VAPS Victorian Association Photographic Societies Keynote Speaker

The Big VAPS Victorian Association of Photographic Societies convention is being held next weekend at Warnambool in Victoria. Kicking off with an official opening on Friday the 25th and wrapping up on Sunday the 27th of May, I will be attending as the special guest keynote speaker for both the Saturday and Sunday and will be presenting on both my Arctic and Antarctic photography (I will also be showing prints!).

The 2018 VAPS Convention and Interclub exhibition will be held at Deakin University Campus in Warrnambool this year. Hosted by the Warrnambool Camera Club it promises to be a fantastic weekend full of learning and photographic opportunities.

Commencing on Friday 25th May through to Monday 28th May the convention will kick off with an official welcome cocktail party and viewing of the Interclub print exhibition on the Friday night. The Saturday and Sunday programmes are full of excellent speakers and workshops that will have everyone engaged in informative photographic sessions along with photographic opportunities on Monday to round off a great long weekend of photography.

Headlined by renowned Global Arctic Photographer of the Year, Joshua Holko, who will present two outstanding talks on his amazing Arctic Circle photography.

 

Departing for New Zealand South Island Masterclass 2018

Tomorrow evening I am making the short hop across the pond to New Zealand where I will guide my 2018 Masterclass workshop in the South Island with friend Phillip Bartlett. This is the last year I am offering and guiding this masterclass in New Zealand for the foreseeable future. Next year I will have a brand new offering to the Great Ocean Road and Tasmania for a small group of just six photographers (more details on that later).As a few of you are aware I am currently nursing a torn lateral tendon in my right elbow which precludes me from lifting or carrying anything heavy (including cameras). As such, I am sort of restricted to shooting on a tripod at the moment and will be travelling quite light (by my standards anyway). Since this workshop is predominantly all about landscape there is no need for big fast (and heavy) telephoto lenses so I can cut down my luggage quite considerably. I am going to take my two tilt and shift lenses as I find I really love these for landscape work on the tripod, as well as my 100-400mm lens for any long lens requirements. I am sure it is going to be quite liberating to travel this light.

F-Stop Red Bull Anja (Carry on Luggage)

– 1 x Canon EOS 1DX MKII body (with spare battery)
– 1 x Canon 17mm TSE F4L Lens
– 1 x Canon 24mm TSE F3.5L Lens
– 1 x Canon 24-70mm F4L IS Lens
– 1 x Canon 100-400mm F4.5 – F5.6L MKII IS Lens
– 1 x Canon 1.4 TC MKIII
– 1 x LEE Filter Kit with Assorted Filters
The South Island of New Zealand is always a spectacular place to visit and photograph and my hope is that this year we have timed our trip perfectly with the peak of Autumn colour. There was a large dump of snow over the last few days so it should be at its most picturesque! See you in New Zealand…

Ghosts of the Arctic Wins 2018 Webby Award

Late yesterday evening I received the exciting news that Ghosts of the Arctic has won a 2018 Webby Award in the film and video travel and adventure category. With over 13,000 entries from all 50 U.S. states and 70+ countries—and 3 million votes cast by 700,000 people in the Webby People’s Voice Awards—the 22nd Annual Webby Awards was the biggest in its history. 

