2013 Jewels of the Arctic Expedition Reports

In August this year I lead back-to-back expeditions for photographers in the Arctic to Greenland, Svalbard and Iceland with my good friends Daniel Bergmann and Peter Eastway. Daniel worked with me as a co-photography guide on the first trip and AIPP Grand Master of Photography Peter Eastway joined me on the second return journey. The first expedition departed from Longyearbyen in Svalbard early in August and sailed up the coast of Svalbard before crossing the Greenland Sea (Arctic ocean) to Greenland. We then sailed down the east coast of Greenland exploring many of the incredible fjords (including the breathtaking Scoresby Sund and Kaiser Franz Josef fjords) before crossing the Denmark Strait and docking in Ísafjörður in the north of Iceland. The second expedition departed from Ísafjörður, crossed the Denmark Strait to Greenland where we sailed up the coast stopping in many of the fjords before sailing back across to Svalbard and docking in Longyearbyen. As these two expeditions were very similar in their planned itinerary (except in reverse) I am combining my trip reports into this one post. As is always the case however, no two expeditions are ever the same and each had its own share of amazing experiences, weather, wildlife and surprises.These were truly extraordinary expeditions that at our most northerly position saw us only approximately 600 miles from the North Pole skirting the edge of the Arctic pack ice. For those of you unfamiliar with this part of the world Svalbard is serious Polar Bear country and we were fortunate to have a couple of good bear encounters on our first expedition – including a mother and cub that we stumbled upon feeding on a reindeer kill very early in our expedition. Polar Bear do not normally hunt reindeer so it is likely the mother simply stumbled upon an already dead animal. Nevertheless it made for some fabulous photography and a unique wildlife encounter. We also encountered a couple of bears on the pack ice near Shannon Island. Although this encounter was brief it nevertheless resulted in some fabulous photographs.The route we travelled was similar on both trips with some variation in heading and landing locations. During our time onboard our expedition ship ‘Polar Pioneer’ we made daily shore landings at many places on the Greenland and Svalbard coasts. In many cases we landed twice per day or depending on our location we also cruised in zodiacs through several iceberg graveyards including the spectacular Red Island and Bear Islands areas. Wherever possible we attempted to land in locations we new would provide outstanding opportunities for wildlife and landscape photography. Many of these locations provided us with wildlife experiences as well as an opportunity to stretch our legs from ship board life. These were shared expeditions with kayakers and in many instances the kayakers chose to paddle instead of land. Just some of the locations we landed or zodiac cruised included included Kap Stewart, Red Island, Hare fjord, Nordbugt, Eskimobugten, Syd Kap, Bear Islands, Gateau Point, Kong Oscar Fjord, Nanortalik, Blomsterbukten, Smeerenburg, Fugelfjorden and Lilliehöökbreen. Each of these locations provided us with a unique experience and each offered something different in the way of photographic possibilities.One of the more fascinating locations we visited was the inuit village of Ittoqqortoormiit. Ittoqqortoormiit is located on Liverpool Land, near the mouth of the northern shore of the Kangertittivaq fjord, which empties into the Greenland Sea. This small village of only 450 native Inuit is a fascinating location that gives significant insight into life in Greenland – a harsh existence. We also cruised into Scoresby Sund and Kaiser Frans Josef fjords where we discovered incredible landscapes and giant castellated icebergs – several of which were easily the size of large football fields in size and half a dozen stories high. Both these giant fjords personally rate as the highlights of these expeditions. The geology and icebergs in this part of Greenland are breathtaking and the landscape unique in my experience. The opportunities for photography are limitless and just about everywhere you look there are images just waiting to be made. Of course, the entire landscape is bathed in the glow of the midnight sun so there are quite literally hours of golden light for photography.

