Lofoten Winter February 2018 Workshop Announcement

In February next year I will lead a winter landscape workshop to the spectacular Lofoten Islands in Norway with long time good friend and fellow landscape photographer Martyn Lucas. If you are unfamiliar with Lofoten let me assure you that the landscape of these islands is really quite something to behold. Precipitous and ominous peaks that rise straight out of the ocean loom over small fishing villages that comprise of bright red houses lining the shorelines. With a dusting of fresh snow and arctic winter light the entire scene is akin to a fairy tail location and subsequently the photographic opportunities can be truly superb.The Lofoten Islands are approximately 100 miles north of the Arctic Circle, west of Norway. Lofoten’s natural beauty, with incredible mountains and magnificent fjords offers our small, and intimate group (maximum six participants plus leaders – only 3 places remaining before it will be sold out) a chance to explore these remarkable and unique landscapes and seascapes. The breathtaking village of Reine on the island of Moskenesoya will be our base for six nights situated in some of the most picturesque mountain scenery rising precipitously out of the fjords. Reine has often been described as one of the most beautiful places on earth. If we are lucky and blessed with clear skies, we will be able to witness the Aurora Borealis and the magic of the Northern Lights as they flicker across the night skies. Besides the incredible wealth of photographic locations in the vicinity of Reine, we will use the local Fjordskyss ferry service to Vinstad and to the tiny hamlet of Kjerkfjorden, both of which are surrounded by towering granite mountains. Our private transportation will allow to access some of the iconic beaches near Leknes which might be covered in snow.Our home away from home while on Lofoten and in Reine, will be a quaint and venerable traditional house (built in 1906) which makes it a very cosy, but basic place that we will have all to ourselves. All guests of the house share one bathroom. Additionally, we will also have the use of a Rorbu, a style of housing historically associated with seamen now converted into homely accommodations complete with private bathroom and small kitchen. Our second base for two nights is Leknes where we will stay at a comfortable hotel. From here we can easily access the beautiful coastal beaches of Utaklieve, Haukland and Skagsanden.

During February, the days are short with sunrise at approximately 8:25am and sunset around 4:15pm. Given our northern location, the sun will be low in the sky providing soft, magnificent light conditions, for all day photography.

During our workshop we are also very likely to experience and photograph the Aurora Borealis (northern lights). Lofoten is blessed with fantastic mountains that rise almost vertically straight out of the ocean and that make for a superb back drop for the Aurora. As is always the case with Aurora photography the real key to getting interesting photographs is to try and include some sort of foreground and background elements. There is a temptation to focus entirely on the Aurora itself when photographing the northern lights and it is easy to be seduced by the colour and activity alone. The solution is to try and photograph the lights in the context of the environment around you. Much like wildlife, where the key is to place the animal in context; you need to put the Aurora into context with its surroundings. During this workshop we will be visiting very specific locations where we know from experience it is possible to get fabulous foreground. We will be providing hands on instruction on how to set up your camera for Aurora photography as well as how to compose and post process Aurora photographs.

Lofoten-0431-EditBeing surrounded by water Lofoten offers  great opportunities for seascape photography at just about every turn and we plan to take advantage of this by visiting and photographing many different beaches and areas of coastline. Much of the coastline is rocky or dotted with large boulders (JCB’s – Otherwise known as Joe Cornish Boulders) which provides limitless opportunities for foreground interest. Many of the beaches are also very accessible and only a short walk from car parks or pull off areas. We plan to spend quite a lot time exploring and photographing various areas of coastline.  In the right conditions, Lofoten in winter also has the added benefit of snow down to sea level for even more interest.Lofoten-4973-EditIt is worth noting that Lofoten isn’t just about landscape photography. During this workshop we will also take a private charter boat out to photograph White-Tailed Sea Eagles fishing off the coastline. The opportunity to photograph these remarkable raptors up close is not something to be missed.Lofoten-1554-EditFrom the moment the workshop begins in Leknes, Lofoten until it ends 9 days later, all costs are included – transportation, food, drinks (excluding alcoholic beverages), and accommodation based on a single room per person. If you have special dietary requirements you will be accommodated – please be sure to advise when booking. Packed lunches will be taken in the eld and we suggest you bring a thermos ask for soup, coffee or tea.

This is a unique opportunity to travel and photograph with two experienced professionals who have a combined total of more than 40 years of photographic experience and can take you to the best locations that are off the beaten track, and at the right time – when the light is best.

WORKSHOP AT A GLANCE

Dates: 10-02-2018 until the 18-02-2018
Duration: 8 Nights / 9 Days
Participants: Maximum 6 Photographers plus leaders Investment: $7,450 USD (only three places remaining)

Start: Town of Leknes in the Lofoten Islands Norway Finish: Leknes Airport Lofoten Islands Norway
Trip Leader: Joshua Holko
Trip Guide: Martyn Lucas

Trip Highlights: Stunning Mountains, Incredible Vistas and Landscape scenery, Aurora Borealis (Northern Lights), White-tailed Sea Eagles and small group size

If you are interested in joining this workshop or if you would like additional information please do not hesitate to drop me an email. Places are filled strictly on a first come first served basis.

