Iceland in Winter – Arctic Fox Project Update

Just over thirty six hours ago I wrapped up my Weddell Sea Antarctica expedition (full report will follow) and began the long journey from the South Pole to the north. I am now in Iceland and about to head to the remote north west (after a few hours sleep) and take a small charter boat to the remote Hornstradir nature reserve where I will spend the next ten days working on my Arctic Fox project. Iceland is a very special place to me and its remote north eastern peninsula holds a very special place in my heart. It is an area of incredible beauty, solitude and peacefulness where I feel at home with my thoughts and at peace with the world. The winter months are brutally cold but bring with them a white wonder that perfectly juxtaposes the severe cold and biting winds of this exposed peninsula. These remote areas are becoming exceptionally rare on our planet and I cherish the time I get to spend in them.

This is the third year of the project and I hope to gather the remaining images I need to complete the book during this trip (A Portfolio of prints of the project is already available through my website). I am very much looking forward to getting out into the remote wilderness and spending time with these amazing animals again before I kick off my Iceland winter workshop with Daniel Bergmann.

Packing for the Desert of Antarctica and the Desert of Namibia

In a few hours I will start the trek to South America where I will lead a twelve day photography Weddell Sea Expedition to Antarctica. On this expedition we are looking forward to giant tabular icebergs in the Weddell Sea as well as vast Adelie Penguin colonies. At the conclusion of this expedition I will travel to Iceland (poles apart) where I am going to spend ten days completing my project on the Arctic Fox before guiding my annual Winter Workshop with friend Daniel Bergmann. At the conclusion of our workshop I am flying to Lofoten where I will lead a new workshop for landscapes in winter with my good friend Martyn Lucas. I then fly to Namibia for a ten day workshop in the oldest desert in the world – the Namib. Its going to be quite the adventure!

This extensive travel schedule means I need to pack my Arctic / Antarctic winter gear as well as clothing suitable for the deserts in Namibia. I have juggled this packing challenge before (two years ago when I co-led a trip to Namibia with Andy Biggs) and found that it was possible to survive in Namibia with just a couple of pairs of light weight trekking pants and shirts (which thankfully don’t take up much space). As a specialised Polar photographer it does feel a tad strange to be packing a wide brimmed sunhat and sunshirts with my arctic boots and winter clothing. The issue of packing is somewhat compounded by the fact that Antarctica, Iceland, Lofoten and Namibia require very different approaches in terms of camera gear which adds both weight and complexity. Perhaps doubly so as I am carrying long and heavy telephoto lenses for my project on the Arctic Fox.

Two Canon EOS 1DX’s and a EOS 5DSR  will be my cameras of choice for these trips. Although the new Canon EOS-1DX MKII has been announced it will be some time before actual delivery and as such I will continue to shoot with the EOS 1DX as my primary cameras.

Gura Gear Bataflae 32L: (carry on luggage – Believe it or not this does all fit in the one camera bag!)

  • Canon EOS 1DX Pro Body Camera x2
  • Canon EOS 5DSR Body
  • Canon 16-35mm F4L IS
  • Canon 11-24mm F4L
  • Canon 24-70mm F2.8L MKII Lens
  • Canon 70-200mm F2.8L IS MKII Lens
  • Canon 6000mm F4L IS MKII Lens
  • 1 x Spare Battery for the 1DX’s
  • 2 x Spare Batteries for the 5DSR
  • Leica Ultra-Vid HD Binoculars
  • Cable Release
  • Assorted CF and SD Cards totalling around 100 Gigabytes
  • Rocket Blower and Dust Cleaning paraphernalia
  • Complete LEE Foundation and Filter Kit with Soft and Hard ND Graduated filters and LEE Polariser

On my last visit to Namibia I carried two TSE lenses specifically for photography at Kolmanskop ghost town in Namibia. This abandoned town is the ideal location for Tilt and Shift lenses and I found them extremely useful during my time there. However, I decided against TSE lenses for this trip as I am already carrying an extensive array of lenses and I want to try a different approach to this location on this trip.