The real highlight of both expeditions in my experience is the fjords of Greenland. The geology in Greenland is truly incredible and nothing short of miraculous. Contrary to many peoples preconceptions the coastline of Greenland is incredibly rocky and desert like. No where else in the world have I ever witnessed such incredible rock formations and geology as that found on the east coast of greenland – It is both surreal and otherworldly. There were several instances I can recall where we literally put down our cameras and simply marvelled at the rock formations. Of course, there are incredible glaciers and glacial tongues that snake down to the ocean between the mountains and giant icebergs that drift slowly down the fjords on their journey to the ocean, but it is the geology of the land that I personally find truly remarkable. Almost everywhere you look there are signs of incredible upheaval and geological activity. It is no wonder that geologists flock to Greenland and regard its formations as one of the holy grails of geological study.

We experienced a wide range of wildlife during our expeditions including Polar Bears (on the first trip), Musk Ox, Walrus, Reindeer, Arctic Hares, Bearded, Ringed and Harp seals and a plethora of sea birds including Arctic Terns, Kittiwakes, Fulmars, Skuas (including great, pomaraine and long tailed varieties), Glaucous Gulls, Guillemots and the rare and angelic aptly named Ivory Gull. One of the favourite pastimes for many on board was to stand on the bow or stern photographing the many sea birds as they followed us on our journey. We did search for both Gyrfalcon and Snowy Owls in two locations where they are known to nest but were unable to locate them (although we found recent evidence of GyrFalcon activity). I have yet to see a Gyrfalcon in the wild and eagerly await the day I am fortunate to site this rare bird of prey. We were also fortunate to encounter a huge pod of Humpback whales on our first expedition as well as a Blue whale and young Calf which followed us for an hour or so under the Midnight Sun. I was also fortunate on the first expedition to very briefly site a Beluga Whale and calf  near the carving face of Svalbard’s largest glacier. The sighting was brief however and the whale and calf disappeared before I could even raise my camera to my eye. Long lenses for wildlife photography in the arctic are really a must. Unlike Antarctica, much of the wildlife in the Arctic is found at a distance and can be quite skittish. I took Canon’s new 200-400mm F4L IS lens with inbuilt 1.4 Teleconverter for these back-to-back trips and found even with the 1.4 TC engaged that I often wanted more reach on my full frame 1DX camera. I will likely also take a 600mm F4L IS lens with me next year.One of the more obscure attractions to a Polar Expedition is the optional and rather intimidating Polar Plunge for those who are feeling brave. It takes some conviction (one could argue lack of brain power) to jump into ice filled 3º celsius Arctic waters in the name of joining an elite society of ‘polar plungers’. I admit, I bailed on the opportunity to join this club on the first expedition this year, but had my arm twisted on the second trip and was subsequently convinced that it was a good idea to jump off the fourth deck of Polar Pioneer for the video camera. For posterity here it is – shot on the RED Epic Cinema Camera at 350 frames per second. And yes, that water was every bit as cold as it looks. Just click on the image to view the video on Vimeo.One of the real treats of a photography trip to Greenland is a dawn cruise at an area known as Red Island – An iceberg graveyard where icebergs of all shapes and sizes collect and slowly melt in the Arctic summer. Cruising amongst these amazing icebergs as the Arctic sun slowly rises and throws its color across the ice is an incredible experience. Were were fortunate on both expeditions to encounter some really beautiful icebergs with outstanding light. As you may gather from its name, the area is home to a large island of red rock whose colour defies something you would think Mother Nature capable of creating.In terms of temperature during the expeditions we never really encountered any seriously cold weather with most days averaging a few degrees above zero. It did occasionally get chilly when cruising around the calving faces of many of the glaciers in zodiacs when the catabatic winds were bringing cold air down off the ice. Of course, the wonderful thing about zodiac cruising and photography from zodiacs is that we can return to the ship at any time required. We did have two days in Greenland where the mercury climbed to ten degrees which gave us pause to strip off a few layers as we hiked up the side of a mountain for a view across one of the many fjords. We really only experienced a couple of days of dubious weather throughout both expeditions and in both cases we were fortunate to be at sea in either the Denmark Strait or crossing between Greenland and Svalbard. A few souls did succumb to seas sickness during these crossings but on the whole most of us rode out the swells with our dignity in tact.Greenland and Svalbard are fascinating locations to visit and photograph and we were fortunate to encounter and experience some extraordinary sites – perhaps the most spectacular of which was a huge iceberg collapse on the second expedition which was captured on film by many of the expedition participants. During our time in the Arctic we also witnessed several huge glacial calvings whilst photographing from zodiac and a plethora of incredible icebergs. Many of the larger icebergs we encountered contained water ice fractures – crevices that have subsequently filled with water and re-frozen. These lines are an iridescent blue and run like lightning bolts through the ice. This is a phenomena I have not experienced before outside of the Arctic and I will look closely this November when I am in Antarctica to see if I can find any examples in the southern polar region.

