Polar Bears of Svalbard Expedition July 25th – August 4th 2017 Single Place Availability

There is now only a single place available on my Polar Bears of Svalbard expedition this July before the expedition will be sold out (Read the report from last years expedition). The expedition runs from the 25th of July until the 4th of August and is strictly limited to twelve participants – one place remaining only.

The High Arctic is a place to inspire the imagination. Nowhere is it more accessible than the Norwegian archipelago of Svalbard, located deep within the Arctic Circle. Nowhere else can the Polar Bear be seen more reliably in its natural habitat, and photographing these magnificent animals will be our main objective. We will also search for walrus and the other wildlife of the region. Dramatic glaciers, plunging cliffs and beautiful drift ice formations will be present as well.Our intention is to sail directly north from the small town of Longyearbyen in Svalbard to approximately 80o degrees north, to the very edge of the permanent pack ice. At our northerly most point we will likely be less than 600 miles from the North Pole and depending on the sea ice we may get even closer. We will be using the ice hardened expedition ship M.S Origo that will enable us to skirt the edge of the pack ice searching for and photographing Polar Bears. M.S Origo is widely regarded as the best ship in the Arctic for Polar Bear Photography. With low-lying decks and operable portholes a mere 60cm above the water line we can photograph at eye level with wild Polar Bears. Our expedition ship is also equipped with sufficient zodiacs (2 x Zodiac MKV models) and crew for all photographers to be shooting simultaneously with plenty of room to spare for camera equipment – So bring what you need!Watch the expedition video ‘Kingdom of the Ice Bear’ to get an idea of what this expedition entails.If you are excited by the idea of traveling to the edge of the permanent pack ice to photograph Polar Bears in their natural environment with a small group of dedicated photographers now is the time to secure the very last place. You can download a detailed PDF itinerary HERE.

New Zealand 2017 South Island Masterclass Workshop

It is hard to believe that in just a few days I will be leaving Australia again and making the short hop across the pond to the South Island of New Zealand for my sold out 2017 Masterclass workshop (it really does feel like I just arrived home from winter in the Arctic). Much of what I was hoping to accomplish in terms of post production, printing and office work before I left for New Zealand is  still residing in my inbox; where it will now stay until sometime in June when I return from my Puffin Workshop in Iceland (after I finish in New Zealand I will guide a small private tour through Tasmania before I head straight to Iceland). I have found time to process and print a few of my favourite images from Svalbard this winter, but I have only just begun to scratch the surface.

As is traditional, I like to post a packing post of what equipment I am planning to carry and use during the workshop. For my Masterclass workshop this year I have decided to travel super light (first time for everything!) and only take a very limited selection of equipment. This particular workshop is solely about landscape photography so there is little need for big heavy telephoto lenses or high speed cameras. Truth be told, I am actually really looking forward to travelling with such a  light load for a change (I will have plenty of heavier equipment when I head back to Iceland for the Puffins).

For New Zealand I have decided to take both my tilt and shift lenses (17mm and 24mm) instead of  a wide angle zoom. I have found in recent times I prefer the movements of the tilt/shift lenses to the flexibility of a zoom lens when I am working from tripod. It is a trade off I find acceptable when I am predominately working with landscape on a tripod. Although we have quite a bit of aerial photography from helicopter planned for this workshop experience has shown me that 24-70mm is usually a better focal length than 16-35mm for this sort of work.

My camera bag for this trip is actually a small non-dedicated backpack that I can easily accomodate my equipment in and still have room for filters, a rain jacket and accessories.

Camera Backpack (Carry on Luggage)

– 1 x Canon EOS 5DSR body with two spare batteries and RRS L Bracket
– 1 x Canon 17mm TSE Lens
– 1 x Canon 24mm TSE lens
– 1 x Canon 24-70mm F2.8L IS MKII Lens
– 1 x Canon 70-200mm F2.8L IS MK II Lens
– 1 x Canon 104 Teleconverter MKIII
– 1 x LEE Filter Kit includes: Graduated ND and ND Filters / Holder and Accessories
Gura Gear Chobe (Carry on Luggage)
– 1 x Apple MacBook Pro 15″ Retina
– 1 x Apple laptop charger
– 2 x Sandisk Extreme 2TB SSD Drives
– 1 x  USB CF card reader
– 1 x Sunglasses and sunglasses case
– 1 x iPad Pro 9.7″ Tablet
Tripod (checked Luggage)
– 1 x RRS 3-Series Tripod
– 1 x Arca Swiss D4 Geared Tripod Head

There is one other important piece of documentation I will be taking with me on this expedition and that is an Australian Customs Declaration form. If you are travelling internationally from Australia you can read about the benefit arming yourself with this documentation HERE.