Gura Gear Chobe Bag: (carry on luggage)

  • 15″ Macbook Pro with Lightroom 5 and Photoshop CS6 with the Nik Plugin suite
  • MacBook Power Adapter
  • Canon 200-400mm F4L IS Lens with inbuilt 1.4 TC (Watch the Unboxing Video)
  • 1 x LACIE Thunderbolt External 1TB Hard Drive for in the field Back Up.
  • Various Power Adapters / Chargers and Associated Cables
  • Canon 1DX / 1DS MK3 Battery  Charger
  • Sandisk USB CF and SD Card reader
  • Passport / iPhone / Wallet
  • Portable battery for charging iPhone and other devices
  • A lot of these items I store inside Gura Gear Etcetera cases inside the Chobe. (These cases are fabulous for organising accessories)

On top of the above I have two North Face duffle bags with the rest of my clothes and gear. Getting all of this to Antarctica and then onto forward destinations is always a challenge, but once on location the benefit of having the right equipment makes all the hardship worthwhile. See you in South America…

 

2015 A Retrospective and 2016 Whats in Store?

As is tradition on my blog, I like to do a “What’s in Store” post for the coming year as well as reflect back, and wrap up the year that was. In terms of stats over the course of the 2015 year this blog was viewed over 620,000 times across 159 countries. Which means if it were a concert at Madison Square Garden it would take more than 30 sold out performances for that many people to see it. Thats a huge increase over the previous year and quite a humbling feeling. The busiest day of the year was August 2nd with 11,459 views. The most popular post that day was How to Improve your Wildlife Photography without Spending a Lot of Money. Interestingly, one of the most popular posts remains one I made back in 2012 on Big Stopper Filters. I don’t often write about equipment and gear, but there is no denying that posts on equipment are extremely popular. Over the course of the 2015 year I made 110 new posts, growing the total archive of this blog to 596 posts.

In equipment or ‘gear’ terms 2015 was an interesting year with the introduction of the Canon EOS 5DS and 5DSR 50+ mega pixel cameras (long overdue some would argue) as well as the surprise new Canon 11-24mm F4L super wide angle zoom lens. Both of these have found a home in my equipment cupboard and I have utilised both extensively during workshops and expeditions in the later half of 2015. Although I still prefer the Canon EOS 1DX camera for the majority of my photography, there is no denying the huge resolution advantage of the 5DS/R when making giant prints. The 11-24mm F4L has proved a superb optic and although the use of such a wide angle lens is limited it has nevertheless proved a very useful tool thus far. 2015 also marked the year I ditched gimbal heads for long lens work and moved to a Sachtler FSB-6 Fluid head. There is simply no comparison between working with a fluid head vs. a gimbal and outside of the weight and cost difference the fluid head offers significant benefits that has resulted in a far higher ratio of ‘keepers’. This move represents what was probably the best equipment investment I made in 2015 in terms of improving my photography. My gear pick of the year for 2015 however goes to the Eizo CG-318 4K Wide Gamut monitor that I reviewed a couple of months ago here on my blog. Whilst its far from inexpensive, the Eizo CG-318 is a superb monitor that makes working with high resolution images, soft proofing and making prints an absolute pleasure. As I said in my review: If you have the means I highly recommend picking one up.

2016 will be a very interesting year in equipment terms as it is both an Olympic and Photokina year. As such, I expect to see the introduction of the Canon EOS 1DX MKII by no later than the end of April as well as several new L series lenses. However, the jury is still out on what lenses Canon will actually deliver. Expect the 1DX MKII to have an all new focus system, 4k video capability, and to set a new standard for high ISO images. I expect resolution to be around 22 mega pixels which is more than enough for 90%+ of my photography. Rumours persist of a new 600mm F4 DO lens (a patent has been filed by Canon) as well as a new 800mm F5.6 lens. A new 800mm lens will have to offer something really extraordinary as the current 600mm F4L IS MKII with a MKIII 1.4 TC is as good as the current 800mm F5.6 with greater reach and greater flexibility. I would not be surprised if we see a new 800mm F5.6 lens with an inbuilt 1.4 Teleconverter; although such a lens would be highly specialised and very expensive.

