New Zealand South Island Masterclass Workshop Report 2017

It has been more than two months now since my South Island New Zealand masterclass workshop and I have been a little remiss in writing up my trip report. Extensive travels and life have conspired against me and it has taken far longer than I would have liked to complete the report (I still have only processed a couple of images from the workshop and I am heading overseas again in just two weeks – Up to Svalbard for my Polar Bear summer expedition).Rather than give a day-by-day account of the trip this time (as I have done in the past) I felt it better to instead talk a bit about a typical day and what it is that we do other than take photographs during this sort of masterclass workshop. Whilst the physical act of photography is at the core of this workshop it is important impart that there is a lot more going on that just the act of setting up a tripod and pressing the shutter in great locations and beautiful light. In fact, I believe that some of the best learning that comes from these workshops actually happens away from the camera during meal time discussions.

A typical day on my New Zealand masterclass workshop usually kicks off extremely early with a pre-sunrise call to action to try and capture some of the best light of the day. Typically, in my experience sunrise is my preferred time to photograph and I find (at least for my own style of photography) that the conditions are usually at their optimum just before the sun rises. Depending on the location we may have some driving and or/walking to arrive at our sunrise session. Typically we have chosen to stay close by to minimise early morning travel and maximise photography time. We also use helicopters extensively in New Zealand to access back country areas and high mountain areas that would otherwise take many hours (if not days) of hiking to reach. On mornings where we are using helicopters we often run two choppers so that we can move our small group of eight (including myself and my co-leader) simultaneously into position. This way we all arrive at the same time and all experience the best light and conditions. There is a fantastic benefit of helicopters (outside of saving hours of hiking) and that is we can land just about anywhere in the high country and this provides incredibly unique opportunities. A key feature of this trip is to experience and photograph some of the most spectacular landscape that is all but inaccessible without helicopters. In addition, it provides an opportunity to photograph landscape that is not only rarely photographed, but also rarely visited. Iconic easy to reach locations can be fun, but it’s equally important to have opportunities in new areas that few others will ever experience.

Depending on the conditions we experience on our early morning shooting session we may be out for anywhere from a couple of hours too a session that might run close into lunchtime. We work with the weather and light we experience and if conditions are ideal we do not shut down until we have made the best of the them.Whilst we are photographing myself and Phillip (my co-leader) like to work with each of the participants on an individual basis as required. We help with everything from basic camera settings to filters, composition, focal length choice etc… Often, we wont even set up our own cameras until such time as everyone is well and truly up and running with many photographs ‘in the can’.

With the morning session complete we wrap for a hot cooked breakfast or brunch with coffee and tea at one of New Zealand’s many great cafe’s. This is a time for us to not only enjoy some great food after a solid mornings work, but also to reflect on our mornings photography, discuss the conditions and location and reflect on what we felt worked and perhaps did not work for each of us. Typically there is quite a bit of ‘gear-talk’, but importantly there is also a lot of discussion about composition and the art of seeing photographs beyond the obvious. Depending on where we are located at a given point in time in the South Island we may have some down time after breakfast / brunch to either download and work on our photographs or we may have some transit time to our next location.  The key to our daily program is to try and maximise our photography in as many great locations as possible so in some areas we spend multiple days whilst in others we may only have one day before moving on.

After lunch (and a lot more photography talk!) we have an afternoons photography session. Our afternoon session locations are always chosen based on prevailing weather, conditions and light. Since our aim is to be photographing in the best light of the day in the best locations we are constantly assessing the weather and light and making location choices to maximise our opportunities. Local knowledge is absolutely critical to the success of this approach. Much like Iceland, the South Island of New Zealand is a land of micro climates and local knowledge goes a long way to being able to take advantage of prevailing weather and light. On this particular masterclass we made a decision at one point to head up to location in Lindas pass where we new we could capture some stunning landscape in afternoon breaking light; whilst it was raining either side of the pass. This proved a very fruitful decision and some stunning images were captured by all.

If weather and light permit we will stay out in the field (although we often move locations) right through until sunset and last light. We don’t rush from location to location, but rather try and maximise the opportunities in a given location before we move on to a new area. If we are working with aerial photography from helicopters over the mountains and glaciers of the Southern Alps we will wait until we feel the light is at its absolute optimum before spending time with the doors off over some of the most spectacular scenery in the southern hemisphere. We work with experienced pilots with whom we have built a relationship over many years so that we can position our helicopters exactly where we want to capture stunning landscapes in superb light.  Everyone gets a doors off position to photograph whilst Philip and I direct the pilot on where and how we want the helicopter positioned. These sort of high mountain photographs cannot be achieved any other way.

