Photo of the Month November 2016 – Winter Polar Bear

The photograph of the month for November 2016 is of a teenage polar bear on the frozen Templefjord north of Svalbard. The image was taken during a winter snow mobile scouting trip in March last year with a Canon EOS 1DX camera and Canon 600mm F4L IS MKII Lens. What I really love about this photograph is the simplicity and balance in the image. The bear is walking into the frame with it’s paw nicely curled mid stride (we can see all four legs clearly) and is nicely balanced with the exposed ice covered rock on the left. There is also some really nice blowing snow around the feet of the bear that give great context of how cold it was when I made this photograph (around -20 Celsius). Svalbard-8616-Edit-2If you are interested in photographing Polar Bears on sea ice under the midnight sun there are now only a couple of places remaining before my expedition next July will be sold out.  You can register your interest by dropping me an email. If you want to get an idea of what these expeditions are like be sure to read the Trip Report from this years expedition and check out the Kingdom of the Ice Bear Video below.KingdomoftheiceBearA small teaser for those of you who read to the bottom – I will be filming a new short movie with Untitled Film Works this coming Winter in Svalbard on what its like to travel to the top of the world and photograph Polar Bears on the frozen sea ice during the frigid winter months. Look for this to be released mid 2017.

Wild Planet Photo Magazine Features Part One – Bear Instincts

Wild Planet Photo Magazine is featuring a brand new three part series of articles on my Arctic Wildlife photography. The series kicks off with Polar Bears (Bear Instincts) in the new and current November 2016 edition. From the Wild Planet Photo Magazine website: We are showcasing a new feature series from the Global Arctic Photographer of the Year, Joshua Holko, who shares his fascinating experiences with Arctic species. The first of our three-part Arctic Encounter series, Joshua Holko narrates the scenes leading up to these powerful polar bear images as we go behind the lens with him. 

BearInstincts

About Wild Planet Photo Magazine: Published every month, WPPM and their accompanying websites have over 256,000 unique visitors in more than 190 countries, making them truly international photography magazines for the digital age. Packed with refreshing content, exciting features and stunning imagery from around the world – all provided by innovative professionals and enthusiasts  who share one passion – that of landscape and wildlife photography. Wild Planet Photo Magazine is available via individual issue purchase or subscription.

Publish or Perish – Social Media be Damned

We live in an explosive age of photography where prolificacy is seen as a virtuous trait. The mantra is quite clearly, ‘Publish or Perish’.

Quantity over quality is the order of the day as banal image after image is splattered across every single social media platform in a never ending tidal wave of mangled and abused pixels. Photographers (and I use that term loosely) are racing to outdo each other by producing and posting a sheer volume of work that is somewhow supposed to make them a better photographer than the next person. There is a rush to be heard (or rather seen) and an omnipotent narcissistic need for more ‘Likes’ than the next person; as if this somehow gratified the photographer and satiated the ego (or paid the bills). The truth is, it does none of these things – it just feeds the beast and fuels the fire for a continual tidal wave of mediocrity. Its a death spiral that leads only to even more mediocre imagery. How on earth did photography arrive at this situation? Social media be damned.

This age of prolificacy has risen like a dark phoenix from the ashes of the wet darkroom where it used to take skilled photographers many hours of painstaking work to create a quality ‘work of art’. Perhaps only one or two frames from a roll ever made it past the contact sheet and onto paper in the developer tray. It took significant skill and craft to create a good photograph and thus only those photographers who were willing to put the time in to truly learn the craft of photography created truly superb photographs. With the advent of digital it became easy to take, process and share photographs and as a natural result more photographs are being shared than ever before. The problem is, the pain staking work isn’t being done and the net result is an ocean of garbage. This publish or perish mentality has completely engulfed social media and created so much white noise that the task of sifting through the detritus to find those few hidden gems (they do still exist!) has become tiresome at best.

I want to be clear at this point that I understand that many people use Social media to simply share their life experiences through snapshots with family and friends and are not in any way proffering their work as high quality photography. This is really the core of what Social media was designed for – sharing experiences with family and friends. I am instead targeting the large number of images that are being offered up as quality photography (but fall well short of that mark) in the hopes of accumulating gratifying ‘likes’. Its nothing more than a ‘look at me ‘mentality’.

