AIPP Victorian Photographer of the Year Winner 2014

Over the last few days The AIPP Australian Institute of Professional Photography Victorian State awards (VPPY) were held here in my home town of Melbourne at 1140 Studios in Malvern. The AIPP Annual state and national awards are two of my favourite photographic competitions to participate in because all entries (other than Sport and Commercial categories) are judged in print and not digitally. Those of you who follow my blog regularly will already be aware that I am a huge advocate of the print as the finished medium of choice for my own photography. I personally never really feel like I have finished with an image until I make a finely crafted (hopefully!) print. The AIPP National and State awards are two of the few remaining competitions to actually judge the finished print and they do so using a panel of judges all deemed experts in their respective genres and accredited as Masters of Photography through their years of success in this arena. Prints are judged in a controlled lighting environment and assessed for their content, originality as well as technical craftsmanship. The judging is enthralling to watch (it was live-streamed to the internet this year) and can be quite nerve wracking if you are a first time entrant as the standard of work is incredibly high. In brief, prints are scored out of 100 with images judged less than 70 being deemed not of professional standard. Prints judged between 71 and 79 are considered strong professional practice. Images judged 80-84 are awarded a Silver and are considered strong professional practice of an award standard. Scores of 85-89 are given a Silver with Distinction and demonstrate superior imagination, craft and skill. Prints judged 90-94 exhibit excellence in visual communication, craft and skill. And finally those rare few images that reach 96-100 are considered to have exceptional vision, creativity, innovation, master craftsmanship and skill. Very few prints score Gold awards in these competitions and even fewer reach the top tier of Gold with Distinction.  Out of the more than 900 print entries this year fewer than twelve received Gold awards and less than four Gold Distinctions were awarded.

This year I entered both the Travel and Creative categories as well as the Science, Environment and Nature category and was absolutely thrilled to take overall first place in both the Science, Environment and Nature Category as well as the Creative Category (I was also a finalist in the Travel category with the highest scoring prints including three gold images one of which was a Gold with Distinction). Winning both of these categories is a huge honour and I feel very humbled to have had my work judged so highly by my peers. On top of winning my two chosen categories I also took out the Highest Scoring Print award for the overall highest scoring print across all categories. Highest scoring print is one of the most coveted and sought after awards and the possibility of winning it has always felt like a dream so I am deeply honoured to be the recipient this year. As someone who is so passionate about the ‘print’ and the craft of fine art printing this was an incredible honour. The winning print scored a 97 out of 100.I was even more honoured to also be the recipient of the overall award and title of Victorian Photographer of the Year. The recipient of this award is chosen from amongst one of the category winners from: Commercial, Landscape, Travel, Wedding, Portrait, Science Environment and Nature, Documentary and Sport, Family and Illustrative. Winning both the Creative category, Science Environment and Nature category, Highest Scoring Print award and overall title of Victorian Photographer of the Year is an incredibly humbling experience and I want to sincerely thank all my judging peers and all of the staff and helpers at the AIPP – Thank you. I also want to thank those photographers I am fortunate to travel with on a regular basis for their support and also their enthusiasm, passion for photography and ability to continually inspire me with their own work and vision. I also want to thank my sponsors for their ongoing help and support – they include: Canon Australia, Moab and Legion Paper, Giclee Media Supplies, Gura Gear, Live-Books websites, Nik Software and X-Rite Color Management Solutions.Included below are my award images in each category and their respected scores out of 100. All of the prints were printed on Moab Somerset Museum Rag. This wonderful paper has continued to remain my all-time favourite stock for fine art photography prints.Highest Scoring Print Award

March of the Penguins – 97 out 0f 100 Gold with Distinction Award
Creative Category Winning Images (And Travel Category Entries)Iceland Aerial – 95 out of 100 Gold with Distinction Award

An Epic Sense of Scale – 92 out of 100 Gold AwardGodafoss Waterfall – 90 out of 100 Gold AwardRoad to Oblivion – 84 out of 100 Silver AwardNature Category Winning ImagesMarch of the Penguins – 97 out to 100 Gold with Distinction Award

Built for the Kill – 91 out of 100 Gold AwardBear Reflections – 91 out of 100 Gold AwardLeave Me Be – 86 out of 100 Silver with Distinction Award

If you are interested in purchasing a 20″ x 30″ inch Limited Edition Signed print of any of these photographs please contact me at info@jholko.com for edition availability and pricing. Signed Open Edition 13″ x 19″ inch prints will be available for a limited time only at a cost of $250 each including postage anywhere in the world.

