Top Ten Polar Photography Tips to Improve Your Photography

Recently I compiled a list of Top Ten things you can do to give yourself the best chance of taking great photographs when you visit the extreme latitudes of the globe. The Top Ten Tips were also recently featured on View-Bug.

Nature and landscape photographs really require three things in my mind to be successful. Great Subject, Great Composition and Great Light. You really need all three to create an exceptional photograph. 
 
Included below are my top ten in no particular order
  1.  Be patient whenever possible: Wait for good light. Wait for the wildlife to be active.
  2. Give yourself a chance to get in tune with the landscape. Its almost impossible to turn up to a new area you have never visited and make outstanding photographs. It takes time to get in the rhythm of the landscape and really ‘see’ powerful images. Spend some time just looking before you start taking pictures. (See my articles on Landscape Photography with Mystery and Emotion – Part One, Part Two and Part Three).
  3. Know your camera gear intimately. It needs to be muscle memory to change settings on your camera. If you are fumbling with buttons and unsure of how to makes changes to your cameras setting your’e photography is going to suffer (See my article on Landscape Photography with Mystery and Emotion Part Three).
  4. Use weather sealed cameras or use weather proof covers for your camera gear.
  5. Think about what it is you are trying to say with your photography. Try and look past the cliche postcard. The strongest images are often the simplest and are those that leave the viewer wanting more or that evoke an emotional response in the viewer.See my article on Landscape Photography with Mystery and Emotion Part Two).
  6.  Look for the edges of weather. The most dramatic light is often found at the edge of a rainstorm or snow storm. Avoid blue sky sunny days as they usually result in boring photographs. 
  7. Be prepared and dress for bad weather. You need to be able to stay out in the snow storm if the light is incredible and keep making photographs. Having the right equipment for yourself is as important as having the right camera equipment.
  8. Try different focal lengths and compositions. Don’t always go for the super wide angle because it looks more dramatic on the camera’s LCD.
  9. Remember that landscape and nature photography are more often about what we exclude from the frame rather than what we include. Consider simplifying the frame when you are composing the image. A photograph that leaves the viewer asking questions is far more interesting than just a pretty picture. (See my articles on Landscape Photography with Mystery and Emotion – Part OnePart Two and Part Three).
  10. Look for leading lines in the landscape. Photography is the reproduction of a 3-dimensional scene into a 2-dimensional image or print. Strong leading lines will help you convey a sense of depth and help bring the image to life. Also use slow shutter speeds for clouds and water to help create a sense of movement that can also help bring a photograph to life.HMAS Penguin Pool

Book Review: Canon APPA 2014 Gold Awards

My second book review for 2015 is the new 2014 Canon APPA (Australian Professional Photography Awards) book. The 2014 Canon APPA book is different than many photography books in that it  contains the combined works of many photographers from  a photographic competition. Specifically, those photographers who scored a highly coveted Gold or Gold with Distinction award at the 2014 Australian Professional Photography Awards in Sydney. If you are unfamiliar with the APPA awards it is worth taking a moment and reading about them on the APPA website. In brief, these awards represent the very pinnacle of Australian photography. The competition is fierce and is regarded by many as one of the toughest in the world. The 2014 APPA Gold book represents those images that were professionally judged under controlled lighting conditions by AIPP Master and Grand Master Photographers to have reached the highest standards of excellence and creativity in their respective categories and genres.

AIPP-APPA-Gold-Book-20142014 is the first year that APPA have produced a Gold Award book with previous years seeing the creation of much larger volumes that also contained all of the Silver and Silver with Distinction Awards. Personally, I am very pleased to see the segregation of the Gold awards spun off into a new book as the previous iterations had become extremely large and unwieldy. There are only so many images the eye and brain can absorb in one sitting before it tires of looking at photographs. My feeling is that the new Gold Awards book has the balance just about perfect in this regard.

The book is divided up into the separate APPA categories with the Gold and Gold with Distinction Award winners being featured for each category in alphabetical order. By way of full disclosure I should say at this point that I won the 2014 Science, Environment and Nature photographer of the Year award at the 2014 APPA’s. Two of my photographs received Gold awards and are featured in this book in the Science, Environment and Nature Category. My review of this book is not based on the inclusion of these two photographs and I would feel the same way about this book regardless of their inclusion or exclusion.

Presentation: The 2014 Canon APPA Gold Awards book is hardbound in black linen with a smart, clean dust jacket that is simple and elegant. The paper is a medium weight semi-gloss lustre that works well for the broad genre of images included in the book. Although I personally prefer art papers to lustre papers it was a wise decision to choose a paper that conformed to the broad range of genres in this book. All of the included photographs are printed with a white paper border to help frame and contain the image and keep the eye from running off the page. The photographers name is included beneath each image, along with the category entered and the award won (Gold or Gold with Distinction). There is a simplicity to the presentation of the images in this book that resonants with me and I very much enjoyed the clean no fuss layout that leaves the emphasis squarely on the photographs.

