After returning from two weeks in the South Island of New Zealand in July and catching up with all the work that had mounted up in the office I had the itch to get back out there into the wilderness for some more landscape photography – this time a bit more of a family trip. So I booked a quick ten day trip to Tasmania with the family; piled the wife and kids onto the plane and put myself and the car on the boat. The idea being to pick up the wife and kids at the airport in Hobart and spend the next ten days exploring the East Coast of Tasmania. This was I think my eighth trip to Tasmania and it most certainly will not be my last. We had a great time and I even managed to squeeze in some photography. This photograph being one of my favourites from the trip. Taken at the Bay of Fires at sunrise.
I was down at Rye for a dealer conference last week and managed to get a little bit of time post conference for photography. This photograph was taken at the Rye Back Beach at Sunset as a storm rolled in from the ocean. This was one of about twelve different frames I took while the light was at its best. The shutter in this photograph was open for 3.2 seconds; I just got lucky with the lightning strike!
I am back from a recent last minute overnight stealth mission 🙂 to Craig’s Hut at the top of Mount Sterling in the Victorian High Country. Leaving Friday afternoon as soon as I could get away from the office my cousin and I headed off for what ended up being an expensive and somewhat eventful evening.
With the bitumen left far behind, the sun starting to set and only 17kms left to travel across the rough 4-wheel drive high country roads I got my first flat tyre in the BM X5. The cuplrit? A rather large jagged rock that went right through the right rear side wall of the tyre instantly deflating it. Grrr…
It unfortunately got worse as closer inspection revealed not only was the right rear tyre completley destroyed, but the left rear was down to the canvas on the inside edge and would also need replacing on return to Melbourne.
A quick swap over was not to be however. For some reason the lock nut to get the wheel off requires a different size socket to the rest of the wheel nuts (don’t know what BMW were thinking on that one). After much head scratching and nashing of teeth we were saved by a passing 4WD complete with tool kit. The wheel was changed and we were back on our way.
It was totally dark by the time we got to the hut and made camp. Some JW black label was consumed (read: the entire bottle), some cheese and biscuits before we turned in for the night.
The early morning start saw a wonderful alpine glow (and a bit of a hangover).
Back in Melbourne the next day and two new rear ‘pradas’ in the form of 295 45 19’s are ordered from the local tyre centre at more than $1500 – ouch. This ended up an expensive photograph! (But one I like very much).
Its hard to believe it has already been five months since I got back from twelve days dedicated photography in the South Island of New Zealand in July this year 2009. The time just seems to have slipped away – meaning its high time I gave a shout out to Phillip of Capture New Zealand and wrote a bit of a review of sorts on the trip.First.. a little back end history…New Zealand’s South Island had been on my radar for a long time for photography – and thanks to the world economic crisis and work opportunities it went from being on the radar to fruition. I had been considering organising a workshop in Iceland during this time in 2009, but when the Australian dollar took an almighty nose dive this become uneconomically viable and I had to make the decision to postpone Iceland (now organised for 2010). So I started looking into NZ (specifically the South Island).
As a dedicated landscape photographer who takes his work seriously I am always extremely gun shy of any guide service that includes the word ‘tours’ – even ones that label themselves as Photographic in nature. To often they purport to be for the serious photographer – but really cater to the general tourist (I really dislike tourists 🙂 ). Several emails back and forth with Phillip and I quickly came to the conclusion this was not the case and that Capture New Zealand was indeed all about being in the best locations at the best time to get the best light. In other words.. it was all about the Photography. We quickly partnered and in short order we had a trip planned to take in the very best of the South Island of New Zealand.
As it turned out a fellow landscape photographer from Texas (John) had planned a custom tour in the South Island with Phillip for the same time I wanted to be there and was kind enough to extend an invitation through Phillip for me to join. So it was set – we would meet up in Christchurch for twelve days solid photography in the spectacular South Island.