Book pick for the year for me was a close call between Ragnar Axelssons’s magnificent Last Days of the Arctic (Review coming Soon) and Vincent Munier’s opus Arctique (Read the Review). Both were stand out books for me packed with some of the best photography I have seen from the Arctic. Ultimately, I am giving the nod to Vincent Munier’s Arctique –  an absolutely superb presentation that deserves a place in any photographic library.

Over the course of this year I published my own favourite twelve photographs here on my blog. Please be sure to check them out and let me know what you thought. I don’t usually have an overall favourite from a given year, although I definitely have a soft spot for this photograph of the back lit Polar Bear with is breath steaming in the Arctic winter light. Svalbard-9725-Edit copyI also gave away more than a dozen fine art prints over the course of the year that have gone around the world and that have found their way onto the walls of homes and offices. The chance to give something back in 2015 has been something I have very much enjoyed and the feedback I have received from those who have won a print throughout the year has been incredibly fulfilling. I would very much like to continue this series going forward, but due to a very heavy travel schedule next year I will just not have time to regularly make and send out the prints. I will return to this print giveaway at a future date however.

In competition terms, 2015 was a solid year for me with finalist positions in the  2015 Canon APPA Professional Science, Wildlife and Wild Places Photographer of the Year as well as finalist in the  Epson 2015 Professional Science, Wildlife and Wild Places Photographer of the Year. I was also a finalist in the 2015 Outdoor Photographer of the Year and 2015 Travel Photographer of the Year competitions as well being short listed in BBC Wildlife Photographer of the Year and Natures Best Photography. It was a great year and I have been thrilled with the results. Three of my photographs (including the polar bear above) will be published in the 2015 Outdoor Photographer of the Year competition book that is now available for pre-order.

2015 was also the biggest year yet for me both with destinations visited and sheer number of international miles travelled. 2015 also marked the year I finally returned to the United States and photographed in Yellowstone in Winter (something I have long wanted to do and am planning to do again in early 2017). I have no idea how many actual miles I covered in 2015 in total, how many aeroplanes I boarded, how many times I went through airport security or how many tens of hours I spent waiting around in airports for connecting flights, but it was an awful lot. 2016 will certainly have its fair share of flights and layovers and I am trying to work through as much office work as possible in the next few weeks before I board the next plane in February.

2015 kicked off with a brand new Yellowstone in Winter workshop followed by a four day extension to the spectacular Grand Tetons (Read the Trip Report). Although we did not have great snow at this time we were fortunate to see and photograph the Lemaire Valley wolf pack as well as the Canyon and Yellowstone packs. Seeing wolves in the wild is an amazing experience and the chance to photograph them was fantastic. They are a haunting animal and it is no wonder they are still shrouded in so much mystery. We also had some superb conditions for landscape photography inside the park. Although the majority of photographers travel to Yellowstone for the wildlife, the landscape is in many ways the real gem of the area. The combination of geothermal activity with snow and ice can make for some very evocative imagery. I am planning a future workshop to Yellowstone in Winter in early 2017 that will focus on both landscape and wildlife. Details will come early in the new year.Yellowstone-7096-Edit12015After Yellowstone Daniel Bergmann and I ran our annual Winter Iceland workshop (Read the Trip Report) that included destinations in both the north and south of the Island. Iceland in winter is an incredible experience and this workshop provided us with wonderful opportunities in a snow covered landscape. This year saw a return to cooler temperatures during winter in Iceland than recent years as well as greater snowfall; both of which made for some fabulous photography.Iceland-7851-Edit12015After Iceland I travelled to Svalbard where I participated in a small group snow mobile expedition for Polar bears and other wildlife in the winter landscape of Svalbard. This exploratory expedition resulted in some remarkable photographs and is something I hope to repeat early in 2017. I will also have a new offering in 2017 to photograph from small ship in the middle of winter – Details to come soon.Polar Bear BluesAfter Svalbard I returned to Iceland and continued work on my Arctic Fox Project. I am getting close to completing the project now and hope to finish the project in 2016.Hornvik-9988-Edit42015After Iceland, I ran my annual two week New Zealand South Island workshop which saw us circumnavigate the South Island via private 4-wheel drives and that included significant helicopter time over the spectacular southern Alps as well as the Teanu region. We visited Milford Sound, Queenstown, Fox Glacier, Mount Cook and a great many other off the beaten track locations during the workshop. We also visited the now very popular Moraki boulders area where I was able to make this image that for me really captures the essence of these amazing rocks. (Read the Trip Report) I also spent an extra two weeks photographing in New Zealand with my good friend Martyn before we returned to Australia for some Great Ocean Road photography.NewZealand-2355-Edit12015After a short break, I then travelled back to Svalbard for my Wild Polar Bears expedition (Read the Trip Report). This was a fabulous expedition that saw us circumnavigate Spitsbergen (something I had not done before) during the ten day trip. We had numerous close encounters with Polar Bears, Arctic Fox and Walrus and some fabulous images resulted.