With our afternoon and evening photography session complete its time for some more wonderful New Zealand food at one of the many fantastic restaurants around the island. We work hard on these masterclass workshops so the meals and quality of food is really important to us. We play as hard as we work! Our dinner conversations can revolve around everything from the days photography to discussions on composition, the art of seeing, post production and more. The key take away for me is that these sort of discussions almost always serve to educate and I never stop learning myself from those around me.

For those that wish there is evening time post dinner to edit and process images from the days photography before a good nights sleep and onto another busy packed day.

The workshops are always jam packed with photography and provide an outstanding vehicle for sharing and learning. Our workshop this year was blessed with great weather and some superb light and it was an absolute pleasure to share it with all of those who participated.

New Zealand South Island Masterclass Feedback 2017

A little under a week ago I completed my 2017  Masterclass workshop in the South Island of New Zealand with my good friend and co-leader Phillip Bartlett. This workshop was extremely productive  in terms of the sheer number of shoots we were able to squeeze in (as well as the locations we visited) and I wanted to share some feedback I just received from those who participated on the workshop.

Dear Josh and Phillip, I’m going over my images while waiting to depart from the Christchurch airport – what an amazing trip!  Thanks so much for your instruction, sherpa and guiding, my images are so much better due to y’all.  I really enjoyed my time spent with everyone, I could not have asked for better traveling companions.  Please keep in touch, I would love to see everyone’s future photographic adventures.  Y’all take care and let me know if you ever need a guide around the Bayou State! – Suzanne

I also want to thank everyone, in a group we made this class an unforgettable experience. In a group you learn all the time, even by just seeing what the others are doing, and how. I learned a lot about camera settings, composition, light and right moment and much more. I also learned something about the difference between a good picture, a postcard picture, art and fine art – this is essential on my way to artist! It’s nice to return home with all these good feelings and memories, – Matti 

Dear Josh and Phillip, Now it is time for me as well to “saddle my horses” again, but only to move further up north towards St. Arnaud, Nelson, Takaka (Golden Bay), before then moving on to the North Island. While having another look at the images taken on our voyage together and thinking about the excellent time we had with our group I cannot help my eyes welling with tears (again). It was indeed worthwhile to have taken the “plunge” to come to the other end of the world and to put the travel schedule into your hands. Your careful planning and knowledge of this beautiful island we explored together, paired with your professional know how has given us invaluable memories for a long time to come. I enjoyed the time together immensely, could take home pictures and experiences I could never have made without you. The food was good, our vehicles an excellent choice, and I especially liked the cameradie with you all. The tips you gave to me/to us were incredibly helpful, not just for my future undertakings, but already for the rest of my time here (although without having you looking over my shoulder :-) ). I wish all of you still on the road save travels and yes, let us keep in touch. – Best and hugs, Angelo

Twas an adventure with you all! It was a pleasure getting to know everyone and having the opportunity to experience some pretty magical places together. Thank you Josh and Phillip for putting on a first class expeditionand leaving me with new tools and memories to treasure. – Julia

If you are interested in travelling and photographing in the majestic South Island of New Zealand then I am now taking bookings for the 2018 Masterclass (limited places remaining only). 2018 will be the last year I run the South Island Masterclass workshop for the foreseeable future so if you have been considering adding this workshop to your calendar now is the time to get on board. This workshop is strictly limited to six participants and due to initial registrations there are already only a couple of places remaining before it will be sold out.

New Zealand South Island Masterclass 2017 Complete

Yesterday I wrapped up my New Zealand 2017 South Island Masterclass workshop with an absolutely epic shoot at Punakaiki rocks (Pancake Rocks) on the wild west coast of the South Island. Our Masterclass took us on a complete circumnavigation of the South Island that included three separate helicopter photography sessions across different parts of the Island. One on these sessions was an absolutely incredible “doors-off” shoot over the spectacular Southern Alps (I will have a full trip report soon).In a little under forty eight hours I am headed south to Tasmania for a week long private Tasmania workshop before I again head north to Iceland for my ultimate Puffin workshop.If you are interested in travelling and photographing in the majestic South Island of New Zealand then I am now taking bookings for the 2018 Masterclass (limited places remaining only). 2018 will be the last year I run the South Island Masterclass workshop for the foreseeable future so if you have been considering adding this workshop to your calendar now is the time to get on board. This workshop is strictly limited to six participants and due to initial registrations there are already only a couple of places remaining before it will be sold out.