Guest Photographer: Dallas Thomas Svalbard Winter Expedition 2017

A few years ago I started a new segment on my blog for photographers with whom I have travelled before in order to provide an outlet for them to share some of their own writing and photography amongst a wider audience. It has been a while since the last post (read Here) but I wanted to share some thoughts and photographs from Dallas Thomas who recently accompanied me on my Winter Svalbard Expedition. It was a pleasure travelling and photographing with Dallas and all aboard this expedition and I just wanted to pass on my thanks to him for both his participation and for sharing some of his thoughts and photographs from this expedition here on my blog. All text and photographs by Dallas Thomas .

Svalbard Winter 2017 – My High Arctic Adventure Dallas Thomas

I had the privilege of spending 10 nights in the arctic in Svalbard in late March, it’s located 2,000km north of Oslo, Norway. A geographically remote place it’s the most northern permanent settlement in the world The North Pole is about 1,300km north.Eight of these nights were on the MS Origo exploring the fjords of Svalbard looking for polar bears and other wildlife to photograph. I have included a short film “Kingdom of the Ice Bear” made 2 years by our expedition leader Joshua Holko, the film was shot later in the season than we experienced. Unfortunately we only saw three polar bears, but seeing these magnificent animals in their natural environment was something I will never forget.

What did surprise and sadden me was the naturist onboard told us 90% of fish caught in the area that were tested had some form of plasticised evident. This was so surprising given the pristine environment we were in. Yes Dallas is starting to turn green!!

You may ask was it cold, the answer is hell yes, the 2nd day out it was – 29 and when the chill was factored in call it -50. The Captain later told us he has never experienced colder weather!

We went as far north as the conditions would allow, the sea ice stopped our voyage at 79’43’38’ for the technical minded, this well inside the arctic circle which starts at 66’.
The landscape is brutal, harsh yet very beautiful.
My advise is if you are thinking of visiting a wilderness like this do it now while you still can.
More photographs can be found on my website www.atstudioeleven.com.au under travel Norway. I have many more images yet to process so feel free to check frequently.
If you are interested in travelling and photographing in Svalbard in Winter I will be running another expedition in March next year. Please contact me for further details (limited places already remaining).

AIPP Epson Victorian Professional Photography Awards 2017 – Documentary Winner

The AIPP 2017 Epson Victorian Professional Photography Awards were held in Melbourne Victoria this past week. This was the second time in a row I have been unable to attend due to overseas workshop and expedition commitments. I am actually still currently in Svalbard and have just wrapped up seven days of filming on a snow mobile expedition in the Arctic in winter for a new documentary that will be released later this year on polar photography (more on this later – a quick behind the scenes image below). This year for the VPPY awards, I split my print entries across the Documentary and Science, Wildlife and Wild Places categories. I was very pleased to receive word a couple of days ago that not only had the majority of my prints been awarded Silver or Silver with Distinction awards, but that I was also the honoured as the overall winner for the EPSON Victorian 2017 Professional Documentary Photographer of the Year as well as being a finalist in the Science, Wildlife and Wild Places category. I have previously won the Science, Wildlife and Wild Places category in 2014 and was also a finalist in 2015 and 2016.

From my previous post on these awards: The AIPP National and State awards are two of the few remaining competitions to actually judge the finished print and they do so using a panel of judges all deemed experts in their respective genres and accredited as Masters of Photography through their years of success in this arena. Prints are judged in a controlled lighting environment and assessed for their content, originality as well as technical craftsmanship. The judging is enthralling to watch and can be quite nerve wracking if you are a first time entrant as the standard of work is incredibly high. 

All of the prints were printed on Moab Somerset Museum Rag. This wonderful paper has continued to remain my all-time favourite stock for fine art photography prints.

Now its time to put the 2017 VPPY Awards behind me and get some much needed rest. In just a few hours time I will be leaving Longyearbyen to embark on my Winter Svalbard Expedition. If you are interested in travelling and photographing in the Arctic in winter and experiencing what this incredible part of the world has to offer then you can read more about this expedition HERE.

Photo of the Month March 2017 – Wild Iceland

Yesterday I returned to Reykjavik after leading a new expedition to the remote north-west of Iceland to photograph Arctic Fox in winter. I have been travelling to this remote nature reserve in the north of Iceland for the last four years to photograph Arctic Fox but this was the first time I have taken a group with me. We had some amazingly close encounters with several Blue Morph Arctic Fox during our time in the north and I will have a full trip report soon. As well as Arctic Fox we also took some time to photograph some of the dramatic landscape found this far north in Iceland. This particular photograph of snow being blown from one of the surrounding peaks at sunset from my 2016 expedition is my photograph of the month for March 2017.

Extraordinary Vision Magazine Features Choosing an Antarctic Expedition Part One

Extraordinary Vision Magazine issue #52 has just published Part One of a recent series of Articles I penned on How to Choose an Expedition to Antarctica. Choosing the right expedition will make or break the photographic opportunities you will experience in Antarctica. If you are planning or considering a future photographic expedition to Antarctica I recommend you  take a few moments out of your day and check it out. Part Two, Part Three and Part Four will be published in subsequent issues.Extraordinary Vision magazine is available fortnightly with a kick start free trial. Best of all its only $1.99 to subscribe per month – less than a cup of coffee. Do yourself and your creativity a favour and check it out. Available exclusively though the iTunes App store or Google Play.