Canon EOS-1DX MKII Performance

I have received quite a lot of email in the last twenty fours hours asking about the performance increase in the new Canon EOS-1DX MKII in terms of both Auto Focus and ISO. I can tell you from demonstration only that the ISO performance in the new EOS-1DX MKII is at least 3-stops better than the current 1DX (and thats being conservative). ISO 10,000 files are effectively clean and free from noise. How much Auto Focus has been improved is going to depend on what you are shooting and in what sort of lighting conditions you are working in.  For me, the auto focus performance of the current 1DX is superb and it is really only difficult back-lit situations that pose an issue (from time-to-time). I wont know how the new EOS 1DX MKII performs in this regard until I get it out in the snow and ice in low light with a back lit subject.

The Canon EOS 1DX-MKII is now available for Pre-order with a delivery date of April 2016.eos1dxmark2-728x403

 

Canon Announce the EOS-1DX MKII

Canon have just announced the EOS 1DX MKII – The successor to the EOS 1DX. The world’s best wildlife camera just got better! This is a very exciting announcement and I am very much looking forward to putting the new camera through a full field test over the coming weeks. Full Details included below:

Update: The Canon EOS 1DX MKII is now available for Pre-Order.

Immense power. Phenomenal speed. A remarkable combination of innovation and refinement.

The new EOS-1D X Mark II camera is nothing but legendary every step of the way. Building on a heritage of sophisticated innovation, the EOS-1D X Mark II is blazingly fast. Up to 14 fps*(up to 16 fps* in Live View mode) can be captured at a burst rate of up to 170 RAWs with a CFast™ card, and an improved 61-point AF system helps deliver clean, sharp images quickly, even in dim light. This remarkable speed means faster recording too: 4K video can be recorded at up to 60 fps with smooth AF and strikingly clear detail. Combined with superb low-light performance thanks to its powerful sensor and expandable ISO range, the EOS-1D X Mark II performs brilliantly, swiftly and stunningly no matter when or where the photographer is shooting. From the stadium, safari or studio to virtually everywhere in between, the EOS-1D X Mark II maintains and enhances all the hallmarks of what Canon has to offer, marking a new page in the legacy of the EOS series of cameras.EOS1DXMKII-1

  • Fastest shooting EOS-1D, capable of up to 14 fps* full-resolution RAW or JPEG, and up to 16 fps* in Live View mode with new Dual DIGIC 6+ Image Processors.
  • Achieves a maximum burst rate of up to 170 RAWs in continuous shooting at up to 16 fps, and 4K movies using CFast™ cards in the new CFast 2.0™** slot.
  • Experience less noise in higher ISO images via a new 20.2 Megapixel full-frame CMOS sensor, with an ISO range of 100–51200; expansion to ISO 409600.
  • Improved AF performance through 61-point High Density Reticular AF II system with 41 cross-type points, improved center point focusing sensitivity to -3 EV and compatibility down to f/8***.
  • Accurate subject tracking for stills and video with new EOS Intelligent Tracking and Recognition AF with 360,000-pixel metering sensor.
  • 4K video (4096 x 2160) up to 60 fps (59.94), with an 8.8-Megapixel still frame grab**** in camera. Full 1080p HD capture up to 120 fps for slow motion.
  • Dual Pixel CMOS AF & Movie Servo AF for high speed, high frame rate and continuous autofocus during video shooting.
  • View and control high quality stills and videos via the 3.2-inch touch panel LCD with 1.62 million dots.
  • Increased resolution and fine detail, with lens aberration correction and diffraction correction via new in-camera Digital Lens Optimizer technology.
  • Built-in GPS***** provides geotag information including auto time syncing with Universal Time Code via satellites.
  • The new optional Wireless File Transmitter WFT-E8A is compatible with IEEE 802.11ac/n/a/g/b, supporting both the 2.4 GHz and 5 GHz Wi-Fi® bands.
  • Durable and rugged magnesium alloy body with dust- and-weather resistance for demanding shooting situations.

* Continuous shooting speed may vary depending on the shutter speed, the aperture, the lens being used, the battery charge and various camera settings.