Finalist ANZANG and BBC Wildlife Photographer of the Year 2014

I returned home late last night from an incredible two months spent in both Iceland and the oldest deserts in the world in Namibia. Both my Iceland winter 2014 workshop and Namibia 2014 workshops were incredible experiences and I will have a lot more to say about both trips over the coming weeks including complete debrief reports here on my blog. In the meantime, whilst I was away I learned that several of my photographs had made the finals in both ANZANG and BBC Wildlife Photographer of the Year competitions for 2014. Both of these competitions are two of the most respected amongst outdoor photographers today and I am extremely honoured to be a finalist in both of them. Judging is still underway for both competitions but I can reveal that one my finalist images for ANAZNG is from my last trip to Antarctica – Penguin rookery at Petermann Island. This photograph was taken around 11pm in the evening under perfect conditions, magical light and the rising moon at Petermann Island on my 2013 Antarctica expedition. This photograph is also my photograph of the month for April 2014.

Iceland Winter Workshop Complete – Heading North in Search of Foxes…

Daniel Bergmann and I have just completed our annual winter workshop in Iceland and are now back in the capital city of Reykjavik. This quick post is not intended to be a full debrief report from the trip as that will come later once I have more time and a chance to sit down and write up the details of our trip. In the meantime I am headed north west tomorrow to the seaside town of Ísafjörður on a short internal flight where I am meeting up with a film crew to spend a week photographing Arctic Foxes in the extreme north in Hornvik. Hornvik is located in the remote Hornstrandir nature reserve in the Westfjords of Iceland. The area is situated between the precipices Hornbjarg in the east and Haelavikurbjarg in the west.  The nearest cove further east is Latravik with the lighthouse, and to the west is Haelavik. This part of Iceland is very remote and completely inaccessible in winter or summer by car or 4-wheel drive so our only chance to get there is with a weather window by chartered boat. No people have lived there permanently since approximately the 1940’s so it is necessary to take absolutely everything with us for our stay in this area – including food, fuel and emergency e-perbs. Hornvik is the ideal place to find Arctic Foxes and my hope is to spend a week photographing them in their winter coats around their dens in the snow. The image below of an Arctic Fox was made last summer in Svalbard.

New Zealand South Island Summer Workshop Report

Late last week I returned home from a brand new Summer workshop to the South Island of New Zealand with my good friend Phillip Bartlett. Our workshop took us on a photographic journey into ‘Middle Earth’ – The spectacular South Island of New Zealand. In case you have not seen the Lord of the Rings movies, the South Island of New Zealand is home to some of the most spectacular scenery and landscapes in the world. It is no co-incidence that Peter Jackson chose the South Island of New Zealand to film the Hobbit and the Lord of the Rings movies. Perhaps nowhere else in the world can one see and photograph precipitous alpine mountains plunging into temperate rain forest and wild ocean beaches in so short a space. New Zealand is home to an incredibly diverse range of subject matter in a small island. Glaciers, waterfalls, spectacular valleys, imposing mountain ranges and black pebble beaches. It is an island of ever changing weather and spectacular light conditions. It is a country made for photography.

Our workshop took us on an eleven night / twelve day odyssey around the South Island to many of its iconic locations and some of its lesser known gems. During our travels we experienced some incredible weather and light as well as some fantastic landscape and wildlife photography opportunities. Two of the main highlights of this workshop included a privately chartered helicopter flight with the doors removed for photography over Fox and Franz Josef Glaciers and the awe inspiring Southern Alps and a privately chartered boat in Kaikoura to photograph Albatross and playful Dusky Dolphins. Both of these experiences were regarded by all on this trip as once in a lifetime and not to be missed. Included below is a brief summary of our travel and photography during our time in the South Island.

Day One – We began our workshop in Christchurch in two large 4-wheel drive vehicles that were to be our transport around the island for the next twelve days. One of the real benefits of travelling by 4-wheel drive instead of bus is the ability to get off the beaten path and into more remote locations and we certainly took advtange of this ability during our travels. Our first stop was Mount Cook on the East side of the Island where we photographed New Zealand’s tallest mountain against a sunset backdrop and some dramatic evening light and cloud.

