Yellowstone 2015 Winter Wonderland Workshop Complete – Heading to Iceland

Early this afternoon I wrapped up the 2015 Yellowstone Winter Wonderland Experience Workshop in Jackson Hole. We have spent the last ten days travelling through Yellowstone and the Grand Teton area photographing both landscape and wildlife by private snow-coach and it has been an incredible experience. We actually spent the last part of our workshop in the Grand Tetons  and it was a wonderful experience from beginning to end. There were many fantastic photographic opportunities and from what I have already seen some beautiful winter images have been created by all on the trip. The landscape of Yellowstone is stunningly beautiful in Winter with clean crisp air and stunning winter light. The combination of geothermal features, snow and wildlife is truly a miracle of Nature and has created a photographic paradise. Personally I took over a thousand images during the course of the trip and as always it will take me some time to sort, edit and process my favourites. Travelling and photographing in Yellowstone in Winter with a small group of good friends and talented, passionate photographers has been a wonderful experience that I hope to repeat in future years. In fact, I already can’t wait to return and do it all again and am planning another winter trip for early 2017. Watch for the trip report from our 2015 experience over the coming weeks if you would like to get an idea what a workshop to Yellowstone is like in Winter.

Tomorrow I am flying to Denver and onto Iceland for my 2015 Winter Aurora Workshop with my good friend Daniel Bergmann. It has been nearly six months since I was last in Iceland and I am itching to return to this wonderful country. Iceland is a country I hold very near and dear to my heart and feels very much like my home away from home. I am particularly fond of winter in Iceland – the streets of Reykjavik are quiet, and with a dusting of fresh snow there is wonderful fairy tale feel to the city. I am particularly looking forward to Kaffi (thats Icelandic for coffee) at my favourite cafe ‘C is for Cookie‘ cafe and a big bowl of seafood soup from the hipster restaurant Vegamote when I arrive in Reykjavik.

Whilst it will be nowhere near as cold in Iceland as it has been in Yellowstone during winter (actually it has been a very mild winter in Yellowstone) we should still see the mercury dip below 0º celsius on regular occasions – especially in the evening when we are out photographing the Aurora. I am personally looking forward to more ice cave photography during this workshop as well photographing the beautiful Snæfellsnes Peninsula in winter and of course the glacial lagoon at Jökulsárlón as well as many other excellent locations. We may even get up into the helicopter for some aerial photography of the fissure eruption near the Bárðarbunga volcano that has been ongoing for some months now. This last option is very weather dependant so we shall have to wait and see what Nature dishes up. The 2015 Winter Iceland Workshop has been sold out for many months now, but there are still a couple of places available on the 2016 Frozen North Workshop if you would like to join us. See you in Iceland.IcelandWinter2016

Top Ten Polar Photography Tips to Improve Your Photography

Recently I compiled a list of Top Ten things you can do to give yourself the best chance of taking great photographs when you visit the extreme latitudes of the globe. The Top Ten Tips were also recently featured on View-Bug.

Nature and landscape photographs really require three things in my mind to be successful. Great Subject, Great Composition and Great Light. You really need all three to create an exceptional photograph. 
 
Included below are my top ten in no particular order
  1.  Be patient whenever possible: Wait for good light. Wait for the wildlife to be active.
  2. Give yourself a chance to get in tune with the landscape. Its almost impossible to turn up to a new area you have never visited and make outstanding photographs. It takes time to get in the rhythm of the landscape and really ‘see’ powerful images. Spend some time just looking before you start taking pictures. (See my articles on Landscape Photography with Mystery and Emotion – Part One, Part Two and Part Three).
  3. Know your camera gear intimately. It needs to be muscle memory to change settings on your camera. If you are fumbling with buttons and unsure of how to makes changes to your cameras setting your’e photography is going to suffer (See my article on Landscape Photography with Mystery and Emotion Part Three).
  4. Use weather sealed cameras or use weather proof covers for your camera gear.
  5. Think about what it is you are trying to say with your photography. Try and look past the cliche postcard. The strongest images are often the simplest and are those that leave the viewer wanting more or that evoke an emotional response in the viewer.See my article on Landscape Photography with Mystery and Emotion Part Two).
  6.  Look for the edges of weather. The most dramatic light is often found at the edge of a rainstorm or snow storm. Avoid blue sky sunny days as they usually result in boring photographs. 
  7. Be prepared and dress for bad weather. You need to be able to stay out in the snow storm if the light is incredible and keep making photographs. Having the right equipment for yourself is as important as having the right camera equipment.
  8. Try different focal lengths and compositions. Don’t always go for the super wide angle because it looks more dramatic on the camera’s LCD.
  9. Remember that landscape and nature photography are more often about what we exclude from the frame rather than what we include. Consider simplifying the frame when you are composing the image. A photograph that leaves the viewer asking questions is far more interesting than just a pretty picture. (See my articles on Landscape Photography with Mystery and Emotion – Part OnePart Two and Part Three).
  10. Look for leading lines in the landscape. Photography is the reproduction of a 3-dimensional scene into a 2-dimensional image or print. Strong leading lines will help you convey a sense of depth and help bring the image to life. Also use slow shutter speeds for clouds and water to help create a sense of movement that can also help bring a photograph to life.HMAS Penguin Pool