Fastest shooting EOS-1D, capable of up to 14 fps* full-resolution RAW or JPEG, and up to 16 fps* in Live View mode with new Dual DIGIC 6+ Image Processors.EOS1DXMKII-2Up to 14 fps* Full-resolution RAW or JPEG, Up to 16 fps* in Live View Mode
Delivering outstanding performance at speeds of up to 14 fps*, and up to 16 fps* in Live View, the EOS-1D X Mark II camera is loaded with technologies that help facilitate speedy operation at every step of image capture. The EOS-1D X Mark II features a new mirror mechanism designed for highly precise operation with reduced vibration even at incredibly fast speeds. The shutter unit is rated for 400,000 frames and captures at up to 16 fps*, while the CMOS sensor has high-speed signal reading that enables speedy image capture. A fast AF/AE system, Dual DIGIC 6+ Image Processors and high-speed recording with its new CFast™card slothelps ensure that camera operations are performed quickly and precisely.

Dual DIGIC 6+ Image Processors
Key to the performance benchmarks achieved by the EOS-1D X Mark II camera, Dual DIGIC 6+ Image Processors not only convert the light that passes through the camera’s sensor into high-quality photos and movies, but also enhance the camera’s overall performance. Improvements include high-speed processing, up to 16-fps* operation for stills and 4K/60p movies, lens distortion and diffraction correction during operation with virtually no effect on the camera’s speed, plus fast write times and much more.
* Continuous shooting speed may vary depending on the shutter speed, the aperture, the lens being used, the battery charge and various camera settings.

Achieves a maximum burst rate of up to 170 RAWs in continuous shooting at up to 16 fps, and 4K movies using CFast™ cards in the new CFast 2.0™** slot.

The EOS-1D X Mark IIcamera can capture an incredible amount of images and movies with amazing speed. When recording to CFast 2.0™* cards through its new CFast™ card slot, the EOS-1D X Mark II can record up to 170 full-size RAW files, and JPEGs up to full card capacity at 16 fps. 4K/60p and Full HD/120p video can also be recorded with virtually no restriction, and with exFAT format support, movie files of larger than 4GB can be recorded without the need to merge files. Performance with CF cards through the camera’s CF card slot is impressive as well: the EOS-1D X Mark II can capture up to 73 full-size RAW files and JPEGs up to full card capacity when recording to CF UDMA7 media.

As of February 2016, compatibility has been verified for the following CFast™ memory cards:

Proper operation cannot be guaranteed for all recording media. Long-term usage may reduce a CFast™ card’s write speed. We recommend users regularly fully format and refresh their card using the “Full Format and Refresh Tool.”

* Canon is an authorized licensee of the CFast 2.0™ trademark, which may be registered in various jurisdictions.

Experience less noise in higher ISO images via a new 20.2 Megapixel full-frame CMOS sensor, with an ISO range of 100–51200; expansion to ISO 409600.

20.2 Megapixel Full-Frame CMOS Sensor
The EOS-1D X Mark IIcamera features a Canon-developed 20.2 Megapixel full-frame CMOS sensor that not only helps it record more pixels, but also includes gapless micro lenses for enhanced low-light performance. This results in noise reduction in dark portions of the image even at high ISO speeds, and increased sensitivity that contributes to the EOS-1D X Mark II’s high-speed image capture rate, accelerating frame-to-frame performance as well as enabling 4K movies (60p/30p) and improved playback. The new sensor is also Canon’s first full-frame sensor to include Dual Pixel CMOS AF for high-speed, precise AF during Live View still and movie recording.

ISO Range of 100–51200; Expansion to ISO 409600
The EOS-1D X Mark IIcamera delivers high standard and expanded ISOs, and a score of options to enhance shooting in varied and fast-changing lighting situations. With a standard range of ISO 100–51200, the EOS-1D X Mark IIis incredibly sensitive, and thanks to a high signal-to-noise ratio as well as powerful noise reduction, the EOS-1D X Mark II can shoot at expanded sensitivities down to ISO 50 (L) and up to 102400 (H1), 204800 (H2) and even 409600 (H3)! Beyond the obvious advantages of its wide ISO range, the EOS-1D X Mark II has automatic ISO settings, found on the dedicated ISO menu. Minimum and maximum ISO settings can be specified, as can a user-defined range, plus full auto and manual.