I then returned to Iceland for the Summer season and lead my annual summer trip with Daniel Bergmann (Read the Trip Report). I never tire of returning to Iceland and eagerly look forward to each return visit. The 2016 Winter workshop is long sold out, but there are still a few places remaining on the 2016 summer workshops if you would like to join us. Just drop me an email to register your interest.

After Iceland Daniel Bergmann and I travelled back to Svalbard for our Kingdom of the Ice Bear expedition. This year I teamed up again with the crew from Untitled Film works to produce a short movie on what it was like to travel on a dedicated photography expedition to the Arctic for Polar Bears. The short film we released a few months ago has been a huge hit and we have received some truly wonderful feedback. If you haven’t yet seen the movie yet you can click on the image below. Be sure to watch it full screen, dim the lights and crank the music. Enjoy.KingdomoftheiceBearIn November I travelled to South Georgia Island for a fifteen day expedition that saw us photographing in some of the world’s best locations for wildlife (full trip report coming soon). I have really been enjoying seeing the fantastic photographs being shared on social media taken by all who participated on this expedition. Just as an interesting aside, I noticed a significant increase in the number of small birds in South Georgia this year which is a testament to the effectiveness of the rat eradication program that has been running for the last few years. It was wonderful to see so many South Georgia Pipits this year after seeing none the previous year.

At the conclusion of this expedition I lead a small group workshop to the Falkland Islands. During our time in the Falklands we flew from Stanley to both Saunders and Sea Lion Islands where we photographed many of the fabulous bird species found in these world class locations (full trip report coming soon). The highlight for me was finding and photographing the magnificent Short-eared owl on Sea Lion Island.FalklandIslands2015-4675After the Falklands I travelled to Punta Arenas in Chile where I boarded a Soviet Ilyushin jet (The Russian equivalent of an American Hercules) and flew down to Union Glacier in Antarctica where we landed on a naturally occurring blue ice runway just 500 nautical miles from the South Pole. The purpose of this scouting trip was in preparation for the Emperor Penguin expedition next year. This was a truly remarkable experience and I will have a lot more to say about this experience in future posts.AntarcticaUnionGlacier2015-2155-EditI then lead one final expedition to the Antarctic peninsula to finish up the 2015 year before arriving home two days before Christmas. All up I led a total of ten separate international workshops and expeditions in 2015 spread across the globe (not including some local private workshops to the Great Ocean Road as well as one-on-one Print workshops). A brief count tallies up more than thirty five international plane rides and well over thirty thousand exposures (wish they were all keepers!) and a lot more than thirty hours of lost sleep. It was a fantastic year and I just want to thank all of you who I was fortunate to meet, travel and photograph with throughout the year. It was real privilege to share in such remarkable destinations with so many fantastic photographers – thank you.

