Antarctica Emperor Penguin Bound

This will be my last blog post for the next ten days or so as I just received word that after significant delays a weather window has finally opened up for our Emperor Penguin group flight to base camp at Union Glacier in Antarctica. As soon as I finish up this post I am headed to the airport for the four hour flight down to the blue ice and the deep interior of Antarctica. From basecamp at Union Glacier its another four an a half hour flight in a smaller twin otter aircraft out to the remote sea ice and the largest Emperor Penguin colony in the world.

I am really excited to be heading back to the interior of Antarctica. This rarely visited part of the continent is one of incredible beauty that very people ever get to see and experience. The bonus of photographing Emperor Penguins with a very small group (there are just five of us in total) is the icing on the very sweet cake. It has been five years since I first dreamt up the idea of taking a small group on a dedicated photographic expedition to Antarctica’s largest Emperor colony and a full three years since I first began planning this expedition. It has also been a full year since I conducted my scouting trip to the interior in preparation for this expedition. To finally be departing with a such a small dedicated group of passionate photographers is both thrilling and exciting.

A few words on logistics for this expedition as to date this trip represents the most complicated, most difficult, and most weather dependant (as well as highest cost) trip I have ever undertaken. Our flight from Punta Arenas to Union Glacier and basecamp in Antarctica is on a Russian Ilyushin aircraft. This massive cargo plane is still fitted with its jump seats (for passengers) but is also used to ferry all of the equipment needed for the expedition to Basecamp. On arrival at Union Glacier we will land on a naturally occurring blue ice runway. From our Basecamp at Union Glacier we will spend a day or so acclimatizing (temperatures at basecamp vary between -10 and -30 Celsius in the summer) and preparing our equipment before we take a smaller dedicated twin-otter aircraft on another four and half hour flight to our advance camp at Gould bay and the largest Emperor Penguin colony in the world. This camp puts us in one of the most isolated and remote locations anywhere on the planet so everything we might need in case of any eventuality or emergency has to be carried in with us. And of course, on departure, we take everything with us (even human waste) so absolutely nothing is left behind. We will spend approximately a week camping and photographing at the colony before we pack and up and reverse engineer our way back to South America.

Being this remotely isolated in Antarctica means there is no internet or cell coverage so the next update should be late November all going well. Image below of our plane having just landed on the ice at Union Glacier from last years 2015 scouting trip.AntarcticaUnionGlacier2015-2155-EditWhat about a Future Expedition? Some of you have already emailed me and asked if I will run this expedition again in the future. The answer at this stage is I am investigating the possibility of a second expedition in November 2018 that would combine the Emperor Penguin expedition with an optional extension for landscape photography into the interior via snow mobiles (I also scouted this last year) with the possibility of a further extension visit to the South Pole.  I will post more on this should I be able to pull it all together around the middle of next year. In the meantime, if you want to be amongst the first to be notified of updates to this future expedition then its best to just register your interest with me now via email. There is no obligation at this point. Emperors-6

Iceland Winter the Frozen North Workshop 2017 SOLD OUT

The 2017 Iceland Winter Workshop ‘The Frozen North‘, with Daniel Bergmann is now sold out. If you missed out on a place you can still register to go onto the wait list. The workshop will run from the 23rd of February until the 5th of March 2017 and will focus on the incredible frozen northern landscapes of Iceland as well as the Aurora Borealis. We will be travelling in an Icelandic Super Jeep (modified 4-wheel drive) so that we can get off the main bitumen road and into the more interesting areas for photography and experience the true splendour of Iceland in Winter. In winter, the northern landscapes are covered in snow and the light is often soft and ethereal. There are fantastic opportunities to create wonderful images of the winter landscape.On the way to the End of the World - AntarcticaIf you missed out on a place but would like to travel an photograph in Iceland on a dedicated workshop with like minded individuals you can still register your interest to go onto the wait list by dropping me an email. You can visit the Iceland Portfolio on my website at www.jholko.com for more images of Iceland.

Photo of the Month November 2016 – Winter Polar Bear

The photograph of the month for November 2016 is of a teenage polar bear on the frozen Templefjord north of Svalbard. The image was taken during a winter snow mobile scouting trip in March last year with a Canon EOS 1DX camera and Canon 600mm F4L IS MKII Lens. What I really love about this photograph is the simplicity and balance in the image. The bear is walking into the frame with it’s paw nicely curled mid stride (we can see all four legs clearly) and is nicely balanced with the exposed ice covered rock on the left. There is also some really nice blowing snow around the feet of the bear that give great context of how cold it was when I made this photograph (around -20 Celsius). Svalbard-8616-Edit-2If you are interested in photographing Polar Bears on sea ice under the midnight sun there are now only a couple of places remaining before my expedition next July will be sold out.  You can register your interest by dropping me an email. If you want to get an idea of what these expeditions are like be sure to read the Trip Report from this years expedition and check out the Kingdom of the Ice Bear Video below.KingdomoftheiceBearA small teaser for those of you who read to the bottom – I will be filming a new short movie with Untitled Film Works this coming Winter in Svalbard on what its like to travel to the top of the world and photograph Polar Bears on the frozen sea ice during the frigid winter months. Look for this to be released mid 2017.