Improved AF performance through 61-point High Density Reticular AF II system with 41 cross-type points, improved center point focusing sensitivity to -3 EV and compatibility down to f/8***.
Improved AF Performance
The EOS-1D X Mark IIcamera incorporates a number of significant improvements to help deliver highly precise, reliable AF and AF tracking, both faster and available in more situations. It features a new 61-point High Density Reticular AF II system with 41 cross-type points that expands the AF area approximately 8.6% in the top and bottom of the central AF area, and approximately 24% at the top and bottom of the peripheral frame. A wider subject tracking area improves the AF system so that challenging focus tracking in scenes with sudden changes of speed and subject position is easier than ever. The AF system’s low-intensity limit has been improved to EV-3 and all 61 AF points are compatible down to f/8* for excellent low-light performance. The EOS-1D X Mark II’s AF algorithm has also been improved: it’s equipped with AI Servo AF III+, which remembers the AF path and helps refine precision. Whether choosing individual AF points manually, using the Large Zone AF area or any of the camera’s automatic AF selection modes, the EOS-1D X Mark II is designed to exceed users’ expectations for high-precision AF.

Improved Intelligent Viewfinder with Enhanced Visibility for AF Point Display
The EOS-1D X Mark IIcamera features a new Intelligent Viewfinder II for convenient composition and setting changes without taking an eye off the subject at hand. The camera’s viewfinder can show significantly more information in the LCD display and presents AF points in red, increasing visibility in dark locations where AF is typically difficult and in situations where the ambient light makes the AF frame difficult to see. Features like the electronic level, a grid, flicker detection, white balance, metering mode, AF information and more can be glanced at easily without drawing attention away from the subject.

* Except when using the Canon EF 50mm f/2.5 Macro, EF 100mm f/2.8 Macro, EF 100mm f/2.8 Macro USM, EF 100mm f/2.8L Macro IS USM and EF 28-80mm f/2.8-4L USM lenses.

Accurate subject tracking for stills and video with new EOS Intelligent Tracking and Recognition AF with 360,000-pixel metering sensor.

The EOS-1D X Mark II camera has an amazingly advanced 360,000-pixel RGB+IR metering sensor and processor that greatly contribute to the camera’s impressive AF performance for both stills and video. Thanks to a high resolution and infrared sensitivity combined with a refined detection algorithm, this new sensor improves the color and shape recognition of the EOS-1D X Mark II’s iSA (Intelligent Subject Analysis) system, increasing the camera’s ability to recognize subjects for faster, more precise AF, metering and exposure compensation. This additional exposure and subject information also helps the EOS-1D X Mark II’s iTR (Intelligent Tracking and Recognition) AF system maintain focus on a moving subject with a greater level of consistency.

4K video (4096 x 2160) up to 60 fps (59.94), with an 8.8-Megapixel still frame grab**** in camera. Full 1080p HD capture up to 120 fps for slow motion.

The EOS-1D X Mark II is an incredibly capable camera for moviemaking. Thanks to its Dual DIGIC 6+ Image Processors and its advanced sensor, it can capture huge 4K (Motion JPEG)video at up to 60 fps, recording smoothly to CFast™ cards. It’s the first EOS camera able to record Full HD video at 120 fps, easily displaying minute details imperceptible to the human eyeand ideal for slow-motion video capture. With the camera’s new touch panel display, AF points can be easily selected while the camera’s rolling, and focus can be quickly confirmed with the EOS-1D X Mark II’s 4K still frame grab feature*, wherein an 8.8-Megapixel still image can be selected for review and saved. Low-light performance is improved as well, with video recording at ISOs of up to 12800 in 4K and 25600 in Full HD.The EOS-1D X Mark II also features uncompressed HDMI output for Full HD videos, helping to facilitate video editing with minimal image degradation. Not to mention, it can also save videos as MP4s for easy playback on mobile devices.

* Saving a still image from a single movie frame does not result in the same image quality as a normal still image.

Dual Pixel CMOS AF & Movie Servo AF for high speed, high frame rate and continuous autofocus during video shooting.

With significant improvements in AF operation, the EOS-1D X Mark IIcamera can be an indispensible and remarkably portable moviemaking tool. Continuous AF, even during 4K recording, is made easy thanks to the EOS-1D X Mark II’s Dual Pixel CMOS AF, which is compatible with all Canon EF lenses. Focus points can be selected automatically, or specified on the camera’s new touch panel LCD screen. Critical focus throughout the frame can be easily confirmed by enlarging stills grabbed from video recordings. The EOS-1D X Mark II’s Movie Servo AF is compatible with all frame rates and resolutions, and can be customized to set tracking sensitivity, AF speed and even Face Tracking priority. These advanced features help make the EOS-1D X Mark II a truly versatile and convenient camera for 4K and Full HD moviemaking.