2016 is shaping up to be an even bigger year than 2015 in terms of both miles and locations and I am really excited about whats in store. In February I will lead a sold out expedition to the Weddell Sea in Antarctica. The Weddell Sea is a very different experience to the more often visited eastern side of the Antarctic Peninsula and is home to some really huge Adelie Penguin colonies as well as giant tabular icebergs. There has been a huge amount of ice this year coming out of the Weddell Sea (more than I have ever seen before) and I expect we will encounter some truly gigantic icebergs during this expedition. Pool and Penguin at Sea in SnowstormAfter the Weddell Sea I will travel directly to Iceland where I will spend ten days in the remote north working on my project on the Arctic Fox. This will be my third year working on this project and I hope to gather the final images from this trip and complete the project in 2016. A portfolio of prints celebrating this remarkable animal will be available early in the new year, followed up by a book in the later part of 2016.Hornvik-9491-Edit-Print-MoabSMR-RelCol32015After I finish in the north of Iceland I will lead my annual Winter Aurora workshop to Iceland (Sold Out) with my good friend Daniel Bergmann. We have a  slightly different itinerary in store to last year and will spend the majority of our time this year in the frozen north. We are looking forward to frozen waterfalls, ice caves and with a little luck some spectacular northern lights. IcelandWinter2016soldoutAfter Iceland I will travel to Lofoten in Norway where I will lead a brand new workshop for winter landscapes in this spectacular part of Norway. The Lofoten Islands have long been on my wish list to visit and photograph and I am very excited to be travelling to these spectacular islands in winter with a small group of photographers.LofotenAfter Lofoten I am heading straight to Namibia in Africa for a private small group overland safari. We are planning to visit a number of different areas for landscape photography including the ghost town of Kolmonskop as well as the incredible sand dunes of Sossusvlei and the salt pan of Dead Vlei. This safari has long been sold out, but due to a recent cancellation there is now one single place available. Please drop me an email if you would like further details._MG_0383-Edit12014In May I am going to make the short hop across to the South Island of New Zealand to co-lead a Masterclass workshop with friend Phillip Bartlett (Sold Out). We have some really exciting locations lined up for this trip that include helicopter access into the remote back country and an extension to the coastal town of Kaikoura. I always look forward to any chance to photograph in this spectacular country.

In July I will head back to Svalbard to lead my Wild Polar Bears expedition. We will depart from the small town of Longyearbyen and sail up to the edge of the permanent pack ice where we will spend out time searching for and photographing the king of the Arctic.

At the conclusion of this trip I am flying to Iceland where Daniel and I will lead our Iceland Highland Expeditions (still a few places available). Please drop me an email if you would like further details. In November 2016 I will travel deep into the interior of Antarctica where I will lead a small group on a dedicated expedition for  photography of Emperor Penguins (Sold Out). This expedition has been several years in the planning and I am extremely excited to be taking a small group of passionate and dedicated photographers on this trip. The opportunities for photography in this incredibly remote part of Antarctica are nothing short of breath taking. Emperors-7In late November I will travel to the Falkland Islands (our departure point) for a  photographic expedition to South Georgia Island and Antarctica. Unlike the expedition I led in 2015; which visited only South Georgia, this expedition will also take us down to Antarctica. Its going to be a very busy and hectic year and I am keen to make a start in Antarctica in the Weddell Sea in just a few weeks time.

In other projects, I had planned to finalise and publish my book ‘Extreme Latitude’ in 2015 (this long overdue project has been sitting ‘mostly’ finished on my hard drive for the last couple of years) but travel commitments got in the way and the project has languished unfinished. I now plan to split this project into several books – the first of which I hope will be available by the end of 2016.

A final sneak peak into 2017 for those of you who have managed to read this far: I will be announcing at some stage next year another winter Yellowstone workshop for a small group of photographers. This workshop will be via private snow coach and will include an extension to the spectacular Grand Tetons. I will also be announcing a completely new trip to Svalbard in winter and I will have more to say about this opportunity next year.

Lastly, I want to wish all of you a very safe and happy New Year and may 2016 be one of amazing light and experiences for all of you.