Lofoten Island Winter Workshop Report 2018

In March 2018 I led my second winter landscape workshop to the Lofoten Islands in Norway with long time good friend and fellow landscape photographer Martyn Lucas (I was last in Lofoten back in Winter 2016). As I have written previously,  the landscape of these islands are really quite something to behold. Precipitous and ominous peaks that rise straight out of the ocean loom over small fishing villages that comprise of bright red houses lining the shorelines. With a dusting of fresh snow and arctic winter light the entire scene is akin to a fairy tail location and subsequently the photographic opportunities can be truly superb. It is just this magical landscape that attracts so many photographers to this spectacular part of Norway. This workshop was a for a small group of just six experienced landscape and nature photographers. We based ourselves primarily in the small town of Reine and made daily excursions to various locations around the Island for photography.Lofoten-4779-EditLofoten has been discovered on mass by photographers in recent times and many of the iconic locations are now close to saturated with photographers. I will have more to say on this later, but I personally find it quite uninspiring to watch large groups of photographers all lined up waiting their turn to make the same photograph. I am not sure what it is about the human psyche (and it may be particular to photographers) that compels people to want to take exactly the same photograph as thousands before them. Be that as it may, there are some photographs that can be considered ‘money-shots’ in Lofoten and no trip to these islands would be complete without at least one visit to these locations.  Generally though we made an effort to get off the beaten track and visit some of the more hidden gems.Like much of the Arctic, photography in Lofoten in winter is heavily weather dependant. It is entirely possible to be socked in for days with heavy cloud and bad weather in this part of the world (a risk you have to be prepared to accept when you venture so far north in winter). Its common on this sort of trip to loose at least one or two days to bad weather – its par for the course. Fortunately, we had very good weather and light for most of our trip with perhaps a few more blue sky days than I would have preferred. Lofoten-4536-EditBeing surrounded by water Lofoten offers  great opportunities for seascape photography at just about every turn and we took advantage of this by visiting and photographing many different beaches and areas of coastline. Much of the coastline is rocky or dotted with large boulders which provides limitless opportunities for foreground interest. Many of the beaches are also very accessible and only a short walk from car parks or pull off areas. We spent quite a lot time exploring and photographing various areas of coastline and some really interesting photographs resulted. In the right conditions, Lofoten in winter also has the added benefit of snow down to sea level for even more interest.On our last day we mixed things up and took a private charter boat out to photograph White-Tailed Sea Eagles fishing off the coastline. As we discovered in 2016, this proved a worthwhile exercise with a couple of hours of really wonderful eagle photography in mostly soft overcast light. Photographing fishing sea eagles from boat in winter in the Arctic is a lot of fun. We were able to get quite close to some of the eagles (so close my 400mm F2.8L IS MKII was occasionally too much lens and I had to switch out to the 70-200mm F2.8L IS MKII).Visiting Lofoten in Winter also provides an opportunity for cultural photography. At this time of year the cod are being fished around the Islands; they are then processed and hung to dry on the many cod racks dotted around the Islands (yes, you can smell them long before you see them). Every part of the cod is used and even the heads are hung to dry. I am personally not a street or cultural photographer but the process is nevertheless interesting to watch and photograph.

To those of you who have already expressed interest in a future workshop to Lofoten in 2019 or 2020:  At this stage I will not be running a future trip to Lofoten (due mostly in part to it being overly saturated with photographers). I would however, like to thank Martyn for his assistance in guiding the group to some fantastic locations and to all who participated and contributed to this workshop. We were blessed with some great conditions for photography and some really strong images resulted from our experience and time in Lofoten. Small, intimate groups for this sort of landscape photography workshop are the ideal way to ensure you capture the best possible photographs.

Polar Bears of Svalbard Expedition 2018 – Two Places Remaining

This July (July 25th – August 4th) I am leading my annual expedition to Svalbard in search of Polar Bears, Walrus, Arctic Fox and spectacular Arctic landscapes. Whilst Polar Bears and other wildlife are the main attraction on an expedition such as this it needs to be said that the landscape opportunities in Svalbard are nothing short of breathtaking. Soaring bird cliffs, plunging glaciers and dramatic mountainous scenery means there is quite literally something for every photographer. You can read the expedition report from last year on my blog HERESummer in the high arctic is a very special time for photographers. With twenty-four hours of daylight the photographic possibilities are quite literally as abundant as the day is long. In fact, what would normally pass for night time is actually one of the best times for photography in the Arctic summer as the light is often soft and ethereal with subtle golden overtones.

If you are interested in travelling to the high Arctic to encounter and photograph polar bears and incredible arctic landscapes then now is the time to act. Places are strictly limited to twelve participants (only two places remaining before it will be sold out). To get an idea of what it is like to participate in an expedition such as this be sure to check out the short film Kingdom of the Ice Bear below. You can download a complete PDF itinerary of the expedition HERE or drop me an email to register your interest.