View and control high quality stills and videos via the 3.2-inch touch panel LCD with 1.62 million dots.

The EOS-1D X Mark II camera’s 3.2-inchtouch panel TFT LCD monitor has approximately 1.62 million dots, anti-reflective construction and features Canon’s Clear View LCD II technology for bright, sharp display in any number of shooting situations. Its new touchscreen function allows AF point switching and image magnification during Live View shooting and movie shooting, providing convenient operation. The LCD monitor can be ideal for reviewing settings and images, as well as for shooting in Live View mode. In Live View, grid lines can be displayed in 9 sections, 24 sections or 9 sections with diagonals, as well as the dual-axis electronic level, which helps ensure accurate level by displaying both roll and pitch in 1-degree increments. For image review, the EOS-1D X Mark II has a dedicated Magnify/Reduce button. While pressing the button, zooming in or out (up to 10x) is achieved simply by turning the Main Dial. Images can be protected or erased quickly, individually or in batches, and slideshows can be created with some or all images and can be sequenced by date, folders, movies, stills,protection or rating. A feature guide can be accessed for the selected menu, providing detailed reference information when needed.

Increased resolution and fine detail, with lens aberration correction and diffraction correction via new in-camera Digital Lens Optimizer technology.

To combat any possible image degradation from lens aberration and diffraction, the EOS-1D X Mark II camera is equipped with a number of in-camera optical correction functions for clear and high-quality images. The EOS-1D X Mark II even stores lens aberration data, helping to eliminatethe need to register lens data on previously released lenses, and correcting images with virtually no delay in-camera. The EOS-1D X Mark II not only corrects peripheral brightness and chromatic aberration, but also features distortion correction plus diffraction correction, which has been included for the first time in an EOS camera. Distortion correction helps resolve barrel and pincushion distortions,while diffraction correction virtually eliminates the blurring effects from diffraction that can be created when capturing an image at a small aperture. The camera’s Dual DIGIC 6+ Image Processors help ensure these corrections can be made with virtually no effect on operational speed. In-camera RAW processing is also made fast and convenient with Canon’s Digital Lens Optimizer, helping to improve image quality and giving photographers the ability to work confidently in more complex environments.

Built-in GPS***** provides geotag information including auto time syncing with Universal Time Code via satellites.

Providing crucial location and time data, GPS has become an indispensible aspect of the professional workflow, especially for professionals who work on location and capture thousands of images each day. The EOS-1D X Mark IIcamera has GPS* built in, helping photographers and filmmakers not only tag their images with critical location data, but also adjust the time and timestamp on the camera automatically. Thanks to built-in GPS*, and Wi-Fi® connectivity throughthe optionalWireless File Transmitter WFT-E8A accessory, the EOS-1D X Mark II can use both GPS andWFT (Wireless File Transfer)together, making it easy to upload a great amount of images both quickly and from increasingly far-flung locales. Offering compatibility with American GPS satellites, Russian GLONASS satellites and Japanese quasi-zenith satellites Michibiki, the EOS-1D X Mark II’s GPS information is reliably accurate virtually anywhere you go.

* In certain countries and regions, the use of GPS may be restricted. Therefore be sure to use GPS in accordance with the laws and regulations of your country or region. Be particularly careful when traveling outside your home country. As a signal is received from GPS satellites, take sufficient measures when using in locations where the use of electronics is regulated.

The new optional Wireless File Transmitter WFT-E8A is compatible with IEEE 802.11ac/n/a/g/b, supporting both the 2.4 GHz and 5 GHz Wi-Fi® bands.

The Wireless File Transmitter WFT-E8A, the EOS-1D X Mark II camera’s new optional accessory, provides both a fastthroughput for image uploading andseveral new features that make dynamic wireless photography simple and fast. It has 5GHz 802.11ac support for high-speed image transfer, a revamped user interface that enables speedy set-up and configuration of wireless networks and even compatible smartphone connection.Accommodating both iOS* and Android** devices, the Wireless File Transmitter WFT-E8A makes it simple to use a smartphone as a remote control for still and video capture. It can even transfer recorded images back for viewing on the device’s screen. The Wireless File Transmitter WFT-E8A is both compact and durable, with excellent dust- and water- resistance for unfettered operation in difficult environments.
* Compatible with iOS versions 7.1/8.4/9.0, Android smartphone and tablet versions 4.0/4.1/4.2/4.3/4.4/5.0/5.1. Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.