February Photo of the Month Winner: Chris Roberts

Congratulations to the second print winner ‘Chris Roberts’, for the photograph of the month for February 2015: ‘Arctic Fox Freeze’

What Chris said: The fox is beautifully isolated, in pristine snow, and I feel very cold just looking at him. He is clearly very much in his environment, and I’d love to know what he is looking at, and what he’s about to do.

Even at this distance on my computer, I can see that there is fine detail in his tail with the light dusting of snow on his body. I’d love to have the opportunity to see this beautiful and rare animal in the wild, but in the interim would be happy to view him in my home instead! A gorgeous capture, in what would have been very challenging conditions.Arctic Fox

Congratulations Chris, you were the first, and your print will be sent to you this week.

Keep an eye out on my blog for the next print giveaway with the March photograph of the month. Remember the best way to get instant updates is to subscribe via email.

2015 February Photograph of the Month: Arctic Fox Freeze – Win a Fine Art Print!

It feels appropriate that an Arctic fox photograph is the February photograph of the month given I will soon be headed back to Winter in Iceland to photograph one of my favourite Polar mammals – Perhaps Nature’s greatest survivor. This photograph, taken in the extreme northeast of Iceland last year during freezing sub zero temperatures was taken during a seven day expedition to the Hornstrandir Nature Reserve. This is an area of Iceland very rarely visited during the winter months. It is extremely remote, and only accessible via chartered boat ride (approximately fours north of Isafjord). It is logistically difficult to get there and special permission is required from the park ranger to undertake a winter expedition into the area. On top of that there is no infrastructure once you arrive and everything from food to satellite communication and survival gear must be carried in for the duration of the expedition. I love this photograph for both the pose of the fox, but also for the dusting of snow clinging to its coat and tail. There was a low fog when I took this image and in print you can actually see the exhale of breath from the fox.Arctic FoxDon’t forget! You can win a free 13″ x 19″ Win a Fine art Print of this photograph including shipping anywhere in the world. All you need do is to be the first to comment on this post on the home page with your thoughts on why you like this photograph or why you would like to own a print of the image and then share the post with your preferred social media outlet. Just keep in mind that due to my hectic travel schedule it may take me some time to make and post out each print so if you are the lucky winner for a given month I ask that you jut exercise a little patience and as soon as I am back in my studio in Australia and as soon as practical I will make the print and send it to you – free of charge. Each print will be made and personally signed by me with the same care and attention to detail I exercise on my large gallery prints. There will be a total of twelve prints to win throughout the calendar year. The first print was won by Fred Jennings and his print should be with him in the next few days – congratulations Fred!

Good luck and don’t forget in order to win the print you need to be the first to comment here on the home page on the February photograph of the Month for the 2015 calendar year with your thoughts on why you like the photograph or why you would like to own a print and to then share the post with your social media outlet of choice.

2015 – Packing for Yellowstone, Iceland and an Arctic Winter

It really is hard to believe that Christmas and New Year have come and gone and that in a few days time we will already be in February. In less than two weeks time I will be flying out of Australia on my first two workshops of the year – Yellowstone Winter Wonderland Experience and Iceland in Winter. I will also be spending time on a new scouting trip to the Arctic in Winter as well as my Arctic Fox project. It is going to be an exciting couple of months.

It has been nearly ten years since I was last in the United States and I am very much looking forward to returning and photographing in a Yellowstone Winter with a small group of great friends and passionate photographers. The Yellowstone workshop is about both wildlife and landscape opportunities and I am really excited about what we may encounter during our time in the park and surrounding areas. We are also visiting the Grand Tetons and National Elk Refuge at the end of our workshop.

After I finish in Yellowstone I am flying directly to Iceland to co-lead my annual 2015 Winter Aurora workshop with Daniel Bergmann. As I have written before Winter is wonderful in Iceland with snow covered landscapes, partially frozen waterfalls and with a little luck we will see and photograph the Aurora Borealis. We are focusing our efforts during this workshop on the landscapes of Southern Iceland and will be visiting many fantastic locations for photography in these areas including ice caves. The 2016 Winter workshop will focus on the Northern landscapes of Iceland. I opened the 2016 workshop for bookings a couple of days ago and there are now only a few places left before we will be sold out.Ice CaveAt the conclusion of the Winter Iceland workshop I am going to travel to Svalbard for a week long scouting expedition to photograph Polar Bears and Reindeer in winter light. This is a very exciting opportunity and I will have more to say about this expedition in a few weeks time.