Print Quality: When it comes to print quality the 2014 Canon APPA Gold awards book is the gold standard in print quality surpassing anything I have yet seen from an offset printer. Printed on the Canon Dreamlabo 5000 printer this book is the closest you are likely to ever get to the original fine art inkjet prints that were entered into the APPA awards. Put simply, the quality of the printing is superb and I believe this book is worth owning simply as a reference for how good book printing can look when it is  handled with care and attention to detail.

Conclusion: I considered giving this book five stars based on its print quality alone as a reference standard to other books, but in the end I felt somewhat conflicted giving a book five stars that includes two of my own photographs. I am therefore going to give it four stars and recommend that you strongly consider adding this book to your photographic library. I feel quite strongly that with the sheer breadth of subject that is presented in the book that there is quite literally something for just about every genre of photographer. Secondly, every one of the images in this book won a Gold or Gold with Distinction award at the 2014 APPA awards and represent the very pinnacle of Australian Professional Photography. Finally the print quality represents the current best it can be in book production. If you want to see where the standard lies and where the bar is set for professional photography in Australia then I recommend you purchase a copy of this book. Not only is it an excellent resource and reference to have on hand by which to evaluate your own work, but it is also contains a treasure trove of inspiration. The 2014 Canon APPA Gold Book is available for $75 AUD in strictly limited quantities from the AIPP**** You should own this book and consider it an important part of your photography library.

Arrived in Yellowstone for 2015 Winter Workshop

A few hours ago I finally completed the long journey from Australia and arrived in Bozeman for my Yellowstone Winter workshop. It is a very nice feeling to have abandoned the heat of the Australian summer for the snow and ice of a Yellowstone winter. Currently its quite a balmy 14 degrees Celsius outside and the air is dry and crisp. It is an even nicer feeling to have made it through American airport security more or less without hassle.

Tomorrow will be a rest day to recover from travel and jet lag before we commence our workshop into the park proper. I need to go shopping shortly for a new pair of winter boots for both Yellowstone, Iceland and the Arctic and have my eye on a pair of the new Baffin Expedition boots. I had considered using my Arctic Sport Muck Boots for this expedition but was concerned they may not be warm enough in the Yellowstone winter. They definitely would not be warm enough for the expedition I am doing into the Arctic after Iceland, so its time to add yet one more pair of boots to the wardrobe.

We have a pretty solid schedule planed out for the next ten days so I am unsure of how much if any time I may get to post updates to my Blog. We will just have to see what Yellowstone has to offer…

Get Ready to Pre-Order the New 50 Mega Pixel Canon 5DS and 5DSR Cameras

For those of you who have been waiting eagerly for Canon to announce their new high-mega pixel 5DS and 5DS R cameras (offered in two versions with and without “low-pass filter effect cancellation”) you can now sign up to be one of the first to place your order on B&H Photo. The new Canon 11-24mm wide angle zoom is also now available for pre-order. Expected availability for delivery of the new cameras is June 2015 – just in time for my 2015 Iceland Highlands Expedition! Personally, I will be ordering the R version for landscape use. This will strictly be an ISO100 on the tripod landscape camera for me with the Canon EOS 1DX remaining my tool for everything else.

Just a friendly reminder, it helps me pay for the costs associated with running this website and blog when you purchase your camera gear using the above links.

The Spirit of Antarctica 2014 Expedition Report

In early December 2014 I led an expedition to Antarctica ‘The Spirit of Antarctica‘ with my good friend and fellow Nature photographer Antony Watson. This expedition departed from Ushuaia and saw us sail across the Drake Passage to the Antarctic Peninsula. We spent the next ten days exploring the incredible landscapes and wildlife of Antarctica before our return back across the Drake to Puerto Williams in Chile. We were quite fortunate with both crossings of the Drake and unlike my previous South Georgia Island expedition we really did not experience the ferocity that the Drake is so renowned for. Our crossings by comparison were quite mild which was manna from heaven for those of us who succumb to the occasional bout of sea sickness.

This expedition was a mixed group of photographers, climbers and kayakers which provided us with some unique opportunities to include the human element in our photographs. It also meant that we had quite a lot of room in our zodiacs for gear and equipment.