** Compatible with Android smartphone and tablet versions 4.0/4.1/4.2/4.3/4.4/5.0/5.1.

Durable and rugged magnesium alloy body with dust- and-weather resistance for demanding shooting situations.

For professionals who demand nothing less than the best, the EOS-1D X Mark IIcamera is designed to perform superbly even in the most treacherous environments, every time. The body is constructed of rigid, high-strength magnesium alloy for rugged performance and features a grip design for easy finger placement and reduced hand fatigue. Its shutter has lightweight, carbon-fiber blades, and is rated to maintain up to 16 fps performance without compromise, for up to 400,000 cycles. The EOS-1D X Mark II and accessories like the new Wireless File Transmitter WFT-E8A have extensive gasketing for improved dust and water resistance, even at their connection points.

Price:

  • $5999 USD (List Price in Australia TBA – I would guess around $8000 AUD)

What’s in the box:

  • EOS-1D X Mark II Camera Body
  • Battery Pack LP-E19
  • Battery Charger LC-E19
  • Wide Strap
  • Eyecup Eg (Not shown)
  • Cable Protector
  • Interface Cable IFC-150U II
  • EOS Digital Solution Disk (Not shown)

Birds of the World – Key Wording in Adobe Photoshop Lightroom

One of the key functions of Adobe Photoshop Lightroom (hereafter referred to as just Lightroom) is its database and the capability for users to store and manage tens of thousands of photographs. Key-wording is an integral and core component of the database management. For those who might be unfamiliar with the concept of key-wording: Key-wording enables you to very quickly find a specific photograph or a specific series of images that have been tagged with one or more keywords. I know a great many photographers who use key-wording to various degrees in their work-flows. Personally, I keyword extensively on import so that I can effectively manage the more than one hundred thousand images in my Lightroom Library.

When it comes to wildlife I like to keyword with with the species type (Mammal, Crustacean, Reptile etc.) and then break this down by individual animal in each category. Its a hierarchical keyword structure that works well for me in my work-flow.  Once set up in Lightroom its very quick for me to keyword my wildlife images on import. But what about key-wording for Birds?

Birds can be problematic to keyword for several reasons. Firstly, there are more than ten thousand different species across the globe which can make identification difficult, and secondly its massively time consuming to create keywords for them as you import your photographs (especially if you want to add Latin names and appropriate synonyms). I ran into this problem head-on on my recent Falkland Islands workshop where I spent a concentrated week photographing many different species of birds. I shot over 5000 photographs of birds that week and subsequently nearly gave up trying to identify them all, let alone create keywords for them all (and forget synonyms).  Thankfully, there is now a solution to at least the second part of this problem….

Good friend and expedition partner Ole Jorgen has recently completed the herculean effort of creating a complete hierarchical list for Lightroom of all of the birds of the world (yes – all  ten thousand four hundred plus of them). Not only has he put them all into a suitable structure for Lightroom and made it available for photographers to purchase, but he has also offered a number of different versions depending on your needs. You can check them out in his Web Shop or by clicking on the image below.birdsoftheworldOver the last few days I have been extensively testing the Birds of the Word UK Latin Edition and have found it absolutely invaluable in key-wording the many thousands of bird photographs in my Lightroom library. Integrating the list into your existing keyword structure is as simple as importing the list in the Meta-Data drop down menu of Lightroom. The lists are built in a hierarchical structure which makes them easy to manage as well as easy to understand. The UK Latin Edition I have been testing also contains synonyms for added granularity and detail. One of the added benefits of using a complete species list such as these is to actually see how many of a given type of bird you have photographed as well as what other types might be similar. Wether you are a keen bird photographer, or want to save time with your key wording of birds (as well as increase your accuracy and add finer granularity), or just wanting to increase your knowledge of birds I believe you will find these keyword lists to be extremely useful in your work-flow.

Anyone up for creating a complete list of the Mammals…?

