them).

During the expedition we also experienced another unusual and rarely seen event – our eagle eyed spotter on the bridge (thanks Yves!) found a recently deceased Sperm whale carcass washed ashore on the beach and a nearby sleeping Polar bear. A few hours of patient waiting and we were able to utilise the zodiacs for some close up photography of the bear attempting to tear through the thick whale skin. Twenty four hours later a mother with two cubs rolled up on the scene as well. It is always my preference to try and photograph Polar Bears on the pack ice whenever possible, but the opportunity to get up close with bears on a whale carcass is far too good to pass up and as such we took advantage of the situation, spending many hours in the area.

We explored several fjord systems in depth during the expedition and these areas proved very fruitful with multiple sightings and photography sessions with Polar Bear, Bearded and Ring Seals, and a great many Arctic bird species including a a rare sighting of the long-tailed Skua. Although I looked hard I did not spot any Sabine Gulls this year on our way past Lagoya. We did however have many great encounters with the beautiful Ivory Gulls. We also cruised glacier fronts in search of both wildlife and landscape opportunities.

In April and May next year I will be leading a new Winter / early Spring expedition to the Svalbard archipelago in search of Polar Bears, Walrus, Reindeer, Arctic Fox and of course spectacular polar landscapes. The Arctic in Winter and Spring is a place to inspire the imagination. It is a white landscape bathed in golden light. The main focus of this expedition will be late Arctic winter and early spring light, landscape and wildlife. In March and April the light conditions in Svalbard are magical. Usually winter trips to Svalbard are limited to day trips on snow mobiles quite close to the town of Longyearbyen. With our expedition ship we will explore a much bigger area including the western and northern areas of Spitzbergen.

This exclusive expedition is for a strictly limited number of just 12 participants plus leader and is dedicated to winter photography in Svalbard. As of a few days ago, we are now down to just the last couple of places before the expedition will be sold out. Drop me an email for further details.

Frozen Planet Svalbard Expedition in Winter and Spring 2020

In April and May next year I will be leading a new Winter / early Spring expedition to the Svalbard archipelago in search of Polar Bears, Walrus, Reindeer, Arctic Fox and of course spectacular polar landscapes. The Arctic in Winter and Spring is a place to inspire the imagination. It is a white landscape bathed in golden light. The main focus of this expedition will be late Arctic winter and early spring light, landscape and wildlife. In March and April the light conditions in Svalbard are magical. Usually winter trips to Svalbard are limited to day trips on snow mobiles quite close to the town of Longyearbyen. With our expedition ship we will explore a much bigger area including the western and northern areas of Spitzbergen.

This expedition has been designed to provide the very best possible opportunities to experience and photograph Svalbard in winter light. We expect to meet wildlife such as Polar Bears, Walruses, Seals, Arctic Foxes and Reindeer. At this time of year the sea birds will also be returning to their breeding grounds.

This exclusive expedition is for a strictly limited number of just 12 participants plus leader and is dedicated to winter photography in Svalbard. As of a few days ago, we are now down to just the last couple of places before the expedition will be sold out.

We will be using the ice hardened expedition ship M.S Freya that will enable us to skirt the edge of the pack ice searching for and photographing landscapes and wildlife. M.S Feya is widely regarded as the best ship in the Arctic for Photography. Our expedition ship is also equipped with sufficient zodiacs (2 x Zodiac MKV models) and crew for all photographers to be shooting simultaneously with plenty of room to spare for camera equipment – So bring what you need!

Meals will be held onboard the ship and shall consist of breakfast, lunch, afternoon tea/coffee and two course dinner (three course dinner the last evening). Coffee and tea will be available 24 hours a day. The mealtimes shall be held at regular times, but the catering crew has been informed that photography has priority on this expedition and flexibility is necessary. If you have special dietary requirement you will be accommodated – please just be sure to let us know when you make your booking.

If you are excited by the idea of traveling to Svalbard in winter with a small group of dedicated photographers now is the time to secure your place. Once the last places are spoken for that’s it.

Departing for Polar Bears of the High Arctic Expedition 2020

Tomorrow I will be leaving the cold damp of Melbourne’s Winter and making the long journey up to Svalbard in the the Arctic for my 2019 Polar Bears of the High Arctic expedition (where ironically it is likely to be warmer than my home state at this time of year!). The 2019 expedition has been sold out for many months, but there are still a few places left on the 2020 expedition. If you are interested in photographing Polar Bears in their natural environment in one of the most spectacular parts of the Arctic then drop me an email for further details.

For this expedition I will be taking the usual assortment of equipment with a few recent upgrades as noted below. My cameras for this expedition will remain my two Canon EOS 1DX MKII cameras. I am leaving my EOS R mirrorless in the studio as this camera really works for me as a landscape camera on the tripod and the emphasis on this expedition is most definitely wildlife.

  • 2 x Canon EOS 1DX MKII Cameras with spare batteries
  • 1 x Canon 600mm F4L IS MKIII (recently updated from the MKII)
  • 1 x Canon 70-200mm f2.8L IS MKIII (recently updated from the MKII)
  • 1 x Canon 24-70mm f4L IS
  • 1 x Canon 11-24mm f4L
  • 1 x Canon 1.4TC MKIII
  • 1 X Sachtler Carbon Tripod and FSB-6 Fluid Head

I never tire of the wonders of the Arctic and am literally itching to get underway and get some ice under my feet. Bring on the Polar Bears!