Wild Planet Photo Magazine Features Part One – Bear Instincts

Wild Planet Photo Magazine is featuring a brand new three part series of articles on my Arctic Wildlife photography. The series kicks off with Polar Bears (Bear Instincts) in the new and current November 2016 edition. From the Wild Planet Photo Magazine website: We are showcasing a new feature series from the Global Arctic Photographer of the Year, Joshua Holko, who shares his fascinating experiences with Arctic species. The first of our three-part Arctic Encounter series, Joshua Holko narrates the scenes leading up to these powerful polar bear images as we go behind the lens with him. 

BearInstincts

About Wild Planet Photo Magazine: Published every month, WPPM and their accompanying websites have over 256,000 unique visitors in more than 190 countries, making them truly international photography magazines for the digital age. Packed with refreshing content, exciting features and stunning imagery from around the world – all provided by innovative professionals and enthusiasts  who share one passion – that of landscape and wildlife photography. Wild Planet Photo Magazine is available via individual issue purchase or subscription.

Publish or Perish – Social Media be Damned

We live in an explosive age of photography where prolificacy is seen as a virtuous trait. The mantra is quite clearly, ‘Publish or Perish’.

Quantity over quality is the order of the day as banal image after image is splattered across every single social media platform in a never ending tidal wave of mangled and abused pixels. Photographers (and I use that term loosely) are racing to outdo each other by producing and posting a sheer volume of work that is somewhow supposed to make them a better photographer than the next person. There is a rush to be heard (or rather seen) and an omnipotent narcissistic need for more ‘Likes’ than the next person; as if this somehow gratified the photographer and satiated the ego (or paid the bills). The truth is, it does none of these things – it just feeds the beast and fuels the fire for a continual tidal wave of mediocrity. Its a death spiral that leads only to even more mediocre imagery. How on earth did photography arrive at this situation? Social media be damned.

This age of prolificacy has risen like a dark phoenix from the ashes of the wet darkroom where it used to take skilled photographers many hours of painstaking work to create a quality ‘work of art’. Perhaps only one or two frames from a roll ever made it past the contact sheet and onto paper in the developer tray. It took significant skill and craft to create a good photograph and thus only those photographers who were willing to put the time in to truly learn the craft of photography created truly superb photographs. With the advent of digital it became easy to take, process and share photographs and as a natural result more photographs are being shared than ever before. The problem is, the pain staking work isn’t being done and the net result is an ocean of garbage. This publish or perish mentality has completely engulfed social media and created so much white noise that the task of sifting through the detritus to find those few hidden gems (they do still exist!) has become tiresome at best.

I want to be clear at this point that I understand that many people use Social media to simply share their life experiences through snapshots with family and friends and are not in any way proffering their work as high quality photography. This is really the core of what Social media was designed for – sharing experiences with family and friends. I am instead targeting the large number of images that are being offered up as quality photography (but fall well short of that mark) in the hopes of accumulating gratifying ‘likes’. Its nothing more than a ‘look at me ‘mentality’.

Or, is my assessment of the situation to harsh? Are we being subjected to all of these photographs because photographers are struggling to find an audience for their work? Is Social Media an easy audience?

Even if this is the case (and it may well be so) and photographers are using social media as a vehicle to an audience my point about an ‘ocean of garbage’ remains at the forefront of my thinking. I have given this a lot of thought over the last year and I believe the root of the problem is that a great many photographers simply do not understand what makes a good photograph and lack the insight to be truly objective about their own photography.

If your goal is to improve your photography and to be seen by your peers as a photographer who captures wonderful photographs then I encourage you to think twice before you post and share your next photograph on social media. Ask yourself what you are trying to achieve by sharing your image. Are you just looking for an easy audience? What is it you are trying to say with your photograph? Try and be objective and truly neutral in the assessment of your image. Sit on it for a day or two and then look at it with fresh eyes. Is it really a good photograph? Or, is it merely the best you were able to make on the day? There is a marked and critical difference that many photographers would do well to understand. It is hard to be objective about our own photography; but we absolutely must learn this critical skill if we want to be seen as the producers of quality imagery.

I have pointed the finger of blame pretty strongly at Social media in this article (and in previous) and I firmly believe I am right in doing so. Keeping in mind of course that Social Media is merely the delivery platform for these photographs. Ultimately, it is the photographer who needs to show restraint. However, and to be objective and fair it is important to acknowledge that some people use Social media as a test platform for their photography; putting out their images for constructive criticism. There is some merit in this approach; although I would argue you are unlikely to receive objective and constructive criticism on a social media platform (there is no dislike button!). In truth, I do not believe most photographers use Social media as a test bed for their photography. The reality is thats just a convenient excuse. Most are instead simply looking for gratification of their photography through Likes and comments (although they are unlikely to admit it).

I am sure to have touched a few nerves amongst some with my analysis and thoughts on the state of the publish or perish mentality. And if a few eggs get broken in the process thats ok. What is important is that we remain objective about our own photography and that we are clear on why we share our work through social media channels. Our goal should be to produce the highest quality photography we can and to share those images amongst our peers. I cannot recall who passed on this particular pearl of wisdom with me, but it feels timely to share it. “If you post up ten images and nine of them are totally amazing and the tenth is mediocre then you might as well not have bothered at all.” We are naturally flawed to remember the worst of the series and that drags down the rest. If our goal is just to satiate our ego then we need to look inward at why we take photographs….