Iceland the Frozen North Trip Report – February 2016

In late February and March this year I lead my annual winter workshop to Iceland with good friend Daniel Bergmann. For our 2016 workshop we decided to head north for the second part of our trip and spend more time in areas less often visited during the winter months. Heading north in winter is always a bit of a gamble in Iceland in winter. Roads are often closed due to winter snow storms and it is possible to get stuck up north if there are a few days of very bad weather. Thankfully, we were never trapped by the weather, although it did throw up a series of challenges throughout our workshop.IcelandWinter-4266-EditWe ended up loosing the better part of our last full day to a large winter storm that swept down from the Arctic that closed many of the mountain passes. The turn in weather necessitated a hasty retreat from the north a day earlier than we had originally planned. The weather was dramatic, but problematic for photography on occasion. The high winds did give us some pretty dramatic opportunities on the peninsula near Keflavik where we spent our last two nights.

During our winter trip we had a small window of opportunity for Aurora Borealis (northern lights) whilst we were at Jökulsarlon glacial lagoon and again in the north near Myvatn. Our opportunity at Jökulsarlon was somewhat anticlimactic due to heavy cloud cover that obscured the best display. Our chance was better in the north with a faint display during mostly clear skies. If you haven’t photographed the Aurora before it can be an incredibly exciting experience. The camera sees and captures a great deal more colour than the naked eye – so even a faint display can yield some very impressive results in camera.

One of the participants (James Shih) on this years winter trip has published a day by day account of our workshop – included Below. To see James’s images from the trip please visit his blog. I am still sorting through and processing my own photographs from the trip – a few of which are included below with James’s text. You can also watch a short video James put together on Vimeo of his Aurora images.

Iceland Winter Workshop Report by James Shih – Photographs Joshua Holko

(Editors Note: Apologies for the grammar in the below report – it has been translated rom Taiwanese into English by Google Translate). Our group was led by the Australian awarded photographer Mr. Joshua Holko and experienced Iceland photographer Mr. Daniel Bergmann in a small group of 12 photographers, with nationality of Australia、Great Britain、USA、Germany、Canada、Hong Kong and Taiwan,  We visited many winter famous photography spots, including the frozen beach, sunrise and sunset, glaciers lakes of icebergs frozen waterfalls, of course we have also seen the beautiful northern light activities. We took our time to shoot during the 9 days travel, we got some important key points before each shooting event, so the efficiency of photography shooting can be retained, as the member of the group are all experienced photographers, we shared each other with the experiences and equipment, and could enjoy each event, I could feel the strong passion and the spirit of hard job among all of us, looked like treating the photography as part of our living, we harvested by learning with one another and exchange the viewpoints of the advanced equipment, to learn the knowledge of the composition and shooting skill from the other people are the most precious memory. IcelandWinter-4186Day one:  In the morning around 10 o’clock I was collected from the hotel, the transportation is a Mercedes medium vehicle with capacity of total 14 passengers, we started from Reykjavik drove to the east in the southern coast, arrived a port called “Vik”, we shot the famous the three rocks and the frozen beach. After lunch we went to the other side of the beach in the morning, to shoot the sunset and huge waves under the cliff, the sun sometimes showed its face through the clouds, which a treacherous mood aroused among clouds.

Day two:  we got up early for the shooting of the “Cascadas Skogafoss” waterfall, which the water running swiftly down from over 60 meters cliff impacts the viewers, group leaders advised to move rapidly if we would like to shoot some clean waterfall images, because there can be many travel groups in front of the waterfall in anytime (and it was then). Afterwards we arrived the famous glaciers of Iceland, the “Jokulsarlon” lagoon, we would stay 3 nights in this area, we had some shoots of the icebergs along the lakes, there were some sea birds and seals spreading on the ice, the weather was getting unstable as we moved to the other side of the lagoon. We then went to an ice cave, when we crouched in, an ice roof formed by the blue frozen ice revealed, we shot some amazing detailed texture of the ice roof. IcelandWinter-4124(Editors Note: We also had a good deal of fun with photographing a frozen iceman in the caves).IcelandWinter-4135Day three:  we came again to the lagoon but the weather again not stable with small rain, we went to the sea shore close to the lagoon and had some shoots of the wave, by a long exposure about 1-4 seconds of shutter speed, the wave slapped the icebergs turned beautify milky sheets prints on the sea shore. We planned to see the northern lights in the evening, but because of the heavy clouds there was a small aurora activities around mid night, so went back late with nothing.IcelandWinter-4196Day four:  we started late this morning because of the late came back last evening, today we arrived the “Hvannadalshnukun” national park of volcano, the sun coming out now and then, we had shoots of the blue glacier rocks and closing shoot of the texture by telescope lens, because the bad weather we stayed in the hotel to manage our photos for the rest of the day.