A word on preconceptions: Probably no where else that I have travelled have I held such strong preconceptions of what Greenland would be like and never before have those preconceptions been so brutally shattered by such an incredibly juxtaposed reality. Greenland is absolutely nothing like you would most likely imagine. It is a rocky barren land formed from massive geological upheaval and although it has an incredible ice cap across much of its land mass its coasts are incredibly desert like and devoid of ice and snow during the Arctic summer. The fjords are lined and guarded by precipitous peaks of orange and yellow rock that thrust upward from the sea in all manner of twisted and tortured formations. Glacial tongues sporadically snake down between these peaks – many of which are showing significant signs of retreat. Greenland is a country of stark and beautiful desolation, of jagged peaks and hidden fjords. Perhaps no where else have I sensed so strongly the wildlife’s struggle for survival against such a hostile environment. Yet, there is a beauty that is near impossible to describe. After all, how does one describe something when even the best superlatives you can think of — words like magnificent, incredible, stupendous, other-worldly — seem inadequate?During these two expeditions I shot over ten thousand images and have only just started the long editing and processing process. Given my current travel schedule it may well be many months before I get an opportunity to really mine all the potential from these two expeditions. Many of the participants have already edited and processed files from the trip and sent me examples of images they were able to capture.I am particularly excited about the video I will be releasing later this year from the 2nd expedition. In case you missed my earlier post I enlisted Abraham Joffe and his production company Untitled Film Works to accompany me on the second expedition to film and produce a short movie of what it is like to be on a polar photography expedition. During our time in the Arctic we were cable to capture some incredible footage of massive iceberg collapses, glacial carvings, wildlife and much more. The majority of the video we shot was captured on a RED Epic Camera in 5k resolution. The RED Epic is the very same camera Hollywood uses to film the majority of its major film productions. Shooting with a RED Epic enabled us to capture incredible resolution and extremely high frame rates. This proved invaluable when shooting glacial carvings and iceberg collapses.

You can see a number of photographs I made during these expeditions on my website at www.jholko.com in both the Svalbard and Greenland Portfolios.

Dispose Magazine – A Day in the Life of Arctic Photography

Before I left for the Arctic this year for two months photography I was invited to participate in a project for a magazine called ‘Dispose‘. Dispose distribute throwaway disposable film cameras to a wide range of people living across the world. They ask contributors to document one day in 27 exposures. From the time they wake up to the time they go to sleep, these individuals shoot a minimum of one photo per hour including one self portrait. This was a fun project for me and it was great to be shooting film again – even if it was on a disposable camera. I chose to document my time spent between life aboard M.S Origo and Polar Pioneer in Svalbard. I am also excited to have been asked to work on another project with Dispose later this year in Antarctica. You can see the photographs from my time in the Arctic at Dispose’s website.

October Photograph of the Month – Feeding Frenzy

One of the most amazing wildlife encounters I experienced during the two months I recently spent in the Arctic was whilst cruising around the base of one of Svalbard’s largest glacier fronts –Lilliehöökbreen. As we cruised slowly along the glacial front we discovered a wonderful archway shape in the deep blue ice with thousands and thousands of Kittiwakes engaged in a feeding frenzy at its base. The glacial face at Lilliehöökbreen is extremely active with chunks of ice the size houses and cars regularly calving off into the water below. These ice chunks stir up the marine life near the surface where the birds take advantage in a massive feeding frenzy. We were fortunate to have some wonderfully overcast skies which really makes the blues iridescent in the glacial ice. The Kittiwakes also help give a sense of scale of the massive glacial front.

