Photo of the Month October 2016 – Polar Bear on Sea Ice

The photograph of the month for October 2016 was taken on my Polar Bear expedition to Svalbard this July (read the trip report). I actually made this photograph through the open porthole of my cabin as I wanted to be as low down to the water as possible (wildlife photographs are almost always stronger and more powerful when you get down to eye level with the subject).  I had been photographing the bear from the deck of the ship with a 600mm lens. When he started to approach closer to the ship I grabbed a wide angle lens and ran downstairs to my cabin as I new there would be an opportunity to capture a dramatic image of the bear in the landscape from a low perspective.  We were fortunate to have some really dramatic cloud and lovely soft arctic light under the midnight sun. Svalbard2016-5843-EditIf you are interested in photographing Polar Bears on sea ice under the midnight sun there are now only a couple of places remaining before my expedition next July will be sold out.  You can register your interest by dropping me an email.

One of my very good friends and Norwegian partners Ole Jorgen Liodden has just launched a new project and study on Polar Bears vs. Humans.

Polar bears and humans have a long history in most parts of the Arctic. Since the Inuitts met the Polar bears thousands of years ago, there has been more and more interaction with this large predator. Hunting, scientific activity and tourism is today directly interacting with the Polar bears, and also climate change and pollution can be linked to human activities, affecting the life of the Arctic King.

The big question is how this human activity is affecting the Polar bears. How many Polar bears are killed annually? Is this hunting sustainable? Is the Polar bear management effective? How does the climate change affect the survival and opportunities for Polar bears? Is the population of Polar bears decreasing or increasing? Are there any red flags regarding the trade of Polar bear skins? These are some of the important questions very few authors, researchers or organizations are asking. In this project we want to publish information about these topics and ask the questions to different Polar beard interest groups.

The project aims to expose the impact of Polar Bear trophy hunting as well as the legal and illegal hunting and killing of Polar Bears in the Arctic. You can read more (and support) about this important project on the project website.

Landscape Photography Magazine – Raw and Unedited Interview

Landscape Photography Magazine have just published a new Really Right Stuff Sponsored Interview in their latest (no. #68) October issue. The interview was a great opportunity to talk a little bit about how I transitioned into a full time professional Nature Photographer and also my own ethics and thoughts on Nature Photography. Interview Excerpt Below:

In your opinion, how vital is integrity in the field of landscape photography?

Integrity is critical if we are to be honest with the viewers and honest with ourselves. When we look at a photograph we expect – or at least hope – it is real and not a digital creation. I personally believe in rewarding the skill of the photographer in the field and not the skill of the retoucher in front of a computer. Nowadays, literally anything is possible with digital manipulation in post-production. Multi-image composites are commonplace and are frequently presented to the viewer – often through social media – as ‘captures of nature’. Whilst it is fine to do this sort of manipulation I find it disingenuous not to disclose it. Nature photography should be about capturing what we find in the field, and not creating it on a computer. The latter is digital art in my book.

When I see images that are clearly composites being used to market workshops to exotic locations, that really irks me. Participants on those trips are going to expect to see that scene and are unaware that it is a fabrication. Our integrity as photographers is all we have to stand behind. That’s not something I wish to compromise.

The full interview is available for free on the Landscape Photography Magazine website.RRS-Interview

Canon 600mm F4L IS DO Lens in Development

Camera and lens rumours don’t often make news on my blog; but I wan to make an exception in this case as I believe the development of the Canon 600mm F4L IS DO lens will be a real game changer and one of the most exciting lenses to be expected in recent times. A 600mm F4 DO lens will absolutely change the game for wildlife photographers who (wedded to the sublime bokeh of 600mm F4 lenses) have traditionally had to schlep large, bulky and heavy telephoto lenses around the globe in search of wildlife. As a photographer who regularly travels with a 600mm F4L IS MKII lens I can tell you that its no easy task getting such a large piece of glass on location on the the other side of the world. A 600mm F4L IS DO lens would be manna from heaven. I think I’ll make some space for this one in my lens cupboard now….

From Canon Rumours

We’re told that the Canon EF 600mm f/4 DO IS that was shown in prototype form at Canon EXPO in September of 2015 is currently scheduled to be launched in the second half of 2017.canon600do-728x403

 

Iceland the Highlands Workshop Reports 2016

In August and September of 2016 Daniel Bergmann and I lead two back-to-back workshops into the spectacular Highlands of Iceland. The first of these two workshops focused on the Highlands and northern areas of Iceland and the second on the Highlands and Southern region. We chose late August and September for our workshops due to the large increase in tourism in recent times in Iceland during the summer period. In truth, tourism is actually out of control now in Iceland and you absolutely must get off the beaten track if you want to get solitude in the wilderness. Part of our planning was to spend a large portion of our time in the more remote areas of the highlands in order to make sure we were well away from the masses.  This proved most fruitful with spectacular landscape free from throngs of tourists._MG_6396-EditAs many of you know who follow my blog, the highlands are in my opinion the real jewel in the crown of Iceland. The area offers incredible photographic opportunities and is in comparison to the rest of the island rarely visited by tourists. The Highlands of Iceland actually cover most of the island’s interior. Inaccessible in winter, they rise 400–500 meters above sea level and are an untamed mingling of uninhabitable volcanic desert, jagged mountains, glaciers and hot springs. A few oasis like areas, such as Herðubreiðarlindir near Askja, are found only in proximity to rivers. From a first time photographers perspective the highlands can be a challenging location to work and photograph. Some walking and hiking is really required to get the best compositions and the area is subject to highly variable weather. All of this makes for really interesting photographs that in my opinion are far more evocative than the usual sort of cliché images from Iceland that seem to dominate social media today (more on this later).

