Iceland the Highlands Workshop Reports 2016

In August and September of 2016 Daniel Bergmann and I lead two back-to-back workshops into the spectacular Highlands of Iceland. The first of these two workshops focused on the Highlands and northern areas of Iceland and the second on the Highlands and Southern region. We chose late August and September for our workshops due to the large increase in tourism in recent times in Iceland during the summer period. In truth, tourism is actually out of control now in Iceland and you absolutely must get off the beaten track if you want to get solitude in the wilderness. Part of our planning was to spend a large portion of our time in the more remote areas of the highlands in order to make sure we were well away from the masses.  This proved most fruitful with spectacular landscape free from throngs of tourists._MG_6396-EditAs many of you know who follow my blog, the highlands are in my opinion the real jewel in the crown of Iceland. The area offers incredible photographic opportunities and is in comparison to the rest of the island rarely visited by tourists. The Highlands of Iceland actually cover most of the island’s interior. Inaccessible in winter, they rise 400–500 meters above sea level and are an untamed mingling of uninhabitable volcanic desert, jagged mountains, glaciers and hot springs. A few oasis like areas, such as Herðubreiðarlindir near Askja, are found only in proximity to rivers. From a first time photographers perspective the highlands can be a challenging location to work and photograph. Some walking and hiking is really required to get the best compositions and the area is subject to highly variable weather. All of this makes for really interesting photographs that in my opinion are far more evocative than the usual sort of cliché images from Iceland that seem to dominate social media today (more on this later).

We began our workshops with an early departure on the 14th of August and drove to our Hrauneyjar highland base, where we were located for three nights. From Hrauneyjar we explored the magnificent Fjallabak Nature Reserve, which included the Landmannalaugar area and other lesser known highland pearls, such as the Veidivotn region (one of my absolute favourite locations in Iceland). Exploring and photographing the highlands of Iceland from super jeep we were able to stop when we wished and take full advantage of weather and light as conditions permitted. It also meant we were able to take the most rugged and remote mountain passes and really explore the best of the highlands. The weather is highly variable in the highlands and we did experience everything from sunshine to pouring rain and fog during our stay in this area. Although this sort of weather can prove challenging, I personally find these conditions the most interesting to work and photograph in._MG_6397-EditOn August 17th we traveled across the Sprengisandur route that crosses the interior of the island and found our way to Lake Myvatn in the north, where we spent the next three nights. The Sprengisandur route took us right up the middle of the island through some of the most desolate lunar landscape to be found anywhere on earth. We photographed the waterfalls of the Skjalfandi river (Godafoss and Aldeyjarfoss), plus Dettifoss and Selfoss waterfalls in the Jokulsa river. We also explored the geothermal areas close to Myvatn. The geothermals of Myvatn continue to provide unlimited opportunities for photography and remain one of my favourite areas to visit and photograph in the north. This area is extremely dynamic and is in a constant state of flux. The landscape is alive with mud pits and fumoroles and steaming sulphur creates an otherworldly landscape. At sunrise and sunset we had the entire area to ourselves and some fabulous images were created.IcelandHighlands2016-6243Once we had concluded our stay at Myvatn we travelled west along the northern coast and overnighted near the Vatnsnes Peninsula. Hvitserkur sea stack was one of our main subjects at Vatnsnes, along with other coastal features. The following day we travelled to the Snaefellsnes Peninsula, where we spent the last two days of our trip. At Snaefellsnes we photographed the iconic Kirkjufell mountain and the spectacular coast at Arnarstapi and Hellnar, on the southern tip of the peninsula. We concluded our trip on the 23rd of August at Keflavik international airport.

IcelandHighlands2016-6168 Our second workshop commenced early in the morning on the 28th of August with a drive to the Kjolur highland route towards Kerlingarfjoll mountains, where stayed overnight in mountain cabins. Our main photographic objective was the incredible Hveradalir geothermal valleys, above our lodging. We photographed the area at both sunset and shortly after sunrise and some really unique images resulted from our time in this area. This was actually only the second time I had visited this area of Iceland and it did not fail to disappoint. The geothermals in this area are extremely active and the entire landscape is alive with sulphurous fumaroles and boiling mud pots. It would be easy to spend a week in this area just exploring and photographing the many features to be found. The area is (thankfully) not on most tourists radar and as such is usually frequented only by hikers and campers. _MG_6290-EditAfter our stay at Kerlingarfjoll we drove to the Hrauneyjar highland base, where we were located for three nights. From Hrauneyjar we again explored the magnificent Fjallabak Nature Reserve. The weather proved fickle during our time in this area and we again had a real mix of rain and sunshine. 