September Photo of the Month – Top of the World

During my recent time in the Arctic I was primarily focused on wildlife photography – specifically Polar Bears, Arctic Fox, Walrus and sea birds. My photograph of the month for August of the large female Polar bear strolling on the pack ice under the midnight sun is one of my favourite wildlife images from these recent trips. I did however, also shoot landscape images and one of my favourites and my photograph of the month for September is this image I titled ‘Top of the World’. Photographed from the crows nest of the M.S Origo as we cruised slowly north into the pack ice around 80º North of Svalbard. I used a Sigma 15mm Fish Eye lens for a super wide angle of view and to create a feeling of curvature of the earth. I feel that this photograph captures the essence for me of what it is like to be on board ship high in the Arctic – a truly incredible experience.I am currently working on a full report of my trips in the Arctic this year and I hope to have them finished and online in the next week or so.

Live-Books Ambassador

A couple of months ago, whilst I was in Iceland on my summer photography workshop I was contacted by liveBooks and asked if I would be interested in joining their new Ambassador program. For those of you who may be unfamiliar with liveBooks, this USA based company specialises custom designed and pre-designed website templates for photographers. They are widely regarded by many as the industry standard for portfolio websites for professional photographers around the world and it is with great pleasure I join their Ambassador program. My own liveBooks website can be seen at www.jholko.com. Professional photographers need to stand out from the crowd and liveBooks have had a major hand in helping me grow my own business. I have been a liveBooks customer for more than eight years now (I was actually the first Australian photographer to sign up) and during this time have been continually developing and updating my website and blog. I have seen the company change hands and continue to grow with both new template and custom options (My own site at www.jholko.com now has quite a lot of custom flash programming for the workshop section of my website) as well as additional offerings such as Blogs and Video pages. During this time I have also seen many other prominent photographers choose liveBooks as their website of choice – both for the clean slick look and for the user friendly back end for managing images. One of the key factors that originally drew me to liveBooks was the time-saving back end support they offer. My time is very limited when it comes to allocating time for website maintenance and anything that saves me time and effort is a major plus. There are some very well known names amongst liveBooks list of clientele and if you are considering a move to a new web design or in setting up your first photography website it is well worth checking out their list of clients, example websites as well as their extensive range of template websites and custom designs.Being an Ambassador for a company that has lead and continues to lead the industry in photography websites for photographers is an honour and I am very much looking forward to working with the team at liveBooks on some new projects over the coming year. I have several personal projects I am currently working on at present including a book on Polar and Sub Polar Photography, as well as an exciting project I will undertake in Iceland late next March (more to come on this soon). liveBooks will be assisting me with making these projects a reality and I am looking forward very much to the release of these projects.

Edit – The observant amongst you may have noticed that I have been a little slack of late in updating my photo of the month here on my blog. I did have the best intentions to update the photo of the month whilst I was in the Arctic but the little down time I did have between workshops and expeditions was spent catching up on email correspondence. This photograph of a large female Polar Bear is my photograph of the month for August (Yes – September is coming soon!) and was taken at approximately 80º North of Svalbard at the edge of the pack ice around midnight. We were fortunate to come across this bear on a fresh seal kill and we spent a couple of hours making photographs of this incredible animal. This particular image was shot with the Canon EOS 1DX and the new Canon 200-400mm F4L IS lens with inbuilt 1.4 Teleconverter and was actually shot through the open porthole of my cabin window on M.S Origo. M.S Origo is a wonderful ship for polar photography – with operable portholes that are only 60cm above the pack ice it provides the perfect vantage point for photographing these incredible animals. You can see a higher resolution version of this photograph on my Live-Books website at www.jholko.com

By way of full disclosure: I have always paid for all my liveBooks services out my own hard earned money – that includes my original website design, blog design and yearly hosting costs, plus all the custom work I have engaged them to complete. As an Ambassador I am entitled to a number of benefits with liveBooks that I negotiate on an as needs basis.