After completing the Svalbard trip I will fly back to Iceland and spend a week and a half in the extreme northeast of the country photographing Arctic Foxes for my Arctic Fox Project. I will then fly back to Australia at the end of March.Arctic FoxAs is customary I like to do a packing list of what I am planning to take with me on these workshops and for my time away – it helps me make sure I have not forgotten anything. Unlike my 2014 Iceland Winter Workshop I am not heading to Namibia in Africa directly afterward and so can pack only cold weather clothing, leaving the shorts and sandals at home. In fact, given I am spending time in Yellowstone and the Arctic in Winter I will be packing all of my best cold weather clothing. I am expecting temperatures of -20º celsius and below in Yellowstone and Svalbard – Iceland should be a warm bath by comparison. My Sorell Caribou winter boots are currently in storage in Iceland so I intend to purchase a new pair of winter boots in Bozeman before we start our Yellowstone workshop.

In terms of camera gear I am packing the usual gear for this trip including two long lenses for wildlife. As much as I would also like to take my TSE lenses the reality is I simply do not have enough space and already have considerable weight to manage. On top of the below I am also packing the new Lens Coat 600mm F4 Camera backpack which I can use to store the 600mm when not in use. This clever new bag packs flat and takes up almost no room in my luggage.

– 2 x Canon 1DX bodies
– 1 x Canon 16-35mm F4L IS
– 1 x Canon 24-70mm F2.8L IS MK II
– 1 x Canon 70-200mm F2.8L IS MK II
– 1 x Canon 200-400mm F4L IS Lens with inbuilt 1.4X Teleconverter
– 1 x Canon 600mm F4L IS MKII
– 1 x Canon 1.4X MK III Teleconverter
– 1 x LEE Foundation Kit
– 1 x LEE Foundation Kit and Polariser
– 1 x LEE 3 Filter Lens Wrap
– 1 x LEE 3-Stop Soft Graduated ND Filter
– 1 x LEE 3-Stop Hard Graduated Filter
– 1 x LEE 6-Stop Little Stopper Neutral Density Filter
– LEE Adapter Rings for 77mm and 82mm
– 1 x Canon Drop-in Circular Polariser
– 1 x Leica Ultra-vid 10×42 HD Binoculars
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Gura Gear Chobe (Carry on Luggage)
– 1 x Apple MacBook Pro 15″ Retina
– 1 x Apple laptop charger
– 1 x Thunderbolt 1 TB external portable hard drive
– 1 x  USB CF card reader
– 1 x Sunglasses and sunglasses case
– 1 x Astell & Kern Hi-Rez Portable Audio Player
– 1 x Astell & Kern Charging Cable
– 1 x Inner Ear Stage Two Driver Headphones
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Etcetera Case #1 (Inside Chobe)
– 1 x Canon 1-Series camera charger
– 2 x Power Adapters
– 2 x Canon1DX spare Batteries
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North Face Rolling Thunder Duffle (Checked Luggage)
– 1 x Lens Coat 600mm Backpack
– 1 x Arćteryx Atom LT Hoody
– 1 x Arćteryx Atom LT Vest
– 1 x Arćteryx Cerres 850 Down Filled Jacket
– 1 x Arćteryx Kappa Pants
– 1 x Arćteryx Alpha SV Goretex Pro Bibs
– 1 x Arćteryx Alpha SV Goretex Jacket (Because at some point it will rain in Iceland)
– 1 x Arćteryx Gamma Pants
– 1 x Norona Svalbard Pants
– 1 x Devold Expedition Thermal Long Johns
– 2 x Devold Expedition Thermal Tops
– 1 x Scarpa Hiking Boots
– 1 x Shirt
– 2 x T-Shirts
– 1 x Jobu Deluxe Gimbal Head with Dovetail Base
– 1 x Petzl Headlamp
– 1 x Heat Company Heat 3 Cold Weather Gloves
– 1 x Really Right Stuff TVC24L Carbon Fibre Tripod with RRS Levelling Base
– 1 x Really Right Stuff Set Tripod Spikes and fitting Alan-key
– Personal Items
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Etcetera Case #2 (Inside North Face Duffle)
– 1 x Arctic Butterfly Sensor Cleaner
– 1 x Filter Wrench
– 1 x Zeiss Cleaning Fluid and Lens Cleaning Tissue
– 1 x Micro Fibre Lens Cloth
– 1 x Rocket Blower with Hepa-Filter
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If you are considering purchasing any of the above camera equipment for your own photography please consider doing so by clicking through this B&H Photo Link. This affiliate link helps me pay for some of the the costs of running this website.