During this expedition we visited several new areas I had not been to before in Antarctica including Enterprise Island, Elephant Point and Useful Island. Enterprise Island turned out to be a really fantastic location where we encountered two humpback whales which played for a short time before they decided to head south. We also stopped to photograph the wrecked remains of ‘The Governor’ whaling ship. This abandoned hulk rests in the shallows of the island and provided wonderful subject material for our cameras. I normally choose not to photograph on blue sky days in Antarctica and instead soak up the beauty of the location but in this instance there was just enough interesting cloud to make a strong photograph. The key to this image was to ensure just the right angle on the ship and not to clip the reflection in the water. One of the wonderful things about zodiac photography is if you miss the shot on the first pass you can always have the driver turn the zodiac around for another go. If memory serves, we probably spent the better part of an hour photographing around the wreck remains. The wildlife photographers amongst us were thrilled with the nesting Antarctic terns and we also encountered a Crab Eater Seal on a nearby ice-flow. Enterprise Island is a location I am now looking forward to returning on future expeditions.

The GovernerElephant Point turned out to be another wonderful new location that reminded me very much of South Georgia Island. The beach was bedecked with Elephant Seals, Fur Seals and Gentoo Penguins when our zodiacs landed and there were outstanding opportunities for really intimate wildlife images with recently hatched penguin chicks. We even came across a vagrant King Penguin as we explored the area. Elephant Point is also a wonderful location to photograph Giant Petrels, Kelp Gulls and many other bird species. Personally, I spent quite a bit of time photographing the Giant Petrels during light snowfall. By far the majority of the photographers on this expedition had never visited South Georgia Island and this stop at Elephant Island really gave them a taste of the incredible Bio-mass one finds in South Georgia. I am leading a dedicated expedition to South Georgia Island this November and can’t wait to return. There are only two places remaining before this expedition will be sold out. You can read more about that expedition HERE.

Giant PetrelWe also visited the geothermal caldera and remains of the whaling station at Deception Island during this expedition and were fortunate to have some overcast skies and light snowfall; which really added to the mystery and drama of this location. Deception Island is one of my personal favourite locations for photography in Antarctica. I actually wrote a short op ed. piece on this location earlier last month. This wonderfully surreal location offers virtually limitless opportunities for photography and its a great place to wander and explore. It has been interesting to watch the decay of the whalers remnants from visit to visit and year to year at Deception Island. My feeling is there is probably only a decade or two remaining before all that will be left is a few scraps of iron. Deception Island

One of the regular stops for Antarctica expeditions and one of my favourites for photographing penguins is Cuverville Island. Surrounded on just about all sides by towering mountains and hanging glaciers Cuverville Island is home to well over a thousand Gentoo Penguins and offers fantastic opportunities for photography amongst the many rookeries. We were fortunate to experience heavy snowfall during our stay here and some really fabulous photographs came out of this day. This photograph (my favourite from this Antarctica expedition) really captures the feeling of solitude one feels in Antarctica. I actually used this image recently in an article here on my blog ‘How to get Emotion and Mystery into your Landscape Photography‘ as an example of how to create evocative photographs.Antarctica-4470-Edit12014We even had an opportunity during this expedition to spend a night ashore camping at Useful Island for those who wished to partake in an overnight polar camping experience. From a photographic perspective this opportunity provided a great chance to work with the landscape and wildlife under the soft light of the moon and there is something quite surreal about falling asleep to the trumpeting sounds of Gentoo and Chinstrap Penguins.

We also passed through the Lemaire channel during this expedition in wonderful conditions that even enabled us to have a BBQ on the back deck of the ship for dinner! This photograph of Gentoo penguins on the sea in front of our expedition ship was taken near the exit to the Lemaire channel in Pleneau Bay. This is an area I have visited on several other occasions, but this was the first time I have seen Penguins on the sea ice at this location.PolarPioneer and PenguinsAntarctic expeditions are always a unique experience. With the variation in weather comes a different expedition plan. These expeditions are fluid and its not uncommon for us to move from Plan A to B and C as the weather dictates. In this instance I think we got very close to sticking with Plan A for the duration of the expedition.

If you are interested in travelling and photographing in Antarctica, I will be leading a brand new expedition in February 2016 to the Weddell Sea – Antarctica The Wild Side. There are now only very limited places remaining before this expedition will be sold out. If you would like to know about this opportunity you can download a complete PDF itinerary and information flyer from my website HERE.

Just by way of a teaser and an easter egg for those of you who have read the trip review in its entirety: I am almost ready to announce a very special and totally unique opportunity for just four photographers to join me on a November 2016 expedition deep into Antarctica to photograph the mighty Emperor Penguins. This expedition will utilise a privately chartered transport jet to fly us deep into Antarctica where we are going to land on a pre-prepared ice-runway. At this point we will have left South America more than 3000 kilometres behind us and already be only 600 miles from the South Pole! We will then take a smaller privately chartered twin-otter ski aircraft to the remote Emperor Penguin colony where we will establish a field camp and spend our days living with and photographing the Emperors against a backdrop of spectacular mountains, icebergs and pressure ridges under soft evening  and early morning light. This is an expedition I have been working on for more than two years now and I am really excited to offer this very exclusive and unique opportunity to just four people very soon.