We began our workshops with an early departure on the 14th of August and drove to our Hrauneyjar highland base, where we were located for three nights. From Hrauneyjar we explored the magnificent Fjallabak Nature Reserve, which included the Landmannalaugar area and other lesser known highland pearls, such as the Veidivotn region (one of my absolute favourite locations in Iceland). Exploring and photographing the highlands of Iceland from super jeep we were able to stop when we wished and take full advantage of weather and light as conditions permitted. It also meant we were able to take the most rugged and remote mountain passes and really explore the best of the highlands. The weather is highly variable in the highlands and we did experience everything from sunshine to pouring rain and fog during our stay in this area. Although this sort of weather can prove challenging, I personally find these conditions the most interesting to work and photograph in._MG_6397-EditOn August 17th we traveled across the Sprengisandur route that crosses the interior of the island and found our way to Lake Myvatn in the north, where we spent the next three nights. The Sprengisandur route took us right up the middle of the island through some of the most desolate lunar landscape to be found anywhere on earth. We photographed the waterfalls of the Skjalfandi river (Godafoss and Aldeyjarfoss), plus Dettifoss and Selfoss waterfalls in the Jokulsa river. We also explored the geothermal areas close to Myvatn. The geothermals of Myvatn continue to provide unlimited opportunities for photography and remain one of my favourite areas to visit and photograph in the north. This area is extremely dynamic and is in a constant state of flux. The landscape is alive with mud pits and fumoroles and steaming sulphur creates an otherworldly landscape. At sunrise and sunset we had the entire area to ourselves and some fabulous images were created.IcelandHighlands2016-6243Once we had concluded our stay at Myvatn we travelled west along the northern coast and overnighted near the Vatnsnes Peninsula. Hvitserkur sea stack was one of our main subjects at Vatnsnes, along with other coastal features. The following day we travelled to the Snaefellsnes Peninsula, where we spent the last two days of our trip. At Snaefellsnes we photographed the iconic Kirkjufell mountain and the spectacular coast at Arnarstapi and Hellnar, on the southern tip of the peninsula. We concluded our trip on the 23rd of August at Keflavik international airport.

IcelandHighlands2016-6168 Our second workshop commenced early in the morning on the 28th of August with a drive to the Kjolur highland route towards Kerlingarfjoll mountains, where stayed overnight in mountain cabins. Our main photographic objective was the incredible Hveradalir geothermal valleys, above our lodging. We photographed the area at both sunset and shortly after sunrise and some really unique images resulted from our time in this area. This was actually only the second time I had visited this area of Iceland and it did not fail to disappoint. The geothermals in this area are extremely active and the entire landscape is alive with sulphurous fumaroles and boiling mud pots. It would be easy to spend a week in this area just exploring and photographing the many features to be found. The area is (thankfully) not on most tourists radar and as such is usually frequented only by hikers and campers. _MG_6290-EditAfter our stay at Kerlingarfjoll we drove to the Hrauneyjar highland base, where we were located for three nights. From Hrauneyjar we again explored the magnificent Fjallabak Nature Reserve. The weather proved fickle during our time in this area and we again had a real mix of rain and sunshine. 

On September 1st we travelled across the highlands on our way south. It was a day of travel through some of the most incredible landscape in Iceland. We were blessed with some really dramatic cloud and light and some fabulous photography resulted from our journey through this remote part of Iceland._MG_6453-EditOnce out of the highlands we overnighted at the town of Hella before traveling further east along the coast to the Vatnajokull region, where we stayed at Gerdi for three nights. Once at Gerdi we were in the proximity of the Jokulsarlon glacial lagoon and the many outlet glaciers from the Vatnajokull ice cap. This was our grounds to explore for the coming days and we photographed at the black sand beach, the glacial lagoon, Stokksness as well as several other lesser known locations off the tourist radar. After our stay in the southeast we traveled back west and spent a night on the southern coast. On our departure day we headed off towards the Keflavik airport._MG_6697With tourism increasing exponentially in Iceland in recent times it was ideal timing for us to get up into the Highlands on both these workshops and find solitude and peace in the wilderness. Until tourism tapers off in Iceland I will be unlikely to run future landscape trips in the peak summer season (June, July and August) as it has just become far too crowded for serious photography at many of Iceland’s best known natural attractions. Instead, I will be focusing on more remote winter trips and more specialised workshops (such as the Puffin workshop next year) that take us into more remote wilderness locations, well away from the tourist crowds.