BenQ SW2700PT 27 inch Adobe RGB Monitor Review

In the later half of last year I reviewed Eizo’s brand new, superb CG-318 4k Resolution Graphics Display for Photographers and Graphic Design Professionals and gave it my highest recommendation. The Eizo represents the state of the art in graphics display for working professionals but comes with a fairly significant price barrier to entry. So what are your options if you are in the market for a high quality Adobe RGB monitor on a more family friendly budget?BenQ2Enter, BenQ who now have a solution for photographers on more modest budgets in the form of the SW2700PT 27″ Adobe RGB Monitor. The monitor has an MSRP of just $690 USD (about $900 AUD in Australia if you shop around) which for the sake of a price only comparison is close to ten times cheaper than the Eizo CG-318. Realistically however, there is no direct comparison between these two displays – the Eizo is a bespoke Ferrari and by comparison the BenQ a modest family car. Any direct comparisons are therefore irrelevant outside of the exceptional performance of the Eizo and the exceptional value for money of the BenQ. I will  however make a number of references to the differences throughout this review. Be aware however, that these are vastly different monitors at very different price points. I suspect the decision of which one to choose may well be heavily dependant on your budget and needs (probably in that order).

The BenQ SW2700PT is a 27″ monitor with a QHD native resolution of 2560 x 1440 pixels (that resolution in a 27″ monitor equates to 109 pixels per inch). It is a true 10 bit display producing more than one billion colors, with a 16:9 aspect ratio and covers an impressive 99% of the Adobe RGB Color Space. The benefits of a 10 bit display are often misunderstood, but in short a 10 bit display enables smooth shading and color transitions and very smooth tonal gradations. photographer page 2Key Features

  • 27”W 2560×1440 QHD Resolution
  • 99% Adobe RGB with IPS technology
  • Hardware Calibration with accuracy color
  • Palette Master Element color calibration software
  • Black-and-White photo mode
  • Shading Hood / OSD controller

I have been working with the new BenQ SW2700PT over the last couple of weeks as the primary Graphics display for processing and printing my photographs. The BenQ monitor is supplied well packed and out of the box requires some assembly of the stand and connection of the display to the stand. Assembly is easy and only takes a few minutes (no tools required). The instructions are clear and easy to follow, although I do recommend you assemble the display on a flat clean table using a blanket or something soft to prevent any scratches. The back of the monitor also has a VESA standard mount with 100mm pattern, allowing the installation of a wall mount bracket if required. I was also pleased to see the addition of a carry handle for moving the monitor around. There is also some minimal cable management in the form of a hole to thread cable through the stand.

As well as the monitor and stand BenQ also provide an individual calibration certificate that shows how the display tested before it left the factory. This certificate is not as detailed as that supplied with the more expensive Eizo CG-318 (nor is it hand signed), but it has all of the information one is likely to want or need. Personally, I like to receive a certificate like this that my monitor has been personally checked by a real person and not just a machine. I was pleased to see the BenQ also includes a hood shade in the box. The hood shade requires assembly and is simply clipped together in a few moments. A nice addition is a small hatch in the hood to enable the calibration device cable to be fed through for easy calibration of the screen without having to remove the hood. The supplied display hood is a nice addition that helps keep stray light from falling on the screen. Whilst the screen itself exhibits quite low reflectance. Once assembled, the monitor is plug and play and requires no software for immediate use (you do need software to access the hardware calibration features). I plugged it into my 2013 MacBook Pro via the display port and was up and running in just a few minutes. A DVI-DL/miniDP to DP/USB 3.0(1.8m) cable is also included in the box.

The BenQ has a good range of connectivity options that should fit most users requirements. It is nice to see that USB3 is supported as well as HDMI. There is also an inbuilt SD Card reader. I personally don’t find much use for an inbuilt SD card reader, but your mileage may vary depending on your workflow. Likewise, the headphone jack seems a bit superfluous to me on a monitor designed for graphics professionals, but it could serve a purpose in open plan work areas.BenQBackLike the Eizo, the BenQ SW2700PT is a hardware calibration equiped monitor. Hardware calibration allows you to adjust the monitor’s image processing chip without changing graphics card output data. Calibration keeps images consistent with originals without being affected by graphic card settings. Two monitor preset modes allow calibration results to be saved directly into the monitor. As discussed in the review on the Eizo CG-318, this is a significant advantage over software only calibration solutions and should be one of the primary considerations when purchasing a display for high end graphics applications.

