Kendra Abay who hosts ‘Focus on Photography’ on J-Air radio here in my hometown of Melbourne kindly invited me into the studio last week to spend an hour talking about my love for Polar Photography, workshops, expeditions and all things photography related. You can listen to the interview online here: Kendra Abay and Joshua Holko 2014
Australian Photography + Digital Magazine Features: My Favourite Photo Location
Australian Photography + Digital magazine has been running a series of articles over the last two issues on photographers favourite shooting locations around the globe. Every photographer has at least one favourite photo location – a place that never fails to inspire them. The current May 2014 issue features two of my favourite locations as the lead in to the article – Iceland and Antarctica ‘Poles Apart’. Just click on the image to download a high resolution copy.
Canon Announce new 16-35mm F4L IS Lens – The Last Piece of the Puzzle?
Those of you who follow my blog regularly know that it is not often that I write about new equipment. Equipment and gear are hot topics in photography and in a nutshell ‘gear talk’ equals ‘internet hits’ so there is good reason to throw in regular equipment posts (and many websites do just this). However, I view lenses and cameras very much as tools of the trade. Outside of the service they provide to help me create photographs they are not something I feel compelled to write about all that often. Every now and again however, a new piece of equipment gets announced that catches my attention and today was one of those days.
If you are a Canon shooter like myself you are no doubt well aware of the gaping hole in the current lens line-up. Specifically, a good (sharp to the corners) wide angle zoom lens suitable for use on a full frame sensor. The current 16-35mm F2.8L MKI and MKII and 17-40mm F4L are sadly lacking in this area (and thats being polite). A high quality wide -angle zoom is really the only lens missing from Canon in what is otherwise an outstanding lens line up. The 24-70mm F2.8L MKII is arguabley the best mid range zoom on the market for 35mm cameras and the 70-200mm F2.8L IS MKII is also outstanding. The 200-400mm F4L IS with inbuilt 1.4 Teleconverter simply has no peer and stands alone as the ultimate telephoto zoom lens. Add a high resolution wide angle to this mix and Canon really does have the perfect lens line-up where flexibility of zooms is required. And the great news is we just might get such a lens with this new announcement: Canon today announced the new 16-35mm F4L IS lens and the initial MTF charts (although theoretical) look very promising.
According to Canon: The 16-35mm F4L IS lens has been introduced as an alternative to the current 16-35mm f/2.8L II USM lens and incorporates an Optical Image Stabilizer. While the f/2.8 lens offers a faster maximum aperture, the stabilization system in the new lens compensates up to 4 stops to reduce blur when shooting with slower shutter speeds. And as an L-series lens, it provides the best Canon has to offer in terms of dust and water resistance, as well as overall durability.
Optically, its combination of three aspherical and two UD lens elements minimizes aberrations throughout the zoom range and contributes to the creation of beautiful high-contrast images. A flourine lens coating reduces ghosting and flares and its circular 9-blade aperture enables pleasing background blur. The Lens Hood is included with the lens to block stray light from entering the lens.
An inner focusing system, combined with ultrasonic autofocus motor (USM), realizes fast, quiet, and accurate autofocus and, when necessary, full-time manual focus is available. The minimum focus distance throughout the zoom range is 11″ and its filter thread diameter is 77mm. L-series lenses are designed to meet the utmost in physical and optical standards and are regarded as a high point in the Canon DSLR lens line. The EF mount of this 16-35mm f/4L is designed for full-frame cameras, such as the current Canon 1DX and 5DMKIII cameras.
There will probably be much ado on the internet over the coming days about this lens sporting an F4 aperture, but quite honestly for landscape F4 is just fine. For the sort of photography I do where I am often shooting from zodiac or ship the flexibility of a 16-35mm is a huge boon and an F4 aperture is plenty fast enough with high ISO cameras like the 1DX. I would envision most landscape images being shot around F5.6 – F8 with this lens. The observant amongst you may note from the specifications that this new lens sports a nine blade aperture diaphragm where as the current 16-35mm F2.8L IS MKII uses seven. I would not be surprised if we see a MKIII version of the 2.8 lens announced this September at Photokina complete with all new optics and nine-aperture blades (just saying).
In the meantime, the new 16-35mm F4L IS lens is already available for pre-order from B&H Photo for $1,199 USD. Am I going to buy one? You bet – I already placed my pre-order.
Expedition : Wild Polar Bears 2015 – SOLD OUT
In July 2015 I am leading a unique expedition to the pack ice north of Svalbard to photograph Polar Bears living and hunting on the sea ice. This expedition has been more than 10 months in the planning and has been designed to provide the very best possible opportunities to Photograph Polar Bears in their natural environment. With the reduction in Arctic sea ice the Polar Bears in Svalbard are dwindling in number and the number of years left to photograph them is unfortunately limited. Late July is the ideal time to photograph Polar Bears north of Svalbard due to the dwindling ice around the archipelago. I had been planning to announce this new expedition to photograph wild Polar Bears was now open for bookings; however, due to initial expressions of interest and subsequent bookings the trip is already completely sold out.
If you are interested in travelling to the very top of the world to photograph Polar Bears living and hunting in their natural environment on the pack ice you can still email me to be put onto the waiting list or to express your interest in a future expedition.
This photograph scored a Silver with Distinction at the recent Epson Victorian Professional Photography Awards and was part of my winning Portfolio for Science, Environment and Nature photographer of the Year 2014.
Nillumbik Prize Finalist
I was thrilled to learn a few days ago that for the third year in a row my work has been accepted into the Nillumbik Prize and subsequently into the finals. The Nillumbik Prize is one of the oldest art shows in Victoria and the Prize celebrates artists and works from the Nillumbik region and recognises contemporary work of excellence in any medium. The prize features some incredible artwork across a very diverse range of mediums including everything from sculpture to photography. Over the last few years I have only seen a few other photographs make the finals so it is a great honour to again be included this year. The photograph ‘Antarctica – An Epic Sense of Scale‘ will be on show from the 30th of May at Montsalvat Art Gallery in Eltham as a 24″ x 100″ fine art print on Moab Somerset Museum Rag. This print recently scored a Gold award at the Victorian Professional Photography Awards and was part of the winning portfolio for the 2014 Creative Photographer of the Year and 2014 Epson Victorian Professional Photographer of the Year. Be sure to click on the image below to see it full size. If you stop past the Gallery please be sure to drop me an email and let me know what you think.