From the moment I walked through the New Zealand customs gate (wash your trekking boots before you go to NZ – customs don’t like dirty boots!) and met Phillip to the very moment we parted company back at the airport he was the perfect gentleman and guide. Nothing was ever to hard or to much trouble and Phillip consistently went out of his way to make sure John and I were comfortable and more importantly (to me anyway) made sure we were in the right spot at the right time to get the shot we wanted.Sometimes its the little things that make the difference between a truly great experience and just a good one – and Phillip’s guide service was packed full of those little things. In fact, I got so used to having the door of the 4X4 opened and closed for me I stood next to my car waiting for my wife to open the door for me as a bit of a joke when I got back. 🙂
Everything from the accommodation, to the restaurants we ate in, to the timing of photo shoots was meticulously organized and attended to by Phillip – which meant we could focus solely on our photography. Even when I threw a few last minute curve balls at him (In Milford Sound I wanted to upgrade to one of the new luxury cabins looking over the river, which he took care of and then go and photograph the whales when we were booked to do Dolphins). None of it was too difficult or to much trouble and all of it was handled professionally and with utmost courtesy.
I am almost convinved Phillip has a pact with the NZ weather gods – because we totally nailed the weather the entire trip – which considering we were there in the dead of winter when anything can happen was amazing. When we were on the west coast the east cost was totally socked in and vice verca. I could not have asked for better weather or light for photography – or for a better guide to make sure I was in the right location at the right time.
Our trip included three helicopter flights including two custom flights over the glaciers and Southern Alps with the doors off (totally amazing experience), whales, New Zealand Sea Lions, The Remarkables, Punakaiki, The Southern Alps, Lake Matheson, Milford Sound, Kaikora (amazing sun rises), Fox Glacier and Glacier heli-hike, Franz Josef Glacier, Glenorchy, Queenstown, Castle Hill and the much more.A couple of items I want to make special note of: The first of which is that Phillip’s first concern was making sure John and I got the photograph we wanted – his own photography was a distant last. He always put us first and foremost – including taking us to several well off the track locations that there is no way I would have known about or ever found – but yielded spectacular photographs. The second is that he gave us room to work, but was always on hand for questions or queries. I like to work at my own methodical pace and don’t require photographic instruction – but I often did want to know how Phillip as a local saw the shot in his minds eye and where he felt it worked best based on his experience with the area. To this end he was extremely helpful and I owe him a debt of gratitude in this respect as it has contributed to the quality of shots I was able to get.
The last item I want to touch on is time. With two young kids, a business etc. the luxury of time is something I dont have a lot of. This was a contributing factor in my decision to book a guide rather than go it alone. Many photographers often think the best way to shoot a new location is on their own, but those of us who have been to a new area with a good guide know that there is no substitute for local knowledge. And that local knowledge saves a huge amount of time (and time is money) and contributes to images of far greater quality. To this end Phillip was nothing short of excellent.The trip exceeded my expectations in many many ways and I would have no hesitation in reccomending Phillip and Capture New Zealand to any photographer here or anywhere. A month after the trip I am still furiously processing images (I shot more than 3300 frames in the twelve days I was there). I should have the bulk of the processing finished within the month and will put up a website of the trip as soon as possible. [Edit – my own website has now been updated with photographs from the trip.
I am most likely heading back to NZ earlish 2010 for family prior to heading off to Iceland later in the year, but will likely partner again with Phillip – and that is the highest recommendation I can give.
If I get enough time and inclination, this may be my photography blog for my Wilderness, Nature and Landscape Photography. I intend to use it to report on photographic trips and expeditions and general items related to photography that interest me.
I am currently debating the merits of setting up a dedicated website for my landscape photography. In the meantime however, it might be fun to post a little bit about my expeditions into the wilderness in pursuit of great light and subject.
Currently the link to my website jholko.com points to my kids portraiture business. You can view my landscape photography by following this link – clicking on ‘Client Access’ and entering the password ‘Guest’. This will take you to my Australian and New Zealand landscape photography. Or you can just enjoy the photographs I post to my blog here. Thank you for stopping by!