Wide gamut displays such as the BenQ SW2700PT have the capability of displaying a much wider range of colour than the vast majority of computer displays. Most consumer displays will display colours close to that approximating the SRGB colour space. SRGB is a very small colour space and the default colour space of the internet. It is for all intent and purpose the lowest common denominator in the colour space world. Wide Gamut monitors have the capability of displaying a much wider range of colour (more saturated colours) and typically come close to approximating the Adobe RGB colour space. What this all means in real world terms is the reproduction of much deeper more saturated colours. This enables better rendition of colour tones and better gradation in colour. For image processing and printing this is a key advantage and for photographers is critical to achieving the best possible results. Here in my own studio my wide format Canon printers are capable of producing colours that greatly exceed the SRGB Colour Space (and in some areas even the Adobe RGB Colour Space). The BenQ is capable of rendering these colours on screen and thus I can ensure my images are optimally processed for final print without guess work or test prints.

The BenQ is equiped with a 14-bit 3D Look Up Table (LUT) which improves RGB color blending accuracy for color reproduction. It is also equiped with an “OSD Controller”. The OSD controller is a remote controller that comes with three preset buttons each set up with a customized display setting such as Adobe RGB, sRGB and Black and White mode. This enables easy switching between presets without going through complicated settings. The OSD Controller also comes with a button for quick OSD navigation and settings. My initial impressions of this OSD controller were a bit gimmicky. However, in practical use I actually found this quite useful for soft proofing images for the web in SRGB. Black and white photographers will likely also love this capability with the dedicated Black and White mode. With a simple click of a button, you can preview color photos in black-and-white before adding effects or having to do any post production work.osd-infoIn terms of both sheer colour range and accuracy of colour reproduction, the BenQ’s performance is excellent. Testing shows superb SRGB performance and approximately 99% of the Adobe RGB gamut range is successfully displayed. The much larger Adobe RGB space is much harder to reproduce and most monitors don’t reach even 80% of it. At this price point the BenQ sets a new standard in my experience.

Being able to produce all of those colours is not very useful unless a monitor can do it accurately – and here the BenQ also offers very good performance. The measurement of accuracy is referred to as the ‘Delta-E’. In short, the bigger the number, the more inaccurate the monitor is. My own testing shows the BenQ’s average Delta-E to be a very respectable 0.75  and the maximum was 1.59. Whilst not as incredible as the Eizo CG-318 this is nonetheless excellent performance in a display at this price point and considerably better than many other consumer displays (including Apple’s iMacs).

The colour gamut advantage of displays such as the BenQ are the most commonly known advantage over more typical computer displays for graphics professionals. However, there is another key advantage worth mentioning; which is uniformity. Uniformity refers to the displays ability to maintain even brightness and contrast from one side of the panel to another. The more uniform the brightness the more ‘paper-like’ the appearance of the screen, the easier it is on the eyes and from a photography perspective the easier it is to judge tone and contrast in a given area of an image. Uniformity is extremely important in the reproduction of fine art prints since it ensures an even contrast ratio across the monitor.

Even uniformity is difficult to achieve in back-lit monitors and is often one of the first things you notice in a poor quality display. Monitors that are brightest in the middle and fall off in the corners are common place and are a very poor choice for creative professionals working with digital images. Uniformity can easily be measured and in my own tests I find just under a stop of difference across the face of the display from corner to corner when calibrated to 80 Candelas in my studio. Again, this is excellent performance in a monitor at this price point. It is worth noting that out of the box the default settings for the monitor are set to ‘retina burn-in mode’. I suggest calibrating the brightness setting to something more realistic for your environment.

PALETTE MASTER ELEMENT SOFTWARE

To really get the best from this monitor you need to take some time to properly calibrate and profile the display. The best way to do this is to use the supplied Palette Master Element software which can be download directly from BenQ’s website. A clear how to users guide is also available for download.