Day Two – We rose early for Sunrise in the Tasman Valley  where we had wonderful views looking back up the river to Mount Cook. Sunrise in the Tasman Valley can be an incredible experience if the weather is co-operating and we were fortunate to have some beautiful pre-dawn light during our morning shoot. After our morning session and breakfast we took advantage of our 4-wheel drives off road capability and went off roading up to the terminal face of the Tasman Glaicer where we scaled one of the large lateral moraines for spectacular views across the glacier. We returned in the evening and photographed sunset at the edge of the lake at Tasman Glacier.

Day Three – Day three saw us depart Mount Cook before dawn and head south toward Queenstown. Along the way we stopped to photograph sunrise at Lake Pukaiki with some incredibly spectacular light – quite literally one of the most breathtaking sunrises I have ever exeperienced. The southern shore of Lake Pukaiki is a fantastic location for photography as the waterline is dotted with giant boulders that lie partially submerged and make for wonderful foreground subject. In the distance Mount Cook can be seen illuminated with Alpine Glow. We spent several hours in this location basking in the incredible light and conditions.

After breakfast we also stopped to photograph dramatic storm clouds at Ahuriri on our way to Queenstown. My thanks to my co-leader Phillip for spotting the clouds in his rear vision mirror! This area of New Zealand offers a myriad of photographic opportunities with dramatic cloud cover and we spent an hour photographing the racing clouds in this location. Midday is often a time for driving between locations and usually not the ideal time for landscape photography. Every once in a while however the clouds and light combine to provide fantastic midday landscape opportunities.

After our midday shooting session we continued to Queenstown where we photographed Lake Wakatipu against the backdrop of the spectacular Remarkables mountain range. Queenstown was also a chance to stock up on snacks and souvenirs for those who wished to take home some nick-nacks.

Day Four – We rose again well before sunrise and travelled south to Glenorchy for sunrise at the edge of Lake Wakatipu. This part of Lake Wakitpu is home to some small Willow trees set against the mountains and makes for a great location for landscape photography. After breakfast we headed off road again up to the Routeburn where we photographed the forest, waterfalls and mountains in misty cloud by the shore of the river. New Zealand’s rivers are spectacularly pure and clean and I spotted several wild trout swimming slowly against the current whilst photographing in this area. At sunset we photographed in Queenstown at the shore of Lake Wakatipu with the Remarkabes mountain range as our backdrop.

Day Five – We again headed off road in our 4-wheel drives to a high vantage point for sunrise known as Skipper’s Canyon. Skippers Canyon looks down a valley into rural farmland and is an opportunity to capture long shadows and low hanging cloud and fog in the valley below. We were fortunate to have a perfect morning for this type of landscape photography with low cloud and fog hugging the trees in the valley below us. After breakfast We travelled to Milford Sound, one of the icons of the South Island, and photographed the mountains at sunset by the shoreline in misty conditions.

Day Six – We photographed Milford Sound at Dawn and then took a boat cruise up the Sound where we photographed cloud swirling around the mountains and the waterfalls cascading down into the sound. Milford Sound is truly an amazing location with dramatic peaks that plunge for hundreds of metres into the water below. This entire area was once glaciated and the Sound is what now remains as a result of the glacier carving its way through the mountains. Milford sound has a great deal to offer in the way of Wildlife photography as well as landscape and I took this photograph of a white Heron whilst ankle deep in the inky black water near the shoreline (I did have to fight with the local and rather irritating sand flies to make this photograph!). After our cruise up Milford Sound we drove to Wanaka where we photographed another iconic New Zealand location – the Lone Willow tree.

Day Seven – Sunrise we photographed at lake Wanaka amongst the boulders in soft pastel light before driving to Fox Glacier. Fox Glacier is one of my favourite locations in the South Island. This small town boasts easy access to Fox Glacier and is the main hub for helicopter flights over the glaciers and alps. It also provides easy access to Gillespie’s beach where we had drizzly rain combined with dramatic cloud at sunset. The west coast beaches of New Zealand can be notoriously wild with their steep pebble beaches and large breaking waves. In this instance we were fortunate to have little in the way of wind and some dark brooding clouds that made for some very moody images.