New Zealand 2017 South Island Masterclass Workshop

It is hard to believe that in just a few days I will be leaving Australia again and making the short hop across the pond to the South Island of New Zealand for my sold out 2017 Masterclass workshop (it really does feel like I just arrived home from winter in the Arctic). Much of what I was hoping to accomplish in terms of post production, printing and office work before I left for New Zealand is  still residing in my inbox; where it will now stay until sometime in June when I return from my Puffin Workshop in Iceland (after I finish in New Zealand I will guide a small private tour through Tasmania before I head straight to Iceland). I have found time to process and print a few of my favourite images from Svalbard this winter, but I have only just begun to scratch the surface.

As is traditional, I like to post a packing post of what equipment I am planning to carry and use during the workshop. For my Masterclass workshop this year I have decided to travel super light (first time for everything!) and only take a very limited selection of equipment. This particular workshop is solely about landscape photography so there is little need for big heavy telephoto lenses or high speed cameras. Truth be told, I am actually really looking forward to travelling with such a  light load for a change (I will have plenty of heavier equipment when I head back to Iceland for the Puffins).

For New Zealand I have decided to take both my tilt and shift lenses (17mm and 24mm) instead of  a wide angle zoom. I have found in recent times I prefer the movements of the tilt/shift lenses to the flexibility of a zoom lens when I am working from tripod. It is a trade off I find acceptable when I am predominately working with landscape on a tripod. Although we have quite a bit of aerial photography from helicopter planned for this workshop experience has shown me that 24-70mm is usually a better focal length than 16-35mm for this sort of work.

My camera bag for this trip is actually a small non-dedicated backpack that I can easily accomodate my equipment in and still have room for filters, a rain jacket and accessories.

Camera Backpack (Carry on Luggage)

– 1 x Canon EOS 5DSR body with two spare batteries and RRS L Bracket
– 1 x Canon 17mm TSE Lens
– 1 x Canon 24mm TSE lens
– 1 x Canon 24-70mm F2.8L IS MKII Lens
– 1 x Canon 70-200mm F2.8L IS MK II Lens
– 1 x Canon 104 Teleconverter MKIII
– 1 x LEE Filter Kit includes: Graduated ND and ND Filters / Holder and Accessories
Gura Gear Chobe (Carry on Luggage)
– 1 x Apple MacBook Pro 15″ Retina
– 1 x Apple laptop charger
– 2 x Sandisk Extreme 2TB SSD Drives
– 1 x  USB CF card reader
– 1 x Sunglasses and sunglasses case
– 1 x iPad Pro 9.7″ Tablet
Tripod (checked Luggage)
– 1 x RRS 3-Series Tripod
– 1 x Arca Swiss D4 Geared Tripod Head

There is one other important piece of documentation I will be taking with me on this expedition and that is an Australian Customs Declaration form. If you are travelling internationally from Australia you can read about the benefit arming yourself with this documentation HERE.

For the astute readers amongst you; you may have picked up that after I finish in the South Island I will be running a private trip to Tasmania. This Tasmania trip will be something I am offering in May 2019 for a small group of just six photographers. The workshop will take in iconic areas such as the Cradle Mountain National Park, Freycinet National Park, The Wild West Coast and much more. I will have more details later this year – but you are welcome to register your interest to be amongst the first to be notified when details are finalised (no obligation at this point). See you in New Zealand!

 

New Zealand South Island Masterclass 2017 SOLD OUT

The last place that was available on my 2017 New Zealand South Island Masterclass has been taken and the workshop is now sold out.  I am super excited to be heading back to New Zealand in a few months time. The South Island is absolutely spectacular and the 2017 Masterclass workshop includes extensive use of helicopters for accessing some of the most remote and spectacular country as well as aerial photography of the spectacular Southern Alps and glaciers. Very much looking forward to getting back to the land of Middle Earth._MG_5578-Edit