Day five:  we came again to the sea shore closing to the “Jokulsarlon” lagoon, there were several big or small icebergs spreading along the winter sea shore, again shot the long exposure images to express the beauty which has no replacement by nature. After lunch we kept east to the port town “Breithdalsvik” where we will shoot sunrise tomorrow morning. IcelandWinter-4201

Day six:  In the morning we started at 6:45 before breakfast, drove about 40 minutes to a valley that scattered with lots of small streams, the morning just broken the peak of the mountains turning orange from the cold blue as the daylight brighter and brighter, we took pictures with both wide angle and tele lens, which gave different mood of the landscape. After the breakfast we moved to shoot the volcano sites which were full of the underground heats and the smell of sulphur in the air, to shoot with long exposure shutter, the heavy smoke soaring to the sky turned out to be a great view. When we came back to the hotel, the sunset view by the lake can’t be missed of its calm and beauty by long exposure, even the sky has been dark but the reflection of residual light against the snowing ground still kept it bright.IcelandWinter-4349-EditDay seven:  Today we started at 10:00 in the morning heading for the “Godafoss” waterfall, which is the most famous waterfall in Iceland, the name of the waterfall is according to the history, that the predecessor of the Icelander decided to have the religion of Christ, and threw the symbol of many other gods to the waterfall. The waterfall are composed by 3 sections, you could already feel its magnificent from far, when approaching close, we felt a huge air stream with water against, the water rumbling down from a height of 12 meters cliff, we should wipe the lens from time to time to have a clear image, the sun was shining occasionally provided a slice of gold light in the waterfall, I tried some fish-eye shoots gave a different prospect, the selection of the foreground should be a key in this landscape shooting. After lunch on the way back we took some images of the snow landscape with bushes, the dark color of the bush against the snow providing high contrast can be good for B&W photos, we met by chance a group of horses, a white one was curious of our presence and came approaching as our model. After dinner the sky getting clear, around 9:00 we found the aurora activities along the lakeside from dimming and getting brighter and brighter, a duration of about 3 hours till midnight, I set the exposure as f/2.8, ISO 800-1600(most of the time), shutter was from 5 to 10 seconds, but to adjust according to the brightness of the aurora is needed. Godafoss in Winter from the top of the fallsDay eight:  Today after breakfast we drove back to the Reykjavik peninsular, the weather forecasting warned a dangerous strong wind were presented, it was nearly not possible for a photography activities.

Day nine:  The weather was not on our side again today, there were small raining except the strong wind. After lunch we have arrived a rock sea shore along the peninsula, no tripod possible with such a strong wind situation, we wanted to shoot some sunset landscape, but the water wetting the lens and nearly couldn’t get a clear images, may be you can enjoy more for a summer Iceland I thought. We had a great dinner of farewell afterwards.

Day ten: the whole journey ended today and say good-bye with one another and hope to see again someday.

Iceland in winter can be quite challenging with weather, but the opportunities in a snow covered landscape can be exceedingly beautiful. Daniel Bergmann and I will be running our annual winter trip again in 2017 and bookings are now open. Just drop me an email if you would like to join us.Iceland-7629-Edit

Book Review: Outdoor Photographer of the Year Portfolio One

Outdoor Photographer of the Year has released a brand new hardcover book of the best photographs from the 2015 Outdoor Photographer of the Year Competition. The book includes all of the winning, commended and selected entries with contributions from entrants based all over the world. I am pleased to say that the book also includes three of my photographs from the final round of judging. Presented in hardback with dust jacket the book is over 200 pages and can now be ordered online.OPOTY CoverThe book is divided up into the seperate competition categories. The layout is logical and the photographs have been nicely matched on facing pages. My review of this book is not based on the inclusion of three of my photographs and I would feel the same way about this book regardless of their inclusion or exclusion.

Presentation: The Outdoor Photographer of the Year Portfolio One is in square format in hardcover with dust jacket. The square format was the perfect choice for the broad range of different photo ratios that needed to be included. The presentation is simple and elegant. The paper is a light – medium weight semi-gloss lustre that works well for the broad genre of images included in the book. Although I personally prefer art papers to lustre papers it was a wise decision to choose a paper that conformed to the broad range of genres in this book and that has a deep d-max. The majority of the included photographs are printed with a white paper border to help frame and contain the image and keep the eye from running off the page. There are a few full bleed images and these do help break up the book (although I do prefer white borders). The photographers name is included next to each image, along with their nationality and a short statement about the photograph. Overall, the presentation is clean, thoughtfully laid out and does justice to the photographs.