For the astute readers amongst you; you may have picked up that after I finish in the South Island I will be running a private trip to Tasmania. This Tasmania trip will be something I am offering in May 2019 for a small group of just six photographers. The workshop will take in iconic areas such as the Cradle Mountain National Park, Freycinet National Park, The Wild West Coast and much more. I will have more details later this year – but you are welcome to register your interest to be amongst the first to be notified when details are finalised (no obligation at this point). See you in New Zealand!

 

Melrakki Arctic Fox 2018 Calendars Now Available

After many requests for a calendar for the Melrakki project (recently reviewed on the Luminous Landscape) I am extremely pleased to announce that calendars are now available for order directly from my website at www.jhoko.com for the coming 2018 year. Printed in Australia by the Nulab Group the calendars measure 42xm x 30cm closed and 84cm x 30cm open and are spiral bound. The calendars are printed on the highest quality stock with a gloss laminate using the HP Indego printer process. The front cover includes an Arctic Fox logo cut out reveal and each month includes one photograph from the project as well as select project notes from the Limited Edition book. The Melrakki calendar is now available to order for $80 plus postage and handling.

Lofoten Winter February 2018 Workshop Announcement

In February next year I will lead a winter landscape workshop to the spectacular Lofoten Islands in Norway with long time good friend and fellow landscape photographer Martyn Lucas. If you are unfamiliar with Lofoten let me assure you that the landscape of these islands is really quite something to behold. Precipitous and ominous peaks that rise straight out of the ocean loom over small fishing villages that comprise of bright red houses lining the shorelines. With a dusting of fresh snow and arctic winter light the entire scene is akin to a fairy tail location and subsequently the photographic opportunities can be truly superb.The Lofoten Islands are approximately 100 miles north of the Arctic Circle, west of Norway. Lofoten’s natural beauty, with incredible mountains and magnificent fjords offers our small, and intimate group (maximum six participants plus leaders – only 3 places remaining before it will be sold out) a chance to explore these remarkable and unique landscapes and seascapes. The breathtaking village of Reine on the island of Moskenesoya will be our base for six nights situated in some of the most picturesque mountain scenery rising precipitously out of the fjords. Reine has often been described as one of the most beautiful places on earth. If we are lucky and blessed with clear skies, we will be able to witness the Aurora Borealis and the magic of the Northern Lights as they flicker across the night skies. Besides the incredible wealth of photographic locations in the vicinity of Reine, we will use the local Fjordskyss ferry service to Vinstad and to the tiny hamlet of Kjerkfjorden, both of which are surrounded by towering granite mountains. Our private transportation will allow to access some of the iconic beaches near Leknes which might be covered in snow.Our home away from home while on Lofoten and in Reine, will be a quaint and venerable traditional house (built in 1906) which makes it a very cosy, but basic place that we will have all to ourselves. All guests of the house share one bathroom. Additionally, we will also have the use of a Rorbu, a style of housing historically associated with seamen now converted into homely accommodations complete with private bathroom and small kitchen. Our second base for two nights is Leknes where we will stay at a comfortable hotel. From here we can easily access the beautiful coastal beaches of Utaklieve, Haukland and Skagsanden.

During February, the days are short with sunrise at approximately 8:25am and sunset around 4:15pm. Given our northern location, the sun will be low in the sky providing soft, magnificent light conditions, for all day photography.

During our workshop we are also very likely to experience and photograph the Aurora Borealis (northern lights). Lofoten is blessed with fantastic mountains that rise almost vertically straight out of the ocean and that make for a superb back drop for the Aurora. As is always the case with Aurora photography the real key to getting interesting photographs is to try and include some sort of foreground and background elements. There is a temptation to focus entirely on the Aurora itself when photographing the northern lights and it is easy to be seduced by the colour and activity alone. The solution is to try and photograph the lights in the context of the environment around you. Much like wildlife, where the key is to place the animal in context; you need to put the Aurora into context with its surroundings. During this workshop we will be visiting very specific locations where we know from experience it is possible to get fabulous foreground. We will be providing hands on instruction on how to set up your camera for Aurora photography as well as how to compose and post process Aurora photographs.