Day Eight – We took a pre-dawn hike to Lake Matheson for a viewpoint looking up to the Southern Alps. On a clear morning the southern alps can be seen reflected in the dark water of Lake Matheson and the well known viewpoint makes for an iconic photograph when conditions are right. After breakfast we photographed in the Goblin forest at the base of Fox Glacier. The forest at the base of the southern Alps is akin to a scene straight from the Lord of the Rings. The forest is full of old gnarled trees draped with vines and wonderful foliage. We took the opportunity to do some macro work for several hours under the dense canopy in misty rain. These sort of conditions are ideal for forest photography with the cloud over head acting as a giant softbox and the rain ensuring the greens of the forest are very saturated.Day Nine – We rose early and took a chartered helicopter flight with the doors removed for photography over the Southern Alps in spectacular conditions. We photographed Fox Glacier, Franz Josef Glacier, Mount Cook and Mount Tasman in fantastic conditions. We were blessed with swirling moody cloud and breaking light dancing amongst the ice formations and mountains.  Click on the image below to be taken to the RAW HD video footage from our aerial photography flight over the Southern Alps.

After our helicopter flight we drove north along the spectacular west coast to Punakaiki and photographed Pancake Rocks at Sunset. This location is one of the more easily accessed in the South Island and comprises of unusual layered pancake like rock formations that feature several blow holes. Large rolling swells crash against the rocks and throw spray high into the air that often catches the last golden rays of sunset.

Day Ten – We photographed sunrise at nearby Truman Beach in soft dawn pastel light before packing up and driving to the seaside town of Kaikoura on the East coast. We photographed at sunset on the rocks in the bay.

Day Eleven – Day eleven proved one of the real highlights of the trip as we took a private boat charter out to photograph Albatross and playful Dusky Dolphins at sunrise. We also discovered a sperm whale at first light and a few of us captured this magical moment before the whale sounded and was gone. Having our own private boat meant we had plenty of space for photography and we were able to move and follow the Albatross and Dolphins as we wished.After breakfast we spent time photographing Sea Lions and sea Lion pups on the rocks north of Kaikoura. These Sea Lions (often incorrectly referred to as seals) are quite approachable and as long as you don’t get closer than about fifteen feet they are quite comfortable to pose for photographs as they bask on the rocks in the sun. January and February are great times for photographing the sea lions as the more aggressive bull males have moved on and the pups are curious for all things and often approach quite closely to investigate.

Day Twelve – Saw us travelling from Kaikoura to Christchurch and completing our twelve day odyssey around the South Island.

The photographs above are just a very small sampling of the more than one thousand images I made during this workshop. As yet, I have not had time to sort, edit and process the vast majority and as I am leaving for Iceland in a few days for my annual winter workshop I will not have time to really devote to them until later this year. This was a very successful workshop and some fabulous photography resulted from all who participated. Our days were very long as we rose well before sunrise each morning and shot until after sunset each evening but we certainly made the most of all the locations we visited and opportunities that presented themselves to us.

Phillip and I will be leading another workshop to the South Island of New Zealand in May next year – May 2nd to May 13th 2015. This workshop will include even more aerial photography in privately chartered helicopters at areas including Milford Sound, Fjordlands and Fox Glacier and the Southern Alps. We will even be using helicopters to land us high in the Alps amongst the glacial seracs for a chance to set up our tripods and photograph these incredible formations as well as visiting and photographing areas inaccessible by 4-wheel drive. We will be limiting this workshop to just six photographers and It is going to be a very exciting trip. Look for details here on my blog and on my website in the coming months.

I will also be opening bookings in the next few days for my annual Winter Aurora workshop to Iceland with Daniel Bergmann in late February / early March next year. Our 2014 Winter workshop sold out in just a few days this year so if you would like to reserve a place or have any question about the trip please drop me an email at info@jholko.com.

International Polar Bear Day

I just returned home two days ago from an incredible expedition workshop to the South Island of New Zealand and am still catching up on email and office work as well as drafting a blog post on our experiences in the South Island. However, I wanted to quickly acknowledge that today is actually International Polar Bear Day and that we all need to do our bit to reduce greenhouse emissions to help protect and preserve the environment for the world’s largest land carnivore – The miraculous Polar Bear. On International Polar Bear Day—or starting any day you choose—adjust your thermostat a few degrees (up or down, depending on where you live or the season) to show your commitment to greenhouse gas reductions. Make every day a Polar Bear Day by keeping your thermostat adjusted, insulating your home, or taking other steps to save energy. And if you need an added incentive then remember its cheaper to put on a sweater than crank up the heating.