Testimonial from Clara Davies – Iceland the Highlands 2015

Over eleven days from 8 to 18 August we were part of a spectacular tour through the Highlands of Iceland with Joshua Holko capturing images and creating memories that will last a lifetime. Iceland is a breathtakingly beautiful country – vast and endless landscapes of mystery and intrigue, a unique and defined culture and a passionate and interesting people! After the tour concluded we finished with two nights in Reykjavik and took a day to tour the Snaefellsnes Peninsula which proved to be equally beautiful.

We were part of a diverse group that travelled from the far reaches of the globe. Our group was filled with charismatic personalities and passionate photographers who soaked up every moment, even when we had had our fill of “fossing” fosses. Thank you to my travelling companions – you made this a fun and exciting, not to mention a hugely interesting and enjoyable tour.  

A huge thank you also to both Joshua Holko and Daniel Bergmann for organising and leading a fabulous tour. Your professionalism, commitment and dedication was obvious as was your enthusiasm. Your passion for Iceland was clear from the outset and hopefully it is reflected in the images that everyone managed to capture, my own included.  

Iceland treated us to an environment of vast and spectacularly beautiful landscapes that often looked like pastel paintings or surreal lunar scenes. We were blessed by the weather gods (or possibly just expertly guided to the best locations in the most favourable conditions). We were saturated with amazing photographic experiences. I will return to Iceland because it has so much more to offer. It may be in winter next time but whenever it is, I have a feeling that Iceland will deliver once again! – Clara Davies

Iceland the Highlands 2015 Workshop Report

In August this year I lead a new workshop into the highlands of Iceland with good friend Daniel Bergmann. Our Highland workshop for 2015 took a different approach to previous workshops in that we made the decision to specialise in just a few areas of Iceland that we regard as some of the most spectacular – in this case we decided to spend the majority of our time in the Highlands and several other key locations. This approach enabled us to spend more time in our chosen areas and gave us better opportunities for good light.

I am a strong advocate for spending as much time as possible in an area for photography and not moving from location to location too quickly. This approach both maximises the chances of really great light, but more importantly, it enables the photographer to slow down and get in tune with their surroundings and begin (hopefully) to see really strong compositions. It is actually exceedingly difficult to ‘hit the ground running’ in a new area and make great images right off the bat. More often than not the good images come after a period of time has elapsed and the photographer has had a chance to really tune into their surroundings.

As always, our daily itinerary was dictated by the weather and light to enable us to maximise any opportunities and to avoid any bad weather. As planning (and a little luck) would have it we were able to run with our originally planned itinerary without any severe bad weather.

Day One – We drove from the capital city of Reykjavik to Hrauneyjar in the highlands, our base for three nights. By using just a small number of good hotels and guests houses as bases throughout this workshop we were able to really maximise our time in the field. We spent the majority of our time in the Fjallabak Nature Reserve. Our first stop was the spectacular Hnausapollur crater (water filled explosive crater) near Landmannalaugar. We then drove further towards Landmannalaugar with a stop at Frostastadahals (by the lake Frostastadavatn). We also had a windy sunset session at Veidivotn._MG_2174-Edit12014Day Two – We were back in the Fjallabak Nature Reserve and now visited the gigantic volcanic crater Ljotipollur. We also walked up the rim and to the eastern side of it and photographed the Tungna glacial river. We then continued to Landmannalaugar where we hiked the Laugahringur trail up to Mount Brennisteinsalda. A few of us went all the way to the top, while most of us stayed below and photographed the amazing Laugahraun lava field and the many valleys surrounding Mount Blahnukur. This part of the highlands is one of my favourite areas for photography and offers really incredible opportunities.