Print Quality: When I ordered a copy of the Outdoor Photographer of the Year Portfolio One book I was slightly worried that the print quality might not be up to standard (as is so often the case with books that encompass a collection of photographs from competition). I was very pleasantly surprised to find my fears ungrounded. The print quality is about as good as one could hope for. As I reviewed perviously – the 2014 APPA Gold Book is the gold standard in print quality surpassing anything I have yet seen from an offset printer. Outdoor Photographer of the Year Portfolio One isn’t quite up to the same lofty print standard as the APPA Gold book, but it is truly excellent and the publishers are to be commended for producing such quality reproductions.

Conclusion: It is hard not to give this book five stars based on all of the award winning photography included, but in the end I felt somewhat conflicted giving a book five stars that includes three of my own photographs. I am therefore going to give it four stars and recommend that you strongly consider adding this book to your photographic library. If you are a Nature photographer then there is quite literally something for just about every sub genre under the Nature banner. Secondly, every one of the images in this book either won an award or was highly commended in the Outdoor Photographer of the Year Competition. Finally the print quality is excellent and really does justice to the photographs. I recommend you consider purchasing a copy of this book for your library. Not only is it an excellent resource and reference to have on hand by which to evaluate your own work, but it is also contains a hefty dose of inspiration. **** You should own this book and consider it an important part of your photography library.

AIPP Epson Victorian Professional Photography Awards 2016

The AIPP 2016 Epson Victorian Professional Photography Awards were held here in Melbourne Victoria in February this year. This was the first time in several years that I was unable to attend due to overseas workshop and expedition commitments. Truth be told, I actually hadn’t planned to enter this year. My schedule has been so hectic that I really didn’t have ample time to devote to making prints for the awards. I felt a bit guilty about not entering at the last minute as print competitions are near and dear to my heart and I want to support the local industry and the AIPP. So in the end I opted to enter a finished print from the 2015 APPA awards along with seven other prints that I had been working on and felt were in varying stages of being finished. I split the prints across the Science, Wildlife and Wild Places category and the Documentary category. I was pleasantly surprised to find on my return that not only had the majority of the prints scored Silver or Silver with Distinction awards, but that I was also a finalist in both the categories.

What caught my attention this year on my return to Australia was that a print I previously entered at the National Level in the 2015 APPA Australian Professional Photography Awards that had scored a high Silver with Distinction (falling just short of Gold) (and was part of the winning portfolio for 2015 Global Arctic Photographer of the Year) only scored a Silver at the State level (go figure..) Just goes to show how subjective awards can be at times. The awarded images are included below:Svalbard-9725-Edit _H9P15170-Edit Antarctica-2358-Edit Antarctica2015-5548-Edit Antarctica2015-6409-Edit SouthGeorgia2015-8184-Edit SouthGeorgia2015-8201-Edit Svalbard-8616-Edit-2

 

Namibia Overland Safari Workshop Complete

Last night I wrapped up my 2016 Namibia Desert overland Safari and I am now making the long journey back to Australia (currently at the airport lounge in Windhoek). I have been on the road since early February with back-to-back workshops and expeditions to the Weddell Sea in Antarctica, Iceland in Winter, the Iceland Arctic Fox Project, Lofoten in Winter and finally Namibia.  This time away amounted to twenty four flight sections and an awful lot of miles travelled. I am now very much looking forward to a couple of weeks at home before I head to the South Island of New Zealand for my Masterclass workshop.

As is always the case it is going to be many weeks before I can sort through all the photographs I made during these trips, edit and process my selects and share them on my website and social media. My priority is actually to now finish my work on the Arctic Fox Project and have the book ready for release later this year (I will also be formally announcing a new gallery showing of this work). In the meantime I hope you enjoy this image from  the abandoned diamond town at Kolmonskop in Namibia. See you back in Australia.Kolmonskop

Arctic Fox Project – Behind the Scenes

A little over two weeks ago I wrapped up my winter photographic project on the Arctic Fox in the remote north east of Iceland. The project has spanned the last three winters with the final intent being a book to be released later this year. A portfolio of prints from the project is available now for purchase on my website. A behind the scenes video snippet from one of the last days on the project is included below. Just click on the image below to play the video. Full behind the scenes footage coming soon.

ArcticFoxVideoDaniel Bergmann and I also wrapped up our 2016 Iceland Winter Workshop a couple of days ago (full report coming soon). We had a mix of dramatic and challenging weather during the trip; as is often the norm for Iceland in winter.

I am now in the Lofoten Islands in Norway where I will be co-leading a nine day workshop for landscape photography with my friend Martyn Lucas. We are kicking off in the next couple of days and are looking forward to dramatic winter landscapes and possibly even some Aurora Borealis if conditions permit.