Lofoten-0431-EditBeing surrounded by water Lofoten offers  great opportunities for seascape photography at just about every turn and we plan to take advantage of this by visiting and photographing many different beaches and areas of coastline. Much of the coastline is rocky or dotted with large boulders (JCB’s – Otherwise known as Joe Cornish Boulders) which provides limitless opportunities for foreground interest. Many of the beaches are also very accessible and only a short walk from car parks or pull off areas. We plan to spend quite a lot time exploring and photographing various areas of coastline.  In the right conditions, Lofoten in winter also has the added benefit of snow down to sea level for even more interest.Lofoten-4973-EditIt is worth noting that Lofoten isn’t just about landscape photography. During this workshop we will also take a private charter boat out to photograph White-Tailed Sea Eagles fishing off the coastline. The opportunity to photograph these remarkable raptors up close is not something to be missed.Lofoten-1554-EditFrom the moment the workshop begins in Leknes, Lofoten until it ends 9 days later, all costs are included – transportation, food, drinks (excluding alcoholic beverages), and accommodation based on a single room per person. If you have special dietary requirements you will be accommodated – please be sure to advise when booking. Packed lunches will be taken in the eld and we suggest you bring a thermos ask for soup, coffee or tea.

This is a unique opportunity to travel and photograph with two experienced professionals who have a combined total of more than 40 years of photographic experience and can take you to the best locations that are off the beaten track, and at the right time – when the light is best.

WORKSHOP AT A GLANCE

Dates: 10-02-2018 until the 18-02-2018
Duration: 8 Nights / 9 Days
Participants: Maximum 6 Photographers plus leaders Investment: $7,450 USD (only three places remaining)

Start: Town of Leknes in the Lofoten Islands Norway Finish: Leknes Airport Lofoten Islands Norway
Trip Leader: Joshua Holko
Trip Guide: Martyn Lucas

Trip Highlights: Stunning Mountains, Incredible Vistas and Landscape scenery, Aurora Borealis (Northern Lights), White-tailed Sea Eagles and small group size

If you are interested in joining this workshop or if you would like additional information please do not hesitate to drop me an email. Places are filled strictly on a first come first served basis.

AIPP Epson Victorian Professional Photography Awards 2017 – Documentary Winner

The AIPP 2017 Epson Victorian Professional Photography Awards were held in Melbourne Victoria this past week. This was the second time in a row I have been unable to attend due to overseas workshop and expedition commitments. I am actually still currently in Svalbard and have just wrapped up seven days of filming on a snow mobile expedition in the Arctic in winter for a new documentary that will be released later this year on polar photography (more on this later – a quick behind the scenes image below). This year for the VPPY awards, I split my print entries across the Documentary and Science, Wildlife and Wild Places categories. I was very pleased to receive word a couple of days ago that not only had the majority of my prints been awarded Silver or Silver with Distinction awards, but that I was also the honoured as the overall winner for the EPSON Victorian 2017 Professional Documentary Photographer of the Year as well as being a finalist in the Science, Wildlife and Wild Places category. I have previously won the Science, Wildlife and Wild Places category in 2014 and was also a finalist in 2015 and 2016.

From my previous post on these awards: The AIPP National and State awards are two of the few remaining competitions to actually judge the finished print and they do so using a panel of judges all deemed experts in their respective genres and accredited as Masters of Photography through their years of success in this arena. Prints are judged in a controlled lighting environment and assessed for their content, originality as well as technical craftsmanship. The judging is enthralling to watch and can be quite nerve wracking if you are a first time entrant as the standard of work is incredibly high. 

All of the prints were printed on Moab Somerset Museum Rag. This wonderful paper has continued to remain my all-time favourite stock for fine art photography prints.

Now its time to put the 2017 VPPY Awards behind me and get some much needed rest. In just a few hours time I will be leaving Longyearbyen to embark on my Winter Svalbard Expedition. If you are interested in travelling and photographing in the Arctic in winter and experiencing what this incredible part of the world has to offer then you can read more about this expedition HERE.