Iceland-0534-Edit12015Day Three – We photographed Haifoss waterfall and its neighbor Granni (further inside the canyon) at the beginning of the day. We then went to the black sand area of Veidivotn crater lakes where we photographed right through until sunset._H9P3595-Edit-Edit12012
Day Four – We left our hotel in the highlands and travelled across the Sprengisandur route to get to the north of Iceland. We made a short scouting stop at Godafoss waterfall before heading to Lake Myvatn, where we were based at Hotel Reynihlid for three nights. We also photographed Godafoss the following morning at sunrise.Iceland-064012015Day Five – We visited the geothermal area at the base of Mt. Namafjall, called Namaskard or simply Hverir (an alternate name for the field). Later that day we visited the mighty Dettifoss waterfall in Jokulsargljufur canyon. First from the western side and then from the eastern side. From the east we also photographed Selfoss waterfall, further up river.
Iceland-0678-Edit22015Day Six – Aldeyjarfoss waterfall was on the morning menu and in the evening we hiked to the upper geothermal area at Namafjall to photograph the spectacular geothermal features where there are bubbling fumaroles and mud pits.
Day Seven – A travel day with a stop for a bit of shopping at Akureyri. We also visited Hvitserkur sea stack at the Vatnsnes peninsula in the afternoon during low tide.

Day Eight – Hraunfossar waterfall  and Barnafoss were our morning shoot. In the afternoon we visited the (still) fairly little known Bruarfoss waterfall. Then made a short stop at Geysir area (for the erupting geyser Strokkur) and ended with a fantastic meal at Lindin restaurant at Laugarvatn.Iceland-0758-Edit12015Day Nine – On our last day of photography we went into the Southern Fjallabak (Sydra- Fjallabak) area. We drove past the Eyjafjallajokull glacier and Einhyrningur mountain (the unicorn) before spending a bit of time on the edges of Markarfljotsgljufur canyon. We then drove further into Fjallabak and went as far as to the Innri-Emstrua river. We photographed mountains on the way that can be collectively said being at Emstrur.

Our 2015 Iceland Highlands workshop proved a really super trip that netted us some wonderful photographs from some of Iceland’s most amazing highland locations. Our time in the highlands this year proved successful and as such  I will be leading two workshops to the highlands of Iceland in summer next year. Both workshops will have an emphasis on different regions of the Highlands as well as different coastal areas. These are workshops that will get you off the usual tourist route and into some of the more inaccessible, interesting and least visited areas of Iceland. We all also visit a few of the iconic locations as well as a few tucked away gems we want to keep up our sleeves. If you have never been to Iceland before and want to avoid the tourist traps, or if you are an Iceland regular and want to get into new territory then these are the workshops for you.

The first workshop will run from August 14th until August 23rd 2016 and will focus on the Highlands and Northern area of Iceland.  We will also visit the precipitous basalt cliffs and rock formations of the Snaefellsness Peninusla, amongst many other areas. You can download a detailed itinerary and information PDF form for the first workshop HERE.The second workshop will run from the 28th of August until the 6th of September 2016 and will focus on the Southern Highlands and eastern coastal regions of Iceland. Our intention on this workshop is to focus on some of the lesser known highland areas in the southern part of Iceland. We will also visit the precipitous ocean lined mountains at Stokksnes as well as vising the spectacular Laki Volcano and the world famous Jokulsarlon glacial lagoon. You can download a detailed itinerary and information PDF form for the second workshop HEREWe have chosen August and early September for these workshops as this is an ideal time to visit Iceland for photography. The days are still long with Sunrise around 5 a.m. and sunset just before 10 p.m. The best light for landscape photography is therefore during the evening and early morning. This means that we may have an early dinner and then head out to photograph and sometimes be out before breakfast for a morning shoot. On cloudy days we’ll have a more normal routine. What we’ll do exactly on any given day will be decided around the weather and other conditions and there will be small changes to our original plan to make the most of our time in each area.

Cost: The cost for each workshop is $7,450 USD. There is no single supplement and single rooms will be provided wherever possible.

Duration: 11 days/10 nights for each workshop
Includes: Accommodation for ten nights in single rooms. Food and beverages (excluding alcohol). All transport during the duration of the workshop in a modified 4-wheel drive vehicle. All tuition and guiding services.
Excludes: International flights, travel insurance and alcohol
Group size: 12 per workshop

Due to initial bookings and expressions of interest there are now only a few places remaining. If you would like to register your interest for one of the remaining places or would like additional information please contact me at info@jholko.com.