The supplied software offers options for both a basic and advanced calibration depending on your needs. Either option is quite intuitive and users should have no problem successfully calibrating their display by following the on screen prompts. Once calibrated and validated the software presents the user with a validation report on the calibration.PaletteMasterReport

Unlike the Eizo CG318 the BenQ SW2700PT does not include an inbuilt calibration device and requires an external instrument to calibrate the display. For the purpose of this review I used the X-Rite i1 Display colorimeter to calibrate the display (although the Spyder model 5 colorimeters are also supported). A colorimeter is an additional piece of equipment at additional cost, but really is necessary if you are going to get this display to perform at its best. To be honest, I am somewhat spoilt these days with the inbuilt calibration of the Eizo and I find it a bit of a hassle to dig out the colorimeter on a regular basis.photographer page 2REAL WORLD USE

In my review of the Eizo I wrote about the incredible resolution of a true 4K DCI compliant display and those conclusions still hold for me in my studio. Whilst the BenQ SW2700PT cannot compete in the resolution stakes with the CG-318 it does offer text of a more legible size which will I feel appeal to a great many photographers who will likely also use this monitor for email and web browsing as well as image processing. The BenQ also looks a little soft by comparison to the Eizo in side by side comparisons and clearly suffers from its lower resolution in this regard. A fairer comparison would be to compare the BenQ to my previous NEC monitor of the same resolution and in this instance the BenQ offers superb performance.

My daily use for a monitor such as the BenQ involves the editing, post production and printing of digital files in Adobe Lightroom and Adobe Photoshop Creative Cloud. I also use applications such as in-Design, Premiere Pro and other image related programs and plug ins. On the whole most of my time is in the majority spent in Lightroom and Photoshop and thus this is the area that my comments are most related.

Images in Lightroom (and Photoshop) are well rendered on the BenQ. Clarity and resolution are truly excellent in a monitor of this price point.  The colour rendition is excellent and when combined with the very good uniformity the BenQ offers it is extremely easy to judge tone and contrast when processing RAW files.  For soft proofing images for print the BenQ again offers excellent performance at this price point.

BenQ’s Palette Master Element Software is easy to set up, install and use and is strongly recommended to get the very best from this display.

CONCLUSION

The BenQ is a well built, high quality display that is easy to assemble, install and use via its display connectivity options. The quality of the image is excellent with very good uniformity and color accuracy that falls short of the much more expensive Eizo CG318; but far exceeds the average display. It needs to be said that the performance offered by the BenQ at this price point is nothing short of exceptional and that you are unlikely to notice the color accuracy and uniformity differences between these displays in all but the most demanding of workflows. Like the Eizo, I would have preferred the HDMI connection on the BenQ to be V.2 rather than 1.4 for future connectivity, but I suspect most users will opt for the display port in any case so this is a minor nit pick.

At an MSRP of $690 USD the BenQ should be number one on your list if you are after a high quality AdobeRGB monitor on a budget. The monitor offers exceptional performance for its price and all will likely meet your needs for a high resolution Adobe RGB display. The monitor comes with a limited three year warranty. Highly Recommended.

 

Tamrac and Gura Gear News

Earlier this year Gura Gear acquired the legendary camera bag company Tamrac. Over the last five plus years Gura Gear has become a highly respected brand in the world of camera bag manufacturers so what does this new acquisition mean for the future of both Gura Gear and Tamrac?GuraGear

What about Bataflae and Kiboko? Introducing TAMRAC G-ELITE

Built on Gura Gear’s DNA, the all new TAMRAC G-ELITE G32 and G26 introduce tougher, lighter fabrics with the world’s strongest fiber, Dyneema®, along with a new front pocket system that can accommodate a laptop, light reflector, jacket or whatever else you need for your photographic journey. G-ELITE is designed to maximize every cubic centimeter of the overhead bin space while being easy to use from the back seat of land rover chasing hyenas, lions, and wild dogs. G-ELITE is the apex of volume efficient, lightweight camera carrying. Take a sneak peek at the G32 and G26. Available in Olive and Charcoal. Pre-order yours before November 20 and save 15% plus get free shipping in USA by using code LOYALGURA at www.tamrac.com.

Where is Gura Gear going? The same place it has always gone. The the ends of the Earth.

Is the Gura Gear brand going away?
Yes, we are consolidating the brands as simply, TAMRAC. In the coming days, www.guragear.com will cease to exist and all traffic will be pointed to www.tamrac.com

Will my Gura Gear bag still be covered by a warranty?
Yes, the same warranty that applied when your bag was purchased will continue to apply.

Will there be special offers on Gura Gear branded products?
Yes, all current Gura Gear products in stock are now marked down and in our new Outlet as well as available at a discount through participating dealers.

If you bought Tamrac, why don’t you consolidate the brands to Gura Gear?
Great question. Simple answers. Tamrac has been around for nearly 40 years, has greater brand equity, is easier to remember, spell and say, and we simply like it better.