On September 1st we travelled across the highlands on our way south. It was a day of travel through some of the most incredible landscape in Iceland. We were blessed with some really dramatic cloud and light and some fabulous photography resulted from our journey through this remote part of Iceland._MG_6453-EditOnce out of the highlands we overnighted at the town of Hella before traveling further east along the coast to the Vatnajokull region, where we stayed at Gerdi for three nights. Once at Gerdi we were in the proximity of the Jokulsarlon glacial lagoon and the many outlet glaciers from the Vatnajokull ice cap. This was our grounds to explore for the coming days and we photographed at the black sand beach, the glacial lagoon, Stokksness as well as several other lesser known locations off the tourist radar. After our stay in the southeast we traveled back west and spent a night on the southern coast. On our departure day we headed off towards the Keflavik airport._MG_6697With tourism increasing exponentially in Iceland in recent times it was ideal timing for us to get up into the Highlands on both these workshops and find solitude and peace in the wilderness. Until tourism tapers off in Iceland I will be unlikely to run future landscape trips in the peak summer season (June, July and August) as it has just become far too crowded for serious photography at many of Iceland’s best known natural attractions. Instead, I will be focusing on more remote winter trips and more specialised workshops (such as the Puffin workshop next year) that take us into more remote wilderness locations, well away from the tourist crowds.

Travel Photographer of the Year International Touring Exhibition

The Travel Photographer of the Year touring exhibitions are now underway and the first is now happening in Malta (running until October 8th). This is the first international exhibition for Travel Photographer of the Year and the first retrospective.  The second retrospective opens in Beijing from October 15th and will run until October 23rd this year. The Malta exhibition is being held at  Spazju Kreattiv, St James Cavalier, Valletta, Malta (they are on Twitter etc.) and the Beijing exhibition is part of Photo Beijing.

Several of my photographs will be on display as part of these exhibitions. The polar bear and seal kill is on display in both the Malta and Beijing exhibitions, whilst the image of the blue iceberg on the beach in Iceland is on show in Malta. If you happen to have a chance to visit any of the exhibitions please be sure to drop me an email and let me know what you thought.VPPY - Gold Award
Blue-Berg

Photo of the Month September 2016 – Arctic Fox Hunt

The photograph of the month for September 2016 is of a blue morph Arctic Fox on the prowl for something to eat during high winds and blowing snow on a remote Iceland peninsula in winter. Taken during my three year project on the Arctic Fox this is one of my favourite images in my new book ‘Melrakki’ on the Arctic Fox. The photograph itself was taken with a Canon EOS 1DX and a Canon 600mm F4L IS MKII lens from a snow hole . The snow hole allowed me to get down to eye level with the fox to create a more intimate image than would otherwise have been possible. I have particularly vivid memories of this day because of the cold and because of the constant need to shovel the snow out of my snow hole as built up around me. The light and blowing snow created fabulous atmosphere though and it was worth the effort for the resulting photograph.ArcticFoxIceland-9512-Edit

Melrakki is available now for pre-order on my website as a limited edition hardcover fine-art book. The culmination of three years of winter photography in the extreme north-west of Iceland, Melrakki is limited to just 100 copies, each edition is hand numbered and signed and includes an original 11″ x 09″ inch fine-art pigment on paper print.

With foreword by pre-eminent scientist and Arctic fox expert Dr. Ester Rut Unnsteinsdóttir, Melrakki includes over fifty photographs and field notes from the three years spent photographing this remarkable predator in the extreme north-west of Iceland.

Melrakki Limited Edition is printed using the highest possible quality Canon Dreamlabo inkjet printer system and is printed on beautiful 250gsm High Definition Lustre paper that fully captures all of the incredible colour and tones of the original photographs. The Canon Dreamlabo represents the current state of the art in book printing and was chosen for this project after extensive testing and proofing as it yielded the highest quality that most closely resembles the original fine-art pigment on paper prints. I am extremely proud to stand behind the print quality in this Limited Edition book.

The included fine-art pigment-on-paper print is printed on Moab Somerset Museum Rag 300gsm paper and is hand signed.

Melrakki Limited Edition is $245 AUD plus shipping and can be ordered online exclusively through my website HERE.

I hope that you enjoy the photographs, insights and field notes from this project into the frozen world of Melrakki – the Arctic fox.

Photographs and Text by Joshua Holko

Approximate Dimensions: 22cm x 30 cm

96 pages (over 50 photographs + field notes)
The photo book & the print are together in a protective cloth sleeve

ISBN: 978-0-646-95781-4Cover

Testimonial from Mary Westerback – Highlands of Iceland 2016

Hi Joshua,

I cannot ever really express my gratitude for all your help at the Iceland Highlands Workshop with Daniel this year.  I have admired your work for years and love the project you recently did on the Arctic Fox.  

I think the world of you and Daniel and appreciate and love every minute I spent in both workshops. I mean it from the heart about you and Daniel.  This trip was the best trip ever!!!

Arrived home safe and sound and think it will take a few days to recover from travel.  It was quite an adventure at the airports.

Will be thinking of you and Daniel on your upcoming trip.