Or, is my assessment of the situation to harsh? Are we being subjected to all of these photographs because photographers are struggling to find an audience for their work? Is Social Media an easy audience?

Even if this is the case (and it may well be so) and photographers are using social media as a vehicle to an audience my point about an ‘ocean of garbage’ remains at the forefront of my thinking. I have given this a lot of thought over the last year and I believe the root of the problem is that a great many photographers simply do not understand what makes a good photograph and lack the insight to be truly objective about their own photography.

If your goal is to improve your photography and to be seen by your peers as a photographer who captures wonderful photographs then I encourage you to think twice before you post and share your next photograph on social media. Ask yourself what you are trying to achieve by sharing your image. Are you just looking for an easy audience? What is it you are trying to say with your photograph? Try and be objective and truly neutral in the assessment of your image. Sit on it for a day or two and then look at it with fresh eyes. Is it really a good photograph? Or, is it merely the best you were able to make on the day? There is a marked and critical difference that many photographers would do well to understand. It is hard to be objective about our own photography; but we absolutely must learn this critical skill if we want to be seen as the producers of quality imagery.

I have pointed the finger of blame pretty strongly at Social media in this article (and in previous) and I firmly believe I am right in doing so. Keeping in mind of course that Social Media is merely the delivery platform for these photographs. Ultimately, it is the photographer who needs to show restraint. However, and to be objective and fair it is important to acknowledge that some people use Social media as a test platform for their photography; putting out their images for constructive criticism. There is some merit in this approach; although I would argue you are unlikely to receive objective and constructive criticism on a social media platform (there is no dislike button!). In truth, I do not believe most photographers use Social media as a test bed for their photography. The reality is thats just a convenient excuse. Most are instead simply looking for gratification of their photography through Likes and comments (although they are unlikely to admit it).

I am sure to have touched a few nerves amongst some with my analysis and thoughts on the state of the publish or perish mentality. And if a few eggs get broken in the process thats ok. What is important is that we remain objective about our own photography and that we are clear on why we share our work through social media channels. Our goal should be to produce the highest quality photography we can and to share those images amongst our peers. I cannot recall who passed on this particular pearl of wisdom with me, but it feels timely to share it. “If you post up ten images and nine of them are totally amazing and the tenth is mediocre then you might as well not have bothered at all.” We are naturally flawed to remember the worst of the series and that drags down the rest. If our goal is just to satiate our ego then we need to look inward at why we take photographs….

Art League Rhode Island – Views of the Extreme Latitudes

Photo Plus Expo wrapped up yesterday afternoon in New York and it was both an honour and pleasure to present to great crowds at both the BenQ and Canon / Moab Power of the Print Stands. If you missed the show this year you also missed a preview of the spectacular new BenQ SW320 UHD 4K Wide Gamut monitor that will be released early next year. I expect to have a full review later this year / early next year.

Just a reminder, that this coming Thursday I will be presenting ‘Views of the Extreme Latitudes‘ at the Art League of Rhode Island from 6-8pm. Details below. I hope to see you there.ArtLeague1 copy ArtLeague2 copy

Leaving for New York and Photo Plus Expo 2016

Just a quick update as I am about to head off to the airport and make my way to New York for Photo Plus Expo. If you are attending the expo this year please be sure to come and say hello at the BenQ stand on Saturday or Sunday between 2:00 and 3:00pm when I will be presenting on Polar Wildlife photography. BenQ will also be giving away signed postcards of several of my photographs on both days.  I will also be presenting at the Canon stand for both Canon and Moab / Legion Paper on the Saturday at 12:00pm on the Power of the Print – The Power of Print Pavilion in Booth 973. Moab will also have several of my photographs from Antarctica on display as large prints on the new Moab Juniper Baryta paper on their stand.

On October 21st I will be attending the memorial for Michael Reichmann at The Tryp New York City Times Square South Hotel between 5 and 7:30pm. Michael was a significant influence in the early days of my photographic career and one of his prints still hangs in my studio. Please RSVP to Kevin at kwr@luminous-landscape.com if you also plan to attend.

Lastly, I will be in Rhode Island for a presentation at the Art League of Rhode Island Community College on the 27th of October between six and eight in the evening before I make my way down to South America and Antarctica for the rest of the season. See you in New York.14466995_10210904338992494_1634388334_o