Iceland South Western Landscape Extension Report October 2024

In late September 2024, I ran a short 4-day photography workshop on the Snaefellsnes Peninsula on Iceland’s stunning southwest coast. This workshop was designed as an optional extension for participants from our Greenland East Coast Scoresby Sund Expedition (Read the Trip Report). It offered a more relaxed, leisurely pace, providing time to immerse ourselves in the unique geological beauty of the basalt coastline.

The Snaefellsnes Peninsula is often referred to as “Iceland in miniature” because it encapsulates many of the country’s varied landscapes—volcanic craters, jagged coastlines, waterfalls, and black sand beaches—all within a compact area. For photographers, it’s a treasure trove of textures, shapes, and dramatic contrasts, making it an ideal location for capturing grand vistas and intricate details. During our time on the peninsula, we visited several iconic coastal locations, including Arnastapi, Gatklettur, and Malarif, each offering something different for the keen photographer.

One of the key philosophies I encourage in these workshops is the importance of exploration by foot. The Snaefellsnes coastline is rugged and dramatic, with intricate basalt formations that beg to be photographed from multiple angles. Rather than just stopping at viewpoints or busy tourist spots, we took the time to walk along the shoreline with cameras ready, searching for compositions that capture the essence of the place. The basalt formations in this region offer endless opportunities for wide-angle photography and more intimate detail work. The sharp geometric lines of the basalt columns contrast beautifully with the often turbulent seas, creating the perfect scene for long-exposure photography. At the same time, the interplay of water against rock creates opportunities for capturing more abstract and fine art compositions.

Arnastapi: Known for its dramatic cliffs and the famous basalt rock arch, Gatklettur, this location provided breathtaking seascapes and fascinating rock formations. It’s a photographer’s playground, with each step revealing new textures and compositions.

Gatklettur: The natural arch is a centrepiece for any visit to this region, and we spent time here exploring the surrounding coastline, capturing the sweeping views and focusing on the arch as the subject in long exposures.

Malarif: Located near the iconic lighthouse of the same name, Malarif offers expansive views of the coastline and was one of the highlights of our explorations. Here, the waves crashing against the basalt cliffs created perfect conditions for dynamic coastal photography.

We parked at various locations around the peninsula and then explored the surrounding areas on foot, both early in the morning and late in the afternoon. We photographed during the “golden hour” and stayed on location well into the sunset, capturing the changing light as it played off the landscape.

Iceland’s weather is notoriously unpredictable, and the initial forecast for the workshop was not promising—heavy rain and overcast skies were expected. However, the Icelandic gods smiled upon us, and we were instead treated to several days of ideal photographic conditions. Overcast skies created soft, diffused lighting, perfect for landscape photography. This gentle light minimized harsh contrasts and allowed us to capture the fine details in the basalt rock and surrounding landscapes.

One of the unexpected highlights of the trip was our visit to the Hraunfossar waterfalls, a series of waterfalls that cascade out of a lava field into the Hvítá River. To our delight, we arrived just as the autumn colours were at their peak. The contrast between the vibrant reds, oranges, and yellows of the foliage against the cool blues of the water and the dark lava rock was spectacular, creating scenes that were a photographer’s dream.

The Hraunfossar waterfalls are easily accessible by a nearby walking path, which allowed us to explore different vantage points and compositions without rushing. This location was a wonderful opportunity to slow down and appreciate the subtle beauty of the Icelandic landscape in autumn.

As our four days ended, we returned to Keflavik, where we concluded the workshop with outbound flights. It was a short but highly productive trip, filled with the moments that make Iceland a true haven for photographers. Each day offered something unique and memorable, from the striking basalt coastline to the vibrant fall colours. This workshop was about capturing beautiful images and fostering a deeper connection with the landscape. Walking the coastline, breathing in the crisp autumn air, and experiencing Iceland’s natural wonders up close was as rewarding as the photographs we took home.

For those looking to explore Iceland in the future, the Snaefellsnes Peninsula offers an unparalleled combination of beauty, variety, and solitude, even in well-known spots. With the right approach—tripod and camera in hand, ready to explore—you’ll find endless opportunities to create photographs that tell the story of this incredible part of the world. We will likely be offering a further Iceland landscape workshop in the future. Please contact us to register your interest.

Svalbard Kingdom of the Ice Bear 2022 Available Place – UPDATE SOLD OUT!

Due to a client work commitment, I have just had a single place become available on my sold-out Svalbard expedition this July 2022. The expedition will run July 6th – July 15th, 2022 and is dedicated to the photography of Polar Bears. Full details on the expedition are on my website HERE including a detailed PDF for download. The available place is a private cabin with an ensuite. For more information please drop me an email. First in, best dressed!

Update: THIS PLACE HAS BEEN SOLD.

Photo of the Month January 2021

I want to kick off my photo of the month series for 2021 with an image I shot in January of 2020 of an Emperor Penguin on the sea ice in the Ross Sea Region of Antarctica (Read the Trip Report). This was one of very few Emperor Penguins we encountered on this expedition and the only Emperor we were actually able to photograph on the ice at eye level. Although we saw quite a few during the expedition almost all of them were either in the water or were at too great a distance to photograph. In this example, we landed on the frozen sea ice with our zodiacs for evening drinks and serendipity stepped in and provided a wonderful photographic opportunity. The Emperor penguin, curious about all the people on the ice, jumped out of the water onto the ice and proceeded to provide us a wonderful half hour session on the ice.

Photo of the Month December 2020 The White Wolf

The photograph of the month for December 2020 comes from Finland during one of my expeditions to photograph Wolves and Wolverines late in Autumn (Read the Trip Report). This photograph is a great example of when it is ok to break the rules and place the subject dead centre of frame. The use of negative space to either side of the wolf helps to frame the animal and provide some context for its environment. The extremely low angle of view and soft foreground were obtained by utilising a ground level hide and by shooting the telephoto lens almost wide open. This photograph is also the cover shot for my new book Never Cry Wolf, that is now available to pre-order through my online store Melrakki Publishing

Guest Speaker Canberra Photo Connect November2020

This November I will be the guest speaker at Photo Connect in Canberra and will be discussing Polar Wildlife and Landscape Photography. Due to the ongoing COVID situation the speaking event will be held via ZOOM. Please contact Canberra Photo Connect to register for the free event: mailto:canberraphotoconnect@gmail.com

The event is being held on Saturday November the 21st at 2:30pm.

Topic: Canberra Photoconnect presents Joshua Holko on Polar Photography
Time: Nov 21, 2020 02:30 PM Canberra, Melbourne, Sydney