Best wishes always,
Mary

Ultimate Puffins of Iceland 2017 Workshop Announcement

In late May next year (2017) I will be leading a brand new workshop with Daniel Bergmann that is dedicated to photography of the Atlantic Puffin and other birds of Iceland including Fulmars, Kittiwakes, Guillemots (Murres), Arctic Terns and Razorbills. Iceland is one of the best places in the world to photograph Puffins and other Arctic birds in their natural environment. We will visit a number of different locations during this workshop where we will have outstanding access to the Puffins living in burrows on the edge of sea cliffs. We have timed our 2017 workshop to ensure we are in the best locations at the best times to photograph these wonderful birds. We will have hours of golden light under the spectacular midnight sun – ideal conditions for photography of the Atlantic Puffin.UltimatePufinsThis photography workshop will last for 11 days (11 nights). We will be staying in good hotels and guest houses that are functional and clean. Breakfast, lunch and dinner are all included and will generally be held at the hotels where we are staying. However, this workshop is all about photography and we will be putting in long hours in the field in order to ensure we get the best possible light for photography. We may take food and drink with us into the field to ensure we are in the right locations get the best possible light. _MG_2378Itinerary: We start in the morning of May 27th in Reykjavik City and drive out to the Snaefellsnes peninsula. We’ll photograph birds and landscapes out at the edge of Snaefellsnes at Hellnar and Arnarstapi and will visit the iconic Mt. Kirkjufell. We’ll then overnight in the town of Stykkisholmur.

The following morning we’ll take the ferry that crosses the great bay of Breidafjordur. We’ll get off in the middle of the fjord at Flatey Island where we’ll spend one night. Flatey is renowned for its birdlife and birds on the island are unusually tame. This is a great location to photograph Black Guillemots, Snow Buntings, Puffins, Arctic Terns and other common Icelandic breeding birds.

_MG_2379In the morning of May 29th we’ll get back on the ferry and finish the crossing. From the ferry port at the northern side of Breidafjordur bay we have couple of hours journey to Breidavik, where we’ll be based for the next three nights. From there it’s a 12km drive out to the magnificent seabird cliff Latrabjarg. This westernmost point of Europe is the home of millions of seabirds. It rises 440m out of the sea and is 14km long. The best locations for photography are within walking distance from the car park and we’ll have Fulmars and Kittiwakes soaring through the air, Guillemots (Murres) and Razorbills sitting on the cliff but it’s for the Puffins that we have come to Latrabjarg. Nowhere else are Puffins as tame. They can be photographed at close range, even with a wide-angle lens, and the cliff faces in a perfect direction for the setting sun. The Puffins can therefore be photographed in beautiful golden light or against the setting sun, creating wonderful silhouettes. As we are fast approaching the longest day of the year we have many hours of low light in the evening and early morning._MG_2526-EditCloser to our accommodation in Breidavik we can venture out and photograph the birds in the area, such as Common Eider, Ringed Plover and possibly Ptarmigan. Arctic Foxes are frequently also seen in this part of the country and with luck we might find some arctic foxes to photograph during our time in this area.

SvalbardAfter our stay in the West Fjords we prepare for a long journey along the northern coast to the town of Dalvik. We’ll make a number of stops for photography on the way and will stay in Dalvik the night of June 1st so that we’ll be ready for the morning ferry to Grimsey Island on June 2nd. Grimsey is the northernmost inhabited Icelandic territory and the Arctic Circle runs through the island. The small island has about 85 inhabitants, is 5.3 square kilometres in size and has steep cliffs on almost every side, which makes it an ideal habitat for seabirds. During our three-day stay on the island we’ll continue to expand on our Puffin photography, now in a completely different environment that has a much larger population of Puffins than at Latrabjarg. Due to the remoteness of the island the accommodation is quite basic. The guesthouse offers comfortable full-board lodging but bathrooms are shared. Visiting Grimsey is a once in a lifetime adventure and its rich birdlife will keep us busy throughout the day and night.

_MG_2636-EditOn June 5th we’ll depart Grimsey for the main land and drive back west along the scenic northern coast. We’ll overnight in Skagafjordur in the north, where we’ll have good opportunities for coastal landscapes and more of Iceland’s common birds, such as Whooper Swans. The Skagafjordur area is also known for its horse breeding and there are Icelandic horses almost everywhere.

On June 6th we’ll continue our westward journey with stops at iconic landscape locations such as Hvitserkur and Hraunfossar waterfalls. We’ll find ourselves in the town of Keflavik on the Reykjanes peninsula in the evening and will spend our last night there, close to the Kevlavik international airport. We’ll officially end our tour with dinner that evening and any flight can be taken out of Iceland on June 7th. If you are staying on in Iceland transportation will be provided for you back to the capital city of Reykjavik.

Daniel Bergmann and I will be providing extensive in the field photographic instruction throughout the workshop for all participants. We will be covering camera setup as well as techniques for how to photograph birds in their environment. In the evenings we will have informal discussions and critiques as well as post production demonstrations. This will be a very hands on workshop and it is our intention to provide very expansive instruction as required.

If you would like join us not his unique workshop you can register your interest by dropping me an email or by registering on my website at www.jholko.com Places are filled on a first come first served basis and once they are spoken for thats it.